Re: Parallel Square Premusic

On 3/22/17 5:39 PM, "have@anti.capital" wrote: >You want whitespace in your parallel squares? > >Don't you think that's akin to demanding a hexadecimal file include space >in between each digit? Wouldn't it be smarter to delegate the spacing >task to programs optimized for

RE: Re: Parallel Square Premusic

You want whitespace in your parallel squares? Don't you think that's akin to demanding a hexadecimal file include space in between each digit? Wouldn't it be smarter to delegate the spacing task to programs optimized for a square environment, as hex editors are optimized for a hexadecimal

Re: Parallel Square Premusic

On 3/22/17 10:57 AM, "have@anti.capital" wrote: >What's hard to follow? Please, critique my format verbosely. When you see > >[]rh --dadada||daaa||--dadada||daaa > >Are you unable to discern from the 'rh' or my instructions that this is >the rhythm line, or do you

Re: (fwd)

On 22 March 2017 at 21:02, Martin Tarenskeen wrote: > Great! Next possible improvement: support downloading the generated midi file > also. > Should be easy since there will an ID.pdf and ID.midi on the remote server > after the first step, if generated. You can already

Re: Fwd: Re: Parallel Square Premusic

On Wed 22 Mar 2017 at 10:57:27 (-0700), have@anti.capital wrote: > What's hard to follow? Please, critique my format verbosely. When you see > > []rh --dadada||daaa||--dadada||daaa > > Are you unable to discern from the 'rh' or my instructions that this is the > rhythm line, No, I

Re: Fwd: Re: Parallel Square Premusic

To bold clams clamming up! I really don't see the relevance to our concern here. Let us give him a rest or a few for good measure. regards, Shane On Wed, Mar 22, 2017 at 4:51 PM, Michael Gerdau wrote: > Hi Vac, list! > > What's hard to follow? Please, critique my format

Re: Fwd: Re: Parallel Square Premusic

Hi Vac, list! > What's hard to follow? Please, critique my format verbosely. When you see > > []rh --dadada||daaa||--dadada||daaa I immediately have several different ideas as to how that could mean something. Most of your examples I find difficult to understand, mostly because I have

Re: Fwd: Re: Parallel Square Premusic

Am 22.03.2017 um 18:57 schrieb have@anti.capital: If not, I'll continue to hold my throne as the creator of the perfect plaintext premusic until a worthy challenger approaches. Sorry if I gave you the impression I was leaving. You may certainly proclaim yourself king, but without anybody

Re: (fwd)

On Wed, 22 Mar 2017, Sven Axelsson wrote: separate calls, since when a file is processed at lilybin the result is stored there and it could be useful to download it again without having to process it anew. I see. That makes sense. Also, you can use lilybin -d remote-name.pdf

Re: (fwd)

On 22 March 2017 at 19:18, Martin Tarenskeen wrote: > Thanks! It seems to be working, but I am not sure if I'm understanding the > usage correctly. > It looks like I have to ru the script twice. > > lilybin example.ly > > returns a message in my terminal telling me what

Re: Fwd: Re: Parallel Square Premusic

writes: > Also, I'm flattered Malta was so intimidated by my format and bold > clams that he felt the need to censor the name of my format in his > subject line. Malta: 1 point. Let's call it quits before the bold mollusks are given their marching orders. -- David Kastrup

Re: Parallel Square Premusic

> > Date: Wed, 22 Mar 2017 10:57:27 -0700 > From: > To: "Ralph Palmer" > Cc: lilypond-user@gnu.org > Subject: RE: Fwd: Re: Parallel Square Premusic > Message-ID: > >

Re: How do you align a TextSpanner with a RehearsalMark?

Hi Kieren, It did work for this example, and although it required a little tweaking to be usable on the project I'm working with, you gave me the lead I needed to achieve the results. Thank you! I paste the snippet below for future reference if someone finds this thread and is dealing with a

RE: Fwd: Re: Parallel Square Premusic

What's hard to follow? Please, critique my format verbosely. When you see []rh --dadada||daaa||--dadada||daaa Are you unable to discern from the 'rh' or my instructions that this is the rhythm line, or do you not know how to read aloud "dadada daaa"? Or, having read it aloud,

Re: edition-engraver and polymetric music

Hi Jan-Peter, Thanks for getting back to me! > there is some code in the branch "listen-rehearsal-mark". I updated it to the > current state of master and you can add mods a moment after a RehearsalMark. Fabulous! Thanks. > IIRC you saw this some time ago and said that you'd prefer a distinct

Re: edition-engraver and polymetric music

Hi Kieren, I didn't do very much polymetric music, but there is some code in the branch "listen-rehearsal-mark". I updated it to the current state of master and you can add mods a moment after a RehearsalMark. IIRC you saw this some time ago and said that you'd prefer a distinct event for the

Re: How do you align a TextSpanner with a RehearsalMark?

