Adam Spiers lilypond-u...@adamspiers.org writes:
Hi all,
I need to generate point-and-click links for notes but not for
displayed chord names. However, \pointAndClickTypes only filters by
music event class, and if my understanding is correct, events in a
certain music class have no notion
Each time Qsynth is launched, it uses a different port, obvisously; if you
had to restart it, you need to click Refresh MIDI ports and choose another
Fluidsynth occurrence (the port number is shown between parenthesis).
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On Jan 15, 2013, at 4:47 AM, flup2 phili...@philmassart.net wrote:
Each time Qsynth is launched, it uses a different port, obvisously; if you
had to restart it, you need to click Refresh MIDI ports and choose another
Fluidsynth occurrence (the port number is shown between parenthesis).
Thank
On Tue, Jan 15, 2013 at 9:41 AM, David Kastrup d...@gnu.org wrote:
Adam Spiers lilypond-u...@adamspiers.org writes:
Hi all,
I need to generate point-and-click links for notes but not for
displayed chord names. However, \pointAndClickTypes only filters by
music event class, and if my
Hi Werner,
I must solve everything for R manually while r works fine.
Any ideas to solve that?
Can you write a callback function to determine the position of the r and apply
it to the R?
Just a thought.
Kieren.
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On 14 January 2013 16:41, David Kastrup d...@gnu.org wrote:
james james.lilyp...@googlemail.com writes:
I think that may be just a matter of setting associatedVoice.
--
David Kastrup
Setting associatedVoice to what? There isn't a clearly defined voice
that has the vocal line (unless I
Federico Bruni-5 wrote
The attached file tries to mimic a bit your example.
In the attached file distance between bottom system and the bottom edge of
the page is different. On the second page there is small distance. On the
first page — medium. And on last page distance between bottom system
Phil Holmes-2 wrote
Do you want this done automatically, or can you use manual line and page
breaks?
Please write both ways
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Sent from the User mailing list archive at
Hello all,
Is there a central library of addInstrumentDefinition entries?
We shouldn't require users to reinvent the wheel on these…
Thanks,
Kieren.
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Hello all!
Has anyone successfully written multi-instrument player parts correctly
(i.e., using \addInstrumentDefinition and \switchInstrument, and not manually
\transpose-ing bits)?
I would love to see an example, so I can fix my hacks.
Even seeing this non-working [in several ways… like why
tl;dr: How does one remove a time signature completely (not just
transparent) without removing the time signature engraver?
I have a song that changes time signature for the chorus (and then back,
obviously, for the next verse).
In the printed version, I do not want to re-assert the time
Hi Christopher,
tl;dr: How does one remove a time signature completely (not just
transparent) without removing the time signature engraver?
I believe this will work:
\once \override TimeSignature #'stencil = ##f
Hope this helps!
Kieren.
___
On 01/15/2013 03:40 PM, Kieren MacMillan wrote:
tl;dr: How does one remove a time signature completely (not just
transparent) without removing the time signature engraver?
I believe this will work:
\once \override TimeSignature #'stencil = ##f
Thanks, Kieren. That doesn’t seem to work (in
Hi Christopher,
That doesn’t seem to work
You need to specify the context:
songGlobalsVerse = {
s8
\once \override Staff.TimeSignature #'stencil = ##f
\time 6/8
s2.*8
\bar ||
}
\score { \songGlobalsVerse }
Cheers,
Kieren.
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On Jan 15, 2013, at 9:47 PM, Christopher R. Maden wrote:
On 01/15/2013 03:40 PM, Kieren MacMillan wrote:
tl;dr: How does one remove a time signature completely (not just
transparent) without removing the time signature engraver?
I believe this will work:
\once \override TimeSignature
On 01/15/2013 04:05 PM, Kieren MacMillan wrote:
You need to specify the context:
OK... a more complete example is attached.
The time signature is invoked in songGlobalsVerse.
