Answering my own question, the realisation is that one can tie a flat gliss to
an invisible note. That will be excellent.
Andrew
On 20 August 2015 at 19:32:52, Andrew Bernard (andrew.bern...@gmail.com) wrote:
How would one achieve the effect seen in the attached image, special notehead
Well, your code is not a minimal example and it does not compile and
thus it does not show the error.
All I can say for now: I suspect your linebreaking of the strings for
the fret-diagram.
Hi Harm, thanks for replying ... what is a minimal example? Anything I can
do to make things easier ...
Thank you all very much for your help! I'm now spoiled for choice as to a
solution. :)
Jack
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Malte Meyn-3 wrote
Am 20.08.2015 um 20:07 schrieb Jack Taylor:
I have managed to make the time signatures for each song independent, but
I'm having problems making the notes line up (and with stopping the music
from running off the page). I've dumped my current code at PasteBin
Greetings All,
How would one achieve the effect seen in the attached image, special notehead
duration extension lines? I’m not quite sure where to start, how to attack the
problem. I had a look at the flat glissando code on the list from 2012, but the
difference is I need to be able to specify
Hi Jack,
while working on a solution, I've missed that two experts already replied...
:)
Anyway, another approach would be to set the internal (true) time
signature via
\set Staff.measureLength = #(ly:make-moment 3/4) etc.
which can be different from the displayed time signature set by
Greetings All,
How would one achieve the sort of thing shown in the image attached, an
extender line attached to a note, of a specified length? I am not sure where to
start. I just need the concept, not necessarily code.
Andrew
[LSR currently down from my part of the world at least.]
Greetings All,
Here’s a first cut at making a horizontal spanning bracket with centred text.
Leveraging the semantics of TextSpanners, this is remarkably useful – at least
for the scores that I encounter.
Limitations are that it does not do line breaking, for one. Considering this
aspect, I’m
Hi Andrew,
Andrew Bernard wrote
I need to be able to specify an arbitrary length, and unconnected to a
following note.
maybe one of those two snippets might be a start:
http://lsr.di.unimi.it/LSR/Item?id=961
http://lsr.di.unimi.it/LSR/Item?id=962
Cheers,
Klaus
--
View this message in
Hi David,
On Aug 19, 2015, at 10:27 PM, David Nalesnik david.nales...@gmail.com wrote:
Thanks for doing this! (I should have thought to write it this way in the
first place!)
Glad to! Thanks for leading the way on how to convert these C++ functions to
Scheme.
By the way, later in the
On Mon, 10 Aug 2015 14:36:41 +0200
Peter Bjuhr peterbj...@gmail.com wrote:
When you use key signatures like A major or B Major you end
up with a lot of naturals in the score for which you may
have to manually add sharps.
Is there a switch that will automatically sharp all the
Great to hear you found a solution
here is another approach
chord = \markup
{
\override #'(size . .7) \override #'(fret-diagram-details . ((finger-code .
below-string)
(dot-radius . 0.35)
(number-type . roman-lower)
(finger-code . below-string)
(fret-count . 3)))
\fret-diagram
An elegant solution would be to define a fretboard with fret numbers on both
sides---one of them an invisible (phantom) character. This is beyond my
level of expertise. Anyone know how to code this?
Here is another /brute force/ solution using \concat {\hspace #1.4
\custom-fret ... }}, and a
Mario Lang ml...@delysid.org writes:
Mario Lang ml...@delysid.org writes:
I am using the LilyPond SVG backend in combination with Qt's SVG
support. While Qt's SVG module does not implement any support for
a elements, it has a way to click on svg elements with an id
attribute. What I did
Hi tone
I tested your code on 2.18.2 (doesn't compile)
and on 2.19.24 (looks NOTHING like what you have)
I think the first issue I would solve is - why? why does it not look
correct on other versions. I only mention it because all your work could
become useless once you upgrade.
As a side note
2015-08-19 22:06 GMT+02:00 Thomas Morley thomasmorle...@gmail.com:
2015-08-19 17:53 GMT+02:00 ClausRogge claus.ro...@aon.at:
I have two nearly identical pairs of code files, one calling the other. One
of them works, the other one gives me the strange error quoted.
