On 8/31/2018 6:11 PM, H. S. Teoh wrote:
On Fri, Aug 31, 2018 at 02:19:26PM -0400, Bret Whissel wrote:
I'm having a collision problem between staves of a PianoStaff. A
PhrasingSlur in the first voice (stems up) of the lower bass-clef
staff slightly overlaps the eighth-note beams of the upper
On Fri, Aug 31, 2018 at 02:19:26PM -0400, Bret Whissel wrote:
> I'm having a collision problem between staves of a PianoStaff. A
> PhrasingSlur in the first voice (stems up) of the lower bass-clef
> staff slightly overlaps the eighth-note beams of the upper treble-clef
> 2nd voice (stems down).
>
I'm having a collision problem between staves of a PianoStaff. A
PhrasingSlur in the first voice (stems up) of the lower bass-clef staff
slightly overlaps the eighth-note beams of the upper treble-clef 2nd
voice (stems down).
Is there a way to adjust the staff-staff-spacing of just this one
Rachel Knight writes:
> Below is my score for a piece for a primer method. When the staff is showing,
> all the markups are in the right position, but as soon as I hide the staff
> lines, the last “R.H.” moves below the notes instead of above them, as I have
> specified. How do I fix this?
>
Rachel Knight wrote
> Below is my score for a piece for a primer method. When the staff is
> showing, all the markups are in the right position, but as soon as I hide
> the staff lines, the last “R.H.” moves below the notes instead of above
> them, as I have specified. How do I fix this?
Yes, and
Below is my score for a piece for a primer method. When the staff is showing,
all the markups are in the right position, but as soon as I hide the staff
lines, the last “R.H.” moves below the notes instead of above them, as I have
specified. How do I fix this?
Thanks,
Rachel
<<
\new Staff
Am 31. August 2018 15:07:17 MESZ schrieb Malte Meyn :
>Hi list,
>
>is there any barline support in the lilyglyphs package that I don’t
>know
>of? For now I use 턇\kern-2.8pt턆 (using glyphs from the Vollkorn font)
>
>for a double repeat because Unicode doesn’t include a double repeat but
>
Sorry for that, I accidentally used the wrong mail address and didn’t
expect that this mail would come to the list 33 minutes later ;)
Am 31.08.18 um 14:38 schrieb Malte Meyn:
Hi list,
is there any barline support in the lilyglyphs package that I don’t know
of? For now I use 턇\kern-2.8pt턆
Hi list,
is there any barline support in the lilyglyphs package that I don’t know
of? For now I use 턇\kern-2.8pt턆 (using glyphs from the Vollkorn font)
for a double repeat because Unicode doesn’t include a double repeat but
that’s not optimal.
Cheers,
Malte
Hi list,
is there any barline support in the lilyglyphs package that I don’t know
of? For now I use 턇\kern-2.8pt턆 (using glyphs from the Vollkorn font)
for a double repeat because Unicode doesn’t include a double repeat but
that’s not optimal.
Cheers,
Malte
Rachel Knight wrote
> I’m having trouble having these two chords line up correctly. Whenever I
> change the stem direction of the top voice (either with /voiceOne or
> /stemUp), it shifts the notes to the right and is no longer in alignment
> with the notes in my second voice.
Hi Rachel,
First
Hi,
I’m having trouble having these two chords line up correctly. Whenever I change
the stem direction of the top voice (either with /voiceOne or /stemUp), it
shifts the notes to the right and is no longer in alignment with the notes in
my second voice.
Rachel
<<
\new Voice {
\relative
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