Am 16.05.2015 um 16:38 schrieb Frauke Jurgensen:
Yes, some decades ago (i.e. when Apel was writing), it was common to
transcribe mensural music at a value reduction of 4:1 (i.e. 3/4 for
Circle); now, 3/2 is a more common transcription level, and most
specialist performers prefer to read either
I don't know about F22 and dfn, but pre-F22 rpm and yum had options to
prevent following dependencies.
Alternativey, you can make a dummy rpm package that provides the lilypond
dependency and install that. Then you can add python-ly and frescobaldi.
-- Johan
How in Lilypond can I engrave two music expressions, \soprano and \alto, in
parallel on one stave in such a way that:
1. while they have the same rhythm, the notes share stems and beams
2. while they have the same rest-sequence, only one rest-sequence is engraved
3. the notes of \soprano are
Il giorno sab 16 mag 2015 alle 17:40, Martin Tarenskeen
m.tarensk...@zonnet.nl ha scritto:
In Fedora 22 the yum command has been replaced by dnf.
Unfortately dnf remove remove lilypond automatically also removes
the python-ly and frescobaldi packages. And if I do dnf install
frescobaldi the
Am 16.05.2015 um 17:20 schrieb Phil Holmes:
I've been doing something similar with madrigals from around 1590.
You will likely find tags useful, to identify where you need to use
different notation for modern and ancient music. If you can't see how
this works, please let me know: I don't have
Hi,
Since the Fedora 22 (beta) package of LilyPond doesn't work I decided to
remove (sudo dnf remove lilypond) lilypond from my system for now and
downloaded and installed the Linux installer version from the LilyPond
website instead. This one does work because it includes older and
Ah, thanks! That makes perfect sense. If I understand correctly, it would,
however, mean inputting everything in halved note values? That might get
messy, once ligatures are involved...
On Sat, May 16, 2015 at 4:34 PM, Simon Albrecht simon.albre...@mail.de
wrote:
Am 16.05.2015 um 16:38 schrieb
Phil Holmes:
...
You will likely find tags useful, to identify where you need to use
different notation for modern and ancient music.
...
I have a tags example available at (suggestions for improvements are
welcome!):
Frauke:
I suspect I'm just being a bit thick...typesetting some mensural notation,
Nice to meet another person like interested!
and having an issue with the mensural signs/time sigs. It looks like the
definitions of these in terms of modern time signatures are in half values;
e.g., Circle
Yes, some decades ago (i.e. when Apel was writing), it was common to
transcribe mensural music at a value reduction of 4:1 (i.e. 3/4 for
Circle); now, 3/2 is a more common transcription level, and most specialist
performers prefer to read either from original note values (if
transcribed), or from
Thanks, I will look into that! I'm also interested in the rest placement
function.
On Sat, May 16, 2015 at 4:20 PM, Phil Holmes m...@philholmes.net wrote:
I've been doing something similar with madrigals from around 1590. You
will likely find tags useful, to identify where you need to use
Thank you, that first thing worked perfectly.
At the moment, I still have the parts in score (to check they're all at
least the same length, which is a feature sadly missing in some of the
manuscripts I'm dealing with). I'm bullying the ligatures into submission
(such as when the second semibreve
Hi Rosalie,
one of the snippets could help you:
http://www.lilypond.org/doc/v2.18/Documentation/snippets-big-page#simultaneous-notes-changing-a-single-note_0027s-size-in-a-chord
But you will have to tweak each single note head, which might be somewhat
cumbersome:
%
2015-05-16 3:51 GMT+02:00 Thomas Morley thomasmorle...@gmail.com:
2015-05-16 3:14 GMT+02:00 Peter Crighton petecrigh...@gmail.com:
Hi all,
I have this rather long chord name that is taking too much horizontal
space
in a sheet I’m working on. How can I move the “/F” part beneath the rest
I've been doing something similar with madrigals from around 1590. You will
likely find tags useful, to identify where you need to use different
notation for modern and ancient music. If you can't see how this works,
please let me know: I don't have time right now to give examples.
