Re: [Lilypond] How to add chorus to multi-verse lead sheet for guitar?

2019-05-21 Thread John Helly
Thanks very much.  I don't understand all of that just yet but this is great advice.  I just finished reading Fundamental Concepts. J. On 5/21/19 19:08, Aaron Hill wrote: > On 2019-05-21 8:48 pm, John Helly wrote: >> Mahalo. Definite maybe.  I found a reference to using multiple voices in >> the

Re: [Lilypond] How to add chorus to multi-verse lead sheet for guitar?

2019-05-21 Thread Aaron Hill
On 2019-05-21 8:48 pm, John Helly wrote: Mahalo. Definite maybe.  I found a reference to using multiple voices in the learning manual that might be a more general solution but don't understand it yet. One thing multiple voices would let you do is separate the melody between the verse and

Re: [Lilypond] How to add chorus to multi-verse lead sheet for guitar?

2019-05-21 Thread John Helly
Mahalo. Definite maybe.  I found a reference to using multiple voices in the learning manual that might be a more general solution but don't understand it yet. J. On 5/21/19 15:46, Karlin High wrote: > On Tue, May 21, 2019 at 8:07 PM John Helly wrote: >> I have a multi-verse guitar lead sheet

Re: [Lilypond] How to add chorus to multi-verse lead sheet for guitar?

2019-05-21 Thread Karlin High
On Tue, May 21, 2019 at 8:07 PM John Helly wrote: > > I have a multi-verse guitar lead sheet working but cannot figure out how to > add a chorus. I’m struggling to find an example with a chorus and wonder if > anyone can point me in the right direction, pls? > > The structure I have is shown

[Lilypond] How to add chorus to multi-verse lead sheet for guitar?

2019-05-21 Thread John Helly
Aloha. I just discovered LP and am very excited about it after struggling with Sibelius.  I have a multi-verse guitar lead sheet working but cannot figure out how to add a chorus.  I’m struggling to find an example with a chorus and wonder if anyone can point me in the right direction, pls? The

Re: bug in lyric syllable magnetic snap

2019-05-21 Thread Thomas Morley
Am Do., 16. Mai 2019 um 13:25 Uhr schrieb Alexander Kobel : > > Hi David, hi Mike, hi all, > > I sometimes (still use Lilypond, and when I do, I typically use) your > wonderful snippet for snapping "close" syllables into a single token. > > (For those who don't know this contribution: it's meant

Re: Unconventional score and unwanted stray staff lines

2019-05-21 Thread Thomas Morley
Am Di., 21. Mai 2019 um 22:46 Uhr schrieb Leo Correia de Verdier : > > A quite minimal could look like: > > \version "2.19.82" > > \score { > << \new Staff {e'2.} > \new Staff {g'4. f'4} > \new Staff {a'1} >> > > \layout { > \context { > \Voice > \remove

Re: Unconventional score and unwanted stray staff lines

2019-05-21 Thread Leo Correia de Verdier
A quite minimal could look like: \version "2.19.82" \score { << \new Staff {e'2.} \new Staff {g'4. f'4} \new Staff {a'1} >> \layout { \context { \Voice \remove "Note_heads_engraver" \consists "Completion_heads_engraver" completionUnit =

Re: Unconventional score and unwanted stray staff lines

2019-05-21 Thread David Bellows
Thomas, > Main thing here is > \stopStaff Ok, so \noStaff seems to fix my problem without the need for anything else. I'll need to test it a lot more but perhaps that will get me through until/unless this problem gets solved within Lilypond. Thanks for that! I search and search the

Re: Unconventional score and unwanted stray staff lines

2019-05-21 Thread Thomas Morley
Am Di., 21. Mai 2019 um 18:03 Uhr schrieb David Bellows : > > Hi Thomas, > > Thanks for jumping in! Well, without Urs' minimal I wouldn't have. Thanks Urs! > > At least in the minimal one can workaround with inserting \noBeam: > > It works in some cases but not when that last pitch it tied to >

Re: Unconventional score and unwanted stray staff lines

2019-05-21 Thread David Bellows
Hi Thomas, Thanks for jumping in! > At least in the minimal one can workaround with inserting \noBeam: It works in some cases but not when that last pitch it tied to previous notes (see attached pdf). When they are not tied this works well. In my use-case, I have Lilypond break notes up

Re: Barcheck with full measure rests

2019-05-21 Thread David Kastrup
Michael Gerdau writes: >> Why would you use \\ for creating separate voices here? > > Lack of a better way to solve the problem :) > (read: my ignorance) > >> At any rate, that sounds like you want \after >> >> after = >> #(define-music-function (delay ev main) (ly:duration? ly:music?

