On Tue, Apr 24, 2012 at 21:31, Helge Kruse helge.kruse-nos...@gmx.net wrote:
Thanks to all for the answer. I wasn't aware of the transposed notation
praxis for this instrument. So I think it will be best to write the actual
notes as they should appear on the sheet. This can make discussions
On Tue, Apr 24, 2012 at 15:44, Timothy Reeves timothyrree...@gmail.com wrote:
I've played horn for a while (albeit for only a third of a century not a
full half century ;) and I would say that while you *may* write it with no
key signature and accidentals where needed, it is not expected by
Even though I do understand the nature of the valveless horn, I do not
see why one omits the key signature today. Just tradition doesn't really
explain it. Could someone clarify this? Here's how I understand it so
far:
On the valveless horn you change crooks to give the instrument a
transposition
Hi list,
the shapeSlur function from the LSR
(http://lsr.dsi.unimi.it/LSR/Snippet?id=777) doesn't seem to work
anymore (at least for me).
That's the 'entrance' function:
shapeSlur =
#(define-music-function (parser location offsets)
(list?)
#{
\once \override
Hello Urs,
yes there was a syntax change:
you might try
shapeSlur = #(define-music-function (parser location offsets)(list?)
#{
\once \override Slur #'control-points = $(shape-slur offsets)
#})
Variables in musicfunctions now are available by there name without the
preceding $.
The
Thomas Ruedas rue...@dtm.ciw.edu writes:
Hi Kieren,
On 27/4/12 3:00 AM, Kieren MacMillan wrote:
I doubt that this new default behavior reflects common practice, though
As a pianist, I can tell you it absolutely does reflect common engraving
practice for piano staves: It is a very rare piano
Josiah Boothby josi...@gmail.com writes:
On Tue, Apr 24, 2012 at 21:31, Helge Kruse helge.kruse-nos...@gmx.net wrote:
Thanks to all for the answer. I wasn't aware of the transposed notation
praxis for this instrument. So I think it will be best to write the actual
notes as they should appear
Hello,
On 27 April 2012 02:42, Nick Payne nick.pa...@internode.on.net wrote:
The example below builds without error and gives the output I want. However,
if I include articulate.ly, then the output is garbaged even though I
haven't used \unfoldRepeats \articulate, and I get the following
James pkx1...@gmail.com writes:
This also occurs on 2.14.2. We've had some changes made to
articulate.ly recently for 2.15.x - phew! So this isn't a regression
in LP code.
articulate.ly is not really ported to the new way of working with
EventChord: it just converts the new representation to
Jan-Peter Voigt jp.vo...@gmx.de writes:
Hello Urs,
yes there was a syntax change:
you might try
shapeSlur = #(define-music-function (parser location offsets)(list?)
#{
\once \override Slur #'control-points = $(shape-slur offsets)
#})
I would write #(shape-slur offsets) here:
Hello Jan-Peter,
thank you very much.
This seems to solve the problem. Maybe it's not perfectly robust, though.
The function now works when the number of lists exactly matches the
number of slur fragments. I'm not sure if this has been the case earlier
or if it had been a little bit more
Hello David,
I would write #(shape-slur offsets) here: there is no need for an
immediate Scheme expression here (the point of $ over # is that the
syntactical function of the $ expression is determined by its expression
type, but here the syntactical function needed is Scheme anyway).
thank
On Fri, Apr 27, 2012 at 11:04:20AM +0200, David Kastrup wrote:
James pkx1...@gmail.com writes:
This also occurs on 2.14.2. We've had some changes made to
articulate.ly recently for 2.15.x - phew! So this isn't a regression
in LP code.
articulate.ly is not really ported to the new way
Hello list,
for some Books, I set the first page number to -1, to start page numbers
with the real music.
Now the PDF-internal links to the corresponding pages refer to the wrong
page:
If a tocItem displays page 8 it will open PDF-page 8 but that has the
printed page-number 6, if its started
On Fri, 27 Apr 2012 10:07:42 +0200
Jonas Olson jol...@kth.se wrote:
Even though I do understand the nature of the valveless horn, I do not
see why one omits the key signature today. Just tradition doesn't
really explain it. Could someone clarify this? Here's how I
understand it so far:
On
Hi Urs,
On Fri, Apr 27, 2012 at 4:23 AM, Urs Liska li...@ursliska.de wrote:
Hello Jan-Peter,
thank you very much.
This seems to solve the problem. Maybe it's not perfectly robust, though.
The function now works when the number of lists exactly matches the number
of slur fragments. I'm not
Hi Urs,
On Fri, Apr 27, 2012 at 6:51 AM, David Nalesnik david.nales...@gmail.comwrote:
Hi Urs,
I've rewritten shape-slur so that you should be able to use lists of
offsets which don't match with the number of slur fragments. I've tested
it somewhat, but if you run into a problem, let me
Hi Kieren,
On 27/4/12 3:41 AM, Kieren MacMillan wrote:
It should be easy to define a custom context (e.g. MultiStaffPiano) to behave
this way — perhaps when you've got it worked out as you think it should behave,
you can add it to the codebase?
I would like to, but I guess I would have to know
Hi David,
On 27/4/12 10:34 AM, David Kastrup wrote:
Thomas Ruedasrue...@dtm.ciw.edu writes:
i.e., my main concern here is the situation where you may have more
than two staves, which is a much more common situation.
