Le 10 déc. 2012 à 15:11, Max DeCurtins a écrit :
Hello,
I am just beginning to work on large, complex projects (e.g. multi-movement
scores with chorus and orchestra, with extensive tagging) in Lilypond, and
would like to get up to speed on current techniques for structuring projects,
Hi,
I am trying to create a sheet for choir accompaniment, and have arranged
chord names above the pianostaff with my own notes.
Now I want to add the choir lyrics to the (partly empty) bars to better be
able to deal with rests.
I tried this, but Lilypond complains on not finding 'upper' or
Hi Maarten,
try to create an (invisible) Devnull Staff that also gets the chords as
musical content, and name that Devnull Staff (eg inv). Then assign the
lyrics to inv instead of upper.
Like this:
melody = \relative c' {
\repeat unfold 20 {c}
}
text = \lyricmode {
ta ta ta ta ta
}
Hi Keith,
Is there anything you use a lot in your score that could sometimes force
staves further apart,
depending on how the note-spacing comes out ?
My score is frenched, so the estimates could be based on system extents BEFORE
the empty ones are removed…
Thanks,
Kieren.
OK, that brings me a lot further.
But now I want to adjust the text within the bars (more than one syllable per
bar).
I tried to that with tildes (like I~will~follow Him), but then the score
doesnot compile
(warning: weet niet hoe MS-Gothic=C:/Windows/fonts/msgothic.ttc in te
bedden
On 11/12/2012 02:51, MING TSANG wrote:
I have trouble placing aa=\with {\consists #numbrUP} or bb=\with
{\consists #numbrDOWN} .
I suppose you didn't include the in the actual code, did you?
Right now the test_number.ly compile with out as seen on test_numbr.pdf.
I cannot compile if I
You can put the syllables you would like to be treated as a single
syllable in quotes, e.g.
text = \lyricmode{ ta ta ta la la }
That will treat the first ta ta ta as a single syllable ...
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Thomas Morley thomasmorley65 at googlemail.com writes:
Attached a file demonstrating it.
Thank you for both attachements and all the hints!
(I did overlook your first attachement.)
(Hope, one of these solutions finds its way to the general lilypond-code.)
Greetings
Werner
On Mon, Dec 10, 2012 at 3:25 PM, James Worlton jworl...@gmail.com wrote:
On Mon, Dec 10, 2012 at 2:50 PM, Keith OHara k-ohara5...@oco.net wrote:
Xavier Noria fxn at hashref.com writes:
subtitle = \markup { Part for \concat{E\flat} saxaphone}
That would be a nice touch. The flat
I've been looking for how to tweak the direction of noteheads within chords.
I've got a few instances where Lilypond’s default isn't as clear as when I flip
the direction of some of the noteheads. I've searched the repository and tried
various tweaks using direction, but nothing seems to
Brilliant, Paul. It isn't as easy as I'd hoped, but this works and is really
minimally difficult for me to use. I used 1.25 and -1.25 as values and it is
certainly close enough that I can't complain. This helps a *lot*.
Best regards,
Arle
On 2012 Dec 11, at 21:05 , Paul Morris wrote:
Hi
Hi Arle,
Below is a revised version that lets you just enter 1 and -1 to indicate your
offsets. It then multiplies that by 1.251178 to get the precise offset amount.
You could enter a slightly larger amount (like 1.1) for whole notes and adjust
to taste. This basically lets you work in
Dear LilyPond community,
today, there was an informal meeting of future teachers in southern
Germany with the aim to share knowledge about helpful software for music
teaching at high-school.
LilyPond was presented and I contributed a summary about LilyPond usage
and installation. I had expected
Hi again,
some more thoughts that came up during the preparation of this teachers’
meeting:
- The LilyPond website could be a bit more enthusiastic about the
features of LilyPond. Many proprietary programs have a shiny *list of*
*features* with images on their site and LilyPond could attract
Over here (Belgium) LilyPond is not as well known as MuseScore. Other
popular (paid) software are Sibelius and Finale.
I have to agree that even with my software development background and
TeX/LaTeX experience I find the learning curve of LilyPond rather steep.
But the path is very rewarding. I
Hi all,
When adding artificial harmonics in a music score, the stopped note and the
artificial harmonic are written in a chord construct, as in:
e-\thumb a-\harmonic-3
However, the MIDI output, even with articulate.ly, will render both the
stopped note AND the actual harmonic, whereas in this
On 11/12/2012 23:24, MING TSANG wrote:
I have a second problen: When I code \nup on \new staff level.
numbered pitch stack wrong for the last three note on T.B clef bass .
