Il 30/08/2012 08:10, David Kastrup ha scritto:
Just add this in the \layout block:
\layout {
\context {
\Staff
\override StringNumber #'transparent = ##t
}
}
It is better to do \override StringNumber #'stencil = ##f since that
does not reserve space for the string
Federico Bruni fedel...@gmail.com writes:
Il 30/08/2012 08:10, David Kastrup ha scritto:
Just add this in the \layout block:
\layout {
\context {
\Staff
\override StringNumber #'transparent = ##t
}
}
It is better to do \override StringNumber #'stencil = ##f
David Nalesnik-2 wrote
I'm going to attach the last as a file so the comment lines aren't broken.
perfect! (I've tested with 2.16.0 and 2.17.1)
now will you - or somebody with the needed access rights - update the LSR.
thanks
Eluze
--
View this message in context:
I want to include a bit of notation in a \tempo mark. The default
syntax allows for something like:
\tempo Allegro 4 = 120
I need to do something a bit different. I want:
\tempo Veloce [ two beamed 16ths ] = [ three beamed 16ths ]
Image here:
On Aug 30, 2012, at 10:14 PM, Nick Payne wrote:
On 31/08/12 15:10, Nick Payne wrote:
On 31/08/12 13:00, Curt wrote:
For film scoring, it's common to want giant bar numbers in the middle of
the score. Does anyone have ideas on how to center bar numbers above a
bar, as opposed to them
Hi David,
note the spelling correction:-
to markups --- two markups.
Cheers
Bill
% this snippet is useful to put a hairpin between to markups i.e.
parentheses or slash
% or any other text
% this snippet is useful to put a hairpin between two markups i.e.
parentheses or slash
% or any other
bobr...@centrum.is wrote
I want to include a bit of notation in a \tempo mark. The default
syntax allows for something like:
\tempo Allegro 4 = 120
Do I need to create two scores with everything removed except the 16th
notes and then plug them into a \markup with a = between them?
- Original Message -
From: eluze elu...@gmail.com
To: lilypond-user@gnu.org
Sent: Friday, August 31, 2012 8:32 AM
Subject: Re: Parenthesized Hairpin
David Nalesnik-2 wrote
I'm going to attach the last as a file so the comment lines aren't
broken.
perfect! (I've tested with
On 8/31/2012 8:42 AM, eluze wrote:
bobr...@centrum.is wrote
I want to include a bit of notation in a \tempo mark. The default
syntax allows for something like:
\tempo Allegro 4 = 120
Do I need to create two scores with everything removed except the 16th
notes and then plug them into a
Hello all,
I am just about rewriting the bar line user interface and stumbled across a
serious problem: with my new approach, the valta brackets are displaced.
For developing a fix, I need to know how this is properly done.
Gould doesn't say much about the details, and this is the only
Phil Holmes-2 wrote
Don't forget that the LSR runs 2.14, so changes that require 2.16 can't
yet
be implemented.
it also works with 2.14.2 if you re-add the $ in 2 lines (15+17):
(ly:stencil-aligned-to (grob-interpret-markup grob *$*leftText) Y CENTER))
(ly:stencil-aligned-to
I forgot to add a use case for this.
It would be great if instead of repeating the same 8va label on each line
that has a break, just show (8). This way doesn't seems like there is a
start of an 8va line on each staff but a continuation of it.
Either way, removing would be awesome too, as well as
Hi,
On Fri, Aug 31, 2012 at 4:32 AM, eluze elu...@gmail.com wrote:
Phil Holmes-2 wrote
Don't forget that the LSR runs 2.14, so changes that require 2.16 can't
yet
be implemented.
it also works with 2.14.2 if you re-add the $ in 2 lines (15+17):
(ly:stencil-aligned-to
- Original Message -
From: eluze elu...@gmail.com
To: lilypond-user@gnu.org
Sent: Friday, August 31, 2012 10:32 AM
Subject: Re: Parenthesized Hairpin
Phil Holmes-2 wrote
Don't forget that the LSR runs 2.14, so changes that require 2.16 can't
yet
be implemented.
it also works
David Nalesnik-2 wrote
I'll be happy to update the snippet in the LSR, but I'd like to go
over it a little more first. (There's some code duplication.)
thanks!
One thing I wasn't sure of: should the height of the hairpin be scaled
too?
isn't the height being set in a simple
Il 30/08/2012 03:38, MING TSANG ha scritto:
Lilypond users:
1. I am running lilypond in frescobaldi. Can I run lilypond-book in
frecobaldi as well.
