note duration without note name

I would expect the two scores generated by the following code were the same. \version "2.19.81" {a8 8} {a 8} Why lilypond treats them differently? Thank you, g. ___ lilypond-user mailing list lilypond-user@gnu.org

variable and tie

I would like to tie the last note contained in a variable like this \version "2.19.81" var = {a b a} {\var ~ a} but this generates an error. This is just a simple example, the reason why I would like to do this is because the variable in the real piece is used many times without the tie except

Re: beaming in tuplets

Thank you all :-) 2018-04-12 22:48 GMT+02:00 Urs Liska : > > > Am 12.04.2018 um 20:45 schrieb Mark Stephen Mrotek: > > Marco, > > > > Got the 3’s on each group – see attached. > > > > > Rather than manually counting beamlets you can set beam subdivisions: > > \set

Re: \include command and local network folders

Il giorno gio 12 apr 2018 alle 22:42, foxfanfare ha scritto: SoundsFromSound wrote Yes, you're correct. It's a valid shared path (don't worry about the Samba share stuff). When I map drives for sharing like this, I have success using the computer name vs. the IP,

Re: \include command and local network folders

On Thu 12 Apr 2018 at 14:17:08 (-0700), foxfanfare wrote: > David Wright wrote > > Then I think that's the filename you need to use. I assume > > "Starting lilypond-windows…" means you're running on a windows box. > > Oh I see what you mean. But no! Frescobaldi starts compiling with this >

Re: attaching markup to time signature

Hi Werner (and David), > Well, this is cheating, isn't it? I prefer “creative”. ;) Cheers, Kieren. Kieren MacMillan, composer ‣ website: www.kierenmacmillan.info ‣ email: i...@kierenmacmillan.info ___ lilypond-user

Re: attaching markup to time signature

>>> This is the solution I will use, since David's solution doesn't >>> really work for me: As the attached image for this snippet shows, >>> the staff line gets enlarged horizontally to the left. Using the >>> baloon stuff, the text properly sticks out. >> >> What about >> >> \new Staff >> {

Re: \include command and local network folders

David Wright wrote > Then I think that's the filename you need to use. I assume > "Starting lilypond-windows…" means you're running on a windows box. Oh I see what you mean. But no! Frescobaldi starts compiling with this Starting lilypond-windows.exe ... but I'm running on Windows 10...

Re: \include command and local network folders

On Thu 12 Apr 2018 at 12:13:21 (-0700), foxfanfare wrote: > David Wright wrote > > I see no filenames. I only see //192.168.1.13/Public/test.ly which > > looks like an incomplete URL, but lacking its protocol (like HTTP:). > > I can only assume when you mapped the files to a drive letter, > > you

Re: beaming in tuplets

Am 12.04.2018 um 20:45 schrieb Mark Stephen Mrotek: Marco, Got the 3’s on each group – see attached. Rather than manually counting beamlets you can set beam subdivisions:   \set subdivideBeams = ##t   \set baseMoment = #(ly:make-moment 1 8) and remove the manual beams. Additionally

Re: \include command and local network folders

SoundsFromSound wrote > Yes, you're correct. It's a valid shared path (don't worry about the > Samba share stuff). > > When I map drives for sharing like this, I have success using the > computer name vs. the IP, for what it's worth - even though both > *should* work for all applications... >

Re: Override music fonts for specific glyphs

Noeck wrote > Hi, > > I also asked that some time ago. I can’t find the thread (I am > notoriously bad at finding anything on the list archive). > I use it for the clef. > > This should work: Oh thanks! I also searched the forum about this subject and yet cannot succeed to find this thread! I

Re: attaching markup to time signature

Kieren MacMillan writes: > Hi Werner, > >> This is the solution I will use, since David's solution doesn't really >> work for me: As the attached image for this snippet shows, >> the staff line gets enlarged horizontally to the left. Using the >> baloon stuff, the

Re: attaching markup to time signature

Hi Werner, > This is the solution I will use, since David's solution doesn't really > work for me: As the attached image for this snippet shows, > the staff line gets enlarged horizontally to the left. Using the > baloon stuff, the text properly sticks out. What about \new Staff { \tweak

Re: attaching markup to time signature

David, Kieren, thanks a lot for your snippets! For didactical purposes I need centered, explanatory text over a time signature. > Here's a snippet showing how balloon text might be used. This is the solution I will use, since David's solution doesn't really work for me: As the attached image

