2012/11/6 Daniel Rosen drose...@gmail.com:
I've created an incipit for a piece I'm working on, but there's a minor issue
with it. Here's the code.
%%% Example begins
\version 2.16.0
disIncip = \markup {
\score {
{
\set Staff.instrumentName = \markup \right-column {
2012/11/6 Thomas Morley thomasmorle...@googlemail.com:
2012/11/6 Daniel Rosen drose...@gmail.com:
I've created an incipit for a piece I'm working on, but there's a minor
issue with it. Here's the code.
%%% Example begins
\version 2.16.0
disIncip = \markup {
\score {
{
\set
Thomas Morley thomasmorle...@googlemail.com writes:
some trickery:
adding a markup to the spacer-rest
readjusting space after TimeSignature
seems to do it.
Huh. What is the most prominent problem of LilyPond here that requires
us to revert to trickery? Which parts of its default behavior
Hi,
I have a score with a system where some staves have measures which are
filled with rests and others with spacer rests (I need these to enable
\change Staff elements). I would like to remove the staves with have
rests only but as far as I can see \RemoveEmptyStaves will remove those
with
Hi David,
Thanks for your quick answer.
The good news is that it's clear, I understand it and the issue 559 you
mentioned would perfectly answer to my needs (much more than that in fact).
The bad news is that it is not implemented yet, so I would probably need to
do something (probably simpler)
Frédéric Fanchamps frederic.fancha...@gmail.com writes:
Hi David,
Thanks for your quick answer.
The good news is that it's clear, I understand it and the issue 559
you mentioned would perfectly answer to my needs (much more than that
in fact).
The bad news is that it is not implemented
- Original Message -
From: Peter O'Doherty m...@peterodoherty.net
To: lilypond-user lilypond-user@gnu.org
Sent: Tuesday, November 06, 2012 1:46 PM
Subject: \RemoveEmptyStaves
Hi,
I have a score with a system where some staves have measures which are
filled with rests and others with
A wild crosspost appears!
Laborejo, Esperanto for Workshop, is used to craft music through notation.
It is a Lilypond GUI frontend, a MIDI creator and finally a tool collection to
inspire and help you compose.
It works by reducing music-redundancy and by seperating layout and data.
Before you
dak wrote
Finally, if it would be possible to note no chord as a normal rest
of the correct duration instead of N.C. it would be great.
Maybe someone else can make a suggestion for this item?
--
David Kastrup
here is a suggestion:
define a command for the rests like
restFull = {
of course that was rubbish - you have to use rests.0 for a full rest, rests.1
for a half, rests.2 for a quarter and so on...
Eluze
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Bass-and-chords-tp135858p135902.html
Sent from the User mailing list archive at
Hi.
I'm typesetting in Lilypond v2.16 a piece where a spanned double barline
appear immediately after a non-spanned barline. Is there a way to replicate
this kind of notation in Lilypond? I tried with a bar with very short skip
(s32), then adding the double barline, but the gap between two
Dear Lilypond users and developers,
many years ago I made a cheat sheet for Lilypond, because I couldn't
remember all the syntax by heart. Now, after having used Lilypond for
some years and after reading the notation reference again, I've made an
updated version, which might be helpful for other
2012/11/6 David Kastrup d...@gnu.org:
Thomas Morley thomasmorle...@googlemail.com writes:
some trickery:
adding a markup to the spacer-rest
readjusting space after TimeSignature
seems to do it.
Huh. What is the most prominent problem of LilyPond here that requires
us to revert to
2012/11/6 Eluze elu...@gmail.com:
dak wrote
Finally, if it would be possible to note no chord as a normal rest
of the correct duration instead of N.C. it would be great.
Maybe someone else can make a suggestion for this item?
--
David Kastrup
here is a suggestion:
define a command for
Hi Peter,
Have you looked at this hint?
http://lsr.dsi.unimi.it/LSR/Item?id=312
Hope this helps!
Kieren.
On 2012-Nov-6, at 10:36, Phil Holmes m...@philholmes.net wrote:
- Original Message - From: Peter O'Doherty m...@peterodoherty.net
To: lilypond-user lilypond-user@gnu.org
Sent:
2012/11/6 Phil Holmes m...@philholmes.net:
- Original Message - From: Peter O'Doherty
m...@peterodoherty.net
To: lilypond-user lilypond-user@gnu.org
Sent: Tuesday, November 06, 2012 1:46 PM
Subject: \RemoveEmptyStaves
Hi,
I have a score with a system where some staves have
*Sehr* schön *gemacht*
Pierre
2012/11/6 Alberto Simões al...@alfarrabio.di.uminho.pt
Hey
It seems interesting/useful, but I can't understand a word :-)
Cheers
ambs
On 06/11/12 22:14, Noeck wrote:
Dear Lilypond users and developers,
many years ago I made a cheat sheet for Lilypond,
2012/11/6 Antonio Soler solem.tempe...@gmail.com:
Hi.