Please refer to png.
The reason is that there is no guarantee that at any given moment the
notes of the first voice
On Mon, Dec 10, 2012 at 9:31 PM, ed stuckems edstuck...@gmail.com wrote:
Hello all,
I'm creating piano music for someone and the recipient reviewed the
score and asked for changes. Despite my best efforts, I haven't been
able to make the requested changes without some help. Can someone
On Mon, Dec 10, 2012 at 11:30 PM, David Kastrup d...@gnu.org wrote:
The behavior is undefined if I remember correctly: an error is not
guaranteed by the standard. I think Guilev2 will produce an error, but
LilyPond is still at Guilev1.
OK, thanks!
-David
On Sat, Dec 8, 2012 at 7:21 PM, David Nalesnik david.nales...@gmail.com wrote:
[...]
Trying to work out the problem, I've done a little rewriting so I'll
include the engraver here. You can just substitute this in the
problematic file.
Well, I did break something. Here's the fix:
Am 11.12.2012 23:01, schrieb Olivier Biot:
e-\thumb a-\harmonic-3
…
How can this be easily achieved? Is there a way to mute the MIDI channel
for one or a number of notes?
Hi Oliver,
you could use tags:
Hi all,
How can I display the string number above fingerings in all cases?
Here's a small snippet that will semi randomly arrange fingerings and
string numbers:
%%% BEGIN snippet
\version 2.16.1
theMusic = \new Staff \with {midiInstrument = #cello} {
\relative d {
\key c \major
\time
Hi David,
In the interests of making the user interface friendlier, I added a
feature for specifying repeats. You can now write something like this:
\consists #(bars-per-line-engraver '(5 7*5 1 3*3))
Love it! Thanks.
Is there an easy way of making an systems-per-page-engraver along the
On Tue, Dec 11, 2012 at 3:12 PM, Olivier Biot olivier.b...@gmail.com wrote:
Hi all,
How can I display the string number above fingerings in all cases?
[...]
Both StringNumbers and Fingerings have script-priority set to 100.
Increasing one seems to solve the problem:
\new Staff \relative c''
Thank you for the info. I will keep this in mind.
Blessing in+,
Ming
From: Reinhold Kainhofer reinh...@kainhofer.com
To: MING TSANG tsan...@rogers.com
Cc: lilypond-usermailinglist lilypond-user@gnu.org
Sent: Tuesday, December 11, 2012 5:42:55 PM
Subject:
On Wed, Dec 12, 2012 at 12:37 AM, Nathan when.possi...@gmail.com wrote:
\override StringNumber #'script-priority = #150
Hi Nathan,
Many thanks, as this was precisely what I was looking for!
Best regards,
Olivier
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lilypond-user mailing list
Nathan:
Thanks, your response is exactly what I was looking for.
See below for more comments...
On Tue, Dec 11, 2012 at 5:43 PM, Nathan when.possi...@gmail.com wrote:
On Mon, Dec 10, 2012 at 9:31 PM, ed stuckems edstuck...@gmail.com wrote:
snip
(1) in a piano staff context, we'd like to
On Tue, Dec 11, 2012 at 8:02 PM, ed stuckems edstuck...@gmail.com wrote:
Nathan:
Thanks, your response is exactly what I was looking for.
See below for more comments...
[...]
Perfect. This does exactly what I want.
I actually saw the snippet but I don't understand how I identify
Nathan when.possi...@gmail.com writes:
On Tue, Dec 11, 2012 at 3:12 PM, Olivier Biot olivier.b...@gmail.com wrote:
Hi all,
How can I display the string number above fingerings in all cases?
[...]
Both StringNumbers and Fingerings have script-priority set to 100.
Increasing one seems to
On 12/12/2012 5:44 PM, David Kastrup wrote:
Nathan when.possi...@gmail.com writes:
On Tue, Dec 11, 2012 at 3:12 PM, Olivier Biot olivier.b...@gmail.com wrote:
Hi all,
How can I display the string number above fingerings in all cases?
[...]
Both StringNumbers and Fingerings have
Nick Payne-3 wrote
On 12/12/2012 5:44 PM, David Kastrup wrote:
Nathan lt;
when.possible@
gt; writes:
On Tue, Dec 11, 2012 at 3:12 PM, Olivier Biot lt;
olivier.biot@
gt; wrote:
Hi all,
How can I display the string number above fingerings in all cases?
[...]
Both StringNumbers and
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