Kevin wrote
I have searched and searched, but I can't to seem find any documentation
on the actual file structure, with all the various elements, in one place.
Have you come across this page on file structure?
http://lilypond.org/doc/v2.16/Documentation/notation/file-structure
HTH,
-Paul
2013/10/12 Kevin Tough ke...@toughlife.org
In my course documentation I will need a flexible means to generate
chord diagrams. I would be greatly surprised that Lilypond could be used
for this but perhaps someone has experience with this and would make a
suggestion as to what I might use. I'm
Or do you mean something like this, with notes as well?
\version 2.17.24
global = {
\time 4/4
\key c \major
}
chordNames = \chordmode {
\global
c1 g1 e1 d1
}
melody = \relative c'' {
\global
c4 d e f
g g f g
e g a g
d d d d
}
\score {
\new ChordNames
don't forget this after the \version statement:
\include predefined-guitar-fretboards.ly
2013/10/13 SoundsFromSound soundsfromso...@gmail.com
Or do you mean something like this, with notes as well?
\version 2.17.24
global = {
\time 4/4
\key c \major
}
chordNames = \chordmode
Hi
this is OT because I think that what I'm looking for cannot be done in
LilyPond.
I'd like to generate some guitar scales, as you can see here:
http://archives.mikeerickson.net/guitar-scales/#/scales/A/minor
But I'd like to be able to print them in PDF and change the layout of the
grids.
Do
Federico Bruni fedel...@gmail.com writes:
Hi
this is OT because I think that what I'm looking for cannot be done in
LilyPond.
I'd like to generate some guitar scales, as you can see here:
http://archives.mikeerickson.net/guitar-scales/#/scales/A/minor
Well, LilyPond certainly can be coaxed
2013/10/13 Federico Bruni fedel...@gmail.com:
Hi
this is OT because I think that what I'm looking for cannot be done in
LilyPond.
I'd like to generate some guitar scales, as you can see here:
http://archives.mikeerickson.net/guitar-scales/#/scales/A/minor
But I'd like to be able to print
Is anyone else having difficulties accessing lilypond.org? If I try from a
browser from any one of 3 machines here (Windows Vista, 7 and Ubuntu),
browsers Chrome, Firefox and IE, I'm told the site can't be accessed. If I
use either of 2 programs I wrote, they download the page OK. If I try
I can't access it either (on Mac 10.7 / Safari). No message, just a
blank page ...
Am 10/13/13 1:50 PM, schrieb Phil Holmes:
Is anyone else having difficulties accessing lilypond.org? If I try
from a browser from any one of 3 machines here (Windows Vista, 7 and
Ubuntu), browsers Chrome,
I can't reach it either. Ubuntustudio 13.04 here, from Belgium. Same
message from
http://www.**downforeveryoneorjustme.com/http://www.downforeveryoneorjustme.com/
too,
should be up, but doesn't load here.
grtz,
Bart
http://www.bartart3d.be/
On facebook
Greetings -
I'm running Windows 7. When I try to connect to Lilypond.org this morning,
I get No data received. Chrome says Error code : ERR_EMPTY_RESPONSE.
Is it just me?
Ralph
--
Ralph Palmer
Brattleboro, VT
USA
palmer.r.vio...@gmail.com
___
Ralph,
On Sun, Oct 13, 2013 at 6:58 AM, Ralph Palmer palmer.r.vio...@gmail.comwrote:
Greetings -
I'm running Windows 7. When I try to connect to Lilypond.org this morning,
I get No data received. Chrome says Error code : ERR_EMPTY_RESPONSE.
Is it just me?
Not just you. Same result on
hi,
On Fri, Oct 11, 2013 at 8:43 PM, Mark Stephen Mrotek
carsonm...@ca.rr.com wrote:
My recommendation was based on an attempt to utilize the snippet as
presented. It did not do what I needed. I then added the \key command were I
recommend and it did work. This seems to be a whole lot of
Mr. Bailey,
Noted. Thank you.
Mark
-Original Message-
From: bina...@gmail.com [mailto:bina...@gmail.com] On Behalf Of Simon Bailey
Sent: Sunday, October 13, 2013 5:15 AM
To: Mark Stephen Mrotek
Cc: Wim van Dommelen; lilypond-user Mailinglist
Subject: Re: Ossia - Documentation
- Original Message -
From: Thomas Morley thomasmorle...@gmail.com
To: David Kastrup d...@gnu.org
Cc: lilypond-user lilypond-user@gnu.org
Sent: Saturday, October 12, 2013 2:29 PM
Subject: Re: Piano/Xylophone key diagrams
2013/10/12 David Kastrup d...@gnu.org:
Phil Holmes
that is cool! :D i've been using lilypond for 10 years and it
sometimes still surprises me at how powerful it is... ;)
On Sun, Oct 13, 2013 at 3:17 PM, Phil Holmes m...@philholmes.net wrote:
- Original Message - From: Thomas Morley
thomasmorle...@gmail.com
To: David Kastrup
I can confirm it.