Re: \include command and local network folders

On 4/12/2018 3:13 PM, foxfanfare wrote: David Wright wrote I see no filenames. I only see //192.168.1.13/Public/test.ly which looks like an incomplete URL, but lacking its protocol (like HTTP:). I can only assume when you mapped the files to a drive letter, you got the syntax correct. Would

Re: Override music fonts for specific glyphs

2018-04-12 21:23 GMT+02:00 Noeck : > Hi, > > I also asked that some time ago. I can’t find the thread (I am > notoriously bad at finding anything on the list archive). > I use it for the clef. Probably:

Re: Override music fonts for specific glyphs

Hi, I also asked that some time ago. I can’t find the thread (I am notoriously bad at finding anything on the list archive). I use it for the clef. This should work: \paper { #(add-music-fonts fonts 'myfont "gonville" "emmentaler" feta-design-size-mapping (/ staff-height pt 20)) % the

Re: \include command and local network folders

David Wright wrote > I see no filenames. I only see //192.168.1.13/Public/test.ly which > looks like an incomplete URL, but lacking its protocol (like HTTP:). > I can only assume when you mapped the files to a drive letter, > you got the syntax correct. Would this reference help? > >

beaming in tuplets

Marco, Got the 3's on each group - see attached. Mark \version "2.19.80" \relative c { \clef bass \time 4/4 \key bes \major r8 \tuplet 3/2 8 {f16 \upbow -\markup { \line {\concat { \dynamic p } \italic { accel. e cresc. }}} f f ges16 ges16

RE: Tremolo repeats and groups of notes

Noeck In the model presented each group of three 16ths had its own 3. I see the "4" in your code for the tuplets. >From that I can change my solution (see attached.) Mark -Original Message- From: lilypond-user [mailto:lilypond-user-bounces+carsonmark=ca.rr@gnu.org] On Behalf Of

Re: Tremolo repeats and groups of notes

Am 12.04.2018 um 19:25 schrieb Mark Stephen Mrotek: > Do not know how to give each tuplet is own 3. Was that a question? \tuplet 3/2 4 { a8 b c a b c a b c a b c } Cheers, Joram ___ lilypond-user mailing list lilypond-user@gnu.org

Re: \include command and local network folders

On Thu 12 Apr 2018 at 09:32:40 (-0700), foxfanfare wrote: > Giampaolo Orrigo wrote > > I had success in doing it, but instead of using IP addresses I mapped the > > remote drive to a logical drive. Maybe you want to try that. > > > > Giampaolo Orrigo, MBA > > It worked! Thank you very much

Override music fonts for specific glyphs

Hi everyone, I can't figure out very clearly how music fonts work in LilyPond. I installed properly several fonts which I can use easily with the command: \paper { #(define fonts (set-global-fonts … )) That's fine, but is it possible then to change the font for a specific glyph?

Re: Merging half-note chord into a quarter-note chord

I wasn't going to go into the gory details! Looking at the different editions on IMSPL is an interesting exercise, both on "first" editions but also into 19th century editorial practices. And that's just on the LH part in one bar! Peter - Thursday, April 12, 2018,

Re: Transposing figured bass

Tertio Idus Apriles MMXVIII scripsit Jérôme Plût : > So before I waste too much time on this: given the number of geniuses > on this mailing-list, certainly one of you already did write the > relevant Scheme code, am I right? Given the lack of answer, I did write some Scheme code, which you will

Re: \include command and local network folders

SoundsFromSound wrote > On 4/12/2018 11:54 AM, foxfanfare wrote: > So I am very sorry for the delay. I've recorded over 20 new > videos but am still editing many of them. I hope that my tutorials can > continue to help others discover the amazing capabilities (and > community) of LilyPond - so

Re: Tremolo repeats and groups of notes

On 12.04.2018 11:24, Marco Bagolin wrote: But final output is not the same of the image. Often what LilyPond does is better than what other computer-engraved editions (even by major publishers) do. Best, Simon ___ lilypond-user mailing list

Re: Merging half-note chord into a quarter-note chord

On 12.04.2018 16:09, ptoye wrote: the different editions can be a nightmare. It's interesting that yours and mine both claim to be "first". One of the reasons textual critique is so complicated in Chopin is that generally two or three first editions were issued at roughly the same time: one

