Re: getting paid for an include (I offer)

> sadly, you are right. I had a closer look at what I thought to be an > ''es'' but is a ''dis'', > > Nevertheless, in my idea it should be the user who would choose > alternatives (historical (only sharps and b), my-way (flats, sharps > and even double-falts and d-sharps), and alternative. ???

scheme function generating multiple score

Sorry to bother but I'm unable to get out from this problem. This code generate two scores: \version "2.19.80" \score { \transpose c d {c' d' e'} \layout{} } \score { \transpose c e {c' d' e'} \layout{} } I tried to write a scheme function doing something similar: \version "2.19.80"

Re: include puzzlement

Shane, Here is one possible way to approach this that I have used: Use a standard template file that contains the structure for \header,\score, etc. To create a score, use this sructural template in one file (say File1) and \include a second file (say File2) that contains *only* the "music"

include puzzlement

O.k. having gone in circles trying to figure out the whole bookpart apparatus I discovered that the documentations statement that using include is the same as copying and pasting the include into a document is false if the include consists of a complete lilypond file. Is there a way around that?

Re: getting paid for an include (I offer)

Dear Werner, sadly, you are right. I had a closer look at what I thought to be an ''es'' but is a ''dis'', Nevertheless, in my idea it should be the user who would choose alternatives (historical (only sharps and b), my-way (flats, sharps and even double-falts and d-sharps), and alternative. I

Re: Function to add articulation to all notes

I think this is as specific as I can make it: \addArticulation \staccato { a % a-. %% Plain notes should be articulated % -. %% Chords should be articulated once <> % <>%% Empty chords probably shouldn't be articulated \foo a % a

Re: Function to add articulation to all notes

Hi, On Thu, Dec 28, 2017 at 1:37 PM, Caagr98 wrote: > That function seems rather destructive: removes all properties on existing > articulations (including tweaks, direction, and midi stuff), and doesn't seem > to handle anything other than ArticulationEvents at all.

Re: Function to add articulation to all notes

That function seems rather destructive: removes all properties on existing articulations (including tweaks, direction, and midi stuff), and doesn't seem to handle anything other than ArticulationEvents at all. Dynamics, slurs, ties, etc are removed. Also, this version has no way to exclude a

Re: autoAccidentals usage

2017-12-28 19:30 GMT+01:00 Edward Neeman : > It works! And I have no idea why... > On Thu, Dec 28, 2017 at 12:53 PM, Thomas Morley >> { >> \accidentalStyle forget >> \override Accidental.after-line-breaking = #'() >> gis'~ gis'~ gis'~ gis' >> } Per default

Re: Function to add articulation to all notes

Hi David, Wonderful work, as always! >> it doesn't maintain direction of the specified articulations if they >> are already there, but I suppose something could be done about that. I think with that improvement, and maybe the addition of a parameter/option for whether or not to replace any

Re: Staff Group Bracket

thx Malte, works as wished. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Dynmaic size

thx Malte - perfect. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Function to add articulation to all notes

On Thu, Dec 28, 2017 at 12:25 PM, David Nalesnik wrote: > Hi Kieren, > > On Thu, Dec 28, 2017 at 11:29 AM, Kieren MacMillan > wrote: >> Hi David, >> This works, but I'm guessing there's a better way: >> >> This is nice! Any way that

Re: autoAccidentals usage

It works! And I have no idea why... Brilliant, thanks! Edward -- Dr. Edward Neeman Adjunct Instructor, South Georgia State College Collaborative Pianist, Valdosta State University, Georgia Artist Faculty, ELMS Conservatory, Jakarta edward.nee...@gmail.com www.neemanpianoduo.com On

Re: autoAccidentals usage

2017-12-28 14:11 GMT+01:00 Edward Neeman : > Hello, > > I would like to use the "forget" accidental style, but also force > accidentals to appear after every tie. > > It's a little ugly, but it's not my own score I'm typesetting! > > Is it possible, maybe by setting the

RE: Two short questions

Jérôme, For the use of C for 2/1 see https://www.mail-archive.com/lilypond-user@gnu.org/msg95169.html Mark -Original Message- From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of Jérôme Plût Sent: Thursday, December 28, 2017 7:04 AM To:

Re: Function to add articulation to all notes

Hi David, >> This works, but I'm guessing there's a better way: This is nice! Any way that it could take two (or more) articulations like \addArticulation \tenuto \staccato { c d c' } to avoid nesting or chaining like \addArticulation \tenuto \addArticulation \staccato { c d c' } which

Re: Function to add articulation to all notes

On Thu, Dec 28, 2017 at 11:11 AM, David Nalesnik wrote: > > This works, but I'm guessing there's a better way: > > \version "2.19.65" > > addArticulation = > #(define-music-function (event music) (ly:event? ly:music?) >(define (add mus) > (if (not (memq

Re: Function to add articulation to all notes

Hi, On Thu, Dec 28, 2017 at 10:23 AM, Caagr98 wrote: > Sometimes when having a long section of staccato, it's a bit tedious to add > -. to all notes, so then it's useful to have a function which automatically > adds an articulation to all notes. I have one such function

Function to add articulation to all notes

Sometimes when having a long section of staccato, it's a bit tedious to add -. to all notes, so then it's useful to have a function which automatically adds an articulation to all notes. I have one such function here: addArticulation = #(define-music-function (event music) (ly:event? ly:music?)

