Laura Conrad lcon...@laymusic.org writes:
I use http://utopia.knoware.nl/~hlub/uck/software, which I think has
been mentioned elsewhere in the thread.
As being a 404?
-- Johan
___
lilypond-user mailing list
lilypond-user@gnu.org
Hello Alexander,
the \drums command implicitly creates a new DrumStaff, so I recommend
using \drummode for this purpose.
If you have basic patterns, which shall receive random ties, you can
create SimultaneousMusic with a construct and overlay the patterns
with the needed ties:
--snip--
On Thu, 26 Sep 2013, Curt McDowell wrote:
Here's something like that, but using \postscript instead of \path. I can't get \path at
the right origin. It seems to ignore an initial moveto.
Even \postscript seems to set the origin differently depending on which note
the markup goes on (hence
On Fri, 2013-09-27 at 13:41 +0800, James Harkins wrote:
On Sep 27, 2013 12:10 AM, Richard Shann richard.sh...@virgin.net
wrote:
Since introducing this I have had zero enharmonic misspellings in my
transcriptions. But this might not be suitable for some sorts of
music,
I confess.
My
On Thu, 2013-09-26 at 20:28 +0200, David Kastrup wrote:
Richard Shann richard.sh...@virgin.net writes:
Denemo completely ignores the time-stamps on the midi input
stream. The midi events are serialized into a buffer by a separate
thread, and Denemo just picks them up in the order they
On Fri, 2013-09-27 at 09:04 +0100, Richard Shann wrote:
So if you wanted some assorted
collection of sharps and flats (E-flat with A-flat but F-sharp ...)
whoops! it would have to be weirder than that, say D-Sharp with
A-flat ...
Richard
___
Hi,
is there any possibility to modify one syllable of LyricText if the
syllables are connected with ~?
In this example the \markup disturbs ~.
(Same for _)
\version 2.17.26
\new Lyrics \lyricmode {
foo~bar
\markup { \italic foo }~bar
}
Thoughts?
Thanks,
Harm
Hi Harm,
this seems to be tricky, because the corresponding engraver seems to
look for strings containig '~'. So a markup would have to be split ... a
custom engraver might do it ...
If the syllable is not a string, but a markup containing a string,
containing ~, then put the right stencil in
On 09/27/2013 07:05 AM, Urs Liska wrote:
Does
A = \drums { sn8 sn8~ }
{ \A \A }
Do what you want?
I was curious of this, but Urs is right it does work. There are no
obstacles in ending with a tie. Apparently it is just ignored:
\version 2.17.26
% How could I write the equivalent of
On 27.09.2013, at 08:27, Johan Vromans jvrom...@squirrel.nl wrote:
Laura Conrad lcon...@laymusic.org writes:
I use http://utopia.knoware.nl/~hlub/uck/software, which I think has
been mentioned elsewhere in the thread.
As being a 404?
On Friday, September 27, 2013 4:04:36 PM HKT, Richard Shann wrote:
My music only seldom follows common practice tonality,
The built-in support is for any range (e.g. E-flat to G-sharp, or D to
F-double-sharp), with the modulation controller on the MIDI keyboard
changing the range sharper or
Dear all,
long time ago there was this thread about version controlling Lily
scores, and much more recently Urs' excellent essay and tutorial on the
LilyPond blog [1].
Now, that surely is a great read, but I'm left with one question. Over
time, I've collected a few scores, made with
2013/9/27 Jan-Peter Voigt jp.vo...@gmx.de:
Hi Harm,
this seems to be tricky, because the corresponding engraver seems to look
for strings containig '~'. So a markup would have to be split ... a custom
engraver might do it ...
If the syllable is not a string, but a markup containing a string,
James Harkins jamshar...@gmail.com writes:
On Friday, September 27, 2013 4:04:36 PM HKT, Richard Shann wrote:
My music only seldom follows common practice tonality,
The built-in support is for any range (e.g. E-flat to G-sharp, or D to
F-double-sharp), with the modulation controller on the
Thomas Morley thomasmorle...@gmail.com writes:
2013/9/27 Jan-Peter Voigt jp.vo...@gmx.de:
Hi Harm,
this seems to be tricky, because the corresponding engraver seems to look
for strings containig '~'. So a markup would have to be split ... a custom
engraver might do it ...
If the syllable
- Original Message -
From: Alexander Kobel n...@a-kobel.de
To: Urs Liska li...@ursliska.de
Cc: lilypond-user@gnu.org
Sent: Friday, September 27, 2013 10:11 AM
Subject: Re[surrecting]: Version Control and Public Repository
Dear all,
long time ago there was this thread about version
Hi Alexander,
of course I'm interested in this topic ;-) but I have a concert tonight
(anybody in/near Gelsenkirchen?) So I don't know if I can answer in detail
today ...
