Re: Orientation of notes in chords

This is common in guitar music (upper note left). So I asked this same question some time ago found here https://lists.gnu.org/archive/html/lilypond-user/2015-04/msg00010.html I did look at http://lsr.di.unimi.it/LSR/Item?id=861 But it didn't work as I needed so I ended up with

Re: Changing Laissez Vibrer ties for chords

Please I need some help..this code doesn't work for me. Version 2.19.38 Thanks, Dimitris -- View this message in context: http://lilypond.1069038.n5.nabble.com/Changing-Laissez-Vibrer-ties-for-chords-tp170717p189016.html Sent from the User mailing list archive at Nabble.com.

Re: Fonts from the former fonts.openlilylib.org

Andrew, On Saturday, March 26, 2016, Andrew Bernard wrote: > What I am concerned about is how would a lawyer or the owner know if you > were using the open source font or the commercial one? There is no way to > tell the difference from a published score as far as I

Re: Fonts from the former fonts.openlilylib.org

What I am concerned about is how would a lawyer or the owner know if you were using the open source font or the commercial one? There is no way to tell the difference from a published score as far as I would know. There are now many concerns. Hopefully the developed will clarify for us soon.

Re: Fonts from the former fonts.openlilylib.org

Andrew, et al, On Sat, Mar 26, 2016 at 6:26 PM, Andrew Bernard [via Lilypond] < ml-node+s1069038n189008...@n5.nabble.com> wrote: > Hi Abraham, > > With your announcement of the commercialisation of your fonts and the > taking down of the website, there is clearly a lot of speculation and >

Re: When to Use Pound Signs

2016-03-27 1:30 GMT+01:00 David Raleigh Arnold : > On Sat, 26 Mar 2016 20:42:39 +0100 > David Kastrup wrote: > >> Jason Silver writes: >> >> > Anyone have thoughts on how to notate a A minor add 9? >> > >> > I've tried this: >> > >>

Re: Fonts from the former fonts.openlilylib.org

Andrew Bernard wrote > I for one am quite concerned that the huge effort I have invested in > scores using your fonts will become nullified. The fonts are licensed openly; you are free to keep using them if you have them. It's the newer versions that may have restrictions, so there may not be

Re: When to Use Pound Signs

OK- I was trying to make it easier for you to see the section by editing the content. Below is the whole piece. Jason \language "english" > \version "2.16.2" > \header { > title = "The General Confession" > composer = "Jason Silver" > copyright = "Silver Ink. 2016" > tagline =

Re: When to Use Pound Signs

On Sat, 26 Mar 2016 20:42:39 +0100 David Kastrup wrote: > Jason Silver writes: > > > Anyone have thoughts on how to notate a A minor add 9? > > > > I've tried this: > > > > chExceptionMusic = { > > 1-\markup { \super "add9" } % 1.3.5.9 > >

Re: Fonts from the former fonts.openlilylib.org

Hi Abraham, With your announcement of the commercialisation of your fonts and the taking down of the website, there is clearly a lot of speculation and uncertainty in the user community. Would you be so kind as to lay out for the list a full explanation of your approach going forward so as to

Scheme experts, please help me improve my code

Hi altogether, some time ago I had the idea to write a kind of harmony analyzer. It works in the following manner: you enter some notes (myMusik) and you get a list of chords which contain these notes. I had no idea of Scheme, so I studies several manuals, and Harm from the German Lilypond forum

Re: Fonts from the former fonts.openlilylib.org

I don't think I read any where that Abraham was making the fonts "proprietary" .. I do believe he said "Some fonts are becoming commercial". And proprietary doesn't necessarily mean closed source. Although in most cases it does, because proprietary software if modified holds ownership "usually"

Re: rhythm shift

On Sat 26 Mar 2016 at 23:23:51 (+0100), Gianmaria Lari wrote: > Very sorry David and Robert my example was not at all clear. > > I have a long lilypond source that is shifted of three sixteenth note (the > file has been generated using the midi to lilypond conversion tool). Well, I did wonder

Re: lilypond fonts

Am 27. März 2016 00:19:38 MEZ, schrieb Andrew Bernard : >Which fonts may I ask? > >What if I have been using one that is now commercial? > >a You have obtained them under a free license and that can't be revoked. You will just not receive free updates anymore.

Re: lilypond fonts

Which fonts may I ask? What if I have been using one that is now commercial? a On 27/03/2016, 00:13, "Abraham Lee" wrote: Some fonts are becoming commercial, so there have been a lot of

Re: rhythm shift

Very sorry David and Robert my example was not at all clear. I have a long lilypond source that is shifted of three sixteenth note (the file has been generated using the midi to lilypond conversion tool). Here it is a small fragment of it: % \time 4/4 ... ... d16 ~ | % 31 d8. d16 ~ d8 b'16 b16

Re: When to Use Pound Signs

Jason Silver writes: > Anyone have thoughts on how to notate a A minor add 9? > > I've tried this: > > chExceptionMusic = { > 1-\markup { \super "add9" } % 1.3.5.9 > 1-\markup { "m" \super "add9" } % 1.3.5.9 > } > > with this: > > chordNames = \chordmode { >

Re: Fonts from the former fonts.openlilylib.org

Am 26. März 2016 19:58:01 MEZ, schrieb Carl Sorensen : >On 3/26/16 12:09 PM, "Abraham Lee" wrote: > >> >> >>If there are no objections, I will provide you with the latest files >that >>existed at the time I closed up shop. I can't stop you from