Re: \include command and local network folders

On 4/12/2018 12:32 PM, foxfanfare wrote: Giampaolo Orrigo wrote I had success in doing it, but instead of using IP addresses I mapped the remote drive to a logical drive. Maybe you want to try that. Giampaolo Orrigo, MBA It worked! Thank you very much Giampaolo, problem solved! :) I don't

Re: \include command and local network folders

Giampaolo Orrigo wrote > I had success in doing it, but instead of using IP addresses I mapped the > remote drive to a logical drive. Maybe you want to try that. > > Giampaolo Orrigo, MBA It worked! Thank you very much Giampaolo, problem solved! :) I don't know if this "bug" come from

Re: \include command and local network folders

On 4/12/2018 11:54 AM, foxfanfare wrote: Thanks for your answers. In fact, I just found the problem isn't due to the \include command but more in the original "ly" file that doesn't work (apparently) when it is placed on my NAS! ... even if the directory of the NAS is added in Frescobaldi.

Re: \include command and local network folders

I had success in doing it, but instead of using IP addresses I mapped the remote drive to a logical drive. Maybe you want to try that. Giampaolo Orrigo, MBA > On Apr 12, 2018, at 11:54, foxfanfare wrote: > > Thanks for your answers. > > In fact, I just found the problem

Re: \include command and local network folders

Thanks for your answers. In fact, I just found the problem isn't due to the \include command but more in the original "ly" file that doesn't work (apparently) when it is placed on my NAS! ... even if the directory of the NAS is added in Frescobaldi. For exemple: 1. I generate in Frescobaldi a

Re: attaching markup to time signature

Hi David, > Huh. It's in the context of > > \new Voice \with { ... } > { > ... > } > > I don't think we have examples along the lines > > \new Score \with { ... } > { > ... > } > > but if that's where the ad-hoc engraver is best placed, maybe we should? Another alternative would be to

Re: attaching markup to time signature

Kieren MacMillan writes: > Hi David, > >> Time signatures are engraved at Staff context. I'd likely suggest to >> put Balloon_engraver at Score level anyway: no point in having more than >> one of them active, is there? > > I was thinking that myself… but the docs

Re: attaching markup to time signature

On 4/12/2018 10:35 AM, David Kastrup wrote: Ben writes: On 4/12/2018 8:26 AM, David Kastrup wrote: Werner LEMBERG writes: Folks, is it possible to attach a markup to a time signature? But can't you achieve your goal with the various

Re: attaching markup to time signature

Hi all, Here's a snippet showing how balloon text might be used. Hope it helps! Kieren. %%% SNIPPET BEGINS \version "2.19.80" \layout { \context { \Score \consists "Balloon_engraver" \override BalloonTextItem.annotation-balloon = ##f \override BalloonTextItem.annotation-line

Re: attaching markup to time signature

Hi David, > Time signatures are engraved at Staff context. I'd likely suggest to > put Balloon_engraver at Score level anyway: no point in having more than > one of them active, is there? I was thinking that myself… but the docs explicitly add it at the Voice level (cf.

Re: attaching markup to time signature

Ben writes: > On 4/12/2018 8:26 AM, David Kastrup wrote: >> Werner LEMBERG writes: >> >>> Folks, >>> >>> >>> is it possible to attach a markup to a time signature? >> >> >> But can't you achieve your goal with the various footnote/balloon >> mechanisms?

Re: attaching markup to time signature

Kieren MacMillan writes: > Hi David, > >> can't you achieve your goal with the various footnote/balloon mechanisms? > > I just tried to — in order to give the OP an example — but my attempt didn’t > work: > > %%% SNIPPET BEGINS > \version "2.19.80" > > \layout {

Re: attaching markup to time signature

On 4/12/2018 8:26 AM, David Kastrup wrote: Werner LEMBERG writes: Folks, is it possible to attach a markup to a time signature? But can't you achieve your goal with the various footnote/balloon mechanisms? Just a quick question, David why does your code seem to not

Re: attaching markup to time signature

Hi David, > can't you achieve your goal with the various footnote/balloon mechanisms? I just tried to — in order to give the OP an example — but my attempt didn’t work: %%% SNIPPET BEGINS \version "2.19.80" \layout { \context { \Voice \consists "Balloon_engraver" } } stuff = {

