Jim Long lilyp...@umpquanet.com writes:
I will say that the merging of noteheads onto stems is probably
the weak spot in my knowledge.
[...]
The piece also generates several warnings about clashing note
columns.
Small wonder:
\new Voice { \voiceOne \hornA }
\new
On Fri, Feb 22, 2013 at 09:41:01AM +0100, David Kastrup wrote:
Jim Long lilyp...@umpquanet.com writes:
I will say that the merging of noteheads onto stems is probably
the weak spot in my knowledge.
[...]
The piece also generates several warnings about clashing note
columns.
Am 22.02.2013 11:18, schrieb Jim Long:
On Fri, Feb 22, 2013 at 09:41:01AM +0100, David Kastrup wrote:
Jim Long lilyp...@umpquanet.com writes:
I will say that the merging of noteheads onto stems is probably
the weak spot in my knowledge.
[...]
The piece also generates several warnings about
Jim Long lilyp...@umpquanet.com writes:
On Fri, Feb 22, 2013 at 09:41:01AM +0100, David Kastrup wrote:
Jim Long lilyp...@umpquanet.com writes:
I will say that the merging of noteheads onto stems is probably
the weak spot in my knowledge.
[...]
The piece also generates several
Urs Liska li...@ursliska.de writes:
I was trying to reproduce the example .png given in the blog,
accessible at http://felixrosch.com/example.png.
That example shows two grouped staves, each with two horn parts
written on the same stem, as though they were a chord.
Ah, that makes it
Am 22.02.2013 11:27, schrieb David Kastrup:
Urs Liska li...@ursliska.de writes:
I was trying to reproduce the example .png given in the blog,
accessible at http://felixrosch.com/example.png.
That example shows two grouped staves, each with two horn parts
written on the same stem, as though
Am 22.02.2013 04:41, schrieb Jim Long:
1) label a staffgroup with a centered instrument name, instead of
only being able to label each separate staff of the group;
2) splitting out separate instrument parts whilst also being able
to flexibly combine parts on the conductor's score.
That
Am 22.02.2013 11:33, schrieb Noeck:
Am 22.02.2013 04:41, schrieb Jim Long:
1) label a staffgroup with a centered instrument name, instead of
only being able to label each separate staff of the group;
2) splitting out separate instrument parts whilst also being able
to flexibly combine parts
Hi,
I have been using Lilypond for quite some time now and couldn't live
without it anymore.
I never tried to use lilypond-book before and want to give it a try.
But I can't get the example from Lilypond-Usage 3.1 work for me:
Hi,
here is a website that could be used for crowdfunding LilyPond issues:
www.freedomsponsors.org/
Bitcoin accepted:
http://blog.freedomsponsors.org/freedomsponsors-is-now-accepting-bitcoins/
Regards,
Carlo
--
.-. | Registered Linux User #443882| .''`.
oo| |
On 22 February 2013 04:41, Jim Long lilyp...@umpquanet.com wrote:
I don't do any ensemble scoring to speak of, but I used to play
french horn, so I decided to take a crack at one wishlist example
from the blog, the ability to:
1) label a staffgroup with a centered instrument name, instead of
- Original Message -
From: Martin Tarenskeen m.tarensk...@zonnet.nl
To: lilypond-user mailinglist lilypond-user@gnu.org
Sent: Friday, February 22, 2013 11:40 AM
Subject: lilypond-book
Hi,
I have been using Lilypond for quite some time now and couldn't live
without it anymore.
