Re: Piano Left Hand Alone

Am 23.10.2017 um 06:11 schrieb Rohan Srinivasan: How would I go about engraving a piece for piano left hand solo? Hi Rohan, that’s a very unspecific question; what do you want to know? Piano for left hand solo isn’t very much different from piano for two hands. Some hints though: • If

Piano Left Hand Alone

How would I go about engraving a piece for piano left hand solo? Thanks, ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Markup + fermataMarkup over a note?

> I also looked for the \musicglyph identifier for a fermata, but this seems > not to be documented in the Notation Reference's page on the Feta font. > (Searching the page text for "fermata" failed.) To be more precise, I used Frescobaldi's doc browser search-in-page feature, and *this*

clef spacing problem with staff scaling

Dear all, I have a problem with spacing a small snippet of music. Of course I could manually add some extra space each time after the Clef, but I wonder if there is a better solution. In my opinion, this spacing behaviour should clearly adapt to the staff size... Cheers, musicus\version

Re: \StaffGroup \consists "Mark_engraver"

Thanks Thomas, I did read #2199. Thanks David for the quick followup as always. Joe, I'll try and test your patch. I do compile LilyPond about weekly directly from the git master branch but I'm no programmer (I've never patch-ed stuff) but I'm sure I'll figure it out. Thank you very much. --

Re: How make "piece" behave?

Bernhard Kleine writes: > I have Missa Brevis KV 259 and so far 6 input files where the header is > >> \header { >>   piece = "Sanctus" >> } >  the master file is \version "2.19.49" >> \language "deutsch" >>  #(set-global-staff-size 15) >> >> \header { >>   title =

How make "piece" behave?

I have Missa Brevis KV 259 and so far 6 input files where the header is > \header { >   piece = "Sanctus" > }  the master file is \version "2.19.49" > \language "deutsch" >  #(set-global-staff-size 15) > > \header { >   title = "Missa brevis in C" >   subtitle = "Orgelsolo-Messe" >   subsubtitle

Re: How to fix bad overlap between normalsize and smaller note sharp, flat, natural?

Ben wrote: > Which accidentals did you want to show, the larger one? > You could just do a few overrides I think, like this: > (see attached) > > Is this what you meant? Yes exactly as i was looking for, thank you so much Ben and have a nice day! Peter

Re: a possible enhancement

Hello Don, Can you supply an example showing how the output score should look? JM > Le 22 oct. 2017 à 09:35, Don Gingrich a écrit : > > I use Lilypond mostly for song sheets with a melody, > lyrics and guitar chords. On occasion I use Linux tools > to generate an

Re: Independent rhythmic spacing between staves?

On 22.10.2017 00:43, Saul Tobin wrote: In my current project, I have a situation where the piano has fast arpeggios at the same time as the strings play a steady, slower rhythm (see attached screenshot). My feeling is that the best looking solution would be to temporarily sacrifice rhythmic

Re: a possible enhancement

I'm sorry about the previous emails; I had a glitch with my outlook web interface. >Something that would be "nice" would be a way to >specify a guitar rhythm that would repeat the chords >as the midi/mp3 generates. > >OK, I can specify > >c4 c4 c4 | >f4 f4 g4:7 | >g4:7 c4 c4 | How about

Re: a possible enhancement

Don Gingrich writes: > > I use Lilypond mostly for song sheets with a melody,lyrics and guitar > chords. On occasion I use Linux toolsto generate an MP3 of the tune to > make it easier tolearn to sing a new tune. > Something that would be "nice" would be a way

a possible enhancement

I use Lilypond mostly for song sheets with a melody,lyrics and guitar chords. On occasion I use Linux toolsto generate an MP3 of the tune to make it easier tolearn to sing a new tune. Something that would be "nice" would be a way tospecify a guitar rhythm that would repeat the chordsas

Re: Independent rhythmic spacing between staves?

Hi Saul, For a bar or two here and there, maybe experiment with scaling durations: http://lilypond.org/doc/v2.18/Documentation/notation/writing-rhythms#scaling-durations Make the the first two quavers shorter and the next four longer. Work it out so it all adds up. Vaughan On 22 October 2017