Is it possible to hook into the \voiceXXX commands to (optionally) color-code
them?
This could be helpful when dealing with complex polyphonic situations.
In my experience it is often enough to assign the right voice to get the
spacing right, and it would be nice if the eye would be assisted
2013/4/10 Urs Liska li...@ursliska.de:
Is it possible to hook into the \voiceXXX commands to (optionally) color-code
them?
This could be helpful when dealing with complex polyphonic situations.
In my experience it is often enough to assign the right voice to get the
spacing right, and it
2013/4/9 Phil Holmes m...@philholmes.net:
I commented in an earlier message that Sibelius, IMHO, produces witheringly
appalling graphics output. Unaliased, with stems that attach to noteheads
poorly. The image I attached earlier was not scanned, but used Sibelius's
export to PNG function at
2013/4/10 Francisco Vila paconet@gmail.com:
It must have been downsampled at some stage. I see stairs at 100% (1:1
to screen)
Hm, probably I should see stairs in either case because pixels of my
screen are bigger than cone cells of my retina, so to speak, but now I
think I see them because
How about allowing bar numbers as a letter+number, parsed similar to musical
note+duration:
B78 a,4 ( a4 ) ( b4 ) d4 |
B79 e,4 ( f4 ) ( g4 ) a4 |
Perhaps they could also double as bar checks:
B78 a,4 ( a4 ) ( b4 ) d4
B79 e,4 ( f4 ) ( g4 ) a4
Or alternately, augment
%{ 5 %} a,4 ( a4 ) ( b4 ) d4 |
instead.
I like that. It's tedious to type manually, but a computer program
doesn't know that word :-)
Indeed, but i find it unreadable, especially if it was placed at every line.
In general I think tools like musicxml2ly and other programs that convert
%{ 5 %} a,4 ( a4 ) ( b4 ) d4 |
I like that. It's tedious to type manually, but a computer
program doesn't know that word :-)
Indeed, but i find it unreadable, especially if it was placed at
every line.
Really? It's like having a BASIC program which always starts with a
line number:
Ciao Federico,
as in my previous email,
Unreferenced statements are my personal opinions.
Sources:
[G] = Enciclopedia della Musica, Garzanti, Milano, 1996
[C] = Sandro Carnelos, Gli organi della diocesi di Vittorio Veneto,
Vittorio Veneto, 2000 (a book that lists characteristics of each of
Hello,
I wanted to share this screencast with you. Duration: 1'29'' at 25x speed.
http://lilypond.es/lilypond/timelapse-screencast/timelapse-aquaplane.webm
also available as
http://lilypond.es/lilypond/timelapse-screencast/timelapse-aquaplane.mp4
It shows trial and error, browsing manuals,
Hi Phil
I tried nwc2ly, the converted lilypond file version is 2.15.26. and It gave
some syntax error under my 2.16.2 system.Any way to convert 2.15.26 to my
current version or I have install a old version?
ThanksJun
From: m...@philholmes.net
To: wj1...@hotmail.com; lilypond-user@gnu.org
Hello
Some time ago (years probably) somebody in this list helped me with this
macro, for \inline that work anywhere in the music:
partialInline = #(define-music-function
(parser location nom den mus)
(integer? integer? ly:music?)
#{
\set Score.measurePosition =
Hello Alberto,
the change was introduced in 2.13 or 2.15(?).
If you remove the dollar signs inside the scheme expression ($nom -
nom) (but not inside the lily code $mus), it should work:
#{
\set Score.measurePosition = #(ly:make-moment (- nom) den)
$mus
#}
HTH
Jan-Peter
Am 10.04.2013 14:50,
Hello, Jan-Peter
On 10/04/13 14:01, Jan-Peter Voigt wrote:
Hello Alberto,
the change was introduced in 2.13 or 2.15(?).