That’s used in a Staff:
songVocals = \new Staff
\clef treble
{
\songGlobalsIntro
\repeat volta 6
On Jan 15, 2013, at 10:18 PM, Christopher R. Maden wrote:
On 01/15/2013 04:05 PM, Kieren MacMillan wrote:
You need to specify the context:
OK... a more complete example is attached.
The time signature is invoked in songGlobalsVerse.
That’s used in a Staff:
songVocals = \new Staff
Is it possible that these constructs might one day be possible?
I ran into some syncopated music today which would have been
convenient to store in a variable, but it was difficult to find a
viable break point because of frequent tied notes.
Thanks!
motifA = \relative c' { f1 ~ }
\score {
The default positioning of the small 8 under the clef symbol when
using the treble_8 or G_8 clef is too far to the right. It looks better
when the X-offset is about 0.7 staff units:
%
\version 2.17.10
\relative c'{
\clef G_8
\override Staff.OctavateEight.X-offset = #0.7
c d
Greetings List,
I would like to be able to add an arbitrary and specifiable amount of
horizontal white space between selected notes, or between a note and the
following bar line. Searching the doc, the list archive and the snippets
repository has still left me unable to work it out.
Using
On 01/15/2013 04:27 PM, james wrote:
As previously noted in kieren's email, you need to add Staff.
before TimeSignature #'stencil = ##f in order to specify the context
that you want the override to take place in.
Yes! Thank you, James. I had not properly understood Kieren. This
works now.
My initial thought would be to use the cadenza function and then do some
unpleasant arithmetic and setting
\override Score.SpacingSpanner #'strict-note-spacing = ##t
e2*12/5 e4*22/16 e8*5/2 f32 by which you can add amounts of white space by
fooling the the length of the note which might be a
Joseph wrote:
You're preaching to the converted here, I fear ... :-)
Very true :-P
Will you be publicly sharing your drafts? I'm sure people would be happy
to
give feedback and contributions on the way.
Urs has almost convinced me about using Git so i't's very likely I will get
a
Am 16.01.2013 00:01, schrieb Antonio Gervasoni:
Joseph wrote:
You're preaching to the converted here, I fear ... :-)
Very true :-P
Will you be publicly sharing your drafts? I'm sure people would be happy
to
give feedback and contributions on the way.
Urs has almost convinced me about
Please forgive my earlier example, which I had not tested
thoroughly.
Consider the example below instead, and the attached output.
It shows some variations that could be useful when storing
musical phrases in a variable, while retaining some flexibility
with ties leading into or out of the
On 16/01/13 08:52, Andrew Bernard wrote:
Greetings List,
I would like to be able to add an arbitrary and specifiable amount of
horizontal white space between selected notes, or between a note and
the following bar line. Searching the doc, the list archive and the
snippets repository has
Hello dear list
I'm writing a score that has a \bar || at the end of a system, and a volta
repeat beginning in the following system after the line break. It seems that
the \bar command overwrites the |: of the following volta, making that
invisible. Is there a way to get what I desire?
Thank you
Kieren MacMillan kieren_macmillan at sympatico.ca writes:
Has anyone successfully written multi-instrument player parts [...]
using \addInstrumentDefinition and \switchInstrument [...] ?
Almost certainly not. \addInstrumentDefinition is inconvenient.
Google says: No results found for
Hi Keith,
Thank you so much for the detailed and considered response.
Boo. I really wish Lily would Do The Right Thing™ with regard to transposing
parts. I want to be able to say \switchInstrument at any time, and easily
generate C and transposed scores/parts (with all key signatures
p.s. It would help immensely if I could at least say
\tag #'part { \transpose c d }
c4 d e f
and then use the tag filter to leave the transposition out of the C-score.
However, this doesn't seem to work — any ideas how I can accomplish such a
thing (or very similar)?
Thanks,
Kieren.
Dear fellow users
I'd like to ask after which rule repeat bars are placed that belong to volta
repeats in lyrics blocks.