I'm typesetting in Lilypond v2.16 a piece where a spanned double barline
appear immediately after a non-spanned barline. Is there a way to replicate
this kind of notation in Lilypond? I tried with a bar with very short skip
(s32), then
Thomas Morley thomasmorle...@googlemail.com writes:
2012/11/6 David Kastrup d...@gnu.org:
Thomas Morley thomasmorle...@googlemail.com writes:
some trickery:
adding a markup to the spacer-rest
readjusting space after TimeSignature
seems to do it.
Huh. What is the most prominent problem
On Tue, Nov 6, 2012 at 12:01 AM, Thomas Morley
thomasmorle...@googlemail.com wrote:
2012/11/5 Olivier Biot olivier.b...@gmail.com:
Dear all,
I think I just found a Lilypond bug.
The following snippet with fingerings does only show one open string
fingering while TWO have been written. The
On Tue, Nov 6, 2012 at 11:14 PM, Noeck noeck.marb...@gmx.de wrote:
Dear Lilypond users and developers,
many years ago I made a cheat sheet for Lilypond,
[...]
http://arsantiqua-karlsruhe.de/images/pdf/LilypondCheatsheet.pdf
WOW!! It's great! The way you use color and present alternatives
Am 06.11.2012 23:24, schrieb Alberto Simões:
Hey
It seems interesting/useful, but I can't understand a word :-)
Cheers
ambs
Sorry, I don't speak Portuguese, but I added an *English version*, which
should make it readable for a wider community. Most of the text consists
of Lilypond
Am 06.11.2012 23:33, schrieb Thomas Morley:
More automated:
\version 2.16.0
chordNamesWithRestsLayout =
\with {
noChordSymbol = #(make-simple-markup )
\consists Rest_engraver
\consists Multi_measure_rest_engraver
\override Rest #'font-size = #-4
2012/11/7 Eluze elu...@gmail.com:
Am 06.11.2012 23:33, schrieb Thomas Morley:
More automated:
\version 2.16.0
chordNamesWithRestsLayout =
\with {
noChordSymbol = #(make-simple-markup )
\consists Rest_engraver
\consists Multi_measure_rest_engraver
On 2012-11-06 23:14, Noeck wrote:
many years ago I made a cheat sheet for Lilypond, because I couldn't
remember all the syntax by heart. Now, after having used Lilypond for
some years and after reading the notation reference again, I've made an
updated version, which might be helpful for other
Many thanks!. This solution worked perfectly! :)
A.
2012/11/6 Thomas Morley thomasmorle...@googlemail.com
2012/11/6 Antonio Soler solem.tempe...@gmail.com:
Hi.
I'm typesetting in Lilypond v2.16 a piece where a spanned double barline
appear immediately after a non-spanned barline. Is
Hi,
if I do
c~ e~ g~ c e g
when creating a midi file normally no problems.
But if I use articulate.ly, the chord is not tied in the midi output. I
can hear it played twice.
If I do
c e g~ c e g
The tie is played correctly both with and without using articulate.
Bug, in
Hello,
A friend of mine was talking to me about SCORE earlier today and it got me
thinking about LilyPond. I haven't had too many situations where I've
needed this amount of control but, nonetheless, my question is:
I'm familiar enough with SCORE to know that the program offers 19 slur
Sorry, I pasted the wrong link. Here is what I was looking at:
Editing Slurs
http://lilypond.org/doc/v2.14/Documentation/internals/phrasingslur
-
composer | sound designer
--
View this message in context:
Hi!
Editing Slurs
http://lilypond.org/doc/v2.14/Documentation/internals/phrasingslur
Don't forget all of the settings in the interfaces that Slur inherits:
http://lilypond.org/doc/v2.14/Documentation/internals/slur_002dinterface
Thomas Morley thomasmorle...@googlemail.com writes:
Will do, if noone comes up with a better solution or finds a drawback.
We have markup commands \note and \note-by-number. It seems to me that
it would likely be most straightforward to provide the same for \rest
and possibly \rest-by-number
Excellent, thank you for those links!
I guess I haven't ever needed to dig that deep about these markings until
now - but it seems that LilyPond is even more powerful than I had originally
thought!
Ben
-
composer | sound designer
--
View this message in context:
I think both cheat sheets nicely complement each other.
What about adding both of them to the lilypond distribution?
Werner
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On Tue, Nov 06, 2012 at 09:39:09PM -0800, soundsfromsound wrote:
but it seems that LilyPond is even more powerful than I had originally
thought!
Keep a tally of how many times you experience that realization
over the next 6-8 months as you learn more about using the
software. I've been
Oops, thanks for that! I bookmarked the newest documentation now.
Ben
-
composer | sound designer
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Editing-slur-markings-in-LilyPond-tp135933p135943.html
Sent from the User mailing list archive at Nabble.com.
Hello,
One last question for tonight please. I'm having trouble figuring out how
to insert a treble clef mid-measure. I keep getting an error message when I
try to insert the \clef treble, but it works when I put it at the start of
the measure (though that's not what I'm after).
Please see
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