Layout file one:
%%%
and
% \halign #-13
it's to early
Stephen
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Sorry you can comment out
%\fill-line
%\concat
I used them as a markup with several chords.
Stephen
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Dear all,
I am trying to figure out how to include the so called
Fm(maj7)
chord.
With the standard modifiers:
http://www.lilypond.org/doc/v2.18/Documentation/notation/common-chord-modifiers
I am not able to able to reach it.
The desired ukulele tab (in the standard GCEA tuning) is
That are the interesting cases where to outsmart the optimised depiction
of lilypond. Usually not an easy task!
First thee is an error, as
d8 d4. a16 c8. |
does not sum up to 2/4. Nay be that line should read
| e8 g a g | e c4. | d8 d4. | a8 c4.
??
Beside any solution (I do not have any
An experiment:
\version 2.18.2
\layout {
ragged-last = ##t
% %{
\context {
\Score
\remove Timing_translator
\remove Default_bar_line_engraver
}
\context {
\Staff
\consists Timing_translator
\consists Default_bar_line_engraver
}
%}
}
\score {
\new
Do not know if it is helpful. But if you set the code in place in the
first file you get a (may be) clearer error message
»/tmp/frescobaldi-VdzlyD/tmpjvJfHo/document.ly« wird verarbeitet
Analysieren...
Interpretation der Musik...
Vorverarbeitung der grafischen
Hi Paul,
On Wed, Aug 19, 2015 at 8:56 PM, Paul Morris p...@paulwmorris.com wrote:
On Aug 18, 2015, at 9:20 AM, David Nalesnik david.nales...@gmail.com
wrote:
In the attached file, I've recoded the print routine in Scheme
The attached file contains David’s Scheme recoding with the original
On 20 Aug 2015, at 17:43, Matej Kosik
5764c029b688c1c0d24a2e97cd7...@gmail.com wrote:
Dear all,
I am trying to figure out how to include the so called
Fm(maj7)
chord.
With the standard modifiers:
2015-08-20 11:36 GMT+02:00 Andrew Bernard andrew.bern...@gmail.com:
Answering my own question, the realisation is that one can tie a flat gliss
to an invisible note. That will be excellent.
Andrew
On 20 August 2015 at 19:32:52, Andrew Bernard (andrew.bern...@gmail.com)
wrote:
How would
Hi all,
I'm new to Lilypond, and I appear to have chosen a fiendishly difficult task
for my first score. It's an example for an academic paper written in LaTeX
with lilypond-book. I'm trying to input this scanned music snippet
http://i.imgur.com/npBqY1V.jpg - a comparison of two Hungarian folk
*Solved*: Here is one method I have found to align the fret diagram with the
chord names and notes. It's not elegant, but it is predictable.
I use \markup{ \concat {\transparent 4 \hspace #0.3 \custom-fret ...
}}. The 4 is the fret number, and the #0.3 is the space added due to
the fret
Am 20.08.2015 um 07:07 schrieb Andrew Bernard:
I need to be able to specify an arbitrary length, and unconnected to a
following note.
Do you mean arbitrary time (like (ly:make-moment x y z)) or arbitrary
length x in staff spaces/cm/inch? I have an idea for the latter:
\override
Am 20.08.2015 um 20:07 schrieb Jack Taylor:
I have managed to make the time signatures for each song independent, but
I'm having problems making the notes line up (and with stopping the music
from running off the page). I've dumped my current code at PasteBin
http://pastebin.com/Z6kmy6yt if
Well, your code is not a minimal example and it does not compile and
thus it does not show the error.
All I can say for now: I suspect your linebreaking of the strings for
the fret-diagram.
Hi Harm, thanks for replying ... what is a minimal example? Anything I
can do to make things easier
2015-08-19 19:46 GMT+02:00 tone generalar...@yahoo.com:
Does anyone have a list of characters that are allowed in substitution
functions. I would like to make a list of chord names including fret
position. For example, the following name is allowed:
g_dom_seven-three = \markup{ \override
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