When I encounter this situation I use:
\bar :|
\grace s16
\bar |:
in place of \re[eat volta.
I don't use \unfold so I wonder if the following would work for you:
\bar ||
\grace s16
\bar |:
I'll also try \bar ||: instead of using \grace.
On Tue, Jan 15, 2013 at 9:52 PM, Marc Hohl
Marc Hohl m...@hohlart.de writes:
Lilypond has a special bar line type for this: \bar ||: should do
the trick.
I agree with OP that LP should deal with this situation without
having to resort to tricks.
-- Johan
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keith Luke kkll...@gmail.com writes:
When I encounter this situation I use:
\bar :|
\grace s16
\bar |:
\bar || \break
\grace s16
\repeat volta 2 {
works as well.
-- Johan
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lilypond-user@gnu.org
Hi Kieren,
just stumbled across this thread. I once was trying to create an
engraver, that recognizes transposition/instrument changes and inserts a
time signature there. (IIRC it was a piece with a change between oboe
and english horn)
In the end I inserted tagged key-sigs, whenever I
Hi list,
I'm just starting my first try with lilypond-book.
I see that I have to enter the code in my latex document, process this
document with lilypond-book and then compile the resulting file to get
my final pdf document.
But do I see correctly that I can't compile my original file with
Urs Liska li...@ursliska.de writes:
But do I see correctly that I can't compile my original file with
latex anymore (because of the undefined environment/command)?
I find this inacceptable, because I want to be able to compile my
original document at any time during its development.
If I
Am 16.01.2013 11:27, schrieb David Kastrup:
Urs Liska li...@ursliska.de writes:
...
Am I on the right track with this approach?
Or is there something wrong with it?
Well, what will always be wrong with it is that without using
LilyPond-book, you can only use embedded LilyPond in situations
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Urs Liska li...@ursliska.de writes:
Am 16.01.2013 11:27, schrieb David Kastrup:
Urs Liska li...@ursliska.de writes:
...
Am I on the right track with this approach?
Or is there something wrong with it?
Well, what will always be wrong with it is that without using
Urs Liska li...@ursliska.de writes:
Am 16.01.2013 11:27, schrieb David Kastrup:
Urs Liska li...@ursliska.de writes:
...
Am I on the right track with this approach?
Or is there something wrong with it?
I am not sure that this is actually a reasonably up-to-date variant of
Eluze elu...@gmail.com writes:
Matthew Collett wrote
Adding e.g. \hspace #8 before the lyric \responsum does not move it much
to the right; mostly it just makes the rest of the line bunch up more.
Adding e.g. \tweak #'Y-offset #-8 before \mark has no visible effect
whatsoever.
So can
Matthew Collett wrote
Adding e.g. \hspace #8 before the lyric \responsum does not move it much
to the right; mostly it just makes the rest of the line bunch up more.
Adding e.g. \tweak #'Y-offset #-8 before \mark has no visible effect
whatsoever.
So can anyone suggest a way either:
(a) to
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2013/1/16 Francisco Vila paconet@gmail.com:
I use lilypond-book a lot and this problem is solved if you build your
document using make or a bash script that does all the work. The
script can create an out/ folder if it doesn't exist, tell
lilypond-book to output all to out/, copy all
Am 16.01.2013 12:24, schrieb Francisco Vila:
2013/1/16 Francisco Vila paconet@gmail.com:
I use lilypond-book a lot and this problem is solved if you build your
document using make or a bash script that does all the work. The
script can create an out/ folder if it doesn't exist, tell
2013/1/16 Urs Liska li...@ursliska.de:
Will this recompile all lilypond snippets or does lilypond-book somehow
detect if there is a sufficiently current file availble?
Make will detect it and will only recompile what has changed. It is
based on rules that link a source file with a target along
Hello,
For what concerns the files generated by lilypond-book, the scripts
(engines) written for TeXShop by Nicola Vitacolonna are a fine solution (at
least for Unix based system): these are shell scripts that store these files
in temporary folders.