Re: Merging half-note chord into a quarter-note chord

Hi Knute, Ah well, another variant! I'm not a Chopin scholar but the different editions can be a nightmare. It's interesting that yours and mine both claim to be "first". Good luck in sorting them out. But my comment to Andrew still holds - use the pedal to hold onto the low C for the first

Re: Tremolo repeats and groups of notes

Ty Meyn, I solved the second question using your proposal of code. I did not solved the first question. Here following my working example: \version "2.18.2" \relative c' { \time 4/4 \key bes \major \tuplet 3/2 { d8:16 -\markup { \tiny \italic { rep. notes opt. }} \f f8:16 bes8:16 } d4

Re: Tremolo repeats and groups of notes

I am trying, but I don't find the correct sintax... Il giorno gio 12 apr 2018 alle 14:56 Malte Meyn ha scritto: > > > Am 12.04.2018 um 11:24 schrieb Marco Bagolin: > > I solved the second question using your proposal of code. > > > > I did not solved the first question.

Re: \include command and local network folders

Try putting the style sheets files into a separate folder, e.g. C:\Users\RMY~1\LilyPond\StyleSheets Then put that path into Frescobaldi's Include window. Edit -> Preferences -> LilyPond Preferences --- Knute Snortum (via Gmail) On Thu, Apr 12, 2018 at 6:10 AM, foxfanfare

Re: \include command and local network folders

On 4/12/2018 9:10 AM, foxfanfare wrote: Hi everyone, I want to use the /include command to separate my style sheet, as suggested by some of you. I made two files : "test.ly" which contains the music, and "configuration.ily" for my house-style. The files are in the same folder and I can get it

Re: Tremolo repeats and groups of notes

Am 12.04.2018 um 15:11 schrieb Marco Bagolin: I am trying, but I don't find the correct sintax... Just add the \override command somewhere at the start of music. \version "2.18.2" \relative c' { \override StemTremolo.slope = 0.5 \time 4/4 \key bes \major \tuplet 3/2 { d8:16

Re: \include command and local network folders

Am 12.04.2018 um 15:10 schrieb foxfanfare: That's odd, I don't understand why but however Lilypond seems to find my file! : That’s not LilyPond but Frescobaldi finding the file …

Re: First steps in Lilypond

Sorry. Here it is: http://lilypond.1069038.n5.nabble.com/include-command-and-local-network-folders-td211666.html Thx -- Sent from: http://lilypond.1069038.n5.nabble.com/User-f3.html

\include command and local network folders

Hi everyone, I want to use the /include command to separate my style sheet, as suggested by some of you. I made two files : "test.ly" which contains the music, and "configuration.ily" for my house-style. The files are in the same folder and I can get it easily to work on my local computer drive.

Re: tag and default

On 12 April 2018 at 14:16, David Kastrup wrote: > Gianmaria Lari writes: > > > On 12 April 2018 at 11:42, David Kastrup wrote: > >> > >> What are you trying to do? Basically you are asking whether you can > >> make LilyPond do something

Re: Download for 2.19.81

Am 12.04.2018 um 13:59 schrieb Andrew Bernard: Why is 2.19.81 not in: http://download.linuxaudio.org/lilypond/binaries/linux-64/ Highest rev is 2.19.80. 81 seems to come and go. Andrew That’s a known problem, have a look at http://lilypond.org/downloads/binaries/linux-64/ instead.

Re: Tremolo repeats and groups of notes

Am 12.04.2018 um 11:24 schrieb Marco Bagolin: I solved the second question using your proposal of code. I did not solved the first question. Have you tried overriding the slope? And have you read my recommendation? Probably it would be possible to bring the StemTremolos nearer to the note

Re: Merging half-note chord into a quarter-note chord

I'm using CFEO (Chopin's First Editions Online) http://www.chopinonline.ac.uk/cfeo/browse/pageview/73671/ This matches (nearly) my Schirmer's Edition. --- Knute Snortum (via Gmail) On Thu, Apr 12, 2018 at 5:02 AM, ptoye wrote: > Hi Andrew, > > I don't think it's odd

