How will this impact users who receive the list in digest mode each week?
(I don't get it this way, so I don't know)
Jeff
On Mon, Dec 17, 2012 at 11:37 PM, Werner LEMBERG w...@gnu.org wrote:
Given that, does anyone have any suggestions to how behave nicely
for list members like Harm
LilyPond tries to mimick traditional engraving. There are bugs,
however, saying I find xx is too short is not helpful.
I thought I was fairly clear about the specifics―“I find the stem
here awfully short because it makes the flag on the eighth note run
into the note heads”―but I guess
Keith OHara k-ohara5...@oco.net writes:
Richard Hogg richard.hogg3 at gmail.com writes:
I'm transposing a piece where the measure numbers mark the beginning
of each
(irregular length) section, so I need to notate measure numbers 11,
19, 27, 31,
51, 59, 67, etc. Is there a way to do
The score I am working from was printed in Boston in the 1860s. It was
relatively clear, but the corrected version of 1874 was loaded with junk:
pervasive fingerings, nonsensical slurs, seemingly random articulation marks.
So much was loaded in that it looks like a rat's nest.
Thanks for
Paul Morris p...@paulwmorris.com writes:
On Dec 18, 2012, at 1:03 AM, Arle Lommel fene...@gmail.com wrote:
Given that, does anyone have any suggestions to how behave nicely
for list members like Harm when images are involved?
Hi Arle, Hmmm... one possible solution is to post your images in
Arle Lommel writes:
I thought I was fairly clear about the specifics—“I find the stem here awfully
short because it makes the flag on the eighth note run into the note
heads”—but I guess not.
Yes, that's clear.
But the inline images (yes) shown below should resolve any confusion
on the
Kieren MacMillan kieren_macmillan at sympatico.ca writes:
Essentially. Did you do any performance testing, to see if compilation
times are optimized this way? (I'm finding performance to be somewhat
critical, especially when generating my large opera and musical scores.)
Has anyone else
Arle Lommel writes:
Thanks for pointing out the regional and temporal variations at work here.
That tells me the Lilypond default isn't a bug. It is just a difference of
aesthetic ideal and intention.
It still /could/ be, what I say it that it's impossible for me to tell
yet.
Greetings, Jan
Thomas Morley thomasmorle...@googlemail.com writes:
Hi Eric,
sorry to come back to you that late.
2012/12/13 Eric Pancer epan...@gmail.com:
On Wed, Dec 12, 2012 at 6:05 PM, Thomas Morley
thomasmorle...@googlemail.com wrote:
2012/12/12 Eric Pancer epan...@gmail.com:
On Wed, Dec 12, 2012
Eric Pancer epan...@gmail.com writes:
On Mon, Dec 17, 2012 at 7:09 PM, Thomas Morley
thomasmorle...@googlemail.com wrote:
Is C6 considered 0?
Well, here I'm the one who is confused. I never heard C6 and the
others you mention below.
Apologies. C5 is known as middle C.
It isn't. You are
It works very nicely. Many thanks!
Dominique
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Kai Lautenschläger kai.lautenschlae...@me.com writes:
Dear List,
is it possible to define the name and directory of the PDF output file
with the help of some command within the .ly-file? I mean: not via the
command line when executing lilypond but within the lilypond code
itself.
Try
Ben Beeson bwbe...@wavecable.com writes:
Hi,
I have been struggling with how to get harmonies to align with the main
line of a tune when inputting seconds for bagpipe music. The goal is
to get the main tune on one staff with the seconds on a separate staff.
I also want the seconds aligned
On 12/18/2012 09:31 AM, lilypond-user-requ...@gnu.org wrote:
How will this impact users who receive the list in digest mode each week?
(I don't get it this way, so I don't know)
Jeff
Well, it doesn't matter. Even with normal attachments, we get a
completely unusable link in the digests,
- Original Message -
From: m...@mikesolomon.org
To: lilypond-user@gnu.org
Sent: Tuesday, December 18, 2012 9:04 AM
Subject: Best practices in lyric typesetting
Hey all,
Putting aside the impossibility of the attached exercise, you'll see that
the lyrics stay shifted way down for the
On 18 déc. 2012, at 10:19, Phil Holmes m...@philholmes.net wrote:
- Original Message - From: m...@mikesolomon.org
To: lilypond-user@gnu.org
Sent: Tuesday, December 18, 2012 9:04 AM
Subject: Best practices in lyric typesetting
Hey all,
Putting aside the impossibility of the
…how can you be so sure that the LilyPond output wrong?
