Hi all,
The following two bars of code result in the music correctly written,
however,
I would like to place a natural symbol on the first note of the second
bar, just to
remind folks that it is different. I know this is not the convention,
but I want to do it anyhow.
Is there a way?
Bill
Thanks to you and Jan-Peter.
Bill
On 15-02-10 11:16 AM, Kevin Barry wrote:
On Tue, Feb 10, 2015 at 3:13 PM, William Marchant
wmarch...@eastlink.ca mailto:wmarch...@eastlink.ca wrote:
I would like to place a natural symbol on the first note of the
second bar, just to
remind folks
Hi William,
you can use the exclamation or question mark:
b! b?
or you place a markup as a text script above the note:
b^\markup \natural
HTH
Jan-Peter
Am 10.02.2015 um 16:13 schrieb William Marchant:
Hi all,
The following two bars of code result in the music correctly written,
however,
I
As an addition: If you want this behaviour as a general rule (reminder
in the next bar), you can use the modern accidental style:
\version 2.18.2
\language english
{
\accidentalStyle modern
bf4 bf bf8 bf bf bf | b b b b d4 d |
}
Michael Rivers wrote:
I just engraved a piece for which the standard solutions given in this thread
worked especially badly. There were many 8th notes alternating with 8th
rests (which should be merged by Lilypond, but can't be automatically), so
switching back and forth between a polyphonic
Hi all,
Cool solution, but still a shame that it is necessary …
I agree that it’s a clever solution… *and* that it’s a shame it’s necessary.
In particular, this solution introduces a non-content “voice” in order to solve
a presentation problem — yuck (as a requirement, not as a solution!).
On Tue, Feb 10, 2015 at 3:13 PM, William Marchant wmarch...@eastlink.ca
wrote:
I would like to place a natural symbol on the first note of the second
bar, just to
remind folks that it is different. I know this is not the convention, but
I want to do it anyhow.
Is there a way?
Bill
Am 10. Februar 2015 20:35:23 MEZ, schrieb Matteo Ceccarello
matteo.ceccare...@gmail.com:
Dear Urs,
Il 09/02/2015 10:16, Urs Liska ha scritto:
Am 09.02.2015 um 09:56 schrieb Matteo Ceccarello:
Here I see room for starting some discussion on automated testing. I
think that example files can
Dear Urs,
Il 09/02/2015 10:16, Urs Liska ha scritto:
Am 09.02.2015 um 09:56 schrieb Matteo Ceccarello:
Here I see room for starting some discussion on automated testing. I
think that example files can serve also as test files, to check that
code changes or version changes do not break things.
When I compile a score that I'm working on I'm getting the following errors.
programming error: could not find this grob's vertical axis group in the
vertical alignment
continuing, cross fingers
I can't seem to recreate the problem in a simple example and the source
file is 533 lines long so I
Hi Chris,
On Tue, Feb 10, 2015 at 3:56 PM, Chris Trahan trahan.ch...@gmail.com
wrote:
When I compile a score that I'm working on I'm getting the following
errors.
programming error: could not find this grob's vertical axis group in the
vertical alignment
continuing, cross fingers
I can't
On Tue, Feb 10, 2015 at 4:30 PM, David Nalesnik david.nales...@gmail.com
wrote:
Hi Chris,
On Tue, Feb 10, 2015 at 3:56 PM, Chris Trahan trahan.ch...@gmail.com
wrote:
When I compile a score that I'm working on I'm getting the following
errors.
programming error: could not find this grob's
Also you may like to look at options for automatic handling of accidentals
in the documentation:
http://www.lilypond.org/doc/v2.18/Documentation/notation/displaying-pitches#automatic-accidentals
Best, David
On 10 February 2015 at 16:24, William Marchant wmarch...@eastlink.ca
wrote:
Thanks to
Hi Kieren!
I’ll check that!
Thanks!
/P
Peter Danemo
+46-70-653 21 91
E-post: petedom...@gmail.com
Web: danemo.com
10 feb 2015 kl. 13:21 skrev Kieren MacMillan kieren_macmil...@sympatico.ca:
Hi Peter,
I tried your suggestion but got this error message
Did you fix any mailing-list
Am 10. Februar 2015 11:53:54 MEZ, schrieb Robin Bannister r...@dataway.ch:
Michael Rivers wrote:
I just engraved a piece for which the standard solutions given in
this thread
worked especially badly. There were many 8th notes alternating with
8th
rests (which should be merged by Lilypond, but
Hi Peter,
I tried your suggestion but got this error message
Did you fix any mailing-list “reformatting” problems?
Sometimes, for example, “” gets replaced with “| |”.
Hope this helps,
Kieren.
___
Kieren MacMillan, composer
www: http://www.kierenmacmillan.info
email:
On Tue, Feb 10, 2015 at 5:00 PM, David Nalesnik david.nales...@gmail.com
wrote:
On Tue, Feb 10, 2015 at 4:30 PM, David Nalesnik david.nales...@gmail.com
wrote:
Hi Chris,
On Tue, Feb 10, 2015 at 3:56 PM, Chris Trahan trahan.ch...@gmail.com
wrote:
When I compile a score that I'm working
tisimst wrote
Chris,
If I were structuring a song as you described, I would NOT use the first
\repeat volta 3, unless EVERYTHING were supposed to repeat. Here's how I
would do it:
%- SNIP
\relative c' {
% first interlude
c d e f
% start repeated verses
Chris Trahan wrote
The 1st three verses of the song are arranged like this. (Not actual score
code, just a structure example.)
\repeat volta 3 {
\repeat volta 2 {
c d e f }
\alternative {
{ a b c d }
{ d c b a }
}
c d e f g a b c
}
The strange thing is that if I
Hi Chris,
On Tue, Feb 10, 2015 at 5:44 PM, Chris Trahan trahan.ch...@gmail.com
wrote:
One thing that I've found is than I an insert a \break and get the
messages to stop.
[...]
The strange thing is that if I code it this way, the errors go away.
\repeat volta 3 {
\repeat volta 2 {
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