I guess that there is some server maintenance going on. If you try this
website:
http://www.webpagetest.org/
you'll see that no content can be downloaded, IIUC
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Phil Holmes m...@philholmes.net writes:
Starting off would be on
URL:http://code.google.com/p/lilypond/issues/detail?id=3563#c4. Check
its output. This is basically what you need, except that you need to
replace the C-Griff function which uses filled and non-filled circles in
a three-row
Hi Paul and Pierre,
Thanks! The latest code worked wonderfully! I adapted the colors, which
was easy after I found out that orange is not a standard color and
should be specified as (x11-color 'orange).
Would it be an idea to post the code in the snippets database?
Kind regards
Onno
- Original Message -
From: David Kastrup d...@gnu.org
To: Phil Holmes m...@philholmes.net
Cc: Thomas Morley thomasmorle...@gmail.com; lilypond-user
lilypond-user@gnu.org
Sent: Sunday, October 13, 2013 3:22 PM
Subject: Re: Piano/Xylophone key diagrams
Phil Holmes m...@philholmes.net
2013/10/13 David Kastrup d...@gnu.org
Federico Bruni fedel...@gmail.com writes:
Hi
this is OT because I think that what I'm looking for cannot be done in
LilyPond.
I'd like to generate some guitar scales, as you can see here:
2013/10/13 Thomas Morley thomasmorle...@gmail.com
how about
http://lsr.dsi.unimi.it/LSR/Item?id=790
interesting!
but I have some issues if I try to use it in a \markup block only:
1) the first diagram is cropped on the left margin
2) all the diagrams have a barré printed on the first fret
Federico Bruni fedel...@gmail.com writes:
Hi
this is OT because I think that what I'm looking for cannot be done in
LilyPond.
I'd like to generate some guitar scales, as you can see here:
http://archives.mikeerickson.net/guitar-scales/#/scales/A/minor
But I'd like to be able to print them
Hi,
This is nice but... Wouldn't it be very nice to use color instead of a
black/white dot to indicate the key?
Greetings, Ed
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Hi, I just want to say that lilypond.org is back online.
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http://lilypond.1069038.n5.nabble.com/Lilypond-org-tp152231p152252.html
Sent from the User mailing list archive at Nabble.com.
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lilypond-user mailing list
Hi, I just want to say that lilypond.org is back online.
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Hi Phil,
Please feel free to update it like that.
Yes, sure that's what I would do if I would need this myself. But I was
wondering why we don't use more color in music notation. On stage you could
argue that readability is worse but for rehearsal color could be very
useful.
Greetings, Ed
Eluze wrote
I don't think LP fails, it's just that the vertical spacing isn't
corrected with the \staffSize macro (which btw can be simplified to
staffSize = #(define-music-function (parser location new-size) (number?)
#{
\set fontSize = #new-size
\override StaffSymbol
The default chord is derived from the shape of bes:7, so it requires a
barré.
But there's also a handy shape in first position. Shouldn't this be the
default?
I've tried to change the definition but there's something wrong, see below:
\version 2.17.27
\include predefined-guitar-fretboards.ly
In some vocal music which needs multiple voices in the piano part, I want to
position a full-measure rest in the middle of the staff. Using R1.(it's in 3/2
time) puts it horizontally in the right place, but vertically at the top of the
staff. Using b'1.\Rest positions it at the beginning of the
I'm a percussionist and I've played from parts that behave like the examples
Gilberto has given. I agree that the default behaviour of LP is a bit ugly,
and when shrunk down onto a part I imagine it would cause a few raised
eyebrows from my percussion colleagues! His proposed suggestions would be
Jacques Menu-2 wrote
Also, entering the spec data could be done in a GUI window as an
extension.
I could see this being integrated into Frescobaldi, perhaps?
Nice work, btw!
-Paul
--
View this message in context:
Positioning full-measure restsThe best way (IMHO) is to use \oneVoice before
the rest, then put the voice back (e.g. with \voiceOne) afterwards.
Alternatively you can use
\override MultiMeasureRest.staff-position
--
Phil Holmes
- Original Message -
From: Peter Toye
To:
Onno Zweers wrote
Would it be an idea to post the code in the snippets database?
Hi Onno, Glad this is working for you. I was thinking I would add it to
the snippet database (LSR). I realized it needs to be improved so that it
will also handle \breve and \longa note durations correctly. I'll
Peter Toye lilyp...@ptoye.com writes:
In some vocal music which needs multiple voices in the piano part, I
want to position a full-measure rest in the middle of the staff. Using
R1.(it's in 3/2 time) puts it horizontally in the right place, but
vertically at the top of the staff. Using
Phil,
Thanks. Works fine.
