On Fri, May 25, 2012 at 2:07 AM, Thomas Morley
thomasmorle...@googlemail.com wrote:
This is a long discussion. We had similar ones in the past. That's useless.
I followed the development of 2.15. in every detail, that I understood
and I want to say that due to David's engagement and skill-ranks
Jeff Barnes jbarnesweb at yahoo.com writes:
The following music doesn't compile on the mac and causes a segfault on Linux.
It causes Lilypond 2.14 to crash on Windows as well, but the development
version (2.15.36, getting close to 2.16) does fine. So this seems to be
an already-fixed bug.
On Fri, May 25, 2012 at 8:14 AM, Keith OHara k-ohara5...@oco.net wrote:
Colin Hall colinghall at gmail.com writes:
Have you had a chance to try your Lilypond source with an official binary
release yet?
So far, Eluze tried to reproduce the problem with some released builds,
and saw no error
On Fri, May 25, 2012 at 5:20 AM, J Ruiz jav...@ruiz-alma.com wrote:
I wish to manually override the position of a beam, but Lily insists on
flipping the direction of a notehead.
Any ideas on how to avoid this?
You may explicitely allow such kneed beams:
\override Beam #'auto-knee-gap = #1
Il 25/05/2012 07:53, Pete Farmer ha scritto:
I'm will try to extend your work on bend.ly to include a few new cases. I'm
in the process of laying out some material by The Hellecasters and as you
can imagine I'm encountering many instances which require rather exotic
representations of bending
errors are the following:
programming error: No spacing entry from KeySignature to `custos'
continuing, cross fingers
programming error: No spacing entry from KeyCancellation to `custos'
continuing, cross fingers
here is the file:
http://pastebin.com/x6K9eJPK
lilypond version 2.15.40
nevermind this, i've changed the whole layout, it works now.
2012/5/25 Wasil Sergejczyk szelga@gmail.com
sorry, here's a more readable file:
http://pastebin.com/uNGLsZ1R
2012/5/25 Janek Warchoł janek.lilyp...@gmail.com
On Fri, May 25, 2012 at 9:30 AM, Wasil Sergejczyk
Hi Janek,
better don't talk too much about these things.
They give me an attention I don't deserve yet.
OK, I have plans to 'tweak' several projects to be explicit promotion
for LilyPond.
OK, I'm determined to do some heavy lobbying in an area that _could_
result in a significant boost of
On Fri, May 25, 2012 at 06:14:38AM +, Keith OHara wrote:
Colin Hall colinghall at gmail.com writes:
On Mon, May 21, 2012 at 01:40:04AM +0100, Colin Hall wrote:
On Sun, May 20, 2012 at 12:08:44PM -0300, Marcos da Silva Sampaio wrote:
I'm using a tremolo in a full bar. I used
On Fri, May 25, 2012 at 08:35:40AM +0200, Janek Warcho wrote:
On Fri, May 25, 2012 at 8:14 AM, Keith OHara k-ohara5...@oco.net wrote:
Colin Hall colinghall at gmail.com writes:
Have you had a chance to try your Lilypond source with an official binary
release yet?
So far, Eluze tried to
Am 2012-05-25 um 02:07 schrieb Thomas Morley:
This is a long discussion. We had similar ones in the past. That's
useless.
I followed the development of 2.15. in every detail, that I understood
and I want to say that due to David's engagement and skill-ranks
LilyPond has improved in a way
Hello Pete,
Am 25.05.2012 07:53, schrieb Pete Farmer:
deletia/
Hi Marc,
I'm will try to extend your work on bend.ly to include a few new cases. I'm
in the process of laying out some material by The Hellecasters and as you
can imagine I'm encountering many instances which require rather exotic
Markus Schneider
Wed, 19 Jul 2006 02:34:30 -0700
I attach a example file you may find useful with some functions and
variables I use regarding volta bracket / rehearsal mark placement.
Cheers,
Markus
Hi,
I realize, of course, that the above is an old post, and it seems
On Fri, May 25, 2012 at 4:07 PM, Philip Thomas philip.tho...@bluewin.ch wrote:
I realize, of course, that the above is an old post, and it seems that
Markus has not been active on the forum for a few years. I came across his
post while searching for inspiration in addressing some problems with
David Kastrup wrote:
Jeff Barnes jbarnes...@yahoo.com writes:
I don't think that's necessarily applicable to Lily. The end
product
being distributed is paper (or perhaps a pdf file). I don't think the
GPL extends to that, does it?
