great idea! Thank you all!
On Sun, May 15, 2016 at 7:50 PM, Andrew Bernard
wrote:
> Hi Ryan,
>
> Yes, at 2.19.41 specifying dotted-line style for text spanners just uses
> tiny dashes that look a bit like dots, and you can’t make them larger.
>
> I have scheme code to
Hi Ryan,
Yes, at 2.19.41 specifying dotted-line style for text spanners just uses tiny
dashes that look a bit like dots, and you can’t make them larger.
I have scheme code to do what you want, but it is underdeveloped in that it
does not deal with line breaks yet.
In the meantime, since you
great! Thanks Carl. Question, you have dots, I have the dashed line. When I
try:
%
\override TextSpanner.style = #'dotted-line
\override TextSpanner.dash-fraction = 0
\override TextSpanner.dash-period = 5
\override TextSpanner.thickness = 5
c\startTextSpan d e f g g g a g f a g
Thanks Klaus. All fixed.
Craig
On 16 May 2016 at 10:03, Klaus Blum wrote:
> Hi Craig,
>
>
> Craig Dabelstein wrote
> > Can anyone tell me
> > how I can get the vocal extender line in the 2nd oboe to stop at the end
> > of
> > bar 5?
>
> you create three voices with the
Hi Craig,
Craig Dabelstein wrote
> Can anyone tell me
> how I can get the vocal extender line in the 2nd oboe to stop at the end
> of
> bar 5?
you create three voices with the same name "notes". Hence, "lyricsto" feels
confused...
Give them unique names and you're done - see attached.
Thanks Jay,
It was those colliding voice names that did it.
All the best,
Craig
On 16 May 2016 at 09:48, Jay Anderson wrote:
> On Sun, May 15, 2016 at 4:38 PM, Craig Dabelstein
> wrote:
> > I have a score that requires the players to also
On Sun, May 15, 2016 at 4:38 PM, Craig Dabelstein
wrote:
> I have a score that requires the players to also sing. Can anyone tell me
> how I can get the vocal extender line in the 2nd oboe to stop at the end of
> bar 5? I've tried both \skip and " " but neither gives
Hi Lilyponders,
I have a score that requires the players to also sing. Can anyone tell me
how I can get the vocal extender line in the 2nd oboe to stop at the end of
bar 5? I've tried both \skip and " " but neither gives the right output.
Many thanks,
Craig
lyric test.ly
Description: Binary
please confer with this Schoenberg op 30 engraving, where the "rit ...
Tempo" are designed in the way I am trying to achieve.
https://www.youtube.com/watch?v=AidU-4YF03Y
On Sun, May 15, 2016 at 3:18 PM, Ryan Michael
wrote:
> Hello I am trying to go for a classic
Hello I am trying to go for a classic textSpan look, by using essentially a
period '*.*' quite large and bold.
as the in lieu of the 'dashed-line, line style. Is there a way I can do
this?
Thank you!
Ryan.
--
ॐ नमः शिवाय
___
lilypond-user mailing
> On 15 May 2016, at 20:20, Carl-Henrik Buschmann wrote:
>
> Those lines at the end of the system should be perfect in line with the ends
> of the staff, should they not? I have not seen it in print before, have
> anybody else?
>
> PS.
> After that speech about not
Le vendredi 13 mai 2016, 23:01:12 Gianmaria Lari a écrit :
> Is there any tool to "unroll" the code. For instance, suppose you have
> something like this...
> music =
> {
> \repeat unfold 3 {\fragment.1}
> \repeat unfold 2 {\fragment.1 \fragment.2}
> }
It is note possible with \repeat
Use
Hello Carl, Am 15-May-2016 21:20:59 +0200 schrieb p...@nordisk-lyd.no: >Those
lines at the end of the system should be perfect in line with the ends of the
staff, should they not? it's a known issue that alignment of barlines can be
difficult in such cases. I think we have a tracker issue,
2016-05-15 21:20 GMT+02:00 Carl-Henrik Buschmann :
> Those lines at the end of the system should be perfect in line with the ends
> of the staff, should they not? I have not seen it in print before, have
> anybody else?
>
> PS.
> After that speech about not giving a compatible
Those lines at the end of the system should be perfect in line with the
ends of the staff, should they not? I have not seen it in print before,
have anybody else?
PS. After that speech about not giving a compatible example -which is not
at all relevant in regard to this question, it is a simple
That was my first thought too, but the OP wanted to have something like
\repeat unfold 3 { c d e f }
unfolded into
c d e f
c d e f
c d e f
and \displayLilyMusic doesn't do that. Instead it outputs
\repeat unfold 3 { c d e f }
Am 15/05/16 um 18:18 schrieb Paul:
On 05/15/2016 09:01 AM,
2016-05-15 19:53 GMT+02:00 Thomas Spuhler :
> http://lilypond.org/download/binaries/documentation/lilypond-2.19.41-1.documentation.tar.bz2
> returns a
> 404 Not found
> Is the link provided on the web site wrong?
>
> --
> Best regards
> Thomas Spuhler
I still have
http://lilypond.org/download/binaries/documentation/lilypond-2.19.41-1.documentation.tar.bz2
returns a
404 Not found
Is the link provided on the web site wrong?
--
Best regards
Thomas Spuhler
All of my e-mails have a valid digital signature
ID 60114E63
signature.asc
Description: This is a
2016-05-15 15:30 GMT+02:00 Carl-Henrik Buschmann :
> I’m trying to typeset a very simple piano and violin arrangement and while
> doing the piano part I wanted to have the violin staff «cue sized» as a
> reference to the pianist. I used \magnifyStaff and while it works
On 05/15/2016 09:01 AM, David Wright wrote:
On Sun 15 May 2016 at 13:07:31 (+0200), imj-muz...@bluewin.ch wrote:
Would such manipulations be easy in Scheme, using DisplayMusic to output the
result ?
Maybe \displayLilyMusic would be useful?
\version "2.18.2"
ab = { c d e f }
cd = { g a b c }
I’m trying to typeset a very simple piano and violin arrangement and while
doing the piano part I wanted to have the violin staff «cue sized» as a
reference to the pianist. I used \magnifyStaff and while it works wonders, it
gives me this at the end of each system:
On Sun 15 May 2016 at 13:07:31 (+0200), imj-muz...@bluewin.ch wrote:
> Would such manipulations be easy in Scheme, using DisplayMusic to output the
> result ?
It's still rolled up:
GNU LilyPond 2.19.36
Processing `rol.ly'
Parsing...
(make-music
'SequentialMusic
'elements
(list (make-music
Greetings All,
I am by no means offering up a solution to "unroll" code, but I
certainly was intrigued by the question, because, as a composer, I
have had instances where such an ability would have been immensely
useful. When I felt fluent enough in Lily to use variables (or, for
that matter,
Hello,
Would such manipulations be easy in Scheme, using DisplayMusic to output the
result ?
Jacques Menu, iPhone
> Le 14 mai 2016 à 23:54, Gianmaria Lari a écrit :
>
> Thank you to Robert Schmaus, Andrew Bernard, David Wright for the
> suggestions.
>
> I try to
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