Hi Michiel,
Use shorten-pait to taste.
%\once \override TupletBracket.positions = #'(3.1 . 3.4)
\once \override TupletBracket.shorten-pair = #'(0 . 0.5)
\tuplet 3/2 {
r32 \clef treble
\once \override Slur.positions = #'(-1 . 1)
Hi there,
I've got some code here: http://lilybin.com/i5sop1/1
I'm wondering if anyone knows of a way to get the second and third tuplet
brackets in LH to be a bit further apart? They're very close together, I'd
like to inject a tiny little space, but I haven't been able to figure out
how.
I
On Thu 13 Apr 2017 at 22:44:20 (+0200), Simon Albrecht wrote:
> Am 13.04.2017 um 19:25 schrieb Son_V:
> >Hi I would like to have apostrophes ( ' ) and commas ( " something " )
> those are called double-quotes in English
> > not
> >straight. please suggest me. Maybe I should change the fonts?
>
>
Hi,
> on Windows you can access a number of special characters by various Alt +
>
On MacOS X, it’s
“ = option+[
” = option+shift+[
‘ = option+]
’ = option+shift+]
> It’s great that you’re interested in using the typographical characters! They
> are so much more beautiful :-)
+1
Am 13.04.2017 um 19:25 schrieb Son_V:
Hi I would like to have apostrophes ( ' ) and commas ( " something " )
those are called double-quotes in English
not
straight. please suggest me. Maybe I should change the fonts?
This has nothing to do with fonts, as Joram already said. The question
Hi there,i don't understand why the note heads in the middle of this snippet
do not share the same place? I do not see the mistake. Can someone help
me?\version "2.19.33"upper = \relative c'' { \clef treble \time
4/4 << { a4 g8. [f16] } \\ { a16 [a, c
Thank you Thomas.Morley
So I have to copy this "source" ( in an include file .ily, for example ?
) in every source code , isn't it ?
__
Cordialement,
Ziad R. GHOLAM
Consultant Méthodes / Organisation / Qualité
+33.681.488.898
= = = = = = = = =
www.proactivis.com
I.T. Services /
Hi Ingo,
Inxman wrote
> i don't understand why the note heads in the middle of this snippet do not
> share the same place?
that's because the upper voice needs a dotted note head while the lower
doesn't.
You can force LilyPond to merge them anyway using \mergeDifferentlyDottedOn:
%
2017-04-13 19:52 GMT+02:00 Ziad Gholam :
> Hello,
>
>
>
> Could someone help with advice about :
>
> How to enlarge the size of accidentals in a figured bass ?
> ... Either leaving the size of the numbers unchanged or not ...
>
> (version used = 2.18.2)
>
>
> Thanks you &
> R
>
2017-04-13 19:57 GMT+02:00 Stan Mulder :
> I would seem that lilypond doesn't like minor sixth chords. All my guitar
> fretboards seem to be fine, but I get errors on all chords with a minor
> sixth. Here's some of the code:
>
> b-flat4 bf/f g4:dim/e e-flat:m6
>
> Here's
You got it. Thanks.
--
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Sent from the User mailing list archive at Nabble.com.
___
I would seem that lilypond doesn't like minor sixth chords. All my
guitar fretboards seem to be fine, but I get errors on all chords with a
minor sixth. Here's some of the code:
b-flat4 bf/f g4:dim/e e-flat:m6
Here's the corresponding error complaining about the "m6"
warning: No string for
Looked in Beyond Bars... maybe it's what is called "elition sign".
--
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Sent from the User mailing list archive at Nabble.com.
Hello,
Could someone help with advice about :
How to enlarge the size of accidentals in a figured bass ?
... Either leaving the size of the numbers unchanged or not ...
(version used = 2.18.2)
Thanks you &
R
egards,
Ziad R. GHOLAM
___
Hi,
> I would like it written as "de -- us_et" with the "horizontal comma”
It’s hard to decipher exactly what you mean… but try
us~et
Hope this helps,
Kieren.