Best regards,
Peter
mailto:lilyp...@ptoye.com
www.ptoye.com
-
Sunday, October 13, 2013, 5:49:48 PM, you wrote:
The best way (IMHO) is to use \oneVoice before the rest, then put the voice
back (e.g. with \voiceOne) afterwards. Alternatively
Hi!
I have a strange message on the log:
*_/lilypond 2.17.25 [Inno ComoeniusOrch.ly] in avvio.../_*
*_/attenzione: opzione interna sconosciuta: debug-control-points/_*
*_/attenzione: opzione interna sconosciuta: debug-voices/_*
*_/Elaborazione di/_*
and I also have a strange pdf output as in the
Hi Frederico,
On 13.10.2013, at 18:35, Federico Bruni fedel...@gmail.com wrote:
The default chord is derived from the shape of bes:7, so it requires a barré.
But there's also a handy shape in first position. Shouldn't this be the
default?
I've tried to change the definition but there's
2013/10/13 Mario Moles mario.mole...@gmail.com:
Hi!
I have a strange message on the log:
lilypond 2.17.25 [Inno ComoeniusOrch.ly] in avvio...
attenzione: opzione interna sconosciuta: debug-control-points
attenzione: opzione interna sconosciuta: debug-voices
Elaborazione di
and I also
Hi Kevin
please reply to the list, you'll get much better help than from me (and the
replies will be available in the archives).
Have a look at the snippet called Customizing fretboard fret diagrams
down from here:
2013/10/13 pls p.l.schm...@gmx.de
Leave out the hash and it should work:
\storePredefinedDiagram #default-fret-table
\chordmode { b:7 }
#guitar-tuning
x;2-2;1-1;2-2;o;2-4;
and also add the last semicolon before the
In data dom 13 ott 2013 20:01:37, hai scritto:
Oh! Yes!
Thanks!
It's just Frescobaldi's new feature: enhanced preview mode. See
http://lilypondblog.org/2013/10/preview-mode-preview/
You can customize it in Tools-Preview Options
Janek
oiram/bin/selom
Da ognuno secondo le proprie
Hi Carl,
On Oct 12, 2013, at 10:25 PM, Carl Peterson carlopeter...@gmail.com wrote:
The basic answer is that you ideally need two sequential sets of voice
contexts, one for the verse, one for the chorus. So this would be your basic
setup:
\score {
\new Staff = top {
\new Voice
Am 13.10.2013 20:40, schrieb Mario Moles:
In data dom 13 ott 2013 20:01:37, hai scritto:
Oh! Yes!
Thanks!
It's just Frescobaldi's new feature: enhanced preview mode. See
http://lilypondblog.org/2013/10/preview-mode-preview/
You can customize it in Tools-Preview Options
Janek
I'm slightly
2013/10/13 Garrett McGilvray garrett.mcgilv...@gmail.com
PS. For anyone: is it proper etiquette to reply to all or just the person
who responded?
reply to all is the right thing (unless you want to really send a private
message)
___
lilypond-user
Sorry, I don't know. Could someone else please help?
How do I override the glyph used for rests? The rest has no glyph property.
There could be smarter ways e.g. using beams or other objects.
I still think there should be something like a\rest but with the longer
bars you need.
Cheers,
Joram
Am
With the modern scalable fonts much of this size-adjusting has been
incorporated in hints and other techniques,
I wished it were so, but alas, this is not true. Hinting is only
useful to adapt glyphs to a given output device. It does *not*
provide any optical scaling.
Werner
I've just added this request to the tracker:
https://code.google.com/p/lilypond/issues/detail?id=3609colspec=ID%20Type%20Status%20Stars%20Owner%20Patch%20Needs%20Summary
thanks for your active and engaged participation!
Eluze
--
View this message in context:
Paul Morris wrote
I realized it needs to be improved so that it will also handle \breve and
\longa note durations correctly. I'll include some examples of using the
(x11-color 'orange) style colors to help make it more obvious that
that's an option.
Ok, I added support for breve notes, and
Eluze, thank you for all your replies and for adding the request, I really
appreciate it.
Take care,
Gilberto
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Sent from the User mailing list archive at
On Sun, Oct 13, 2013 at 3:03 PM, Garrett McGilvray
garrett.mcgilv...@gmail.com wrote:
Hi Carl,
I am so very grateful for your help. I have taken some time to study your
answer and do some practicing. I'm sorry to say that I'm still stuck. Where
I am getting confused is how to make a partial
Hi Neoking,
Here is some useful info on invoking midi2ly --
http://www.lilypond.org/doc/v2.17/Documentation/usage/invoking-midi2ly
Also, what version of LilyPond are you using? Welcome to the community! :)
Ben
neoking wrote
Hi all,
I just started using lilypond and I tried looking
Robert Schmaus robert.schmaus at web.de writes:
The compiling resulted in hundreds of errors (after applying
convert-ly). It took some time to figure out, that the problem was the
statement
\context {
\Staff
\accepts ChordNames
}
in the score block. A google search turned
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