I'm not at all sure it is wrong, but as Werner points out, there were
non-German traditions that Lilypond does not address. Since this comes from one
of those and I am trying to represent the score in a nicer format that is still
true to
On 18 December 2012 20:19, Phil Holmes m...@philholmes.net wrote:
- Original Message - From: m...@mikesolomon.org
To: lilypond-user@gnu.org
Sent: Tuesday, December 18, 2012 9:04 AM
Subject: Best practices in lyric typesetting
Hey all,
Putting aside the impossibility of the
Hello,
2012/12/18 m...@mikesolomon.org m...@mikesolomon.org
I'll tell that to my singers as they tar and feather me.
I would forse a line break in such a case.
Marek Klein
http://gregoriana.sk
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- Original Message -
From: m...@mikesolomon.org
To: Phil Holmes m...@philholmes.net
Cc: m...@mikesolomon.org; lilypond-user@gnu.org
Sent: Tuesday, December 18, 2012 9:23 AM
Subject: Re: Best practices in lyric typesetting
On 18 déc. 2012, at 10:19, Phil Holmes m...@philholmes.net
2012/12/18 Jan Nieuwenhuizen jann...@gnu.org:
Thomas Morley writes:
please:
DON'T POST INLINE-IMAGES!
Can you please don't shout, esp. not to our users?
Hi Arle, Jan,
I apologize having been impolite.
Attach them!
I'm surely not alone with filtering them out.
Why would anyone do that?
A line of text should be parallel to the stave for the length of
the system, and not be placed on different levels to accommodate
notes below the stave.
This refers to lyrics.
I'll tell that to my singers as they tar and feather me.
Now you know why different clefs do exist to avoid
No worries at all. If most people were “impolite” in the same way (offering
solutions and helping) the world would be better off. Since you've helped me
before, I didn't take it personally in any way.
Arle
I apologize having been impolite.
___
2012/12/18 Arle Lommel fene...@gmail.com:
First off, thanks very much, Harm, for taking the time to review my issue and
provide a detailed response, despite the complaint about images. I will work
with it and see how it works out.
Hi Arle,
let me express my apology having been impolite
Here is an example that generates a score where the g2. note is
incorrectly tied to the first g16 note due to
the tie between r1 and r8.
\version 2.16.1
\relative c'' {
r1~r8
g2.
g16
g16
}
\addlyrics {
Tom ten par
}
This causes the lyrics to be misaligned as well. If the tilde is
Thomas Morley writes:
In the past I was sometimes beaten by spam.
And I'm absolutly nerved by online-commercials.
Have you ever seen spam or commercials on these lists?
So I block/filter where possible.
You may want to filter INBOX, if your ISP is failing at blocking spam.
You can also
2012/12/18 Jan Nieuwenhuizen jann...@gnu.org:
Thomas Morley writes:
In the past I was sometimes beaten by spam.
And I'm absolutly nerved by online-commercials.
Have you ever seen spam or commercials on these lists?
Yes, sent from hacked accounts, I suppose.
So I block/filter where
Dear usergroup, since i've had no reaction yet i'm reposting this in case
nobody has seen it. Any suggestions?
All the best!
Gagi
On 15 December 2012 10:39, Gagi Petrovic gagig...@gmail.com wrote:
Dear Ponders, i'm working on a composition where i'm in need of a custom
3-lined-staff with a
MS,
Putting aside the impossibility of the attached exercise, you'll see that the
lyrics stay shifted way down for the part of the attached example that moves
to D major.
I ran into the reverse problem with pedal markings the other day: they were
*not* aligned (and in fact seemed to behave
Thomas Morley thomasmorle...@googlemail.com writes:
2012/12/18 Jan Nieuwenhuizen jann...@gnu.org:
Thomas Morley writes:
In the past I was sometimes beaten by spam.
And I'm absolutly nerved by online-commercials.
Have you ever seen spam or commercials on these lists?
Yes, sent from hacked
Werner LEMBERG w...@gnu.org writes:
A line of text should be parallel to the stave for the length of
the system, and not be placed on different levels to accommodate
notes below the stave.
This refers to lyrics.
I'll tell that to my singers as they tar and feather me.
Now you know
On Tue, Dec 18, 2012 at 11:59 AM, David Kastrup d...@gnu.org wrote:
Actually, singers don't like such things. It interferes with their
pitch sense.
I think the Carmina Burana has some piece for a bass or baritone
falsettist and it is written in $#!! bass clef, with oodles of ledger
lines.
Hi Keith,
Tempo indications and rehearsal marks should not take noticeable time.