I
Carlo Stemberger carlo.stember...@gmail.com writes:
Hi,
here is a website that could be used for crowdfunding LilyPond issues:
www.freedomsponsors.org/
That would make a modicum of sense if we had issues worth putting behind
able to pair with available resources. Available resources are
Phil Holmes m...@philholmes.net writes:
From: Martin Tarenskeen m.tarensk...@zonnet.nl
To: lilypond-user mailinglist lilypond-user@gnu.org
Sent: Friday, February 22, 2013 11:40 AM
Subject: lilypond-book
ERROR: In procedure primitive-load-path:
ERROR: Unable to find file lily.scm in load
Hi all,
thanks to answers on this list I managed to set up a 'compilation
engine' that works somewhat like in the attached minimal example. (The
actually used function compileScore is more complex and creates
different output based on several conditions.)
\compileScore takes a \score {},
Hi, lily users,
I have trouble displaying number 7 on a chord, but 9 is OK. Please refer to
.ly file
I also don't know how to code these chord ( refer to .png : G(add2) G(sus4)
A(add9) )
Thank you for the help and is much appreciated.
Ming.
test-chord.ly
Description: Binary data
Is there a way to make the default rehearsal mark a
filled-in box/circle/rounded-box with white text?
___
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lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
How do you change the relative size of all text
(titles, bar numbers, marks, page numbers, etc.) in a document?
___
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lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Am 22.02.2013 17:14, schrieb Nels Daily:
How do you change the relative size of all text
(titles, bar numbers, marks, page numbers, etc.) in a document?
#(set-global-staff-size X) as a toplevel expression.
X is the staff-size, I think 20 is normal.
On Fri, Feb 22, 2013 at 7:55 AM, Nels Daily dailymusici...@gmail.comwrote:
Is there a way to make the default rehearsal mark a
filled-in box/circle/rounded-box with white text?
Here's what I got:
#(define-public (format-mark-inverse-rounded-box mark context)
(markup #:bold #:combine
On Fri, Feb 22, 2013 at 8:25 AM, Nathan when.possi...@gmail.com wrote:
On Fri, Feb 22, 2013 at 7:55 AM, Nels Daily dailymusici...@gmail.comwrote:
Is there a way to make the default rehearsal mark a
filled-in box/circle/rounded-box with white text?
Here's what I got:
#(define-public
On Fri, Feb 22, 2013 at 7:29 AM, MING TSANG tsan...@rogers.com wrote:
Hi, lily users,
I have trouble displaying number 7 on a chord, but 9 is OK. Please refer
to .ly file
I also don't know how to code these chord ( refer to .png : G(add2)
G(sus4) A(add9) )
LilyPond already supports
On Fri, 22 Feb 2013, David Kastrup wrote:
Well, you obviously have a non-working /bin/lilypond for some reason.
Figure out where you got that first and try whether you can't get rid of
it. And try to figure out what version of LilyPond you are using
instead usually.
I have done some
On Fri, 22 Feb 2013, Martin Tarenskeen wrote:
If I type which lilypond in my terminal /bin/lilypond is returned.
And I can type any of:
lilypond -v
/bin/lilypond -v
/usr/bin/lilypond -v
with the same normal result
But strange things start to happen only when I try to compile a lilypond
Martin Tarenskeen m.tarensk...@zonnet.nl writes:
I managed to get lilypond-book working with an ugly work-around.
But it does illustrate what is going wrong.
When I run lilypond using lilypond or /usr/bin/lilypond the
lilypond files are searched under /usr/share/lilypond/
But when I use
(Apologies to David, I hit Reply instead of Reply List when first writing
this response.)
On 02/22/2013 12:10 AM, David Kastrup wrote:
If the file format describes exactly how the finished score will appear,
what will happen with the spacing when transposing? Presumably it is
ingrained into
I'm a little familiar with Issue 34 I think (is it the grace note one?) -
but, why would funding not help this issue? I'm not much of a programmer,
though I do know a bit of SCHEME, so I'm curious about why funding won't be
able to save Issue 34. Is it just not technologically possible to fix, no
Am 2013-02-22 um 19:16 schrieb Joseph Rushton Wakeling:
(Apologies to David, I hit Reply instead of Reply List when first writing
this response.)