Best
Urs
Alexander Kobel n...@a-kobel.de schrieb:
Dear all,
long time ago there was this thread about version
Lilyponders:
On the download page it said it includes lilypond. I already have lilypond
v2.16.2 and v2.17.26 installed on my desktop computer. Will the installation
clobber my existing lilypond? What version of lilypond that denemo installer
include? I want to try out denemo, but am afraid to
Gilberto Agostinho gilbertohasn...@gmail.com writes:
Hello Peter,
I am sorry for my late reply, I have been away for the past days.
About Frescobaldi, though I am very thankful for you to have implemented the
automatic beams for the grace notes, I have to say I am not very fond of the
Hi, Eluze:
Yes, it probably doesn't 5o+ measure to show the problem, but I don't know when
and where the programming error suddenly appears. The compile run seems
producing .pdf ok.
I will follow you suggestion and try identify when and where that error first
appears.
Emanuel,
Ming
Hi David,
First of all, thank you so much for doing this, I really appreciate it.
Unfortunately I do not know how to apply the patch, but I created a small
LilyPond code that could be used as a regression test:
\version 2.17.26
{
\relative c'' {
\grace {a8 b } a1
\grace {a8 b c b gis }
On Fri, 2013-09-27 at 11:38 +0200, David Kastrup wrote:
Sure, that may be of interest to the other people on the thread who
*are* looking for MIDI input. For myself, I prefer working with the
code directly, and I will likely continue to prefer the code even if
there's the option of
On Fri, 2013-09-27 at 04:20 -0700, MING TSANG wrote:
Lilyponders:
This email would be better sent to the Denemo mailing list
On the download page it said it includes lilypond. I already have
lilypond v2.16.2 and v2.17.26 installed on my desktop computer. Will
the installation clobber my
Am 27.09.2013 11:42, schrieb David Kastrup:
Check the definition of \tied-lyrics in scm/define-markup-commands.scm
... so its easy ...
\markup { \italic \tied-lyric #foo~ bar }
and the documentation doesn't need improvement (IMO)
http://www.lilypond.org/doc/v2.16/Documentation/notation/music
On Sep 27, 2013, at 3:50 AM, Phil Holmes m...@philholmes.net wrote:
If you have scoreA.ly and this includes my-tweak.ily and you create a commit
in the git repo for this music, no matter how often you then alter my-tweak,
you could always return to the commit for this music, and my-tweak
Hi David,
I think your solution is absolutely great: if the graces are simple enough,
then they are all beamed. This will solve 99% of the problems. If one needs
something fancier, then she or he should manually write all beams.
Thank you once again for all your help.
Take care,
Gilberto
--
I've put together a sample fiddle tune with music notation, sample fiddle
tab (using finger number), guitar tab (using fret number), and guitar capo
2 tab (using fret number based on capo).
Let me know if anyone would like me to post.
On Thu, Sep 26, 2013 at 8:39 AM, R.D. Latimer
Hi!
Finaly I decide to learn LaTeX, and integrateit with Lilypond.
I've been writting in LaTeX with the usuall learning curbe problems. And
finaly arrive to the moment of putting some music within the text.
So I type many diferent trys, and nothing works. Always the same output.
So I decide to
Hello,
In your example, there is a missing accolade at the end: \end{document in
place of \end{document}
If I add it, it compiles without problem.
--
View this message in context:
http://lilypond.1069038.n5.nabble.com/Lilypond-Book-not-compiling-LaTeX-tp151496p151498.html
Sent from the User
On 2013-09-15 14:45, Janek Warchoł wrote:
Hi,
2013/9/10 David Kastrup d...@gnu.org:
Hilary Snaden h...@newearth.demon.co.uk writes:
This (trimmed) example doesn't work as the documentation suggests it
should, in this case to reduce the volume of the organ relative to the
voices. Changing
On OSX /Applications/Lilypond.app looks like a single file. However, if
you right-click on it in the Finder, and select Show package contents,
you'll find convert-ly (and a lot else) inside.
To do this, you'll first need to have enabled right-click. To do so on
a Macbook, go to System
Hello all,
In my choral scores, I often want centered dynamics and centered lyrics, e.g.,
\new ChoirStaff
\new Staff = SA \lady_music
\new Dynamics \choir_dynamics
\new Lyrics \choir_lyrics
\new Staff = TB \man_music
1. When the dynamics and lyrics *don't* occupy the same
I'm trying to engrave a vocal score in which the majority of markups are
common to all parts. Lilypond helpfully engraves these just once, above
the top part, as expected.