Re: Barcheck with full measure rests

2019-05-21 Thread Michael Gerdau
> Why would you use \\ for creating separate voices here? Lack of a better way to solve the problem :) (read: my ignorance) > At any rate, that sounds like you want \after > > after = > #(define-music-function (delay ev main) (ly:duration? ly:music? ly:music?) >#{ \context Bottom << {

Re: Barcheck with full measure rests

2019-05-21 Thread Alexander Kobel
On 21.05.19 15:37, Michael Gerdau wrote: I'm probably having some subtlety wrong. The following code creates the attached image. %%% \version "2.21.0" { << R1 { s2. s4^"some markup" } >> } { << { \oneVoice R1 } \\ { s2. s4^"some markup" } >> } %%% The lower akkolade is what I

Re: Barcheck with full measure rests

2019-05-21 Thread Lukas-Fabian Moser
I'm probably having some subtlety wrong. The following code creates the attached image. %%% \version "2.21.0" { << R1 { s2. s4^"some markup" } >> } { << { \oneVoice R1 } \\ { s2. s4^"some markup" } >> } %%% The lower akkolade is what I want this to look like while the upper

Re: Barcheck with full measure rests

2019-05-21 Thread Michael Gerdau
> > The use case is this > > > > %%% > > \version "2.21.0" > > { R1*3/4 s4^\markup "some markup" |} > > %%% > > > > Of course I could achieve that by > > %%% > > \version "2.21.0" > > { << { \oneVoice R1 } \\ { s2. s4^\markup "some markup" |} >> } > > %%% > > but

Re: Barcheck with full measure rests

2019-05-21 Thread David Kastrup
Michael Gerdau writes: >> > the following MWE triggers a barcheck failure. Is that intended or a bug? >> > And if it is intended I'd like to understand the rationale. >> > >> > % >> > \version "2.21.0" >> > { R1*3/4 s4 | } >> > % >> >> Hi Michael, >> >> that’s

Re: Barcheck with full measure rests

2019-05-21 Thread Lukas-Fabian Moser
Hi Michael, The use case is this %%% \version "2.21.0" { R1*3/4 s4^\markup "some markup" |} %%% Of course I could achieve that by %%% \version "2.21.0" { << { \oneVoice R1 } \\ { s2. s4^\markup "some markup" |} >> } %%% but that seems ugly and at least to me

Re: Barcheck with full measure rests

2019-05-21 Thread Michael Gerdau
> what about > > \new Voice { << R1 { s2. s4^"some markup" } >> } > > ? The \new Voice should not even be necessary in a typical score, with > blocks like > > \score { ><< > \new Staff << >% clef, time, etc. >\new Voice \thisIsWhereMyMusicComesFrom > >> >>> >

Re: Barcheck with full measure rests

2019-05-21 Thread Alexander Kobel
Hi Michael, what about \new Voice { << R1 { s2. s4^"some markup" } >> } ? The \new Voice should not even be necessary in a typical score, with blocks like \score { << \new Staff << % clef, time, etc. \new Voice \thisIsWhereMyMusicComesFrom >> >> } (It's only because

Re: Barcheck with full measure rests

2019-05-21 Thread Michael Gerdau
> > the following MWE triggers a barcheck failure. Is that intended or a bug? > > And if it is intended I'd like to understand the rationale. > > > > % > > \version "2.21.0" > > { R1*3/4 s4 | } > > % > > Hi Michael, > > that’s intended: R is used for full/multi-measure