Re: attaching markup to time signature

Werner LEMBERG writes: > Folks, > > > is it possible to attach a markup to a time signature? \new Staff { \tweak stencil #(grob-transformer 'stencil (lambda (grob default) (grob-interpret-markup grob #{ \markup \column { \stencil #default \vspace #-2 \small

Re: Merging half-note chord into a quarter-note chord

It sure does, Kieren. Thanks a lot. One more tool in my toolbelt. --- Knute Snortum (via Gmail) On Thu, Apr 12, 2018 at 4:24 AM, Kieren MacMillan < kieren_macmil...@sympatico.ca> wrote: > Hi Knute, > > > I would love some help with a problem I'm having getting a chord to have > two

Re: tag and default

Gianmaria Lari writes: > On 12 April 2018 at 11:42, David Kastrup wrote: >> >> What are you trying to do? Basically you are asking whether you can >> make LilyPond do something different without telling it to make >> something different. >> >> You will

Re: Merging half-note chord into a quarter-note chord

Hi Andrew, I don't think it's odd notation as the G and B flat would be held by the fingers while the C and F are lost by the pedal change after the first crotchet. The A is a quaver to get your hand out of the way of the right hand figurations. But I'm not sure that this is what Chopin

Download for 2.19.81

Why is 2.19.81 not in: http://download.linuxaudio.org/lilypond/binaries/linux-64/ Highest rev is 2.19.80. 81 seems to come and go. Andrew ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: First steps in Lilypond

On 12.04.2018 11:13, foxfanfare wrote: I have a new question. Then please start a new thread with appropriate subject line. Best, Simon ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Merging half-note chord into a quarter-note chord

Ah, Chopin. I still think it is odd notation. Isn't it? Andrew On 12 April 2018 at 21:24, Kieren MacMillan wrote: > > > > > ___ lilypond-user mailing list lilypond-user@gnu.org

Re: Merging half-note chord into a quarter-note chord

Hi Knute, Odd music. Looks like the pedal is held down, which means the crotchets are going to sound as long as the minims, unless I am missing something. What is the work in question? Do you need to preserve this odd notation? Andrew On 12 April 2018 at 21:17, Knute Snortum

Re: Merging half-note chord into a quarter-note chord

Hi Knute, > I would love some help with a problem I'm having getting a chord to have two > quarter-notes and two half-notes. Here is how the measure should look. > > \version "2.19.80" \language "english" { \clef treble \key f \major \stemDown

Re: tag and default

On 12 April 2018 at 11:42, David Kastrup wrote: > Gianmaria Lari writes: > > > This code ... > > > > \version "2.19.81" > > var = { > > \tag #'mya {a} > > \tag #'myb {b} > > } > > > > { \keepWithTag #'mya \var } > > { \keepWithTag #'myb \var } > > {

attaching markup to time signature

Folks, is it possible to attach a markup to a time signature? Werner ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: tag and default

Gianmaria Lari writes: > This code ... > > \version "2.19.81" > var = { > \tag #'mya {a} > \tag #'myb {b} > } > > { \keepWithTag #'mya \var } > { \keepWithTag #'myb \var } > { \var} > > creates three scores: > > 1) a > 2) b > 3) a b > > In the third case, where no

tag and default

This code ... \version "2.19.81" var = { \tag #'mya {a} \tag #'myb {b} } { \keepWithTag #'mya \var } { \keepWithTag #'myb \var } { \var} creates three scores: 1) a 2) b 3) a b In the third case, where no \keepWithTag is specified, lilypond returns all elements (a and b). Is there any way

Re: Re: Scordatura question

On 2018-04-11 23:17, Jacques Menu Muzhic wrote: Hello all, Thanks for the pointers and explanations. I thought there might be a specific way to indicate a scordatura, and it turns out there are many possible ways, including providing a second scores with the actual pitches or a staff

Re: Tremolo repeats and groups of notes

Am 12.04.2018 um 07:13 schrieb Marco Bagolin: Hi all, please someone can help me? Hi Mark, please always give minimal *working* examples. Your code doesn’t compile. Also it would be better to write simple text emails instead of HTML, because then it’s easier to copy the code and have it

Re: Tremolo repeats and groups of notes

Hello Marco, None of your examples compile with 2.19.80, which complains about spurious expression in \score messages. How did you copy/paste the code into your post? You can also attach the files to the message. JM > Le 12 avr. 2018 à 07:13, Marco Bagolin a écrit :