(I just tried removing all of them an saw no change outside noise, less that
half-percent, in the time required to set a score.)
That's not quite my point. If my global variable has hundreds of other things
2012/12/18 Parham FH par...@hil.t.u-tokyo.ac.jp
Is this expected behaviour or am I missing something?
You can tie notes. Rest ties makes no sense for me. Probably the tilde
should not be accepted for a rest?
Regards
Helge
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lilypond-user mailing
Yeah, it doesn't make sense to tie rests, you are right about that. But the
behaviour was still unexpected, and unwanted, I would say.
Cheers,
Parham
On 18 December 2012 20:56, Helge Kruse helge.kr...@gmx.net wrote:
2012/12/18 Parham FH par...@hil.t.u-tokyo.ac.jp
Is this expected behaviour
is it possible to define the name and directory of the PDF output file
with the help of some command within the .ly-file? I mean: not via the
command line when executing lilypond but within the lilypond code
itself.
Try \bookOutputName
Thanks very much. I wasn't aware, that you can enter
Gagi,
On 15 December 2012 10:39, Gagi Petrovic gagig...@gmail.com wrote:
Dear Ponders, i'm working on a composition where i'm in need of a custom
3-lined-staff with a zigzagged (like the glissando style, see attachment)
middle line. Is it possible to make a small adjustement to the code
Hi Xavier,
Personally I would be very happy with an enhanced partcombine that
could handle divisi on different staves as well.
This features has been asked in the French users mailing list and is
tracked as issue #2779.
http://code.google.com/p/lilypond/issues/detail?id=2779
Wouldn't it
Hello all,
Here is a very simple draft:
\version 2.14.2
\score {
\relative c'' {
\time 2/4
\acciaccatura \parenthesize g8 a4 a | g4. a8 | a4 g | a8( g4) g8 | f4 e | e r |
f4 g8( a) g4. a8 | a4 g | \times 2/3 { g16([ f e] } f4) f8 e4 e | e2\fermata
\bar |.
} }
The space between \time 2/4 and
Hi David and Helge,
You both make good points (copied below) about the drawbacks of using links to
images instead of attaching images to an email.
I actually don't mind inline images, but was just suggesting links as another
possibility.
Cheers,
-Paul
On Dec 18, 2012, at 3:00 AM, Helge
Hi David, yes indeed. A zigzag or a trillspan-kind-of line would also
suffice.
Thank you for your tip, seems like it's time for me to dive more deeply
into this matter. When i look at the code i understand it only roughly, i
will need some time for this. So if anyone has any tips for reading
Hi Gagi,
On Dec 18, 2012, at 5:35 AM, Gagi Petrovic m...@gagipetrovic.nl wrote:
Dear Ponders, i'm working on a composition where i'm in need of a custom
3-lined-staff with a zigzagged (like the glissando style, see attachment)
middle line. Is it possible to make a small adjustement to the
Why not just use 2 voices and skips?
{
\new Staff
\new Voice = Upper {
a'4 a'4 \voiceOne a'4 a'4
a'4 a'4 a'4 a'4
}
\new Lyrics \lyricsto Upper { a b c d e f g h }
\new Voice = Lower {
s4 s4 \voiceTwo a'8 a'8 a'4
a'4 a'8 a'8 a'4 a'4
}
Paul Morris p...@paulwmorris.com writes:
Hi Gagi,
On Dec 18, 2012, at 5:35 AM, Gagi Petrovic m...@gagipetrovic.nl wrote:
Dear Ponders, i'm working on a composition where i'm in need of a
custom 3-lined-staff with a zigzagged (like the glissando style, see
attachment) middle line. Is it
Phil,
Thanks -- I guess I could, but that's a bit kludgey* as well. Since I don't
want stems in both directions for those notes which don't change, I'd have
to use
\new Voice = Lower {
s4 s4 \voiceTwo a'8 a'8 \voiceOne a'4
a'4 \voiceTwo a'8 a'8 \voiceOne a'4 a'4
}
which
Nikolay Kirov wrote
Hello all,
Here is a very simple draft:
\version 2.14.2
The space between \time 2/4 and the first note (acciaccatura) is very
small and looks like ugly. How to increase the space?
In text case we have \hspace, but here?
instead of trying to add some invisible
So the singers have different lyrics but the same note? If I was trying to
sing that, I would find it very confusing.
--
Phil Holmes
- Original Message -
From: Frederick Bartlett
To: Phil Holmes
Cc: lilypond-user@gnu.org
Sent: Tuesday, December 18, 2012 3:37 PM
Hi,
this is probably a new question, so write it as new topic:
Why are the pedal symbols on a different vertical level with the mixed
and the bracket style but not in the default (text) style?