If you remove the dollar signs inside the scheme expression ($nom -
nom) (but not inside the lily code $mus), it should work:
#{
\set Score.measurePosition =
On Tue, Apr 9, 2013 at 4:45 PM, David Kastrup d...@gnu.org wrote:
Carl Peterson carlopeter...@gmail.com writes:
I'm not an expert on GhostScript, but in practice it is nearly always
best to rasterize vector graphics at the intended output resolution.
Except when it isn't. What makes you
Alberto Simões al...@alfarrabio.di.uminho.pt writes:
Hello
Some time ago (years probably) somebody in this list helped me with
this macro, for \inline that work anywhere in the music:
Now I get some complains with 2.16:
If you had upgraded your files/macro using convert-ly, everything
Carl Peterson carlopeter...@gmail.com writes:
On Tue, Apr 9, 2013 at 4:45 PM, David Kastrup d...@gnu.org wrote:
Carl Peterson carlopeter...@gmail.com writes:
I'm not an expert on GhostScript, but in practice it is nearly
always
best to rasterize vector graphics at
2013/4/10 Jun Wang wj1...@hotmail.com:
Hi Phil
I tried nwc2ly, the converted lilypond file version is 2.15.26. and It gave
some syntax error under my 2.16.2 system.
Any way to convert 2.15.26 to my current version or I have install a old
version?
sure, just use convert-ly:
- Original Message -
From: Francisco Vila paconet@gmail.com
To: Phil Holmes m...@philholmes.net
Cc: LilyPond-User list lilypond-user@gnu.org; David Kastrup
d...@gnu.org
Sent: Wednesday, April 10, 2013 8:20 AM
Subject: Re: Cropped output (à la -dpreview) possiblein Finale and
Hi Alberto,
What does your macro do exactly? Just curious, thanks!
Looks nice!
Alberto Simões-2 wrote
Hello
Some time ago (years probably) somebody in this list helped me with this
macro, for \inline that work anywhere in the music:
partialInline = #(define-music-function
2013/4/10 SoundsFromSound soundsfromso...@gmail.com:
Hi Alberto,
What does your macro do exactly? Just curious, thanks!
It's a substitution-function
(see:
http://lilypond.org/doc/v2.16/Documentation/extending/intermediate-substitution-functions
)
for `measurePosition'
(see Nr 1.2.6:
2013/4/10 Francisco Vila paconet@gmail.com
I wanted to share this screencast with you. Duration: 1'29'' at 25x speed.
http://lilypond.es/lilypond/timelapse-screencast/timelapse-aquaplane.webm
also available as
http://lilypond.es/lilypond/timelapse-screencast/timelapse-aquaplane.mp4
It
Am 10.04.2013 22:18, schrieb Federico Bruni:
2013/4/10 Francisco Vila paconet@gmail.com
mailto:paconet@gmail.com
I wanted to share this screencast with you. Duration: 1'29'' at
25x speed.
http://lilypond.es/lilypond/timelapse-screencast/timelapse-aquaplane.webm
also
Le mercredi 10/04/13 à 22h18,
Federico Bruni fedel...@gmail.com a écrit :
maybe too fast to be understandable
I guess one is supposed to be replay at a lower speed if he's
interested in some point.
--
Denis
___
lilypond-user mailing list
2013/4/10 Davide Liessi dal...@gmail.com
direct
I can't understand this glossary entry, since there isn't enough context.
I don't think it is specifically a musical term, and I couldn't find
occurrences of direct in NR with a different meaning from the usual,
literal, common one.
Why is
On 10 Apr 2013, at 11:38 , Martin Tarenskeen wrote:
Just like my lilypond scores I often still write (simple) html code
using just Vim. Maybe I'm just getting old and old fashioned :-)
+1, we're not alone..
Regards,
Wim.
___
lilypond-user
Nice! I tended to pay attention to the changes in the output which kept me
from seeing what was happening on the input side...I guess I could watch
again with different focus but it might be hard... I agree slower would be
better.
Nice wallpaper, btw!
--
Tim Reeves
timothyrree...@gmail.com
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