Hi Oscar,
On Wed, Sep 26, 2012 at 2:30 AM, Oscar Dub oscar...@gmail.com wrote:
I'm trying to typeset a score that uses the notation shown in the attached
image to represent whole rests.
As I see it there are two stages to achieving this in LilyPond:
– Creating the necessary glyph (I assume
On Mon, Sep 24, 2012 at 7:55 PM, bthom belinda...@gmail.com wrote:
Hope you can clarify why
http://lsr.dsi.unimi.it/LSR/Snippet?id=838
produces code snippet
but
http://lsr.dsi.unimi.it/LSR/Item?u=1id=838
produces typeset result.
?
they are just two different links, pointing to two
Reinhold Kainhofer reinh...@fam.tuwien.ac.at writes:
On 2012-09-26 00:25, David Kastrup wrote:
Urs Liska li...@ursliska.de writes:
before you try this out, please search for a \shape Slur function.
We discussed it here on the list, but as far as I know it is now also
built in.
It
Dear community,
I have a problem with a sheme-function that does'nt work any more.
I get the error message:
wrong type for argument 1. Expecting character, found D
\markup { \slashed-char
#D }
I need it a slashed letter, it is necessary for some symbols
Hi,
On Tue, Sep 25, 2012 at 12:00 PM,
michael.str...@boehringer-ingelheim.com wrote:
Hi,
I want to share some thoughts about piano music with you.
[...]
Lilypond does in my opinion ~70% perfect job, but takes too much control.
The score looks pretty beautiful at the first glance, but to
Stefan Thomas kontrapunktste...@gmail.com writes:
Dear community,
I have a problem with a sheme-function that does'nt work any more.
I get the error message:
wrong type for argument 1. Expecting character, found D
\markup { \slashed-char
#D }
I need it a slashed letter, it
David Kastrup d...@gnu.org writes:
\version 2.16.0
% Inspired by slashed-digit from scm/define-markup.scm:
#(define-markup-command (slashed-char layout props ch) (char?)
Uh, you are aware that (char? D) is false? In 2.14,
define-markup-command did not actually apply the predicate but
Am 26.09.2012 02:30, schrieb Oscar Dub:
Hi,
I'm trying to typeset a score that uses the notation shown in the
attached image to represent whole rests.
As I see it there are two stages to achieving this in LilyPond:
– Creating the necessary glyph (I assume the simplest way would be to
edit
Dear David,
I tried it, as You've suggested, with \slashed-char ##\D, but it doesn't
work.
I think I will try to use postscript-code in my library for function
symbols.
Are there other people interested in a library with functional symbols?
Is this something, that could be of interest for the
Hi,
one of the things that i find inconvenient in reading Lily syntax is
its sequential nature. For example,
{
a4 b c d
e f g a
e a g f
}
{
e4 a g f
c2 e
d8 c f4 d2
}
it's hard to read the harmonies from the code, because voices are separate.
I know about
Stefan Thomas kontrapunktste...@gmail.com writes:
Dear David,
I tried it, as You've suggested, with \slashed-char ##\D, but it
doesn't work.
I suggest that you read my original reply completely.
--
David Kastrup
___
lilypond-user mailing list
Am 26.09.2012 10:51, schrieb Stefan Thomas:
Dear David,
I tried it, as You've suggested, with \slashed-char ##\D, but it
doesn't work.
IIUC he didn't suggest ##\D but to use (string? ...) instead of (char? ...)
at the beginning of the definition.
I think I will try to use postscript-code in my
On Wed, 26 Sep 2012 10:53:23 +0200
Janek Warchoł janek.lilyp...@gmail.com wrote:
Hi,
one of the things that i find inconvenient in reading Lily syntax is
its sequential nature. For example,
{
a4 b c d
e f g a
e a g f
}
{
e4 a g f
c2 e
d8 c f4 d2
Nils Gey l...@nilsgey.de writes:
I have to see if Frescobaldi has an internal representation of
durations and time signatures/bar length, but I guess not.