On 02/22/2013 12:10 AM, David Kastrup wrote:
If the file format describes exactly how the finished score will appear,
what will happen with
On Fri, Feb 22, 2013 at 11:04 AM, MING TSANG tsan...@rogers.com wrote:
Hi, Nathan:
Thank you for your solution code.
c1:3.5.9 c1:2.3.5 c1:sus4what is 3.5.9 and 2.3.5? I am not a
musician.
Ming.
Hello,
This section of the docs may help you:
I'm re-setting my wife's part of Grainger's Irish Tune from County
Derry, because it doesn't have the authentic English-language tempo
and dynamic instructions. Everything went well (I think) until the
last measure, where a slur terminates on a fermata that decrescendoes
from p to ppp. As a first
SoundsFromSound soundsfromso...@gmail.com writes:
I'm a little familiar with Issue 34 I think (is it the grace note
one?) - but, why would funding not help this issue? I'm not much of a
programmer, though I do know a bit of SCHEME, so I'm curious about why
funding won't be able to save Issue
It looks like you you have a typo. Fix the first voice to {[d4( |
d1)\fermata }\\
regards,
Shane
On Fri, Feb 22, 2013 at 3:36 PM, Garrett Fitzgerald sarekofvul...@gmail.com
wrote:
I'm re-setting my wife's part of Grainger's Irish Tune from County
Derry, because it doesn't have the authentic
Garrett Fitzgerald sarekofvul...@gmail.com writes:
I'm re-setting my wife's part of Grainger's Irish Tune from County
Derry, because it doesn't have the authentic English-language tempo
and dynamic instructions. Everything went well (I think) until the
last measure, where a slur terminates on
On Fri, Feb 22, 2013 at 3:46 PM, David Kastrup d...@gnu.org wrote:
Garrett Fitzgerald sarekofvul...@gmail.com writes:
As a first attempt at this, I used
d4( | d1)\fermata \\ { s4\p\ s8 s s s s s\ppp }
which renders the decrescendo well, but warns me of an unterminated
slur.
Try removing
2013/2/22 Garrett Fitzgerald sarekofvul...@gmail.com:
I'm re-setting my wife's part of Grainger's Irish Tune from County
Derry, because it doesn't have the authentic English-language tempo
and dynamic instructions. Everything went well (I think) until the
last measure, where a slur terminates
On Fri, 22 Feb 2013, David Kastrup wrote:
Martin Tarenskeen m.tarensk...@zonnet.nl writes:
I did sudo mkdir /share and ln -s /usr/share/lilypond
/share/lilypond and now everything, including lilypond-book works as
expected.
I am glad this works, but does anyone know how to fix this
Martin Tarenskeen m.tarensk...@zonnet.nl writes:
On Fri, 22 Feb 2013, Martin Tarenskeen wrote:
If I type which lilypond in my terminal /bin/lilypond is returned.
And I can type any of:
lilypond -v
/bin/lilypond -v
/usr/bin/lilypond -v
with the same normal result
But strange things
On 02/22/2013 09:02 PM, Henning Hraban Ramm wrote:
I think his point was that _no_ file format ever describes exactly how the
finished score would appear
No? We have PDF. Maybe they have too. :-
Write once, read many, edit difficult ;-)
___
On Fri, Feb 22, 2013 at 4:04 PM, Thomas Morley
thomasmorle...@googlemail.com wrote:
2013/2/22 Garrett Fitzgerald sarekofvul...@gmail.com:
As a first attempt at this, I used
d4( | d1)\fermata \\ { s4\p\ s8 s s s s s\ppp }
which renders the decrescendo well, but warns me of an unterminated
I see, thanks for clearing that up David! I wish we could just wave a magic
wand :)
dak wrote
SoundsFromSound lt;
soundsfromsound@
gt; writes:
I'm a little familiar with Issue 34 I think (is it the grace note
one?) - but, why would funding not help this issue? I'm not much of a
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