2015-03-10 6:55 GMT+01:00 Jim Long lilyp...@umpquanet.com:
If I:
music = \relative c'' {
\tag #'a { a a a a }
\tag #'b { b b b b }
}
and then:
musicA = \keepWithTag #'a \music
\keepWithTag gives me the equivalent of:
musicA = \relative c'' { \tag #'a { a a a a } }
What I want
Hi all,
I've invested quite some energy to create new ways of managing and using
Abraham's great alternative fonts with LilyPond, and I'm nearly ready to
release that work.
Therefore I need some assistance by others to help testing, discussing
and improving the interface and functionality.
On 10 Mar 2015, at 02:14, Flaming Hakama by Elaine ela...@flaminghakama.com
wrote:
BTW, I also tend to prepare lead sheets in F and A. Of course, you may not
need this. But if you are preparing a template, it might be helpful to
include other common transpositions.
OK. The
Hi Hu,
I'm not sure I understand what you are trying to do. Bar 27 of the
Takemitsu doesn't include any cross staff stems and neither do any of the
examples on the github page. Can you be more specific about what exactly
you want?
Kevin
On Mon, Mar 9, 2015 at 11:45 PM, 良ϖ p2b@gmail.com
I need to subdivide beams in tuplets into groups of two 32s joined by two
beams, not one. This is pretty common. How can I do this in a more idiomatic,
and less tedious way than the following?
\version 2.19.16
\relative c'' {
\time 1/4
\tuplet 5/4 {
e,32[
\once
Jim
Why do you want to remove tags? I must be missing something - AFAIA tags are
not engraved.
regards
Peter Gentry
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By the way, here's how I would do the red circled section in the Takemitsu
\version 2.18.2
rha = \relative {
\voiceOne
s16 s8 s4 s8 g16[ bes,]\laissezVibrer
}
rhb = \relative {
b cis e16[ d ees aes8]~ q4\laissezVibrer
\ottava #1
\voiceTwo
\omit TupletBracket
\once \override
When using `\italic`, it seems that spaces are inserted before and after the
formatted text. Is it possible to disable this, ie, place an italic character
directly next to a non-italic character?
For example, the following prints 'a b c d e f g'; would it be possible to
make it print 'ab cde
On Tue, Mar 10, 2015 at 12:34 PM, Ian Mackinnon imackin...@gmail.com
wrote:
When using `\italic`, it seems that spaces are inserted before and after
the
formatted text. Is it possible to disable this, ie, place an italic
character
directly next to a non-italic character?
Hi Ian,
LilyPond
Thanks Kevin, that solves the problem.
I used weblily.net to write my example, and that seems to use v2.12.2, but
I have the latest version installed locally, thanks :)
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On 10 March
Thanks for the input!
I'll have a look at the VIM files, although I'm not familiar with their
format.
I've found that there is an automatic importer for Ace that can take a
syntax described in a .tmLanguage file (Text Mate format).
There are such files for Lilypond here:
On Tue, Mar 10, 2015 at 12:03 PM, Andrew Bernard andrew.bern...@gmail.com
wrote:
How can I do this in a more idiomatic, and less tedious way than the
following?
Hi Andrew,
The following should be what you want. It works by setting the baseMoment
to a theoretical value of 1/20 (that is, four
This is good, and helpful, but I was wanting two beams between the groups of
32s, not one. [Maybe this is non standard after all.]
On 10 March 2015 at 23:27:30, Kevin Barry (barr...@gmail.com) wrote:
The following should be what you want. It works by setting the baseMoment to a
theoretical
Hi Kevin,
Thanks a lot for your replies. Your code example eventually runs and brings
me a lot of interesting stuff. I should use hidden notes technique more
often, it's very convenient. Actually you're right, my examples were wrong
– shame!~ Maybe I got a proper example than I changed something
The other question the OP was asking is can the group default to have TWO full
beams across the group, while the pairs of 32nd notes are beamed together with
a third. It seems like non-standard notation, so quick, generic solutions for
any size of group, outside of a function like the one
- Original Message -
From: st...@linuxsuite.org
To: Phil Holmes m...@philholmes.net
Cc: lilypond-user lilypond-user@gnu.org
Sent: Tuesday, March 10, 2015 2:30 PM
Subject: Re: Getting ragged-last-bottom et. al to work?