Really? I know Emacs has it since it complains when you place bar
checks at the wrong point of time. Frescobaldi, judging from its
On Wed, Sep 26, 2012 at 11:26 AM, Nils Gey l...@nilsgey.de wrote:
I have to see if Frescobaldi has an internal representation of durations
and time signatures/bar length, but I guess not. This way the conversion
from parallel back to sequential is a bit tricky since you need to keep track
of
On 26/09/12 18:05, Stefan Thomas wrote:
Dear community,
I have a problem with a sheme-function that does'nt work any more.
I get the error message:
wrong type for argument 1. Expecting character, found D
\markup { \slashed-char
#D }
I need
I'm having slurs collide with tuplet brackets.
I tried \override Score.TupletBracket #'avoid-slur #'around (and other
values) but they don't seem to have any effect.
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/slur-collisions-tp133630.html
Sent from the User mailing
On 26 sept. 2012, at 13:08, TaoCG tao_lilypondu...@gmx.net wrote:
I'm having slurs collide with tuplet brackets.
I tried \override Score.TupletBracket #'avoid-slur #'around (and other
values) but they don't seem to have any effect.
Slurs in LilyPond do not currently avoid tuplet brackets.
On 09/26/2012 12:48 PM, lilypond-user-requ...@gnu.org wrote:
What about editors like Frescobaldi having the ability to convert
regular lilypond to horizontal scroll and back? E.g. the code
above would be displayed as (view using monospace font):
{ a4 b c d e f g a ea g f }
Am 26.09.2012 13:53, schrieb Mats Bengtsson:
On 09/26/2012 12:48 PM, lilypond-user-requ...@gnu.org wrote:
What about editors like Frescobaldi having the ability to convert
regular lilypond to horizontal scroll and back? E.g. the code
above would be displayed as (view using monospace font):
On Wed, Sep 26, 2012 at 1:53 PM, Mats Bengtsson
mats.bengts...@ee.kth.se wrote:
On 09/26/2012 12:48 PM, lilypond-user-requ...@gnu.org wrote:
What about editors like Frescobaldi having the ability to convert
regular lilypond to horizontal scroll and back? E.g. the code
above would be
Janek Warchoł janek.lilyp...@gmail.com writes:
On Wed, Sep 26, 2012 at 1:53 PM, Mats Bengtsson
mats.bengts...@ee.kth.se wrote:
On 09/26/2012 12:48 PM, lilypond-user-requ...@gnu.org wrote:
What about editors like Frescobaldi having the ability to convert
regular lilypond to horizontal
Am 26.09.2012 14:03, schrieb David Kastrup:
Janek Warchoł janek.lilyp...@gmail.com writes:
On Wed, Sep 26, 2012 at 1:53 PM, Mats Bengtsson
mats.bengts...@ee.kth.se wrote:
On 09/26/2012 12:48 PM, lilypond-user-requ...@gnu.org wrote:
What about editors like Frescobaldi having the ability to
Urs Liska li...@ursliska.de writes:
But I think this would be quite complex, because the editor would have
to know the musical moment we are at. Which seems complicated from the
beginning, but if we start to (re-)use variables ...
Seems like point-and-click Midi would deliver most of the
Well, i tried to write a piano-piece with parallel music, but as some or you
mentioned in the threat the code gets out of control ( in terms of
readability) very quickly even if you put some tweaks into.
@the current threat regarding parallel music. I think there are only 2
options:
1) it will
On Wed, Sep 26, 2012 at 2:20 PM,
michael.str...@boehringer-ingelheim.com wrote:
@the current threat regarding parallel music. [...]
please reply in appropriate thread - there's so many emails these days
that it's already hard not to get lost :)
Janek
PS it's thread, not threat - the second
On 26 Sep 2012, at 14:06 , Urs Liska wrote:
Oh yeah, that's something I'd second.
In an ideal world these windows wouldn't only go into the same file
but into the same piece of music.