I also
[about \scaleDurations]
Ah, thanks! That makes perfect sense. If I understand correctly, it would,
however, mean inputting everything in halved note values?
Have a look at:
http://www.lilypond.org/doc/v2.18/Documentation/notation/writing-rhythms#scaling-duration
Regards,
/Karl Hammar
Hello,
I would like to know if is possible to reproduce the Changing staff
example (Chapter 2.2.1 Common notation for keyboards of Lilypond guide) using:
- a single file left.ly for the Left-Hand
- a single file right.ly for the Right-Hand
- a file general.ly to generate the pdf output file.
I've now been sent a copy of the lilypond code in text format: please use
this in any future questions.
Lilypond does not handle temporary voices and lyrics terribly well. I would
suggest 2 potential solutions: a) use explicit voices for all your
polyphonal parts, with spacer rests where
I have a piece where I need a fairly long ottavation text that goes from
one line to the next (it says that the ottavation applies to the right hand
only). The problem is that there is only one measure on the second line
and the text doesn't fit when it's repeated. One solution is to set \break
Knute,
When I eliminated the indent ( \layout {\indent = #0} ), all of it fits on the
first line.
Mark
From: lilypond-user-bounces+carsonmark=ca.rr@gnu.org
[mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Knute
Snortum
Sent: Saturday, May 16, 2015 10:14
On Sat, 16 May 2015, Federico Bruni wrote:
Il giorno sab 16 mag 2015 alle 17:40, Martin Tarenskeen
m.tarensk...@zonnet.nl ha scritto:
In Fedora 22 the yum command has been replaced by dnf.
Unfortately dnf remove remove lilypond automatically also removes the
python-ly and frescobaldi
On Sat, 2015-05-16 at 15:38 +0100, Frauke Jurgensen wrote:
I'm working on a bigger project that may involve generating multiple
versions in different types of notation from the same source file;
If by this you mean modern notation in full note values, half note
values, etc. I have a solution.
At 10:17 16/05/2015 +0100, Phil Holmes wrote:
- Original Message -
From: Alan Struthers
To: lilypond-user@gnu.org
Sent: Saturday, May 16, 2015 12:07 AM
Subject: SATB polyphonic lyrics problems
I am brand new to Lilypond. I have tried and tried to figure out
how to code SATB four
Thanks Luca I will give it a try!
Stephen
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
It's a bit big to post on the list, and
I don't have anywhere to host it reliably at the moment (It uses
multiple files, ...
Multiple files are a more difficult case, but in general you can use
services as this: http://pastebin.com/aVZXGEJ9 (this one expires in one
week).
I hope you're also
Marco,
I did not see PIerre's e-mail prior to sending my own. I notice that our
example files are slightly different but both perfectly valid.
Regards,
Pete
On Sat, May 16, 2015 at 2:35 PM, Peter Heisen writepeterhei...@gmail.com
wrote:
Marco,
I may not understand what you are asking.
Hi Rosalie,
maybe a small function will make the complicated job a little less
complicated:
% -
\version 2.18
\include english.ly
t = #(define-music-function (parser location music) (ly:music?)
#{ \tweak font-size #-2 #music #})
soprano = { g'8
Johan-
I found a midi of the piece (Capriccio IX) in which a trill is played at the
mark in question. The stylized characters looked more like a “tu” than “tr” to
me. Thanks for your excellent guess.
Stan
On May 16, 2015, at 3:00 AM, Noeck noeck.marb...@gmx.de wrote:
I would guess it is a
My understanding is that the Mensural time signatures are simply mapped to a
convenient, similar modern signature. Thus what we now refer to a common
time (4/4) maps to a broken circle, which it resembles. Since there are no
bar lines in mensural music, the actual time signature is pretty
2015-05-16 13:58 GMT+02:00 Venus' Wink venuswi...@inbox.com:
Hi,
I've found this is a known bug:
http://code.google.com/p/lilypond/issues/detail?id=2769
Thanks
Venus' Wink
I've updated issue 2769
http://code.google.com/p/lilypond/issues/detail?id=2769
with the workaround
Thanks,
Harm
Hi Stan,
there were quite funny ways to write an r in the past. For instance the
third letter in the second row is an r:
https://de.wikipedia.org/wiki/Datei:S%C3%BCtterlin-Ausgangsschrift.jpg
It also has this “u-shape”.
