Am 23.06.2012 um 22:23 schrieb David Kastrup d...@gnu.org:
Dr. med. Kai Lautenschläger kai.lautenschlae...@me.com writes:
and got the following errors (this is just the first few of many many errors:
---8---SNIP---
On Mon, Jun 25, 2012 at 07:15:53AM +0200, David Kastrup wrote:
Colin Hall colingh...@gmail.com writes:
On Mon, Jun 25, 2012 at 12:38:34AM +0200, David Kastrup wrote:
Nick Payne nick.pa...@internode.on.net writes:
If I set beamExceptions to beam 32nd notes by fours in 4/4 time, this
Colin Hall colingh...@gmail.com writes:
On Mon, Jun 25, 2012 at 07:15:53AM +0200, David Kastrup wrote:
Colin Hall colingh...@gmail.com writes:
On Mon, Jun 25, 2012 at 12:38:34AM +0200, David Kastrup wrote:
Nick Payne nick.pa...@internode.on.net writes:
If I set beamExceptions to
On 25 juin 2012, at 10:37, Peter O'Doherty wrote:
On Sun, Mar 11, 2012 at 09:25:55AM +0100, Peter O'Doherty wrote:
On 03/10/2012 09:55 PM, Patrick Karl wrote:
On Mar 10, 2012, at 1:35 PM, Jamespkx1...@gmail.com wrote:
Message: 6
Date: Sat, 10 Mar 2012 19:34:40 +
From:
Hello list,
here's my approach to inherit the input-location in nested music-functions:
--snip--
\version 2.15.40
% a test function, which simply outputs the location
test = #(define-music-function (parser location mus)(ly:music?)
(ly:input-message location ~A location) mus)
% a
Hello everybody,
I have a choir piece where the systems/staves (not completely sure about
the vocabulary) are distributed evenly on the first page, but on the
second (and last) they're kind of crowded, although there's still enough
space on the second page. Both pages have 5 systems/staves.
How
Hello Philip,
thanks for the hint, that did the trick!
Best wishes
Hartmut
Am 22.06.2012 19:03, schrieb Phil Holmes:
If I was doing this, I'd have lyrics to the sops and the tenors, and use
alignAboveContext for the tenor lyrics. Where both sop and tenor are
singing, I would use \skip in
- Original Message -
From: Hartmut Leister haleis...@gmx.de
To: lilypond-user@gnu.org
Sent: Monday, June 25, 2012 9:44 AM
Subject: Distribute staves evenly on page
Hello everybody,
I have a choir piece where the systems/staves (not completely sure about
the vocabulary) are distributed
Hello Phil, hello Lilypond users,
On Monday, June 25, 2012 9:44 AM, Hartmut wrote:
How can I tell Lilypond to distribute the systems evenly on the last page?
On Montay, June 25, 2012 11:14 AM, Phil Holmes wrote:
Please look for ragged-last-bottom in the documentation.
Thank you. Setting the
Jan-Peter Voigt jp.vo...@gmx.de writes:
here's my approach to inherit the input-location in nested music-functions:
--snip--
\version 2.15.40
% a test function, which simply outputs the location
test = #(define-music-function (parser location mus)(ly:music?)
(ly:input-message location
Hi David, what do you mean by assignments? I'm not a native speaker
and not familiar with programming. Is assignments a fix set of command?
Kai
Hello Kai,
it's the assignment of a variable in lily-syntax:
--snip--
% allowed
musik = \relative c'' { bes a c b }
% not allowed
\score {
musik
Here is the sample code.
%%start
\version 2.14.2
global = {\key g \major \time 4/4 \tempo 4 = 72}
sopranoA = \relative c''
{ \global
\repeat volta 3 {
\bar |: a4 b4 a4 b4 |
c2 c2 | g2 r2
}
\alternative {
{ c8 b8 g8 g8~ g8 a8 b8 b8(~ |
I think you need to put a \transpose inside the chordnames{}, too
On 25 June 2012 11:40, MING TSANG tsan...@rogers.com wrote:
Here is the sample code.
%%start
\version 2.14.2
global = {\key g \major \time 4/4 \tempo 4 = 72}
sopranoA = \relative c''
{ \global
MING TSANG tsan...@rogers.com writes:
Here is the sample code.
%%start
\markup { \line { transpose g d }}
\score {
\new ChoirStaff
\context ChordNames {
\harmonies
}
\new Staff \transpose g d
\new Voice =
Hi Jan-Peter,
thanks for the explanation. Right now I am fiddling around with Christophers
idea of splitting up the files in content-files and layout-files. I had this
before and just changed… Oh, well. It sounds logical to me though. and working
with functions is just copy and paste for me,
http://old.nabble.com/file/p34062961/Untitled.png
the 35th and 36th bar. I don't know how to get both 8vb and the connecting
line. Can anyone please help?
Thanks!
--
View this message in context:
http://old.nabble.com/input-question-tp34062961p34062961.html
Sent from the Gnu - Lilypond -
I'm having trouble adjusting or changing margins. I have an 8 staff
chamber opera score. Letter and landscape. Global staff size 20,
And in the Layout I've got big indent and small indent.
That all works.