Hi Stefano, What about \version "2.19.53" \layout { \context { \Score \override RehearsalMark.self-alignment-X = #LEFT \override TextSpanner.to-barline = ##t \override RehearsalMark.padding = #2 \override TextSpanner.staff-padding = #2 } } \score { \new Staff {

Re: How do you align a TextSpanner with a RehearsalMark?

Hi Andrew, Yes, like both texts were written above the same imaginary horizontal line, if that makes sense? In the same way that dynamics align with each other. 2017-03-22 0:34 GMT-03:00 Andrew Bernard : > Hi Stefano, > > When you say aligned, do you mean having the

Re: new to this list - converting from Noteworthy Composer

- Original Message - From: "Guido van Harten" To: Sent: Wednesday, March 22, 2017 8:52 AM Subject: new to this list - converting from Noteworthy Composer Hi, I think I am new to this list. A few years ago I tried Lilypond to create my

Re: Drawing a contour on a staff

Hi Kevin, Kevin Barry wrote > I am setting a large volume of examples by a now-deceased composer, > some of which use contours as an educational tool as suggested by caagr98, cluster can be extremely helpful and at the same time easy to use: %

Re: Drawing a contour on a staff

Am 22.03.2017 um 14:46 schrieb Kieren MacMillan: > Hi Kevin, > >> Does anybody know of an alternative way to do this? > I don’t… > > But this sure seems like something that could be Scheme-d, so that Liypond > sets out the music as if it were notated — and maybe even grayed out, like > the

Re: tweak the position of arpeggio

Am 22.03.2017 um 08:50 schrieb Jinsong Zhao: > In the following code, you may see the arpeggio is far away the notes. > My question is how to make it close to the notes? Thanks in advance. How about \once \override PianoStaff.Arpeggio.padding = -1 ?

Re: tweak the position of arpeggio

Hi Jinsong, First question: Is the arpeggio supposed to include the low g# octave? Thanks, Kieren. Kieren MacMillan, composer ‣ website: www.kierenmacmillan.info ‣ email: i...@kierenmacmillan.info ___ lilypond-user

The End. [Was: Parallel Square Premusic]

Am 22.03.2017 um 11:07 schrieb Urs Liska: > Indeed, I think those last remarks of the OP seem to be bringing this > discussion to an end. Otherwise we might end up engaging in something > like the infamous "maclaren" episode ... I think we can agree on this. One good thing happened in this

Re: Drawing a contour on a staff

You could try \makeClusters. They are a bit thicker than in the image, but they might be useful. (I have no idea what they are actually meant for, though.) On 03/22/17 13:18, Kevin Barry wrote: Hi All, I am setting a large volume of examples by a now-deceased composer, some of which use

Re: Drawing a contour on a staff

Hi Kevin, > Does anybody know of an alternative way to do this? I don’t… But this sure seems like something that could be Scheme-d, so that Liypond sets out the music as if it were notated — and maybe even grayed out, like the erased (?) part of your image — and then draws the noteheads as a

Re:new to this list - converting from Noteworthy Composer

I occasionally use NWC2 now (and have from their early early days to nwc2, a lot of my catalogue is at their scriptorum) and nwc2ly was never very useful. However (and just like NWC) using midi2ly will act/work just like taking a midi file and having NWC make notation WITH the same issues i.e.