Joram
Am 16.05.2015 um 14:01 schrieb Stan Sanderson:
Johan-
I found a
Could you attach a text-only version of your score, please?
--
Phil Holmes
- Original Message -
From: Alan Struthers
To: lilypond-user@gnu.org
Sent: Saturday, May 16, 2015 12:07 AM
Subject: SATB polyphonic lyrics problems
I am brand new to Lilypond. I have tried and
I would guess it is a tr for trill, but that is just a guess.
Joram
Am 16.05.2015 um 04:50 schrieb Stan Sanderson:
I’m hoping someone will recognize the mark above the sharped note in the
attached screen shot. It is from a capriccio for keyboard by J. J. Froberger
and
appears many times.
2015-05-16 11:58 GMT+02:00 Venus' Wink venuswi...@inbox.com:
Hi,
I'm trying use \afterGrace on layout consists Completion_heads_engraver as:
\version 2.18.2
\layout {
\context {
\Voice
\remove Note_heads_engraver
\consists Completion_heads_engraver
}
}
Dear Stephen,
Il 15/05/2015 22:18, Stephen MacNeil ha scritto:
[...] shorter would be nice however, minimum-length has no effect
since it's not maximum.
well, in a undirect way it actually has: reducing minimum-lenght
controls indeed the maximum extension of the slur. To avoid collisions
Hi,
I'm trying use \afterGrace on layout consists Completion_heads_engraver as:
\version 2.18.2
\layout {
\context {
\Voice
\remove Note_heads_engraver
\consists Completion_heads_engraver
}
}
{
c'4 \afterGrace a4 b16
}
which issues attached test.pdf.
The a4
-Original Message-
From: thomasmorle...@gmail.com
Sent: Sat, 16 May 2015 12:40:02 +0200
To: venuswi...@inbox.com
Subject: Re: afterGrace on Completion_heads_engraver layout
2015-05-16 11:58 GMT+02:00 Venus' Wink venuswi...@inbox.com:
Hi,
I'm trying use \afterGrace on layout
Hello all,
I suspect I'm just being a bit thick...typesetting some mensural notation,
and having an issue with the mensural signs/time sigs. It looks like the
definitions of these in terms of modern time signatures are in half values;
e.g., Circle maps on to 3/2, when it should map on to 3/1.
My
Hi Knute,
well this is one of those complicated cases where Lily is not yet smart
enough. I’d suggest to make the text ‘shorter’, the following may give
some ideas:
\version 2.19.20
\language english
octaveUp = {
\set Staff.ottavation = \markup \override #'(baseline-skip . 1.5)
\column
I've created a fully indexed portfolio of the 2.19.20 PDF docs. You can
get it from
https://www.dropbox.com/s/7dsr26h8n8wpv8z/lilydoc-2.19.20.pdf?dl=0 (38Mb).
Needs Adobe Reader - I haven't found a 3rd party PDF viewer that can
cope with PDF portfolios.
Nick
Hi Knute,
Maybe something like this will work for you?
\version 2.19.20
\language english
#(define (ottava-jr grob)
(let* (
;; have we been split?
(orig (ly:grob-original grob))
;; if yes, get the split pieces (our siblings)
(siblings (if (ly:grob?
Marco,
I may not understand what you are asking. Section 3.3.1 of the notation
manual, Including LilyPond Files, describes the use of \include. The
\include command substitutes the contents of filename.ly wherever
\include filename.ly is placed. (Sometimes the component files are
named *.ily
Hi Marco,
sure it's possible.
See enclosed files.
Cheers,
Pierre
2015-05-16 20:51 GMT+02:00 Marco bagolin.ma...@gmail.com:
Hello,
I would like to know if is possible to reproduce the Changing staff
example (Chapter 2.2.1 Common notation for keyboards of Lilypond guide)
using:
- a single
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