Of course copyright extends to paper, but not to
Jeff Barnes jbarnes...@yahoo.com writes:
David Kastrup wrote:
Jeff Barnes jbarnes...@yahoo.com writes:
But most forward thinking publishing companies
Forward thinking? Are we talking about the music publishing industry?
would give the source code back. After all, their core business
Hello,
I like the lilypond notation using \relative being concise and readable.
Entering on a computer keyboard is fairly quick, but still it feels
that playing a melody line would be so much quicker. In particular
if one does not have a typing c4 d e f g1 style but c4 d4. e8 f8. g16 c,1
What
Klaus Föhl klaus.fo...@uni-giessen.de writes:
Hello,
I like the lilypond notation using \relative being concise and readable.
Entering on a computer keyboard is fairly quick, but still it feels
that playing a melody line would be so much quicker. In particular
if one does not have a typing
This snippet illustrates a problem I'm having. The tie on the g is in the wrong
direction after I've finished with the voice split. How do I get the correct
tie direction? It looks like the \voices are still in scope wrt ties.
Also, why did I lose the \relative c' after the voice split?
\score
Write ^ or _ before the tilde to force the tie up or down.
Works also with articulations, slurs and many other things.
Best
Urs
--
Diese Nachricht wurde von meinem Android-Mobiltelefon mit K-9 Mail gesendet.
Jeff Barnes jbarnes...@yahoo.com schrieb:
This snippet illustrates a problem I'm
Jeff Barnes jbarnes...@yahoo.com writes:
This snippet illustrates a problem I'm having. The tie on the g is in
the wrong direction after I've finished with the voice split. How do I
get the correct tie direction? It looks like the \voices are still in
scope wrt ties.
Also, why did I lose
Urs Liska-4 wrote:
This is great!
one question: How did you manage to create that endless, one-system
layout?
Best
Urs
I'm using a very long paper size, something like 10 * width of video
resolution (e.g. 10 * 1280, etc.)
Christopher R. Maden wrote:
Looks great! A few
If you work a lot with postscript markups, you'll wish to have an easy method
to include 'postcript libaries' (usually prodecure sets) into the PS output,
which will be converted to PDF or other formats. Well, at least I do.
I tried to solve it in my 2.15.39 test installation.
I added to
David Kastrup schrieb:
The talk in Chemnitz was disturbing in that respect. I was rather
straight about the need to finance my further contribution to LilyPond,
and there was no shortage of listeners coming to me after the talk,
letting some LilyPond problem getting solved by me (so it was
David Kastrup schrieb:
The talk in Chemnitz was disturbing in that respect. I was rather
straight about the need to finance my further contribution to LilyPond,
and there was no shortage of listeners coming to me after the talk,
letting some LilyPond problem getting solved by me (so it was
From: Klaus Föhl
I like the lilypond notation using \relative being concise and readable.
Entering on a computer keyboard is fairly quick, but still it feels
that playing a melody line would be so much quicker. In particular
if one does not have a typing c4 d e f g1 style but c4 d4. e8 f8.
On Fri, May 25, 2012 at 11:28 AM, Colin Hall colingh...@gmail.com wrote:
Thanks, Janek, but if there's confusion here it is due to me.
The original report was to lilypond-user. Rather than get the user to
go through the dance of posting the same material to bug-lilypond I
just treated it as a
Janek Warchoł janek.lilyp...@gmail.com writes:
On Fri, May 25, 2012 at 11:28 AM, Colin Hall colingh...@gmail.com wrote:
Thanks, Janek, but if there's confusion here it is due to me.
The original report was to lilypond-user. Rather than get the user to
go through the dance of posting the same
On 5/25/12 3:03 AM, ArnoldTheresius arnold.we...@siemens.com wrote:
If you work a lot with postscript markups, you'll wish to have an easy
method
to include 'postcript libaries' (usually prodecure sets) into the PS
output,
which will be converted to PDF or other formats. Well, at least I do.
Keith OHara k-ohara5a5a at oco.net writes:
Jeff Barnes jbarnesweb at yahoo.com writes:
The following music doesn't compile on the mac and
causes a segfault on Linux.
it is being tracked at
http://code.google.com/p/lilypond/issues/detail?id=2562
I started cutting down the example,
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