But the top is too close to the edge of the paper and the bottom one is too
small too.
I've
Hi there
Just downloaded Lilypond, but I am looking for a test copy of the Schubert
piece An Die Musik. I was told it could be found (with the ability to
transpose it) on your site. I need it in the key of C Major and I can't find it
on the net.
Can you please send it to me by email? I'd be
Hi Jay,
Did you explicitly set the spacing variables?
http://lilypond.org/doc/v2.14/Documentation/notation/flexible-vertical-spacing-_005cpaper-variables#list-of-flexible-vertical-spacing-_005cpaper-variables
In particular, you probably want to adjust top-system-spacing [= the distance
from the
- Original Message -
From: yshhq pczh...@gmail.com
To: lilypond-user@gnu.org
Sent: Sunday, June 24, 2012 7:09 PM
Subject: input question
http://old.nabble.com/file/p34062961/Untitled.png
the 35th and 36th bar. I don't know how to get both 8vb and the connecting
line. Can anyone
Googling 'schubert an die musik lilypond' gives this:
http://www.mutopiaproject.org/cgibin/piece-info.cgi?id=1001
Instructions on transposition are here:
http://lilypond.org/doc/v2.15/Documentation/notation/changing-multiple-pitches#transpose
--
Phil Holmes
- Original Message -
Thank you for your reply!
I did try this:
\ottava #-1
c,,, c'
\ottava #0
(g'' e' g, c, g' e' g,)
but it gave me this error
syntax error, unexpected '('
removing () helped, but I don't have slur then.
Thanks!
Phil Holmes-2 wrote:
- Original Message -
From: yshhq
On 6/25/12 16:35 , yshhq wrote:
Thank you for your reply!
I did try this:
\ottava #-1
c,,, c'
\ottava #0
(g'' e' g, c, g' e' g,)
but it gave me this error
syntax error, unexpected '('
removing () helped, but I don't have slur then.
The slur start mark must appear after the pitch:
yshhq pczh...@gmail.com writes:
Thank you for your reply!
I did try this:
\ottava #-1
c,,, c'
\ottava #0
(g'' e' g, c, g' e' g,)
but it gave me this error
syntax error, unexpected '('
removing () helped, but I don't have slur then.
Slurs are always placed behind the note they are
Thanks!
change to
\ottava #-1
c,,, c'(
\ottava #0
g'' e' g, c, g' e' g,)
and it works.
Best,
Peng
Choan Gálvez wrote:
On 6/25/12 16:35 , yshhq wrote:
Thank you for your reply!
I did try this:
\ottava #-1
c,,, c'
\ottava #0
(g'' e' g, c, g' e' g,)
but it gave me this error
Thank you David, that's brilliant! It works.
On Sun, Jun 24, 2012 at 8:20 AM, David Nalesnik
david.nales...@gmail.com wrote:
Hi again,
Here's a Scheme engraver which should hopefully do what you want:
The logic of that last engraver seemed a little convoluted to me, so not
wanting to
On 24/06/12 19:15, Rosel Labone wrote:
Hi there
Just downloaded Lilypond, but I am looking for a test copy of the
Schubert piece An Die Musik. I was told it could be found (with the
ability to transpose it) on your site. I need it in the key of C Major
and I can't find it on the net.
Jeffrey Trevino jeffrey.trevi...@gmail.com writes:
Hi there,
Is there a straightforward way to change a notehead glyph without
changing the note's duration? I'm doing a beamless, stemless notation,
and I'd like to make some half notes look like quarter notes, although
they should still be
On 25 juin 2012, at 23:02, Jeffrey Trevino wrote:
Hi there,
Is there a straightforward way to change a notehead glyph without changing
the note's duration? I'm doing a beamless, stemless notation, and I'd like to
make some half notes look like quarter notes, although they should still be
Huzzah! Like a charm. A sort-of related question: Is there a
straightforward tutorial somewhere about creating custom noteheads and
flags? There's a good snippet about new flags, but I have yet to see
something about creating new notehead sets with Scheme.
thanks for your help,
Jeff
On Mon, Jun
On 26/06/12 08:34, Jeffrey Trevino wrote:
Hi all,
I've got several engravers removed in a situation with some nested
tuplets, and noteheads have started crashing into barlines. The
internals reference has some good places to start, but I'm curious to
hear from you: What's the most reliable
On 26 juin 2012, at 00:08, Jeffrey Trevino wrote:
Huzzah! Like a charm. A sort-of related question: Is there a straightforward
tutorial somewhere about creating custom noteheads and flags? There's a good
snippet about new flags, but I have yet to see something about creating new
notehead
-Eluze elu...@gmail.com writes:
\textLengthOn
\override TextScript #'padding = #-3
\override TextScript #'staff-padding = #'()
\override TextScript #'outside-staff-priority = ##f
s1 % --- to add more horizontal space
^\markup { \center-column { D.S. al Coda
Am 26.06.2012 07:06, schrieb David Kastrup:
-Eluzeelu...@gmail.com writes:
\textLengthOn
\override TextScript #'padding = #-3
\override TextScript #'staff-padding = #'()
\override TextScript #'outside-staff-priority = ##f
s1 %--- to add more horizontal space
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