Re: Two short questions

Am 28.12.2017 um 17:11 schrieb Wols Lists: On 28/12/17 16:07, Malte Meyn wrote: Have a look at the PDF in the post linked above: The function can do both uppercase (AA) and mixedcase (Aa) (but not yet lowercase (aa)). Sorry, I did look, but obviously missed it ... :-( No problem ;)

Re: Two short questions

On 28/12/17 16:07, Malte Meyn wrote: > Have a look at the PDF in the post linked above: The function can do > both uppercase (AA) and mixedcase (Aa) (but not yet lowercase (aa)). Sorry, I did look, but obviously missed it ... :-( Cheers, Wol ___

Re: Two short questions

Am 28.12.2017 um 16:57 schrieb Wols Lists: My reaction would be to take your version, and rewrite all the others to call it. That way you don't break existing code, but you simplify lily itself in that there is just one function. That’s what I would do too. I just have to figure out, which

Re: Two short questions

On 28/12/17 15:37, Malte Meyn wrote: > > > Am 28.12.2017 um 16:34 schrieb Malte Meyn: >> >> >> Am 28.12.2017 um 16:03 schrieb Jérôme Plût: >>> 1. I am typesetting some music which is in 2/1, and mark using a cut >>> time signature. How is it possible with Lilypond to put a ℂ symbol for >>> a 2/1

Re: Two short questions

Am 28.12.2017 um 16:34 schrieb Malte Meyn: Am 28.12.2017 um 16:03 schrieb Jérôme Plût: 1. I am typesetting some music which is in 2/1, and mark using a cut time signature. How is it possible with Lilypond to put a ℂ symbol for a 2/1 time ? (see attachment, line 1)   \time 2/1   \set

Re: Two short questions

Am 28.12.2017 um 16:03 schrieb Jérôme Plût: 1. I am typesetting some music which is in 2/1, and mark using a cut time signature. How is it possible with Lilypond to put a ℂ symbol for a 2/1 time ? (see attachment, line 1) \time 2/1 \set Score.timeSignatureFraction = 2/2 2. In virtually

Re: Two short questions

On 28/12/17 15:03, Jérôme Plût wrote: > 2. In virtually all orchestra scores I play the alphabetic marks skip > the letter J. However format-mark-box-letters skips the letter I. So > at each rehearsal this confuses all my colleagues. Since they are > obviously slow to learn that I == J, does there

Two short questions

1. I am typesetting some music which is in 2/1, and mark using a cut time signature. How is it possible with Lilypond to put a ℂ symbol for a 2/1 time ? (see attachment, line 1) 2. In virtually all orchestra scores I play the alphabetic marks skip the letter J. However format-mark-box-letters

Re: TAB-problem

Thank you! My problem is solved! Regards Am 28.12.2017 um 16:02 schrieb bb: > OK. You sent two versions. I will check it. Thank you! > > Am 28.12.2017 um 16:00 schrieb bb: >> As there got lost my original mail, I have to add that I only want >> "cleftext" or "test" or whatever text defined in

Re: TAB-problem

OK. You sent two versions. I will check it. Thank you! Am 28.12.2017 um 16:00 schrieb bb: > As there got lost my original mail, I have to add that I only want > "cleftext" or "test" or whatever text defined in the code only once at > the beginning of every TAB line. NOT every time the clef

Re: TAB-problem

As there got lost my original mail, I have to add that I only want "cleftext" or "test" or whatever text defined in the code only once at the beginning of every TAB line. NOT every time the clef changes! Am 28.12.2017 um 15:54 schrieb bb: > Thank you for answering. Your code has exactly the

Re: TAB-problem

Am 28.12.2017 um 15:54 schrieb bb: Thank you for answering. Your code has exactly the problem I wanted to overcome. There is a "cleftext"  every time the clef changes! No it has not. Have a close look: I do \omit Clef \once \override Clef.stencil You do \override Clef.stencil That’s

Re: TAB-problem

Thank you for answering. Your code has exactly the problem I wanted to overcome. There is a "cleftext"  every time the clef changes! I minimized my example code due to your expectations. Regards begin ## \version "2.19.65"    D-Dorian =  \relative c {   \clef "bass_8"

Re: TAB-problem

Am 28.12.2017 um 15:22 schrieb Malte Meyn: Set the clef stencil to ##f (\omit is a shorthand for that) and only set the stencil for the first occurence. As I realised some seconds after sending the message, this isn’t enough if you want to have the clef at the beginning of each line. Then

Re: TAB-problem

Am 28.12.2017 um 14:21 schrieb bb: I attach an example code. (Sorry, my skills are just not developed enough to shorten the code essential.) Here is a much smaller example. It’s not minimal but near. How to build such an example? Well, just leave everything out that has nothing to do with

TAB-problem

A six string bass has a tonal range that overlaps in part with the guitar. Therefore it is convenient to write parts of a score in treble clef. While writing sheet music with tabs I get a problem with the notes for the strings of the TAB. I get it for every change of the clef again and I get  it

Re: (modified) Ben Johnston tuning system script

I've described my method of determining a note name (see attachment). Currently I'm reading the scheme git book (https://scheme-book.ursliska.de/) which is very helpful. Do I understand correctly that to determine the right note name with EH and Sagittal notation that a ratio is checked

autoAccidentals usage

Hello, I would like to use the "forget" accidental style, but also force accidentals to appear after every tie. It's a little ugly, but it's not my own score I'm typesetting! Is it possible, maybe by setting the autoAccidentals property? %%% \version "2.19.80" { \accidentalStyle forget