Hello Daniel,
I usually use \repeatTie/\repeatSlur and \laissezVibrer to create
half/broken slurs or ties.
So you end the first piece with (for example)
{ ... c1\laissezVibrer }
and start the next one with (for example)
{ c4\repeatTie ... }
Here's a tiny example with the new \shape (v
On 20/08/12 18:19, Jan-Peter Voigt wrote:
Here's a tiny example with the new \shape (v 2.15.40) command, that
augments the (semi)ties a little bit:
Is this documented anywhere? When I look at the 2.15 NR section 5.5.4 on
modifying ties and slurs, it doesn't get a mention.
Nick
Hi,
Unfortunately my skills are not enough to install Frescobaldi on a Mac but I
observed exactly the same behavior using Lilypond via jEdit. IMHO this points
towards some cause within the software that Frescobaldi AND JEdit are dependent
on. Though I don't have any idea which one.
I
Hi Nick,
On Mon, Aug 20, 2012 at 3:26 AM, Nick Payne nick.pa...@internode.on.net wrote:
On 20/08/12 18:19, Jan-Peter Voigt wrote:
Here's a tiny example with the new \shape (v 2.15.40) command, that
augments the (semi)ties a little bit:
Is this documented anywhere? When I look at the 2.15
Hi,
I am not an experienced user of lilypond, but this seems to me
as bug in parser, or, I do not understand something...
==
\version 2.15.43
Upper = \relative c' {
e2 g |
\repeat volta 2 {
c2 e |
}
\alternative {
{ g, b r } |
{ g b g } |
}
At 13:20 on 20 Aug 2012, Zbyszek Loska wrote:
I am not an experienced user of lilypond, but this seems to me
as bug in parser, or, I do not understand something...
Move your bar checks inside the parentheses, viz:
==
\version 2.15.43
Upper = \relative c' {
On 08/20/2012 01:27 PM, Mark Knoop wrote:
Move your bar checks inside the parentheses, viz:
==
\version 2.15.43
Upper = \relative c' {
e2 g |
\repeat volta 2 {
c2 e |
}
\alternative {
{ g, b r | }
{ g b g | }
}
}
Lower =
Hi,
i want to write a piano score with melody, but i want the melody smaller!
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Hello,
I need to indicate that a note should be played with the right hand in a
two-voice piano texture. I'm using an L shape mark, like this:
\version 2.14.2
noteText = {
\once \override TextScript #'Y-extent = #'(3 . -3)
\once \override TextScript #'padding = #-0.5
\once \override
fabio wrote
Hi,
i want to write a piano score with melody, but i want the melody smaller!
hi
do you mean a melody with text?
can you provide a tiny example of your code so far, so we can show exactly
where to put modifying commands!?
Eluze
--
View this message in context:
On Mon, Aug 20, 2012 at 5:12 AM, James Harkins jamshar...@gmail.com wrote:
First off, I've switched from Emacs LilyPond-mode to Frescobaldi 2.
Amazing, incredible work! SO much easier to write. (And I love the ease of
updating via git.)
But... I'm not sure if this is the right place to
Am 20.08.2012 um 16:34 schrieb Gerard McConnell gerine...@gmail.com:
On Mon, Aug 20, 2012 at 11:02 AM, Kai Lautenschläger
kai.lautenschlae...@me.com wrote:
Hi,
Unfortunately my skills are not enough to install Frescobaldi on a Mac but I
observed exactly the same behavior using Lilypond
On Sat, 18 Aug 2012 22:44:57 -0400
Mark Mathias d8val...@gmail.com wrote:
The Wikipedia article on Frescobaldi says that it will work with more
than one version of LilyPond installed. How do I install more than
one version under Windows7? Is there something special needed in
Frescobaldi as
hi guys..
is it possible to make the staff lines thinner without effecting other
lines..?!
i tried \override StaffSymbol #'thickness = #3
but it affects all..
thanks..
--
*Nesmotren govori kao da mačem probada, a jezik je mudrih iscjeljenje.
Izreke 12:18*
Look at using something like:
\override StaffSymbol #'ledger-line-thickness = #'(0.2 . 0.2)
\override Stem #'thickness = #0.2
as well
--
Phil Holmes
- Original Message -
From: Stjepan Horvat
To: lilypond-user Mailinglist
Sent: Monday, August 20, 2012 5:12 PM
Subject:
I always love hearing about people using lilypond, especially when
there's some sheet music or videos to watch. Here's a nice story
of LilyPond use.
He's also made some nice instructional videos about
lilypond+Frescobaldi. It would be neat if somebody translated
those into English, or French,
Thanks for the info!
The only thing is that I cannot use \repeatSlur, doesn't seem to be
available on version 2.15.39, so I'm trying to use \repeatTie.
Also, I didn't specify but what I have is something like:
*score 1*
c4 d *(* e | *% change ( for \laissezVibrer*
*---*
*score 2*
d4 *)* c b
On Aug 20, 2012, at 5:34 AM, Daniel E. Moctezuma wrote:
Hello,
I was wondering if it's possible to put slurs between different \score
sections (inside a \book).
I have 2 movements of a work that are played one after another (attaca) with
a slur between them.
Thanks.
Given the
On Mon, Aug 20, 2012 at 7:20 AM, Zbyszek Loska zb...@camk.edu.pl wrote:
Hi,
I am not an experienced user of lilypond, but this seems to me
as bug in parser, or, I do not understand something...
==**
\version 2.15.43
Upper = \relative c' {
e2 g |
On 20/08/2012 10:21 PM, fabio wrote:
Hi,
i want to write a piano score with melody, but i want the melody smaller!
Hi Fabio.
I had this exact same problem. Here's how I overcame it (with a
part-extraction for the violin):
violinSolo = \new Staff \with {
instrumentName = Vl.
At Mon, 20 Aug 2012 11:16:03 -0400,
lilypond-user-requ...@gnu.org wrote:
From: Kai Lautenschl?ger
In my case I never touched the PDF files and they are saved to the same
directory as the .ly file. Above that, the strange thing is, that it does not
always fail to show the PDF. But the bug (if
Thank you so much. However, because rotate performs its rotation around the
center of the character I need to make a small adjustment. There is a
rotation routine allowing rotation at an arbitrary point but it appears to be
solely for music not markups. I tried the following change using translate
This is probably a historical issue after reading some older posts, but I can't
directly change the size of the notehead for easyHeadsOn. I want the note
heads to be BIG so it is easy to read (and pronounce) the note. Below is my
attempt at adjusting the notehead size directly. Changing the value
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