But their huge usefulness is, for me, the use
2013/1/16 Kevin Patrick Barry barr...@tcd.ie:
It generates a lot of extra files and folders that create clutter if you
don't direct its output to a separate folder, but when I do that, links to
other files (graphics for example) in the .tex file no longer work since
it's in a different folder
Am Mittwoch, 16. Januar 2013, 08:52:16 schrieb Marc Hohl:
Hello dear list
I'm writing a score that has a \bar || at the end of a system, and a
volta repeat beginning in the following system after the line break. It
seems that the \bar command overwrites the |: of the following volta,
Frank Steinmetzger war...@gmx.de writes:
I knew about the |: bar statement, but also that I can't use two bars for the
same moment. The grace hint works like a charm, thanks Johan.
Credits - Keith Luke
-- Johan
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Take a look at the following:
\set Score.markFormatter = #format-mark-numbers
s8
\mark #9 s8
\mark #10 s4
\set Score.markFormatter = #format-mark-circle-numbers
\mark #9 s8
\mark #10 s4
As you can see, when using circled numbered rehearsal
David Kastrup wrote
ly/gregorian.ly contains a predefined \responsum command. How does this
relate to the problem discussed here?
I didn't know that - thanks for the hint!
so I added the relevant definitions from gregorian.ly:
#(define (add-prefix-to-lyrics prefix music)
(let ((found?
Am 16.01.2013 12:45, schrieb Peter Gentry:
I cannot suppress a page break which looks unnecessary - what am I doing wrong?.
I have included the example in the attached file which I hope does not contain
too much unnecessary data.
This looks like a w*rd document with some binary data in it – I
I agree - you have done an amazing job with this, thank you so much!
Ben
Jeffrey Trevino wrote
Hi David,
I really hope this ends up in Lilypond; you've clearly put a ton of work
into this. And it's even commented now! Brilliant.
It seems to be working just fine; I'll holler if there
On 17/01/2013, at 12:10 am, David Kastrup d...@gnu.org wrote:
ly/gregorian.ly contains a predefined \responsum command. How does this
relate to the problem discussed here?
Not at all: that simply prepends an ℟ to some text.
Best wishes,
Matthew
___
Dear all,
Here's a trick that works better than the trick I posted earlier.
Add the following at the end of the music expression (e.g. after the last
note), or in a separate context having the same number of measures as the
music you want to engrave:
\label #'theLastPage
Best regards,
Olivier
Matthew Collett wrote
So can anyone suggest a way either:
(a) to move the mark down; or
(b) to move the lyric ℟. to somewhere near the righthand end; or
(c) to place a symbol in the desired position (under or just before the
double bar, level with the lyrics) by some other method entirely?
On 16/01/2013, at 11:48 pm, Kevin Patrick Barry barr...@tcd.ie wrote:
Since you asked for opinions I will offer mine. I do quite a bit of work
with LaTeX and LilyPond, but I don't use lilypond-book for a couple of
reasons.
...
For those reasons I prefer to simply export images
Hello,
For tablature, Is it possible to position note beams above the staff,
similar to the tab style in MuseScore 2.0? Please see this link for an
example:
http://tnovelli.net/music/1205-mscore2-tablature/Rondo_Alla_Turca.mscx-1-800x.png
Thanks,
Mason
Il 16/01/2013 22:38, Mason Austin Green ha scritto:
For tablature, Is it possible to position note beams above the staff,
similar to the tab style in MuseScore 2.0? Please see this link for an
example:
http://tnovelli.net/music/1205-mscore2-tablature/Rondo_Alla_Turca.mscx-1-800x.png
The
Matthew Collett wrote
As I said in my reply to David, the \responsum from gregorian.ly is a red
herring.
why don't you use the red herring and add
\override LyricText.extra-offset = #'(-2 . 0)
\responsum
in the code I proposed!?
Eluze
--
View this message in context:
On 17/01/2013, at 1:05 pm, Eluze elu...@gmail.com wrote:
why don't you use the red herring and add
\override LyricText.extra-offset = #'(-2 . 0)
\responsum
The suggestion of extra-offset is again a good one. Changing my definition of
\responsum to
responsum = \lyricmode { \once \override
On Tue, Jan 15, 2013 at 10:43 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
There's this: http://lsr.dsi.unimi.it/LSR/Item?id=697 which is useful
when the transposition changes mid-piece (like for clarinets, horns,
and trumpets). Also you don't have to think about the 'from' pitch.
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