\version 2.16.0
{
\clef bass
\set Staff.pedalSustainStyle = #'text % bracket mixed
a,2\sustainOn
Hello Everyone,
I am working on typesetting another composer's music. In their music they
prefer to notate a 5:4 tuplet (5 sixteenth notes in the space of 4 sixteenth
notes) as 5:1 (5 sixteenths in the space of 1 pulse (quarter note). Is it
possible change Lilypond's MIDI encoding so that if I
-- Forwarded message --
From: Frederick Bartlett frederick.bartl...@gmail.com
Date: 18 December 2012 11:25
Subject: Re: Aligning multiple verses to alternative notes in the melody
To: Phil Holmes m...@philholmes.net
Phil,
I guess I'm not being clear. And it can confuse the
On Sat, Dec 15, 2012 at 9:45 AM, Federico Bruni fedel...@gmail.com wrote:
Il 15/12/2012 00:39, Olivier Biot ha scritto:
I'm running LilyPond either directly or from Frescobaldi. I'm not sure I
can set the -v flag in Frescobaldi.
In Frescobaldi you can choose the verbose output option in
On 12/18/2012 05:16 PM, carltesta wrote:
I am working on typesetting another composer's music. In their music they
prefer to notate a 5:4 tuplet (5 sixteenth notes in the space of 4 sixteenth
notes) as 5:1 (5 sixteenths in the space of 1 pulse (quarter note). Is it
possible change Lilypond's
On Dec 14, 2012 6:39 PM, Olivier Biot olivier.b...@gmail.com wrote:
Hi all,
Is there a way to write text to the console in LilyPond?
I'd like to display the file currently processed to keep track of
problems on a 60 part etude
On Sat, Dec 15, 2012 at 7:40 AM, Mark Witmer m...@markwitmer.com
Frederick, you wrote Aligning multiple verses to alternative notes in the melody
Imagine that there are substantial variations in the number of syllables in
the lyrics between verses. So one verse might have you against a half
note, while the next would have egotistical twerp against a run of
Parham Fazelzadeh par...@hil.t.u-tokyo.ac.jp writes:
Yeah, it doesn't make sense to tie rests, you are right about that. But the
behaviour was still unexpected, and unwanted, I would say.
In general, with LilyPond, unexpected input creates unexpected
output.
Often, if you input something that
Hi Frederick,
Is this what you're looking for?
Hope this helps!
Kieren.
\version 2.16
theNotes = {
a'4
\override Score.LyricText #'self-alignment-X = #LEFT
{ \voiceOne b'2 }
\new Voice = Lower { \voiceTwo b'16 b' d'' b' b' b'8. }
\oneVoice a'4 g'4
}
theWords = \lyricmode {
David Kastrup d...@gnu.org writes:
Eric Pancer epan...@gmail.com writes:
On Mon, Dec 17, 2012 at 7:09 PM, Thomas Morley
thomasmorle...@googlemail.com wrote:
Is C6 considered 0?
Well, here I'm the one who is confused. I never heard C6 and the
others you mention below.
Apologies. C5 is
carltesta ctesta at wesleyan.edu writes:
I am working on typesetting another composer's music. In their music they
prefer to notate a 5:4 tuplet (5 sixteenth notes in the space of 4 sixteenth
notes) as 5:1 (5 sixteenths in the space of 1 pulse (quarter note). Is it
possible change Lilypond's
Noeck noeck.marburg at gmx.de writes:
Why are the pedal symbols on a different vertical level with the mixed
and the bracket style but not in the default (text) style?
\version 2.16.0
{
\clef bass
\set Staff.pedalSustainStyle = #'text % bracket mixed
a,2\sustainOn a,\sustainOff
On Tue, Dec 18, 2012 at 4:25 PM, David Kastrup d...@gnu.org wrote:
Paul Morris p...@paulwmorris.com writes:
Hi Gagi,
On Dec 18, 2012, at 5:35 AM, Gagi Petrovic m...@gagipetrovic.nl wrote:
Dear Ponders, i'm working on a composition where i'm in need of a
custom 3-lined-staff with a
David Rogers davidandrewrog...@gmail.com wrote:
It turns out that the correct number for C4, C5, and so on can be found
by counting the number of Cs on a standard 88-key piano, starting from
the low end and starting with 1. Is this an accident, or is this the
origin of that numbering system?
m...@mikesolomon.org wrote
Hey all,
My minimal example below functions quite nicely w/ the placement of tempos
but my example from a score (see attached image) has the tempo sliding
over the key signature changes. Does anyone have intuition about where
this discrepancy could come from?
