Am 07.10.2014 um 01:09 schrieb MarcM:
Find attached a define-note-names.scm file that contains the definition
for the new note names with ♯ and ♭. Who can help get it in lilypond source
code control ?
test_english_symbol.pdf
It looks like you have made the use of ♯ and ♭ conditional on including
english.ly? As someone mentioned earlier, these are international and so
would need to be in the default note names.
Ideally, there would be a mechanism to accumulate names not just replace
them, so that these only needed to
Hello David,
Thanks a lot for this solution: it works for me since I have only one bar to
span over, with LP 2.18.2 by the way.
A nice day!
JM
Le 6 oct. 2014 à 22:45:22, David Nalesnik david.nales...@gmail.com a écrit :
Hi Jacques,
On Mon, Oct 6, 2014 at 1:32 PM, Jacques Menu
Sorry for the late reply.
This is not correct. The most important part, namely to write a
small test program for Pango that should be run on Windows and/or
64bit GNU/Linux platforms, is *not* done.
I have a couple of development environments for Windows: a gcc-based
one, which I've used
Sorry about the premature sending ...
Am 09.09.2014 13:18, schrieb Jan-Peter Voigt:
Hi Urs,
I see a lot of action on the Fried-Crowd-Project :) ... it is great luck
to me but also a pity that I started my new job ...
well, I don't have a key-turn-solution, but just a hint on the
auto-transpose
Hi Urs,
I will see, what I can do about it. If you don't see an answer within
the next week, don't hesitate to contact me again.
For now best,
Jan-Peter
On 07.10.2014 12:03, Urs Liska wrote:
Sorry about the premature sending ...
Am 09.09.2014 13:18, schrieb Jan-Peter Voigt:
Hi Urs,
I see
I am trying to display all the names that appear in a piece of music
(NoteEvent etc.) using map-some-music. It the function musNam is only
printing the top level name. What am I missing here?
%%%
\version 2.18.2
#(define (name-of music) (display-scheme-music (ly:music-property
2014-10-05 16:38 GMT+02:00 David Kastrup d...@gnu.org:
Peter Crighton petecrigh...@gmail.com writes:
2014-10-05 11:15 GMT+02:00 David Kastrup d...@gnu.org:
Simon Albrecht simon.albre...@mail.de writes:
Am 04.10.2014 um 23:13 schrieb Peter Crighton:
As you can see in the following
Peter Crighton petecrigh...@gmail.com writes:
2014-10-05 16:38 GMT+02:00 David Kastrup d...@gnu.org:
Okay, thanks for explaining. For now I am content with using “\omit
Staff.KeySignature” and “\revert Staff.KeySignature.stencil” respectively
to get rid of the problem.
What I found
Hi!
I'm trying to set selection from Saint-Saën's Oratorio de Noël for my choir.
In the Gloria in altissimis (p9 in the IMSLP PDFs), I found an odd
combination of ties:
\relative c''' {
{ s1 | b1 ~ | b2 cis } \\
{ a1 ~| a2 s2
Am 07.10.2014 um 21:57 schrieb Frederick Bartlett:
Hi!
I'm trying to set selection from Saint-Saën's Oratorio de Noël for my
choir.
In the Gloria in altissimis (p9 in the IMSLP PDFs), I found an odd
combination of ties:
\relative c''' {
{ s1 | b1 ~ | b2 cis } \\
On Tue, Oct 7, 2014 at 1:57 PM, Frederick Bartlett
frederick.bartl...@gmail.com wrote:
Hi!
I'm trying to set selection from Saint-Saën's Oratorio de Noël for
my choir.
In the Gloria in altissimis (p9 in the IMSLP PDFs), I found an odd
combination of ties:
\relative c''' {
{ s1
Am 07.10.2014 um 22:36 schrieb Abraham Lee:
On Tue, Oct 7, 2014 at 1:57 PM, Frederick Bartlett
frederick.bartl...@gmail.com wrote:
Hi!
I'm trying to set selection from Saint-Saën's Oratorio de Noël for my
choir.
In the Gloria in altissimis (p9 in the IMSLP PDFs), I found an odd
combination
Hi Fred
Here's the way I'd do it (if I've interpreted what you wanted correctly):
\relative c'''
{ s1 |
\once \override NoteColumn.force-hshift = 2
b1~ | b2 cis | }
\\
{ a1~ | a a,2 g g,4 fis fis, | g g,1 }
\\
{ \voiceTwo r2 a,~ | }
Trevor
- Original
Whoops, sorry, missed an 'a' out, needed to give the tie:
\relative c'''
{ s1 |
\once \override NoteColumn.force-hshift = 2
b1~ | b2 cis | }
\\
{ a1~ | a a,2 g g,4 fis fis, | g g,1 }
\\
{ \voiceTwo r2 a,~ | a }
Trevor
- Original Message -
From: Trevor Daniels
I am pulling my hair to be able to write non sequential repeat alternatives.
Looked though doc and LSR.
I found the \set Score.repeatCommands and I am getting close but the repeat
bars are not added at the right place.
non_sequential_repeats.png
Am 08.10.2014 um 00:31 schrieb Trevor Daniels:
Whoops, sorry, missed an 'a' out, needed to give the tie:
Hi Trevor,
but with that tie you have the issue of colliding note heads again (in
the upper voices).
Joram
___
lilypond-user mailing list
- Original Message -
From: Frederick Bartlett
To: LilyPond Users
Sent: Tuesday, October 07, 2014 8:57 PM
Subject: Overlapping ties in different voices
Hi!
I'm trying to set selection from Saint-Saën's Oratorio de Noël for my choir.
In the Gloria in altissimis (p9 in
Hi,
On Mon, Oct 6, 2014 at 3:51 PM, David Bellows davebell...@gmail.com wrote:
I ended up creating my own solution to use in my code that generates
scores. Unfortunately it doesn't really translate into anything usable by
anyone else. Likewise I created my own staff switching method as well
Trevor,
On further review, your solution (above) is missing a tie; when I add the
tie (below), the collision reoccurs:
[image: Inline images 1]
There's something about note columns and horizontal position that I'm just
not getting ...
Fred
On 7 October 2014 18:25, Trevor Daniels
I neglected to send this to the group .. sorry! Out of date anyway, since
the a tie between mm 1 2 isn't working in Trevor's solution.
Trevor,
Your solution is what I was after. Thanks!
But -- why 2 as the parameter for force-hshift? Doesn't that mean two
notehead widths?
For others -- I was
Peter Crighton petecrighton at gmail.com writes:
As you can see in the following code and the attached image, there is a
possible bug when using \RemoveEmptyStaves with voices in different keys
(such as in a score with transposing instruments): key signatures appearing
only in hidden empty
MarcM marc at mouries.net writes:
I found the \set Score.repeatCommands and I am getting close but the
repeat
bars are not added at the right place.
If I understand your comment,
It is played as: A , A1, A , A2, A , A3, A , A4, A , A5/End
where endings 1 and 3 are the same and you don't
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