Subject: Getting ragged-last-bottom et. al to work?
\version 2.18.2
\relative c'' {
% this should be all you need
% if you use \once you can aply it any time
\once \set subdivideBeams = ##t
\set baseMoment = #(ly:make-moment 1/20)
\tuplet 5/4 {
% no square brackets needed
e,32 c' bes e d bes' g d' d, aes'
}
% without
\tuplet 5/4 {
Jim Long lilypond at umpquanet.com writes:
On Tue, Mar 10, 2015 at 10:49:05AM +0100, Thomas Morley wrote:
Something in
http://lsr.di.unimi.it/LSR/Item?id=871
which matches your needs?
(didn't test myself)
\taggedRep looks especially interesting. I often use the
'extractMusic'
I would like to have piano music with a normal two staff layout with a separate
line for dynamics and under that a separate line for pedal indications.
Whatever I do I can only get the pedal and the dynamics staff overlapping at
the same distance from the bottom stave. How does one achieve the
Phil,
Thats IT Pulled my hair out for days..
I'll pay it forward... somehow
thanx - steve
- Original Message -
From: st...@linuxsuite.org
To: Phil Holmes m...@philholmes.net
Cc: lilypond-user lilypond-user@gnu.org
Sent: Tuesday,
Subject: Getting ragged-last-bottom et. al to work?
Umm,,, no I don't want a ragged layout. I want the last line on
the last page to fill the line..
Well, the example you sent is too complex to debug by sight and doesn't
compile without all the included files, but ragged-last in a
On Tue, Mar 10, 2015 at 12:40 PM, Andrew Bernard andrew.bern...@gmail.com
wrote:
This is good, and helpful, but I was wanting two beams between the groups
of 32s, not one. [Maybe this is non standard after all.]
Ah my apologies; I misread your mail. A quick search didn't yield what
property
Hi,
On 03/10/2015 05:52 PM, tisimst wrote:
The other question the OP was asking is can the group default to have
TWO full beams across the group
Am 10.03.2015 um 21:01 schrieb Rutger Hofman:
So, if 32nd notes are subgrouped into groups of 4, the subgroup duration is
1/8 and the
beam count
Thanks for your help. I will explore and learn..
respect…
Peter
On 2015-03-09, at 2:53 PM, Tim McNamara tim...@bitstream.net wrote:
There is also the pop-chords.ly file that can be used for chord names and I
am working on modifying the same file to follow the Roemer chord name
conventions
On Tue, Mar 10, 2015 at 10:49:05AM +0100, Thomas Morley wrote:
Something in
http://lsr.di.unimi.it/LSR/Item?id=871
which matches your needs?
(didn't test myself)
Cheers,
Harm
Thank you, Harm! That looks very promising. I must train myself
to remember the snippet repository when I'm
thank you for your advice… I will explore and learn from it.
respect
Peter (nidan)
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On 03/10/2015 05:52 PM, tisimst wrote:
The other question the OP was asking is can the group default to have
TWO full beams across the group, while the pairs of 32nd notes are
beamed together with a third. It seems like non-standard notation, so
quick, generic solutions for any size of group,
tisimst wrote Tuesday, March 10, 2015 4:52 PM
The other question the OP was asking is can
the group default to have TWO full beams
across the group, ...
I had a look through the IR and couldn't find
anything that says it will only use a SINGLE
beam across the whole group.
The snippet
2015-03-10 22:29 GMT+01:00 Trevor Daniels t.dani...@treda.co.uk:
tisimst wrote Tuesday, March 10, 2015 4:52 PM
The other question the OP was asking is can
the group default to have TWO full beams
across the group, ...
I had a look through the IR and couldn't find
anything that says it will
- Original Message -
From: st...@linuxsuite.org
To: Phil Holmes m...@philholmes.net
Cc: lilypond-user lilypond-user@gnu.org
Sent: Monday, March 09, 2015 7:01 PM
Subject: Re: Getting ragged-last-bottom et. al to work?
- Original Message -
From: st...@linuxsuite.org
To:
Trevor,
Thanks! Indeed lilypond is not doing the right thing, and needs to be
adjustable by the user in this aspect.
I can do it the original way with explicit beam control, so there is a
solution. It’s just very tedious and error prone - when there are several
hundred of these in the score I
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