HI Chris,
That makes sense. I also like to preserve the composer's own notation where
possible. And as said, it's not actually wrong! Good old Sousa!
Andrew
On Mon, 4 Feb 2019 at 16:43, Christopher R. Maden wrote:
>
> I’m transcribing Sousa’s “A Typical Tune of Zanzibar,”[*] and I’m trying
>
On 2/4/19 12:36 AM, Andrew Bernard wrote:
This comes up reasonably often. May I ask why you don't simply start
the piece with the treble clef? If you immediately change to treble,
what is the point of having the bass clef at this point? It's a
musical decision up to you, but it always strikes me
I am doing a long string quartet. The full score sits nicely in the middle
of an A4 landscape page with a generous top margin. But there's a solo
viola part that's very dense and the staves fill out the whole page very
tightly right to the bottom, and it looks clumsy because there is lots of
space
Hi Christopher,
This comes up reasonably often. May I ask why you don't simply start the
piece with the treble clef? If you immediately change to treble, what is
the point of having the bass clef at this point? It's a musical decision up
to you, but it always strikes me as a bit unnecessary. Any
On 2/3/19 9:43 PM, Aaron Hill wrote:
Does \cueClef help?
It does... though then when I \clef bass back again it’s ignored. I can
use \cueClefUnset...
Thanks, this is a great workaround. I suspect there is a better (more
properly LilyPondish) answer, but this is more than adequate for
On 2019-02-03 6:43 pm, Aaron Hill wrote:
On 2019-02-03 6:33 pm, Christopher R. Maden wrote:
This is probably a FAQ, but I can’t find the right combination of
search terms to tease it from the ether...
I want a piano staff, with the left hand to start with bass clef, but
then immediately switch
On 2019-02-03 6:33 pm, Christopher R. Maden wrote:
This is probably a FAQ, but I can’t find the right combination of
search terms to tease it from the ether...
I want a piano staff, with the left hand to start with bass clef, but
then immediately switch to treble clef after the time signature.
This is probably a FAQ, but I can’t find the right combination of search
terms to tease it from the ether...
I want a piano staff, with the left hand to start with bass clef, but
then immediately switch to treble clef after the time signature.
Mnon-WE is attached. Probably this involves
Would you post an example that compiles successfully ?
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Hi David,
Thanks very much for this. In this case, I was simply over-tired!
All the best!
Andrew
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Hi all,
Frescobaldi wants to apply again as a Google Summer of Code mentoring
organization this year. In order to submit a promising application we need to
have a number of potential project mentors, so I want to ask on this list for
people who can imagine volunteering for this rewarding
Hi David,
Am Sa., 2. Feb. 2019 um 21:35 Uhr schrieb David Nalesnik
:
>
> Hi,
>
> On Sat, Feb 2, 2019 at 2:13 PM Thomas Morley wrote:
> >
> > Am Sa., 2. Feb. 2019 um 21:09 Uhr schrieb Thomas Morley
> > :
> >
> > > A bold workaround is to define the whole infrastructure for
> > > TextSpanners with
Am Sa., 2. Feb. 2019 um 20:45 Uhr schrieb Thomas Morley
:
> Am Sa., 2. Feb. 2019 um 14:21 Uhr schrieb Aaron Hill
> :
> > Alternately, the \defineBarLine function could be split:
> >
> > \defineBarLine "bar" #'("end" "begin" "span")
> > % becomes
> > \setBarLineSpanning "bar"
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Hi David,
Am So den 3. Feb 2019 um 17:18 schrieb David Kastrup:
> Did you read the error messages?
It made no sense for me, but read below.
> I mean, it's not like the above is
> compilable code either way (\global is not defined anywhere and
Klaus Ethgen writes:
> Hi Folks,
>
> I have one music where the "lines" (Sorry, I am not exactly sure about
> the english name of it) on a note are pointing both down even if they
> are marked with different voices:
>classicalGuitar = \relative c
>{
> \global
> \easyHeadsOn
>
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Sorry, did cut too much... Here is the right part:
classicalGuitar = \relative c
{
\global
\easyHeadsOn
c4 d8 e g g | a4 g8 f e4 | d e f | g2 r4 | \break
a4 a8 g f4 | g e c | d e d | c2 r4 | \break
\repeat volta 2
-BEGIN PGP SIGNED MESSAGE-
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Hi Folks,
I have one music where the "lines" (Sorry, I am not exactly sure about
the english name of it) on a note are pointing both down even if they
are marked with different voices:
classicalGuitar = \relative c
{
\global
[Note that this posting might overtake another one I made yesterday.]
On Fri 01 Feb 2019 at 17:33:34 (-0700), foxfanfare wrote:
> foxfanfare wrote
> > And again, what is strange is that I have to launch zathura through vim if
> > I
> > want it to react to the link. If I launch the PDF alone in
Hi Karlin!
Maybe, installing compat6x package is required.
# pkg install compat6x-amd64
...and it did indeed fix the issue. LilyPond seems fully functional.
Next, I want to make a FreeBSD 32-bit VM, and see about reviving an
iMac G5 to test the PowerPC installers. Although I doubt there's a
Am So., 3. Feb. 2019 um 08:17 Uhr schrieb Andrew Bernard
:
>
> I posted abot this recently, but only one response. Does anybody have any
> idea how to align a dynamic and the new \espressivo mark horizontally, next
> to each other? I know one is a dynamic and one is an accent, so I am stumped.
>
Andrew Bernard writes:
> Oh. Stupid. Working too hard! I neglected to realise the grace note time
> value sets the value for the next note where it was not specified, as I
> added in the grace afterwards.
>
> Many apologies for some particularly stupid noise. How I wish we could
> delete posts
Oh. Stupid. Working too hard! I neglected to realise the grace note time
value sets the value for the next note where it was not specified, as I
added in the grace afterwards.
Many apologies for some particularly stupid noise. How I wish we could
delete posts sometimes.
Andrew
Adding the grace note in this bar cause ca bar check error and pushes it
out. For as long as I have lived grace notes take no time. What am I
missing? Must be working too hard!
Andrew
%
\version "2.19.82"
treble = {
\time 1/4
aih'16^-^>_\sfz \tuplet 3/2 {
f'([ d'')
\grace gis8
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