Re: \articulate effect only midi

Ciao Federico, thank you for you help, now it works!! I didn't know score keyword can compare multiple times in a single source file. Best regards, g. -- View this message in context: http://lilypond.1069038.n5.nabble.com/articulate-effect-only-midi-tp177365p177367.html Sent from the User

Re: Is SMuFL's cClefCombining LilyPond's varC clef?

Am 01.06.2015 um 10:23 schrieb Simon Albrecht: Am 01.06.2015 um 10:11 schrieb Urs Liska: Sorry for cross-posting, but I think it's possible to get answers from both sides: When discussing LilyPond clefs that can't be represented in MusicXML the question arose whether LilyPond's varC clef

Re: Is SMuFL's cClefCombining LilyPond's varC clef?

Am 01.06.2015 um 10:11 schrieb Urs Liska: Sorry for cross-posting, but I think it's possible to get answers from both sides: When discussing LilyPond clefs that can't be represented in MusicXML the question arose whether LilyPond's varC clef shape is equivalent to what is called

Re: \articulate effect only midi

Il giorno lun 1 giu 2015 alle 11:52, Gianmaria Lari gianmarial...@gmail.com ha scritto: I'm trying to improve the quality of the midi output using the articulate script. I don't understand why I cannot use the articulate keyword only with the midi output to avoid to alterate the visual output.

Is SMuFL's cClefCombining LilyPond's varC clef?

Sorry for cross-posting, but I think it's possible to get answers from both sides: When discussing LilyPond clefs that can't be represented in MusicXML the question arose whether LilyPond's varC clef shape is equivalent to what is called cClefCombining in SMuFL:

Re: Is SMuFL's cClefCombining LilyPond's varC clef?

I suspect the combining refers to the adding of the elements of the older/French style C clef to the G clef to represent tenor clef. -David - Simon Albrecht simon.albre...@mail.de wrote: Am 01.06.2015 um 10:11 schrieb Urs Liska: Sorry for cross-posting, but I think it's possible to get

Re: Is SMuFL's cClefCombining LilyPond's varC clef?

Am 01.06.2015 um 10:31 schrieb bobr...@centrum.is: I suspect the combining refers to the adding of the elements of the older/French style C clef to the G clef to represent tenor clef. This was just confirmed by Daniel Spreadbury, yes. Urs -David - Simon Albrecht

\articulate effect only midi

I'm trying to improve the quality of the midi output using the articulate script. I don't understand why I cannot use the articulate keyword only with the midi output to avoid to alterate the visual output. This is what I can do: \version 2.18.2 \include articulate.ly \score { *\articulate *

adding tagged markup to mmrest-of-length

Hello all, I have a piece which starts with a flute cadenza. In the other parts, I put #(mmrest-of-length flute_intro) Now I want to add tagged MultiMeasureRestText items to this, e.g., #(mmrest-of-length flute_intro) -\tag #’(part-violin) ^\markup \bold “[flute solo]” But this doesn’t

Re: Change direction of already positioned markup?

On 1 June 2015 at 12:14, Peter Crighton petecrigh...@gmail.com wrote: 2015-05-31 23:43 GMT+02:00 Simon Albrecht simon.albre...@mail.de: Am 31.05.2015 um 18:25 schrieb Jacques Menu: Hello Peter, Maybe tags would be an easy solution, specifying variants according to the uses of the music,

Re: Color note heads outside nominal instrument range

Am 31.05.2015 um 18:18 schrieb Peter Gentry: [...] Actually Marc I have revised and simplified the calculation (see attached) - I simply wanted to indicate notes outside the range modify then to fall inside the range. The colour then gives engraver/player the option to play within range or

Re: Dynamic mark at the end of a bar

Hi david Can you tell me where this is located in the lilypond directory. what file etc. or where one could get the information on line ie where you got it! Thanks Stephen ___ lilypond-user mailing list lilypond-user@gnu.org

Re: adding tagged markup to mmrest-of-length

Hello Kieren, after some trial and error and \displayMusic I got the attached solution with a music function. My (primitive enough) moment-duration function came in handy there. It would have been nicer to receive an attachment ready for opening in frescobaldi and starting work, though. I had

Re: tuplet beam

Hello Mark, Am 01.06.2015 um 21:18 schrieb Mark Stephen Mrotek: Hello, The attached snippet, tuplet beam, produces the tuplets grouped in three sixteenths, as I want. When I copy and paste the code into the score, 6 Var WoO 70(5), the beaming changes. This is because the settings of the

RE: tuplet beam

Simon, Thank you for your response and the corrections you supplied. I need to read through it and compare it to output to understand the relationships between the code and the notation. Always learning! Mark From: Simon Albrecht [mailto:simon.albre...@mail.de] Sent: Monday, June 01,

Re: Hairpin at an angle, parallel to glissando line

Thanks for your help both. In fact I've typeset them as two normal glissando lines rather than rotating the hairpin - it's a bit of a hack but I think it's less fiddly than the rotation property - if the layout changes at all I would have to modify all the rotation tweaks by hand if I did it that