On Fri 23 Sep 2011, 09:07 David Nalesnik wrote:
I was experimenting with this approach, but 'padding doesn't seem to respond
when set to a procedure. In the following snippet, the first override
works, the second doesn't. Am I missing something?
\version 2.14.2
{
\once \override
I second that - for Jazz use, the cord symbols are sometimes, well, not
optimal. Given that chord symbols are not/hardly used in classics, it
would be a good idea to adjust them more to the requirements of pop
music in general.
However, those requirements are far from being homogenous. Already
Hello,
I'm currently looking into typesetting an old piece, which has a
\fermata over a combination of r16 r8.
I've tried { r16 r8 }\fermata, but that gets flagged as an error.
Is there a way to typeset that, and would the above example be a nice
addition for improvement?
Christ van Willegen
Christ van Willegen cvwille...@gmail.com writes:
Hello,
I'm currently looking into typesetting an old piece, which has a
\fermata over a combination of r16 r8.
I've tried { r16 r8 }\fermata, but that gets flagged as an error.
Is there a way to typeset that, and would the above example be
I'm setting Bach's BWV853 (Prelude from WTC 1), using showLastLength to
just engrave the last six bars added, and as I add bars I'm getting
warnings about unterminated ties that come and go as the bars are added.
The reason I say the warning is bogus is because there are no ties
across
On Sep 26, 2011, at 11:27 AM, Nick Payne wrote:
I'm setting Bach's BWV853 (Prelude from WTC 1), using showLastLength to just
engrave the last six bars added, and as I add bars I'm getting warnings
about unterminated ties that come and go as the bars are added. The reason I
say the warning
On Mon, Sep 26, 2011 at 11:15, David Kastrup d...@gnu.org wrote:
I've tried { r16 r8 }\fermata, but that gets flagged as an error.
Is there a way to typeset that, and would the above example be a nice
addition for improvement?
Try something like r16*1/2 s16*1/2 \fermata r8
That way, the
On 26/09/11 19:38, m...@apollinemike.com wrote:
On Sep 26, 2011, at 11:27 AM, Nick Payne wrote:
I'm setting Bach's BWV853 (Prelude from WTC 1), using showLastLength to just
engrave the last six bars added, and as I add bars I'm getting warnings about
unterminated ties that come and go as
Hello,
On Mon, Sep 26, 2011 at 4:32 AM, Louis Guillaume lo...@zabrico.com wrote:
Hi,
This may be a FAQ but I can't find definitive answers by googling.
I'm looking for more control over chord symbols.
For the most part - what I'm looking for is something close to what we see
in the Real
On 9/25/11 3:46 PM, Janek Warchoł janek.lilyp...@gmail.com wrote:
W dniu 25 września 2011 23:33 użytkownik Carl Sorensen
c_soren...@byu.edu napisał:
On 9/25/11 2:48 PM, Janek Warchoł janek.lilyp...@gmail.com wrote:
Our beaming really needs some improvements.
Please post the problems
Christ van Willegen cvwille...@gmail.com writes:
On Mon, Sep 26, 2011 at 11:15, David Kastrup d...@gnu.org wrote:
I've tried { r16 r8 }\fermata, but that gets flagged as an error.
Is there a way to typeset that, and would the above example be a nice
addition for improvement?
Try something
Hi Nick,
Am Monday, 26. September 2011, 11:27:01 schrieb Nick Payne:
I'm setting Bach's BWV853 (Prelude from WTC 1), using showLastLength to
just engrave the last six bars added, and as I add bars I'm getting
warnings about unterminated ties that come and go as the bars are added.
The reason
On Sep 26, 2011, at 12:31 AM, Graham Percival gra...@percival-music.ca wrote:
There are darwin-ppc and darwin-x86 binaries here:
http://lilypond.org/~graham/
There is one report that the x86 version fails to work on 10.5.8,
which seems odd since I would have expected more complaints if
I'm a composer that has been using Finale for around 10 years, but recently
switched to Lilypond almost exclusively. The reasons for my switch are
numerous, including that I run Linux, Lilypond's beautiful engraving, and
the natural way Lilypond supports a variety of extended notations. I've been
On Sep 25, 2011, at 10:50 AM, Shevek wrote:
I'm a composer that has been using Finale for around 10 years, but recently
switched to Lilypond almost exclusively. The reasons for my switch are
numerous, including that I run Linux, Lilypond's beautiful engraving, and
the natural way Lilypond
Hi Lilypond people --
I just finished up a 2 year Master Certification program through
Berklee Music, the program being Orchestration for Film TV. I used
Lilypond for all 8 of the courses I took, having made the switch a
couple of years ago away from Finale and Geniesoft Overture (I used
Linux,
On Mon, Sep 26, 2011 at 13:37, David Kastrup d...@gnu.org wrote:
Christ van Willegen cvwille...@gmail.com writes:
If there were a break between the two rests, that would not look good.
Why would there be a break?
Because, uhm, I would put one there, because it wouldn't automatically
be broken
Hi Brett,
1. Congratulations!
2. Thanks for reporting back to us on your Lilyvangelism!
3. I'm very interested in talking with you [offline] about your experience at
Berklee.
Cheers,
Kieren.
