Include file handling in lilypond-book

Hello, Putting together an exercise book using XeLaTeX and the lilypond environment. Everything works relatively well until I try to use an include file with variable definitions. MWE: % !TEX encoding = UTF-8 Unicode % !TEX TS-program = LilyPond-Book

Re: How to make this postscript spanner to work with L bound-details?

Hi Dimitris, 2017-07-10 23:50 GMT+02:00 dtsmarin : > vibratospanner.ly > Looks like you edited Marks file he posted here http://lists.gnu.org/archive/html/lilypond-user/2013-04/msg00793.html or is it a

Re: Fwd: re: removing staff and clef w/o removing bar lines and brackets

Am 11.07.2017 um 18:11 schrieb Reilly Farrell: Hi All, I'm creating some sight-singing examples for a class and would like to start with some examples with no staff,no clef,no key signature, though keeping bar lines and system brackets (for duet examples) (Solfege syllables are provided as

Fwd: re: removing staff and clef w/o removing bar lines and brackets

Hi All, I'm creating some sight-singing examples for a class and would like to start with some examples with no staff,no clef,no key signature, though keeping bar lines and system brackets (for duet examples) (Solfege syllables are provided as lyrics.) Currently I am doing something like

OLL/snippets renaming (Re: Broken (?) snippets in openlilylib/snippets)

Hi all, by now I've fixed a number of the below issues and created a few items on the issue tracker for the remaining ones. Right now I'm wrapping things up a little bit, and part of this is an urge to restructure the repository somewhat. In the beginning of the repository there was no proper

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

Hi Wol, > You keep on going on about "the moment" in the music, and I know what > you mean - you mean the point *on the paper* where the note is printed. According to 99% of Western musical notation, that's the point at which the note begins. > To me, "the moment" "obviously" :-) means the

Re: Place text next to rehearsal mark, or with left edge over barline if there is none

On 10/07/17 21:18, Kieren MacMillan wrote: >> a tempo mark always belongs *after* a rehearsal mark if they collide > In my opinion, a tempo mark belongs exactly over the moment it affects, and > all other marks need to move (horizontally, vertically, or both) around it. > It struck me, actually,