On 18 December 2012 19:47, m...@mikesolomon.org m...@mikesolomon.org wrote:
Hey all,
My minimal example below functions quite nicely w/ the placement of
tempos but my example from a score (see attached image) has the
tempo sliding over the key signature changes. Does anyone have
intuition
I'm missing something but am too stupid to figure out what
From
the link that Paul provides I get
print-page-number #f
somewhere in
the paper block should remove the page numbers but here's my paper block
and there's got to be something I've left out because it doesn't do
anything.
Thank you, that works and is very helpful.
Best,
Carl
carltesta ctesta at wesleyan.edu writes:
I am working on typesetting another composer's music. In their music
they
prefer to notate a 5:4 tuplet (5 sixteenth notes in the space of 4
sixteenth
notes) as 5:1 (5 sixteenths in the space
Am 18.12.2012 22:18, schrieb i...@soundand.com:
print-page-number #f
print-page-number = ##f
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On 18 December 2012 22:18, i...@soundand.com wrote:
I'm missing something but am too stupid to figure out what
From the link that Paul provides I get
print-page-number #f
somewhere in the paper block should remove the page numbers but here's my
paper block and there's got to be something
Perfect thank you
Jay
On 2012-12-18 14:29, Xavier Scheuer wrote:
On 18 December 2012 22:18, i...@soundand.com wrote:
I'm
missing something but am too stupid to figure out what From the link
that Paul provides I get print-page-number #f somewhere in the paper
block should remove the
On 18 déc. 2012, at 21:56, Xavier Scheuer x.sche...@gmail.com wrote:
On 18 December 2012 19:47, m...@mikesolomon.org m...@mikesolomon.org wrote:
Hey all,
My minimal example below functions quite nicely w/ the placement of
tempos but my example from a score (see attached image) has the
On 18 déc. 2012, at 21:24, Eluze elu...@gmail.com wrote:
m...@mikesolomon.org wrote
Hey all,
My minimal example below functions quite nicely w/ the placement of tempos
but my example from a score (see attached image) has the tempo sliding
over the key signature changes. Does anyone have
I tried a little bit but couldn't get the sliding tempo!
cheers
Eluze
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Tempo-sliding-over-key-signature-changes-tp138030p138047.html
Sent from the User mailing list archive at Nabble.com.
Hi David,
Thanks for pointing me to the issue 34 link. I did not know about that
before. After reading all that material late last night, I am realizing
that the fix is going to be a tough one. I guess I was hoping that I
just missed something simple. Who knew that I was about to walk into a
Ben Beeson bwbe...@wavecable.com writes:
Hi David,
Thanks for pointing me to the issue 34 link. I did not know about that
before. After reading all that material late last night, I am realizing
that the fix is going to be a tough one. I guess I was hoping that I
just missed something
I know this subject has come up before, but I can't seem to find
the right search string to yield an answer that works for me.
The attached example shows a note from a CueVoice context that
overlaps a rest in a normal voice context. By default, Lily
engraves the normal rest lower than normal to
On Tue, Dec 18, 2012 at 08:52:54PM -0800, Jim Long wrote:
Is there a way to insert empty horizontal staff space at an
arbitrary point in a particular voice?
Re-reading that, I realize I didn't word it well
I meant that inserting space into any one voice would also insert
that horizontal
David Rogers davidandrewrogers at gmail.com writes:
Parham Fazelzadeh parham at hil.t.u-tokyo.ac.jp writes:
Yeah, it doesn't make sense to tie rests, you are right about that. But the
behaviour was still unexpected, and unwanted, I would say.
In general, with LilyPond, unexpected
On 19/12/12 15:52, Jim Long wrote:
Is there a way to insert empty horizontal staff space at an
arbitrary point in a particular voice? Yes, much like \hspace in
markup.
Thank you!
\version 2.16.1
melody = \relative c'' {
\new CueVoice { c4. }
{
%\once \override NoteColumn
On 19 déc. 2012, at 00:43, Eluze elu...@gmail.com wrote:
I tried a little bit but couldn't get the sliding tempo!
cheers
Eluze
Here's a tiny(ish) example.
Changing the rests to notes in the bass part will make the tempos typeset
correctly. My guess is that this is a bug with
Hi all, I am working on the same score that spawned discussion about stem
lengths and now have another, hopefully less controversial, question.
I keep getting warnings like the following when I run Lilypond:
warning: cannot resolve rest collision: rest direction not set
They appear from
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