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On Mon, Sep 26, 2011 at 10:25 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
1. Congratulations!
2. Thanks for reporting back to us on your Lilyvangelism!
3. I'm very interested in talking with you [offline] about your experience at
Berklee.
Thanks and certainly, feel free to
2011/9/26 Kieren MacMillan kieren_macmil...@sympatico.ca:
Hi Brett,
1. Congratulations!
+1
2. Thanks for reporting back to us on your Lilyvangelism!
+1
:)
cheers,
Janek
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Hello
At [1] you can find the images of the engraving process of one
transcription I did. The Lilypond source file is available at [2] and if
you prefer the PDF version, it is available at [3].
In this engraving I do not like the amount of space between the two
systems. I understand that
2011/9/26 Alberto Simões al...@alfarrabio.di.uminho.pt:
Hello
At [1] you can find the images of the engraving process of one transcription
I did. The Lilypond source file is available at [2] and if you prefer the
PDF version, it is available at [3].
In this engraving I do not like the
Am Montag, 26. September 2011, 18:11:50 schrieb Alberto Simões:
Hello
At [1] you can find the images of the engraving process of one
transcription I did. The Lilypond source file is available at [2] and if
you prefer the PDF version, it is available at [3].
In this engraving I do not like
Am Montag, 26. September 2011, 18:25:29 schrieb Janek Warchoł:
I'd put it differently: there's not much LilyPond *cannot* do.
For starters, add
ragged-bottom = ##t
to your paper block.
Then, read
http://www.lilypond.org/doc/v2.14/Documentation/notation/flexible-vertical
Reinhold Kainhofer reinhold at kainhofer.com writes:
The default settings of lilypond simply look ugly.
I know! The developers who know choral music must have been out to lunch!
To see my values, go to ...
Oh no! My eyes! They have melted!
Just kidding.
Your more stretchable last-bottom
On 26/09/11 21:47, Reinhold Kainhofer wrote:
Hi Nick,
Am Monday, 26. September 2011, 11:27:01 schrieb Nick Payne:
I'm setting Bach's BWV853 (Prelude from WTC 1), using showLastLength to
just engrave the last six bars added, and as I add bars I'm getting
warnings about unterminated ties that
Janek Warchoł janek.lilypond at gmail.com writes:
For starters, add
ragged-bottom = ##t
to your paper block.
Then, read http://www.lilypond.org/doc/v2.14/Documentation/notation/flexible-
vertical-spacing-_005cpaper-variables
(notice that the documentation is about current stable version -
2011/9/26 Reinhold Kainhofer reinh...@kainhofer.com:
Am Montag, 26. September 2011, 18:11:50 schrieb Alberto Simões:
Hello
At [1] you can find the images of the engraving process of one
transcription I did. The Lilypond source file is available at [2] and if
you prefer the PDF version, it is
On 26/09/2011 22:01, Keith OHara wrote:
Janek Warchołjanek.lilypondat gmail.com writes:
For starters, add
ragged-bottom = ##t
to your paper block.
Then, read http://www.lilypond.org/doc/v2.14/Documentation/notation/flexible-
vertical-spacing-_005cpaper-variables
(notice that the
On Sep 26, 2011, at 12:31 AM, Graham Percival wrote:
There are darwin-ppc and darwin-x86 binaries here:
http://lilypond.org/~graham/
There is one report that the x86 version fails to work on 10.5.8,
which seems odd since I would have expected more complaints if
that was the case. If you have
Hi,
I do occasional jazz lead sheets in LilyPond, and I've found the
following code sufficient for my needs:
% begin %
raisedSharp = \markup \raise #0.6 \sharp
chExceptionMusic = {
% Major
c e g1-\markup
c e g a1-\markup \small 6
c e g a d'1-\markup \small {
\override
Using these two commands together causes the merged heads of half notes
to get filled in, so that the half note looks like a quarter note. Is
this an unintended side-effect or expected behaviour?
%===
\version 2.15.12
\relative c'' {
\mergeDifferentlyHeadedOn
{ a16
on 2011-09-25 at 20:27 David Nalesnik wrote:
Good idea.
like wow, i couldn't expect that my original post would trigger all this
thread (most of it way over my head, i'm afraid...)
thank you all!
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hello list,
i'm making clean copies of transcriptions i made from recordings of a
traditional drum. it's only one instrument, and the notation is in one
two-line staff. i haven't tweaked the vertical spacing between systems,
and i'm happy with the default results.
but now i added an extra
Nick Payne nick.payne at internode.on.net writes:
Using these two commands together causes the merged heads of half notes
to get filled in, so that the half note looks like a quarter note. Is
this an unintended side-effect or expected behaviour?
I'd say an expected side-effect.
Merely
Shevek saul at saultobin.com writes:
One thing that I have had trouble figuring out, though,
is the best way to do divisi string writing in Lilypond.
I find it awkward to split the music among variables, so I learned to use
the \tag system to mark different formatting options for part or
Greetings!
Having read the posts about this, and assuming you have upgraded to
v14., I can offer the paper-block below, which can be pasted into your
.ly file.
I think the values chosen give a reasonable on-page appearance...
Thanks to Reinhold Kainhofer for allowing us use of his code from
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