2. How can pass parameter to lilypond and or lilypond-book from frescobaldi?
Blessing in+,
Ming.
Hi Ming,
Frescobaldi doesn't support
Dear community,
I found this very useful snippet at
http://gillesth.free.fr/Lilypond/copyArticulations/copyArticulations.ly
With this it was very to recreate my addTenuto-function in the following
way:
addTenuto = #(define-music-function (parser location x) (ly:music?)
#{
\copyArticulations
Stefan Thomas kontrapunktste...@gmail.com writes:
Dear community,
I found this very useful snippet at
http://gillesth.free.fr/Lilypond/copyArticulations/copyArticulations.ly
Actually makes a good case against s1*0 if you follow it with
{ c c c c }.
With this it was very to recreate my
Dear David,
what do You mean by
Actually makes a good case against s1*0 if you follow it with
{ c c c c }.
Dear community,
I found this very useful snippet at
http://gillesth.free.fr/Lilypond/copyArticulations/copyArticulations.ly
Actually makes a good case against s1*0 if you follow it
Stefan Thomas kontrapunktste...@gmail.com writes:
Dear David,
what do You mean by
Actually makes a good case against s1*0 if you follow it with
{ c c c c }.
\include copyArticulations.ly
{ c c c c }
--
David Kastrup
___
lilypond-user
Sorry, I don't understand exactly, what You wanted to say.
I see, that I get a file without music when I do
\include copyArticulations.ly
{ c c c c }
but what's the idea behind it? Sorry, I don't have any idea in which way
this can be useful for special purposes
2012/8/31 David Kastrup
David is pointing out that the way of creating an invisible note to attach text
or other information to: s1*0; has the unintended consequence of making all
notes following it to be zero length, unless their length is explicitly stated.
--
Phil Holmes
- Original Message -
From:
Ok, thanks, I've got it. It's a small bug in copyArticulations, isn't it?
2012/8/31 Phil Holmes m...@philholmes.net
**
David is pointing out that the way of creating an invisible note to attach
text or other information to: s1*0; has the unintended consequence of
making all notes following
Stefan Thomas kontrapunktste...@gmail.com writes:
Ok, thanks, I've got it. It's a small bug in copyArticulations, isn't
it?
Yes and no. Expecting a particular duration to be set is probably
optimistic after loading an external file.
However, there are some internal music expressions defined
Dear Phil,
Yes I've seen skipArti = \tag #skipCurrentArticulation s1*0
but do You think this can be used to filter out some artitulation-events,
if needed, automatically?
2012/8/31 David Kastrup d...@gnu.org
Stefan Thomas kontrapunktste...@gmail.com writes:
Ok, thanks, I've got it. It's a
Stefan Thomas kontrapunktste...@gmail.com writes:
Dear Phil,
Yes I've seen skipArti = \tag #skipCurrentArticulation s1*0
but do You think this can be used to filter out some
artitulation-events, if needed, automatically?
No, no. It was just a side-remark on the implementation, not relevant
Hello list,
I have been using Graham Breed's implementation of Sagittal microtonal
notation found here http://x31eq.com/lilypond/ for a while now in 2.14.
One feature that seems broken in 2.16 the \centaUp and \centsDown command.
Due I guess to some internal change in lilypond, it still works for
Cole Ingraham coledingra...@gmail.com writes:
Hello list,
I have been using Graham Breed's implementation of Sagittal microtonal
notation found here http://x31eq.com/lilypond/ for a while now in 2.14.
One feature that seems broken in 2.16 the \centaUp and \centsDown command.
Due I guess to
Thanks David, I hadn't seen that change.
Sorry, the files I'm referring to are on that page under the Just
Intonation section, the link that says this zip
filehttp://x31eq.com/lilypond/lilypond-sagittal.zip
.
-Cole
On Fri, Aug 31, 2012 at 9:28 AM, David Kastrup d...@gnu.org wrote:
Cole
i have write an example from my score to explane the problem.in the first and
second bar you can see the long stem that not fit (sorry for my bad english i
hope you understand) how can i fix it?
thanx fabio
test.ly
Description: Binary data
fabio wrote
i have write an example from my score to explane the problem.in the first
and second bar you can see the long stem that not fit (sorry for my bad
english i hope you understand) how can i fix it?
maybe you should use
\new Staff = lower {
\mergeDifferentlyHeadedOn
addTenuto = #(define-music-function (parser location x) (ly:music?)
#{
\copyArticulations {c--} $x
#})
The below quoted snippet shows that it works fine, every note gets it's
tenuto sign, rests are left without, but: I still searching for a
possiblity to let the second of two tied-notes
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