2013/5/23 Emil Salim pil...@gmail.com
I've succeeded in removing the staff lines, adding the \divisioMinima
etc., but I couldn't find a way to typeset the long block for the repeated
note. Could someone help me? Thank you kindly.
Hi Emil,
Well, here's a simple solution that's far from
To the author of LSR-snippet 878: Customizing individual staff lines
(currently not approved)
http://lsr.dsi.unimi.it/LSR/Item?id=878
Hope you're on this list.
I had a look at your file and noticed a small gap when the normal
staff is restored. Visible with high zoom.
What do you think about the
Thomas Morley thomasmorle...@gmail.com writes:
To the author of LSR-snippet 878: Customizing individual staff lines
(currently not approved)
http://lsr.dsi.unimi.it/LSR/Item?id=878
Hope you're on this list.
I had a look at your file and noticed a small gap when the normal
staff is
2013/5/23 Pierre Perol-Schneider pierre.schneider.pa...@gmail.com
I'll think about something better and come back to you.
Nothing magical came...
Maybe add :
\override ClusterSpanner #'padding = #0.01
to get a better look...
___
lilypond-user
On Wed, May 22, 2013 at 6:52 PM, Emil Salim pil...@gmail.com wrote:
Dear All,
Greetings from Jakarta, Indonesia. This is the first time I post to the
list. I would like to typeset the chants here (as presented in The Hymnal
1982 of ECUSA):
I was thinking of putting my variables in each file that way I can do a bit
less less typing, at least in that file. will this still work in the end when
I compile all files in to one score and parts for the choir and me and the
pianist? Well, I won't need the score, how ever the person
Hello everyone,
I stumbled upon this article today,
http://blog.steinberg.net/2013/05/introducing-bravura-music-font/
Thoughts?
-
composer | sound designer
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I saw that too. It's bolder and more engraved looking than the other
commercial music fonts, at least. I don't know what to think about the new
music font format.
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There seems to be a lot of odds and ends missing in it. Particularly in the
Chant notation, and time signature areas. I like the font in and of itself
what I see of it. The whole idea of Smufl probably would be better served
if it was not a conscript style encoding project. Eventually the Unicode
Aha this is the way into the new steinbergs music engraving sistem.
On Thu, May 23, 2013 at 9:53 PM, Michael Rivers michaeljriv...@gmail.comwrote:
I saw that too. It's bolder and more engraved looking than the other
commercial music fonts, at least. I don't know what to think about the new
k-ohara5a5a wrote
Michael Rivers
michaeljrivers at
gmail.com writes:
In this excerpt from a piece I'm typesetting, the first two arpeggios are
fine, but the third collides with the previous note in the right hand's
upper voice. Is there a way to avoid the collision?
When you need
David,
This is amazing. I was able to drop this into my own project without any
trouble except changing the lyrics context command to reflect me using 2.16
instead of 2.17. Kudos.
Cheers,
Carl
On Wed, May 22, 2013 at 1:06 PM, David Nalesnik david.nales...@gmail.comwrote:
Well, comparing the
Hi Sarah,
On 23 May 2013, at 19:46 , Sarah k Alawami wrote:
I was thinking of putting my variables in each file
each variable only *once* in a file, I presume
that way I can do a bit less less typing, at least in that file.
will this still work in the end when I compile all files in to
Wim van Dommelen m...@wimvd.nl writes:
Yes, that is possible if I understand correctly what you want to do.
For example you can make a set of files:
- clarinet-1.ly, contains the variable with the notes and everything
for clarinet 1
- hobo.ly, the variable with the notes for the hobo, etc.
Actually I was thinking the variables for the piano since one of the sections
repeats a lot in the right hand. Will all of that still compile if I have the
files's variables like that or do I need to then create a veritable for the
foe itself?
On May 23, 2013, at 3:31 PM, Wim van Dommelen
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