Re: Remote Ensemble Playing

I second Jacktrip. I’ve also had success with JamKazam: https://www.jamkazam.com/ which is easier to setup. Using ethernet cables instead of wifi helps with latency and audio quality. I recommend a Zoom meeting or similar to help everyone work out settings, audio inputs and outputs, etc.

Re: Remote Ensemble Playing

My friend in California and I (in Brooklyn, NY) had some pretty decent luck with Jactrip: https://ccrma.stanford.edu/software/jacktrip/ Not the easiest to get set up and we need to try a few more times to troubleshoot but, give it a try and please report back! best, Adam On Sat, Mar 28, 2020

Re: Proposal: Changing tremolo beam gap implementation

Noeck wrote > You always show notes with the same pitch. It might > make sense to look at slanted beams, too. But as there is no problem > currently, I would not expect one due to the gap change. Musically, two-note tremolos with twice the same note don't make any sense at all, but for

Re: Remote Ensemble Playing

On 28/03/2020 18:55, Ralf Mattes wrote: To the OP: there is an immanent latency in all network connections - packets need to pass through switches and routers, and let's not forget the speed of electrical signals. While one can get pretty low latency on local networks (Dante et al.) trying

Re: Remote Ensemble Playing

Am Samstag, 28. März 2020 19:52 CET, Michael Gerdau schrieb: > Did they play live? Looks (and sounds) like the all play to the same clicktrack Cheers, RalfD > And if so, what software/setup had been used? > It doesn’t say so in the comments. > > Kind regards, > Michael > -- Ralf

Re: Remote Ensemble Playing

Am Samstag, 28. März 2020 19:37 CET, antlists schrieb: > On 28/03/2020 11:00, Peter Gentry wrote: > > I appreciate this is off topic but in these times of social isolation > > does anyone have any tips. Clearly latency is the main issue – I wonder > > could this be reduced by say hosting a

Re: Remote Ensemble Playing

Did they play live? And if so, what software/setup had been used? It doesn’t say so in the comments. Kind regards, Michael

Re: Proposal: Changing tremolo beam gap implementation

Hi Torsten, Am 28.03.20 um 16:55 schrieb Torsten Hämmerle: > Only for non-zero gaps, the gap will start at the inside of stems That sounds fine. You always show notes with the same pitch. It might make sense to look at slanted beams, too. But as there is no problem currently, I would not expect

Re: Remote Ensemble Playing

On 28/03/2020 11:00, Peter Gentry wrote: I appreciate this is off topic but in these times of social isolation does anyone have any tips. Clearly latency is the main issue – I wonder could this be reduced by say hosting a Zoom meeting on a private router – maybe only one video for a conductor.

Re: Minimal horizontal space for melismata

On Sat, 28 Mar 2020 at 09:34, Torsten Hämmerle wrote: > For rhythmic alignment without noteheads, beams, accidentals, etc. > consuming > space, the relatively new > * NullVoice* > has been invented. This, however, still doesn't quite solve your problem yet as other elements > still take up

Re: Proposal: Changing tremolo beam gap implementation

Noeck wrote > I would also expect the "gap" to be the free space between stem and beam. Hi Joram, Thank you, then we seem to have a common understanding of "gap", even if the current tremolo beam gap implementation behaves differently. Noeck wrote > In your attached image, I wonder if you

Re: strange time changes - req help

On 2020-03-28 7:57 am, Malte Meyn wrote: You don’t need this \partial 8*7. In fact it’s better to omit it for correct autobeaming and bar checks. (Your code gives a bar check warning.) Odd, there should not be any bar check failures. But I did not have access to my local LilyPond

Re: Alignment issues of Time signature above the staff

Hi Chen, I was able to solve the second of your problems (the whole bar rests being shifted by the time signatures in the TimeSig context) by adding: \override TimeSignature.X-extent = ##f (You could also use the value #'(0 . 0) if the warnings are off putting, but I noticed that that doesn't

Re: strange time changes - req help

Am 28.03.20 um 15:30 schrieb Aaron Hill: Would something like this work? \version "2.20.0" {   \time 4/4   \partial 8*7 | b'2 4. \bar "||" You don’t need this \partial 8*7. In fact it’s better to omit it for correct autobeaming and bar checks. (Your code gives a bar check

Re: Lilypond 2.20 on Mac 10.15

> On 28 Mar 2020, at 13:14, Moritz Heffter wrote: > >> https://stackoverflow.com/questions/18758837/xcode-quit-unexpectedly-for-my-project-not-in-xcode-4-6-3 > > But I found the following. In my my log files the issue occurs always with > the same dylib: > 85 libdyld.dylib

Re: strange time changes - req help

On 2020-03-28 6:27 am, Eby Mani wrote: I'm trying to typeset some Victorian choral music with some strange time changes that switch between. Attached samples. e.g. eg1, 4.5th beat of 4/4 time it goes to pickup bar (\partial 8) of 6/8 time. eg2, On the 5th beat of 6/8 time it goes to pickup

Re: Lilypond 2.20 on Mac 10.15

> On 28 Mar 2020, at 13:14, Moritz Heffter wrote: > >> https://stackoverflow.com/questions/18758837/xcode-quit-unexpectedly-for-my-project-not-in-xcode-4-6-3 > > But I found the following. In my my log files the issue occurs always with > the same dylib: > 85 libdyld.dylib

Re: Lilypond 2.20 on Mac 10.15

>> On 27 Mar 2020, at 18:53, Moritz Heffter wrote: >> >>> Try in Terminal >>> export PATH=/usr/bin:/bin:/usr/sbin:/sbin >>> >>> and then >>> /opt/lilypond/bin/lilypond >> >> Hmm, I have done that, but unfortunately without progress. > > In the link below, the issue was solved by fixing the

Re: Proposal: Changing tremolo beam gap implementation

Hi Torsten, > *What do you think?* > Wouldn't it be better to have "gap" actually mean "free space"? I would also expect the "gap" to be the free space between stem and beam. In your attached image, I wonder if you have drawn the upper beam from the inner edge of the stem only for demonstration

Remote Ensemble Playing

I appreciate this is off topic but in these times of social isolation does anyone have any tips. Clearly latency is the main issue - I wonder could this be reduced by say hosting a Zoom meeting on a private router - maybe only one video for a conductor. Experience suggests that a latency of 25ms

Alignment issues of Time signature above the staff

Hi, I am trying to put time signatures above the staffs according to "http://lsr.dsi.unimi.it/LSR/Item?id=272;. I discovered an issue, that is whenever a clef change is made, the time signature on the next bar fails to align to the bar line, it aligns to the cue clef in the previous bar

Re: Grace + repeat result in an extra error measure

On 2020-03-28 12:30 am, k.l. wrote: <<\context Staff = "1" <<\relative g' { { c1 }\repeat volta 2 { \appoggiatura g32 g8 ( [ f8 e8 f8 ] r2}}>> \context Staff = "2" << \relative e' {{ g1 } \repeat volta 2 { g1 }}

Re: Minimal horizontal space for melismata

Peter Crighton wrote > Side question: Is there a shorter/nicer way to hide/omit all those things > in the RhythmicStaff? Hi Peter, For rhythmic alignment without noteheads, beams, accidentals, etc. consuming space, the relatively new * NullVoice* has been invented. This, however, still doesn't

Grace + repeat result in an extra error measure

<<\context Staff = "1" <<\relative g' { { c1 }\repeat volta 2 { \appoggiatura g32 g8 ( [ f8 e8 f8 ] r2}}>> \context Staff = "2" << \relative e' {{ g1 } \repeat volta 2 { g1 }} But if