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email: i...@kierenmacmillan.info
Hi and thanks... something like writing " -- us et" , that appears as. I
would like it written as "de -- us_et" with the "horizontal comma" I find
often wrote.
--
View this message in context:
Hi,
just use the proper Unicode characters: ‘…’ “…”
Or whatever style you want: „…“ ‚…‘ »…« ›…‹ «…» ‹…›
Cheers,
Joram
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Hi I would like to have apostrophes ( ' ) and commas ( " something " ) not
straight. please suggest me. Maybe I should change the fonts? Thanks...
--
View this message in context:
> On Apr 12, 2017, at 5:18 AM, lilypond-user-requ...@gnu.org wrote:
>
> Slurs within chords, within tuplets -- seem to be ignored
> (without warnings!)
> This tiny example compiles without warnings or errors, yet the Slurs in the
> first two measures seem to be ignored.
This is more a
On Tue, Apr 11, 2017 at 5:54 PM, Urs Liska wrote:
>
>
> Am 11.04.2017 um 21:04 schrieb tisimst:
>
>
>
> On Tue, Apr 11, 2017 at 1:00 PM, Urs Liska [via Lilypond] <[hidden email]>
> wrote:
>>
>>
>>
>> Am 11.04.2017 um 20:46 schrieb Malte Meyn:
>> >
>> > Am 11.04.2017 um 20:36
On Thu, 2017-04-13 at 09:19 -0400, Kieren MacMillan wrote:
> Hi David,
>
> >
> > At the moment I cannot really see how to deal with this sort of
> > problem, other than having completely separate input for the score
> > and
> > the part at these points, controlled by tags. But is there a
> >
Hi David,
> At the moment I cannot really see how to deal with this sort of
> problem, other than having completely separate input for the score and
> the part at these points, controlled by tags. But is there a better
> way - one which requires less duplication of material in the input?
>
>
I am intending to set a largish project, which is written for a small
orchestra, vocal soloist and narrator. The piece consists of a number
of short movements, and not all of the forces are required for every
movement. I have a pretty good idea of how I am going to manage the
input files for
Hi Kieran,
Send it to me.
Andrew
On 13 April 2017 at 20:53, Kieren MacMillan
wrote:
> Hi all,
>
> I’ve been trying to debug this myself, to no avail. Is there someone out
> there willing to have me send them (off-list) my entire \include tree, so
> that you
Hi Richard,
> could I have found it (without knowing its name)?
I doubt it. It’s in the music functions list, not connected [in any way I can
see] to VoltaBracket.
Cheers,
Kieren.
Kieren MacMillan, composer
‣ website: www.kierenmacmillan.info
‣ email:
On Thu, 2017-04-13 at 12:42 +0200, Thomas Morley wrote:
> 2017-04-13 12:13 GMT+02:00 Richard Shann :
> >
> > Is there a way of forcing a downward line at the end of a second time
> > bar marking - e.g in this
> >
> > \version "2.19.43"
> > { \repeat volta 2 {c c c c}
Hi all,
I’ve been trying to debug this myself, to no avail. Is there someone out there
willing to have me send them (off-list) my entire \include tree, so that you
can help me find the source of this compile problem?
Thanks,
Kieren.
Kieren MacMillan, composer
2017-04-13 12:13 GMT+02:00 Richard Shann :
>
> Is there a way of forcing a downward line at the end of a second time
> bar marking - e.g in this
>
> \version "2.19.43"
> { \repeat volta 2 {c c c c} \alternative { { c c c c} {c c c c} } \bar "||" c
> c c c
> }
>
>
> can
Am 13.04.2017 um 12:13 schrieb Richard Shann:
> can the second time bar be made to look like the first time bar, being
> "finished off" with a downward verstical stroke at the double barline?
This is done automagically for some bar types like "|." and ":|." but
not for "||". But I cannot find
Is there a way of forcing a downward line at the end of a second time
bar marking - e.g in this
\version "2.19.43"
{ \repeat volta 2 {c c c c} \alternative { { c c c c} {c c c c} } \bar "||" c c
c c
}
can the second time bar be made to look like the first time bar, being
"finished off" with a
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