Hello Joram,
Thanks for this example.
Going along you lines, the H and P can be centered between the two notes, see
below.
JM
—
\version "2.19.80"
music = \relative {
a2 c (^" P" b )( ^" H" c ) \glissando d1
}
<<
\new Staff \with { \omit TextScript } \music
\new TabStaff \with {
I have a few places that I want marked "subito piano"
at a 16th triplet to be immediately followed
by crescendo.
The standard way to do this:
-\markup{ \italic subito \dynamic p }
or even by abbreviating "subito" to "sub.":
-\markup{ \italic sub. \dynamic p }
takes up two much horizontal
Hello everybody,
just to let you know: After gathering from the recent thread that the
situation with frescobaldi dependencies and conflicting versions of python
would be easier to handle with Ubuntu 17, I tried getting it to work on a
pristine 17.10 live system - unsucessfully, with another
Hi Jacques,
judging from the other answers, I am used to a "semi-classical" notation:
* slurs in the normal staff as the manual says
* additional H and P in the tab notation
(and S for slide on glissandi, but I consider that as redundant)
Here is an example:
\version "2.19.65"
music =
5 string Banjo music quite often is notated and published as tab
exclusively. Slides (glissandos), hammer ons and pull offs are the rule
rather than exception in the folky Banjo stile.
In classical guitar as a rule the skilled player has to transform the
slur to a hammer or pull or a glissando.
Thanks bb and Bart!
JM
> Le 22 déc. 2017 à 15:31, bart deruyter a écrit :
>
> Hi,
>
> in my experience there seems to be a difference in notiation between
> classical music for gutiar and popular music. So far I have never seen H or P
> in scores for classical
Hi,
in my experience there seems to be a difference in notiation between
classical music for gutiar and popular music. So far I have never seen H or
P in scores for classical guitar, but sometimes in educational books.
On the other hand I have sometimes seen it in sheet music for popular
music,
My last mail did not answer your question completely. The answer is, you
have the choice.
Here an example if you prefer H and P without slurs
\version "2.19.2"
\new TabStaff <<
{
% \key g \major
\tabFullNotation
\stemDown
%\partial 4
g8^" H" a a^" P" [g]
}
>>
Am
Here an arbitrary example as I use it
\version "2.19.2"
test = {
{
8 g' %1. quarter note
\times 2/3{d,^" P " (c)^" H" (d)} %2. quarter note
g %3. quarter note
d^" P" (c) | %4. quarter note
g' %5. quarter note
\times 2/3{gis,^" H " (f)^" P" (g)} %6.
On 12/22/2017 9:23 AM, Mike Dean wrote:
Just needed to add the \once command (since I have other tremolos
--tremolii???-- that behave ok)
\version "2.19.80"
\language "english"
\new Staff {
Inline image 1
Mike Dean
Just needed to add the \once command (since I have other tremolos
--tremolii???-- that behave ok)
\version "2.19.80"
\language "english"
\new Staff {
\clef bass
\relative c
\repeat tremolo 8 {
*\once * \override Beam.positions = #'(0 . 1)
bf,16 b' }
[image: Inline image 1]
Hello folks,
The LPNR states that:
Hammer-on and pull-off can be obtained using slurs.
\new TabStaff {
\relative c' {
d4( e\2)
a( g)
}
}
Is that the regular way to write such fretted strings instruments music, or is
sometimes an H or P placed between the two notes, as Finales
more looking for slanted tremolo lines (like the 0.1 slant)
Mike Dean
On Fri, Dec 22, 2017 at 9:09 AM, Ben wrote:
> On 12/22/2017 8:24 AM, Mike Dean wrote:
>
> The tremolo construct
> \clef bass \repeat tremolo 8 { bf,16 bf' }
>
> produces the output:
>
> [image:
On 12/22/2017 8:24 AM, Mike Dean wrote:
The tremolo construct
\clef bass \repeat tremolo 8 { bf,16 bf' }
produces the output:
Inline image 1
is there a setting that can angle the tremolo so that the left end is
closer to the lower note?
Mike Dean
Mike,
Not sure it will look "perfect" or
Hi Mike,
Do you mean you want it on an angle or just shifted left?
Andrew
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The tremolo construct
\clef bass \repeat tremolo 8 { bf,16 bf' }
produces the output:
[image: Inline image 1]
is there a setting that can angle the tremolo so that the left end is
closer to the lower note?
Mike Dean
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