Until now my observation was that volta repeats in a lyrics block cause the
respective |: :| bars to appear as tightly around the enclosed lyrics as
possible:
- the opening
I have searched and searched, but I can't to seem find any documentation
on the actual file structure, with all the various elements, in one place.
Yes, I can find out about how curly braces work, or what does, but it
would be great if there was a document that listed each delimiter, what it
Hi David,
I really hope this ends up in Lilypond; you've clearly put a ton of work
into this. And it's even commented now! Brilliant.
It seems to be working just fine; I'll holler if there are troubles.
cheers,
Jeff
On Sat, Jan 12, 2013 at 10:23 AM, David Nalesnik
On Tue, 15 Jan 2013 19:41:00 -0800, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Boo. I really wish Lily would Do The Right Thing™ with regard to transposing
parts. I want [...]
perhaps I'll put together an official feature request…
Almost certainly, \instrumentSwitch was written
On Tue, Jan 15, 2013 at 10:21 PM, Keith OHara k-ohara5...@oco.net wrote:
On Tue, 15 Jan 2013 19:41:00 -0800, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Boo. I really wish Lily would Do The Right Thing™ with regard to
transposing parts. I want [...]
perhaps I'll put together an
Hi Keith,
Almost certainly, \instrumentSwitch was written in response to a similar
request.
If I remember correctly, Han-Wen wrote it and I paid him a bounty for it… =)
you can store the music in a variable, and perform the action of transposing
only where you need it.
Yes, of course,
Hi Jay,
There's this: http://lsr.dsi.unimi.it/LSR/Item?id=697 which is useful
when the transposition changes mid-piece (like for clarinets, horns,
and trumpets). Also you don't have to think about the 'from' pitch.
You only need the 'to' pitch.
That doesn't seem to handle key signatures very
On Tue, 15 Jan 2013 21:43:04 -0800, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
I've been using it for 10 years now.
Sorry, I've seen so many names they are all a jumble in my head. In that case,
for the part where the player switches instruments, you'd probably like to
store
On 16/01/13 15:07, Kevin wrote:
I have searched and searched, but I can't to seem find any documentation
on the actual file structure, with all the various elements, in one place.
Yes, I can find out about how curly braces work, or what does, but it
would be great if there was a document that
Hi Keith,
for the part where the player switches instruments, you'd probably like to
store the as-written pitches along with the transpositions. Then you can use
LilyPond's quoting system to get the music in concert pitch for the C-score.
Now we're getting somewhere! Thanks!
I will test
Hi Keith,
for the part where the player switches instruments, you'd probably like to
store the as-written pitches along with the transpositions. Then you can use
LilyPond's quoting system to get the music in concert pitch for the C-score.
Now we're getting somewhere! Thanks!
I will test
Keith OHara k-ohara5...@oco.net writes:
On Tue, 15 Jan 2013 21:43:04 -0800, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
I've been using it for 10 years now.
Sorry, I've seen so many names they are all a jumble in my head.
And you are not even likely to keep confusing Keith with
On Wed, Jan 16, 2013 at 01:48:21AM -0500, Kieren MacMillan wrote:
Hi Keith,
for the part where the player switches instruments, you'd probably
like to store the as-written pitches along with the transpositions.
Then you can use LilyPond's quoting system to get the music in concert
Hi,
Is it possible to create some general setup for the total number of bars
within the score, including time changes?
In the example I have a score with two voices on the right (piano) staff
with 6/8 and 3/8 bars.
When I create in one voice some rhythmic accents (like grace notes or
Am 16.01.2013 04:04, schrieb Frank Steinmetzger:
Hello dear list
I'm writing a score that has a \bar || at the end of a system, and a volta
repeat beginning in the following system after the line break. It seems that
the \bar command overwrites the |: of the following volta, making that
Am 16.01.2013 08:51, schrieb Maarten de Keijzer:
Hi,
Is it possible to create some general setup for the total number of
bars within the score, including time changes?
In the example I have a score with two voices on the right (piano)
staff with 6/8 and 3/8 bars.
When I create in one
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