Re: Fonts from the former fonts.openlilylib.org

On 3/26/16 12:09 PM, "Abraham Lee" wrote: > > >If there are no objections, I will provide you with the latest files that >existed at the time I closed up shop. I can't stop you from hosting them, >but if I can request one thing, I'd appreciate it. Would you please

Re: When to Use Pound Signs

Anyone have thoughts on how to notate a A minor add 9? I've tried this: chExceptionMusic = { 1-\markup { \super "add9" } % 1.3.5.9 1-\markup { "m" \super "add9" } % 1.3.5.9 } with this: chordNames = \chordmode { \set chordNameExceptions = #chExceptions | a:1.3.5.9 | a:1.3f.5.9 | } I

Re: Fonts from the former fonts.openlilylib.org

Carl, On Saturday, March 26, 2016, Carl Sorensen wrote: > Dear users, > > As many of you are aware, we have lost the repository of the libre fonts > formerly available on fonts.openlilylib.org. > > In order to preserve access to these fonts, I'm willing to host a >

Fonts from the former fonts.openlilylib.org

Dear users, As many of you are aware, we have lost the repository of the libre fonts formerly available on fonts.openlilylib.org. In order to preserve access to these fonts, I'm willing to host a repository consistent with the license of the fonts as they were hosted at that time. However, I

Re: lilyjazz

Christoph, On Sat, Mar 26, 2016 at 9:25 AM, Christoph Friedrich [via Lilypond] < ml-node+s1069038n188981...@n5.nabble.com> wrote: > I just noticed my example is far too long, i am sorry. > this is a small example of the graphical result > If the lilyjazz-text and -chords fonts are in the

Re: lilypond fonts

On Sat, Mar 26, 2016 at 9:04 AM, tyronicus [via Lilypond] < ml-node+s1069038n188979...@n5.nabble.com> wrote: > Is it necessary that the site be down while you are making these > decisions? I could easily throw your old site up on a server while > you're working on it. So many people have asked,

lilyjazz

Good Morning i am (like some others) also trying use lilyjazz with LP 2.19.32 and Frescobaldi on a Mac. It seems to run and i am getting a result, but for some reasons the title /composer /piece and also the chord letters appear in a „normal“ font, not in lilyjazz-text. Did anybody have

Re: lilyjazz

I just noticed my example is far too long, i am sorry. this is a small example of the graphical result. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: lilypond fonts

Is it necessary that the site be down while you are making these decisions? I could easily throw your old site up on a server while you're working on it. So many people have asked, and the fonts are completely unavailable. I'm sure people wouldn't mind using an older version of the fonts while you

Re: Slashed grace notes

On 26-03-16 14:16, Malte Meyn wrote: Am 26.03.2016 um 14:03 schrieb Peter O'Doherty: Hi, Is it possible to notate a grace note group, with both a slash and a slur? Thanks, Peter Yes, see http://lsr.di.unimi.it/LSR/Item?id=721 P.S.: This was your third email with this content. Thank

Re: Slashed grace notes

Am 26.03.2016 um 14:03 schrieb Peter O'Doherty: Hi, Is it possible to notate a grace note group, with both a slash and a slur? Thanks, Peter Yes, see http://lsr.di.unimi.it/LSR/Item?id=721 P.S.: This was your third email with this content. ___

Re: lilypond fonts

Martin, On Saturday, March 26, 2016, Martin Neubauer wrote: > Unfortunately my enthusiasm for these new possibilities got dampened > somewhat by the current absence of the distribution site for these fonts ( > fonts.openlilylib.org, of course.) This made me wonder, are there

Slashed grace notes

Hi, Is it possible to notate a grace note group, with both a slash and a slur? Thanks, Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Fonts

Hi all, What is the current situation with alternative fonts in lilypond? By which I mean the font for all notational elements, not just text. I notice that Abraham Lee did work on this but the site is currently down: https://fonts.openlilylib.org/ Many thanks, Peter

Slashed grace notes

Hi, Is it possible to notate a grace note group, with a slash and a slur? Thanks, Peter //= // Peter O'Doherty // http://www.peterodoherty.net // m...@peterodoherty.net // skype: peter_o_doherty //=

Slashed grace notes

Hi, Is it possible to notate a grace note group, with both a slash and a slur? Thanks, Peter ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Fonts

Hi all, What is the current situation with alternative fonts in lilypond? By which I mean the font for all notational elements, not just text. I notice that Abraham Lee did work on this but the site is currently down: https://fonts.openlilylib.org/ Many thanks, Peter

Re: Orientation of notes in chords

On 26/03/16 00:18, Andrew Bernard wrote: LSR 861 Looks complicated, but OK, is possible. Thanks :-) ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

lilypond fonts

Hi all, Because I did no (serious) music typesetting for quite some time, I got a bit out of touch with what was going on in the lilypond world. Because I have some upcoming projects ahead of me, I took the opportunity to try and catch up a little. So I became now aware of the mechanism for

Re: rhythm shift

Hi Gianmaria, In addition to the completion head engraver (David's mail), I'd pack the notes without shift in a variable, like variable = { a2 b2 } And use r4 \variable r4 or r8 \variable r8 r4 Or whatever you'd like in the score. Just leave out the bar checks, they'll throw warnings ...