Re: new to this list - converting from Noteworthy Composer

On 2017-03-22 11:14, lilypond-user-requ...@gnu.org wrote: Am 22.03.2017 um 09:52 schrieb Guido van Harten: Hi, I think I am new to this list. A few years ago I tried Lilypond to create my music files. It failed, but I do not remember why. As of today I will give it a new try. Now I am

Re: new to this list - converting from Noteworthy Composer

On 03/22/2017 11:08 AM, David Kastrup wrote: Guido van Harten writes: Hi, I think I am new to this list. A few years ago I tried Lilypond to create my music files. It failed, but I do not remember why. As of today I will give it a new try. Now I am starting of my

Re: tweak the position of arpeggio

HI JInsong, Try this: \once \override Score.Arpeggio.extra-offset = #'(1 . 0) 1\arpeggio Andrew ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Fwd: Re: Parallel Square Premusic

My apologies - Once again, I forgot to Reply-to-all. Ralph -- Forwarded message -- From: Ralph Palmer Date: Wed, Mar 22, 2017 at 7:34 AM Subject: Re: Re: Parallel Square Premusic To: have@anti.capital On Tue, Mar 21, 2017 at 9:10 PM,

Changing system-system-spacing for individual scores

Hi, I'm trying to typeset etudes with variations (alternative bowings, articulations etc. for the same music) at the bottom. The variations should be printed in small. Minimal example: music = \repeat unfold 32 { c'' d'' e'' f'' } % Default size \score { \music } % Small staves for variations

Re: install lilypond v2.19.57

On 2017-03-21 23:25, MING TSANG wrote: I download and install lilypond v2.19.57; but when I try to make lilypond version to use in Lilypound Preference of Frecobaldi v3.0.0 and I got the following error. Is any one download lilypond v2.19.57 have any problem? I am running with window 10

Re: (fwd)

On 22 March 2017 at 00:53, Martin Tarenskeen wrote: > > > On Tue, 21 Mar 2017, Sven Axelsson wrote: > >> Here's a simple solution in PHP to upload a Lilypond file to lilybin >> and download the result after execution. > > > I am getting this error message: > > PHP

Re: install lilypond v2.19.57

Hi Ming, this might be more of a Frescobaldi problem. Maybe you can try running Lily 2.19.57 from the commandline directly (the Usage Manual explains how to), to rule out that the problem is with Lily. If that works, I’d suggest contacting the Frescobaldi mailing list. Best, Simon Am

Re: new to this list - converting from Noteworthy Composer

Guido van Harten writes: > Hi, > > I think I am new to this list. A few years ago I tried Lilypond to > create my music files. It failed, but I do not remember why. > > As of today I will give it a new try. Now I am starting of my current > music notation software,

Re: Parallel Square Premusic

Am 22.03.2017 um 10:58 schrieb David Kastrup: > writes: > >> You're very wrong. I have considered all of those things. > [...] > >> The framework is solid, and like it or not, this will proceed to >> become the plaintext music format. > I don't see how "this will proceed to

Re: Parallel Square Premusic

Am 22.03.2017 um 02:10 schrieb have@anti.capital: like it or not, this will proceed to become /the/ plaintext music format. You should reconsider your marketing strategy if you so want to make that happen… ;-) Especially you’re unlikely to make friends in the LilyPond community. Best, Simon

Re: Parallel Square Premusic

writes: > You're very wrong. I have considered all of those things. [...] > The framework is solid, and like it or not, this will proceed to > become the plaintext music format. I don't see how "this will proceed to become the plaintext music format" when it is adopted by a

Re: new to this list - converting from Noteworthy Composer

Am 22.03.2017 um 09:52 schrieb Guido van Harten: > Hi, > > I think I am new to this list. A few years ago I tried Lilypond to > create my music files. It failed, but I do not remember why. > > As of today I will give it a new try. Now I am starting of my current > music notation software,

new to this list - converting from Noteworthy Composer

Hi, I think I am new to this list. A few years ago I tried Lilypond to create my music files. It failed, but I do not remember why. As of today I will give it a new try. Now I am starting of my current music notation software, Noteworthy Composer. I think the converting utility nwc2ly is not

tweak the position of arpeggio

Hi there, In the following code, you may see the arpeggio is far away the notes. My question is how to make it close to the notes? Thanks in advance. Best, Jinsong \version "2.19.56" %\pointAndClickOff RH = \relative c' { \clef "treble" \key g \major 2 |%m13 1

Re: Entering (lute) tablature

"Trevor Daniels" writes: > Also, David's method of entering bars of irregular length causes the > bar numbering to be incorrect, although the bar lines appear in the > correct positions. Yes, I think something like a scorewide \set Timing.measureLength = #100 is