However, there are some rare \mark \markup items that I want to appear
above only one of the inner staves. Is there a way to
- Original Message -
From: Alec Bartsch alec.bart...@gmail.com
To: Phil Holmes m...@philholmes.net
Cc: Alexander Kobel n...@a-kobel.de; Urs Liska li...@ursliska.de;
lilypond-user@gnu.org
Sent: Friday, September 27, 2013 5:20 PM
Subject: Re: Re[surrecting]: Version Control and Public
- Original Message -
From: Hilary Snaden h...@newearth.demon.co.uk
To: LilyPond Users lilypond-user@gnu.org
Sent: Friday, September 27, 2013 8:07 PM
Subject: Re: Midi equalisation
On 2013-09-15 14:45, Janek Warchoł wrote:
Hi,
2013/9/10 David Kastrup d...@gnu.org:
Hilary Snaden
use \markup instead of \mark \markup?
--
Phil Holmes
- Original Message -
From: Graham King
To: lilypond-user@gnu.org
Sent: Friday, September 27, 2013 8:28 PM
Subject: staff-specific markup?
I'm trying to engrave a vocal score in which the majority of markups are
Phil Holmes m...@philholmes.net writes:
use \markup instead of \mark \markup?
More like ^\markup ...
--
David Kastrup
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lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Eluze,
I follow your suggestion and I came up with smaller file about 268 lines.
I attach the .ly file and the error message log file. Please refer to red text
below log file.
Emanuel,
Ming.
Starting lilypond-windows.exe 2.17.26 [how-beautiful-your-nameTEST.ly]...
Processing
Brilliant. Thank you. gives me something to which to attach a
\markup in the absence of any nearby note. I would never have guessed
that.
Am I correct in thinking that there is no way to attach markup to, say,
a clef or a time signature?
On Fri, 2013-09-27 at 21:47 +0200, David Kastrup
This is a common problem in software engineering. In my day job as a java
developer we use something called archiva which collects multiple versions of
the libraries we depend on. So if projectA (like your score) depends on
version 1.1 of a library (like your tweaks), while another project
On 13-09-27 02:16 PM, MING TSANG wrote:
Eluze,
I follow your suggestion and I came up with smaller file about 268 lines.
I attach the .ly file and the error message log file. Please refer to
red text below log file.
Emanuel,
Ming.
In your rehearsalMidi section, you've set the
On 09/27/2013 10:53 PM, Curt wrote:
This is a common problem in software engineering. [...]
I assumed so; I don't experience it in the projects I'm currently
involved in, but I am sure it is well studied.
For a git-only approach, the *classic* way of handling this - and I
haven't yet
2013/9/27 Colin Campbell c...@shaw.ca:
On 13-09-27 02:16 PM, MING TSANG wrote:
Eluze,
I follow your suggestion and I came up with smaller file about 268 lines.
I attach the .ly file and the error message log file. Please refer to red
text below log file.
Emanuel,
Ming.
In your
On 09/27/2013 01:43 PM, David Kastrup wrote:
I've committed a patch implementing grace autobeaming to
URL:http://code.google.com/p/lilypond/issues/detail?id=3566
Hi David!
I also wanted to contribute with some testing. I changed the files with
your patched changes
2013/9/27 Alexander Kobel n...@a-kobel.de
Dear all,
long time ago there was this thread about version controlling Lily scores,
and much more recently Urs' excellent essay and tutorial on the LilyPond
blog [1].
Now, that surely is a great read, but I'm left with one question. Over
time,
Martin, you're absolutely right, I should have included an attachment. Sorry
for the time wastage.
Ming, try this version. It's just an idea. You might need to tweak relative
positions and/or make the PostScript more elaborate to draw what you want.
Cheers,
Curt
\version 2.13.51
\header {
Am 27.09.2013 14:33, schrieb MING TSANG:
Hi, Eluze:
Yes, it probably doesn't 5o+ measure to show the problem, but I don't know when and where
the programming error suddenly appears. The compile run seems producing .pdf
ok.
I will follow you suggestion and try identify when and where that
On Sep 27, 2013, at 5:23 PM, Steve Noland st...@thenolands.us wrote:
I am trying to typeset a score for jazz orchestra. I am having problems with
some of the jazz chordnames engraving correctly. Specifically, a Dm7(b5)
chord (D minor 7, flat 5) engraves as a Dº, or D diminished. What can
Eluze, Thomas Colin:
Thank you all for your help and patience.
Frecobaldi generate the template code, I did not check the rehearsalmidi part
closely.
Next time I will follow tiny-sample to demonstrate the problem.
Thanks again, emanuel,
Ming.
2.
Curt Martin:
Thank you for the postscript code. I play around with different number, I
finally settle for this code:
\version 2.17.27
\markup {
\hspace #1.5
\note #8 #1
yMt
%\postscript #0.5 setlinewidth 5 -1 moveto -15 8 -10 -7 -0.5 3
\postscript #0.05 setlinewidth 0 -2.5 moveto -14 10 -10
On Sep 27, 2013, at 7:23 PM, Steve Noland st...@thenolands.us wrote:
I am trying to typeset a score for jazz orchestra. I am having problems with
some of the jazz chordnames engraving correctly. Specifically, a Dm7(b5)
chord (D minor 7, flat 5) engraves as a Dº, or D diminished. What
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