Re: Barcheck with full measure rests

2019-05-21 Thread Alexander Kobel
Moreover, if you're working on you favorite Pi tribute choral in 3/14 time (granted, unusual), you'd be out of luck without fractions: { \time 3/14 R1*15/14 } ;-) On 21.05.19 13:16, Malte Meyn wrote: Am 21.05.19 um 13:08 schrieb J Martin Rushton: The notation reference for 2.18.2 doesn't

Re: Barcheck with full measure rests

2019-05-21 Thread Malte Meyn
Am 21.05.19 um 13:08 schrieb J Martin Rushton: The notation reference for 2.18.2 doesn't seem to mention using fractions with multi-measure rests. Using just {R1*3/4} generates programming errors and no rest is output. The fraction is not the problem: { \time 3/4 R1*3/4 } This works

Re: Barcheck with full measure rests

2019-05-21 Thread Alexander Kobel
Hi Michael, TL;DR: It's intended. As the name implies, "FULL measure rests" are supposed to span full measures. In particular, they are always rendered as if they do, so your input should be virtually indistinguishable from R1. And it's also indistinguishable from R1. in 3/2 time, or R1*2 in

Re: Barcheck with full measure rests

2019-05-21 Thread J Martin Rushton
The notation reference for 2.18.2 doesn't seem to mention using fractions with multi-measure rests. Using just {R1*3/4} generates programming errors and no rest is output. On 21/05/2019 11:51, Michael Gerdau wrote: > Hi list, > > the following MWE triggers a barcheck failure. Is that intended

Re: Barcheck with full measure rests

2019-05-21 Thread Malte Meyn
Am 21.05.19 um 12:51 schrieb Michael Gerdau: the following MWE triggers a barcheck failure. Is that intended or a bug? And if it is intended I'd like to understand the rationale. % \version "2.21.0" { R1*3/4 s4 | } % Hi Michael, that’s intended: R is used for

Barcheck with full measure rests

2019-05-21 Thread Michael Gerdau
Hi list, the following MWE triggers a barcheck failure. Is that intended or a bug? And if it is intended I'd like to understand the rationale. % \version "2.21.0" { R1*3/4 s4 | } % Kind regards, Michael -- Michael Gerdau email: m...@qata.de GPG-keys available on request

Re: Unconventional score and unwanted stray staff lines

2019-05-21 Thread Thomas Morley
Am Di., 21. Mai 2019 um 11:27 Uhr schrieb Urs Liska : > > > > Am 21. Mai 2019 10:49:01 MESZ schrieb Thomas Morley > : > >Am Di., 21. Mai 2019 um 02:32 Uhr schrieb Thomas Morley > >: > >> > >> Am So., 19. Mai 2019 um 20:32 Uhr schrieb Urs Liska > >: > >> > >> > The staves that continue to be

Re: Unconventional score and unwanted stray staff lines

2019-05-21 Thread Urs Liska
Am 21. Mai 2019 10:49:01 MESZ schrieb Thomas Morley : >Am Di., 21. Mai 2019 um 02:32 Uhr schrieb Thomas Morley >: >> >> Am So., 19. Mai 2019 um 20:32 Uhr schrieb Urs Liska >: >> >> > The staves that continue to be printed appear to only happen when >the >> > last note in that staff is an actual

Re: Unconventional score and unwanted stray staff lines

2019-05-21 Thread Thomas Morley
Am Di., 21. Mai 2019 um 02:32 Uhr schrieb Thomas Morley : > > Am So., 19. Mai 2019 um 20:32 Uhr schrieb Urs Liska : > > > The staves that continue to be printed appear to only happen when the > > last note in that staff is an actual printed note. If it's a rest or a > > space then the extra staves

Re: programming error: mis-predicted force, 108.120472 ~= 108.191480 continuing, cross fingers

2019-05-21 Thread Michael Gerdau
> > 2.) How to resolve this programming error...? No idea... > > 3.) Just ignore it? ...but when I get these I simply ignore them. After all the score(s) compile fine otherwise and from looking at them I don't see problems. > > For what it's worth, your example also compiles without error in