Why would you be using a PianoStaff for those?
I'm not sure I understand
Hi,
In some piano music, you may have three different levels, as it were, e.g.
a melodic line in the treble, played by the right hand, a deep bass
consisting of long notes in the left hand, and in between chords filling in
the time between the bass notes, also played by the left hand. In such
Hi David,
thank you for now. I'll look into it.
But isn't it very likely that I have to reshape a slur anyway when it
changes from broken to unbroken?
In that case I'd even say the errors are a 'feature' so you notice it ...
Provided it is documented enough not to drive you crazy ...
Best
Vaughan McAlley wrote:
On 19 April 2012 03:08, Tim Roberts t...@probo.com wrote:
This is a hand-drawn score. I'm thinking that they probably meant snap
pizzicato, and it was easier to draw the line all the way through than to
stop part way through. Snap pizzicato would fit in the context,
- Original Message -
From: Tim Roberts t...@probo.com
To: lilypond-user@gnu.org
Sent: Friday, April 27, 2012 6:16 PM
Subject: Re: String Bass Notation
Vaughan McAlley wrote:
On 19 April 2012 03:08, Tim Roberts t...@probo.com wrote:
This is a hand-drawn score. I'm thinking that they
Hi Urs,
On Fri, Apr 27, 2012 at 11:46 AM, Urs Liska li...@ursliska.de wrote:
Hi David,
thank you for now. I'll look into it.
But isn't it very likely that I have to reshape a slur anyway when it
changes from broken to unbroken?
In that case I'd even say the errors are a 'feature' so you
or by \repeat unfold 32 { s1 }
On Wed, Apr 25, 2012 at 4:40 PM, Choan Gálvez choan.gal...@gmail.comwrote:
On 4/25/12 15:10 , rathcof...@comcast.net wrote:
The attached .LY file is a 32-bar song with the melody printed in the
top staff.
What I'm trying to do is print an empty staff beneath
On Fri, Apr 27, 2012 at 01:07, Jonas Olson jol...@kth.se wrote:
On the valveless horn you change crooks to give the instrument a
transposition that matches the music. That way, the music is always
notated in C major (assuming major mode), just like how music sounding
in B♭ major, played on a
On Fri, Apr 27, 2012 at 12:31 PM, Josiah Boothby josi...@gmail.com wrote:
When we switch over to valves, we no longer match the transposition of
the instrument to the key of the music, so it's only natural for other
key signatures to appear. To continue the tradition of valveless horns,
one
Interesting to see the variations that occur.
fre 2012-04-27 klockan 11:50 -0700 skrev Tim Reeves:
Mozart horn concerto in D major (1791) - originally played on a
natural horn with a D crook, so written with no key signature - the
modern player playing on an F horn simply (!) transposes the
Jay Anderson wrote:
On Fri, Apr 27, 2012 at 12:31 PM, Josiah Boothby josi...@gmail.com wrote:
That would be hilarious. I would pay you twenty-five cents to arrange
the horn parts to, say, Tristan und Isolde so that each new fingering
is notated as a crook change. I'd pay fifty cents if it was
Hello David,
Sorry for replying so late :(
On Wed, 18 Apr 2012 15:31:15 +0200
David Kastrup d...@gnu.org wrote:
Pavel Roskin pro...@gnu.org writes:
Yup. define-event-function can only be used to return _one_
postevent.
Too bad. I'm glad I don't really need one :)
There is an
Am 27. April 2012 12:36 schrieb Jan-Peter Voigt jp.vo...@gmx.de:
Hello list,
for some Books, I set the first page number to -1, to start page numbers
with the real music.
Now the PDF-internal links to the corresponding pages refer to the wrong
page:
If a tocItem displays page 8 it will open
Am 27.04.2012 19:30, schrieb David Nalesnik:
Hi Urs,
On Fri, Apr 27, 2012 at 11:46 AM, Urs Liska li...@ursliska.de
mailto:li...@ursliska.de wrote:
Hi David,
thank you for now. I'll look into it.
But isn't it very likely that I have to reshape a slur anyway when
it changes
Thomas Morley thomasmorle...@googlemail.com writes:
Am 27. April 2012 12:36 schrieb Jan-Peter Voigt jp.vo...@gmx.de:
Hello list,
for some Books, I set the first page number to -1, to start page numbers
with the real music.
Now the PDF-internal links to the corresponding pages refer to the
Hi Thomas,
I would like to, but I guess I would have to know GUILE/Scheme and/or C++ in
order to do that
Not really… Just Lilypond.
What are the features/behaviours you want? I'm sure we can quickly build it
together.
Cheers,
Kieren.
___
Am 28. April 2012 01:07 schrieb David Kastrup d...@gnu.org:
Shouldn't (ly:output-def-lookup layout 'first-page-number) do the trick?
Surprisingly not!
If first-page-number is not set it returns 3
setting 2 gives 4
setting 3 gives 5
...
Well, the relationship is linear. One could deal with it.
That would be hilarious. I would pay you twenty-five cents to arrange
the horn parts to, say, Tristan und Isolde so that each new fingering
is notated as a crook change. I'd pay fifty cents if it was actually
legible.
Wagner sometimes got close to this. Look at the first horn part to
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