TexShop does this (partly) for you: 2 windows can be open on one and
the same file, updates in one
On Wed, Sep 26, 2012 at 2:45 PM, Wim van Dommelen m...@wimvd.nl wrote:
TexShop does this (partly) for you: 2 windows can be open on one and the
same file, updates in one window are immediately live in the other.
Vim can do that with as many windows as you'd like...
Christ van Willegen
--
09
2012/9/26 Christ van Willegen cvwille...@gmail.com:
On Wed, Sep 26, 2012 at 2:45 PM, Wim van Dommelen m...@wimvd.nl wrote:
TexShop does this (partly) for you: 2 windows can be open on one and the
same file, updates in one window are immediately live in the other.
Vim can do that with as many
2012/9/26 Urs Liska li...@ursliska.de:
Am 26.09.2012 14:03, schrieb David Kastrup:
To me it sounds more like what you'd want here is several windows into
the same file with synchronized cursor motion for things happening at
the same musical time.
Oh yeah, that's something I'd second.
In an
Francisco Vila paconet@gmail.com writes:
2012/9/26 Urs Liska li...@ursliska.de:
Am 26.09.2012 14:03, schrieb David Kastrup:
To me it sounds more like what you'd want here is several windows into
the same file with synchronized cursor motion for things happening at
the same musical time.
Thanks to both!Janek, your information about accessing the internals of Feta and LilyPond is very useful. As there's no way to add .mf syntax to a LilyPond file (as far as I know), I'm going to try to follow along Marc's lines.It would be great to solve the problem without hacking LilyPond's
2012/9/26 Oscar Dub oscar...@gmail.com
Thanks to both!
Janek, your information about accessing the internals of Feta and LilyPond
is very useful. As there's no way to add .mf syntax to a LilyPond file (as
far as I know), I'm going to try to follow along Marc's lines. It would be
great to
On 27/09/12 01:41, Francisco Vila wrote:
2012/9/26 Urs Liska li...@ursliska.de:
Am 26.09.2012 14:03, schrieb David Kastrup:
To me it sounds more like what you'd want here is several windows into
the same file with synchronized cursor motion for things happening at
the same musical time.
Oh
Am 26.09.2012 22:53, schrieb Thomas Morley:
2012/9/26 Oscar Dub oscar...@gmail.com
[...]
Hi Oscar,
you're very close.
Step by step:
[...]
HTH,
Harm
Wow. Great stuff, well explained. Kudos!
Marc
___
lilypond-user mailing list
2012/9/26 Thomas Morley thomasmorle...@googlemail.com:
2012/9/26 Thomas Morley thomasmorle...@googlemail.com:
2012/9/26 Oscar Dub oscar...@gmail.com
Thanks to both!
Janek, your information about accessing the internals of Feta and LilyPond
is very useful. As there's no way to add .mf syntax
Hello
2012/9/24 Janek Warchoł janek.lilyp...@gmail.com
I think this is something that should be listed on our website, both
in http://lilypond.org/productions.html (bug squad, please raise an
issue) as well as in Pondings section (Mike?).
This has been added as
On Mon, 24 Sep 2012 02:58:27 -0700 (PDT)
ornello dominik.hoer...@fun.de wrote:
However as all chord notes (musically) belong to the same voice I
would like to notate the entire chord within the same context. Is it
somehow possible to write a cross-staff chord within one staff
context only
Is there an easy way to get the 1st/9th noteheads to overlap like the 7th/15th
noteheads overlap?
\version 2.16.0
\language english
#(set-global-staff-size 25)
su = \stemUp
sd = \stemDown
melody = \relative c'' {
{ \sd a,4. a8 } \\ { \su a16 a' c a c a a, a'} { \sd d,4. d8 }
\\ {
On 27/09/12 14:37, pabuhr wrote:
\version 2.16.0
\language english
#(set-global-staff-size 25)
su = \stemUp
sd = \stemDown
melody = \relative c'' {
{ \sd a,4. a8 } \\ { \su a16 a' c a c a a, a'} { \sd d,4. d8 }
\\ { \su d16 a' b a b a d, a' } |
} % melody
\score {
40 matches
Mail list logo
