On 2021-03-23 9:26 pm, Calvin Ransom wrote:
I am trying to write something like the image below. I was able to
typeset the more normal chords ok but I don’t know how to place parts
of them in parentheses or how to type the maj9
Review chordNameExceptions and the associated snippet [1] in the
On 2021-03-23 9:09 pm, stefano franchi wrote:
I know how to enter chords (and how to use a jazzy font), but I can't
find out how to enter the beat marks, not the text underneath that
spans several bars (my chords also appear under the staff rather than
above it, but that's a minor issue).
See
I am trying to produce a jazz-style leadsheet for the solo section of a
song to improvise over. The section will have no melody (obviously, but I
need to indicate the chords, the beat signs, and will include some text
below the bars indicating either the scale degree or the scale to use for
the
On 2021-03-23 7:24 pm, Calvin Ransom wrote:
I am trying to use the attached font for my title but I am not able to
get
the title to switch to Odin Rounded, but it can switch to my other
installed fonts. I am using windows 10. I am also unsure how to run
"lilypond -dshow-available-fonts"
You
On 2021-03-23 6:41 pm, Andrew Bernard wrote:
I suggest using the shape functions in the OpenLilyLib library.
Or it sounds like a laissez vibrer slur maybe. You can use the
\extendLV function that is somewhere on LSR. If not, I can post it.
That's LSR 715 [1] in particular.
[1]:
I suggest using the shape functions in the OpenLilyLib library.
Or it sounds like a laissez vibrer slur maybe. You can use the \extendLV
function that is somewhere on LSR. If not, I can post it.
[Sorry, I am in a rush...]
Andrew
Vaylor Trucks wrote on 24/03/2021 11:51 AM:
I really need
I really need to find a way to drop in an unterminated custom length slur
that extends past a barline.
I cannot use a hidden note to terminate the slur. The piece in question has
a bar followed by 2 percent repeat bars. If I use the hidden note, Lilypond
places it in the first of the 2 percent
> On 23 Mar 2021, at 13:09, Brian Barker wrote:
>
> At 08:20 23/03/2021 +, Phil Holmes wrote:
>>> On 23/03/2021 02:05, Bruce Pike wrote:
>>> I installed Lilypond 2.22.0 on Windows 10, then attempted to execute the
>>> install test described in test.ly. The test failed; the file
>>>
At 08:20 23/03/2021 +, Phil Holmes wrote:
On 23/03/2021 02:05, Bruce Pike wrote:
I installed Lilypond 2.22.0 on Windows 10, then attempted to
execute the install test described in test.ly. The test failed; the
file test-tmp-9203207 appeared on the desktop, but not test.pdf.
I get the
Hey,
thanks for the response, yes, \scaleDurations did the trick!
I never had to use it before, so I didn't even know of it's existence.
That's probably a problem for many, certainly with specific and rare
situations, even finding the right terminology to describe the problem is
sometimes hard to
Hi Bart,
I'm not sure exactly which part of your example you want to be different,
but perhaps you need to scale the durations somehow, to make 8ths seem like
4ths or vice versa?
There is some info on how to do that here:
Hi Bart, Lukas!
Wow! I was just about to write, that with all the black magic people on
this list do with scheme, doing the rhythm translation manually shouldn't
be necessary, and before I click send you do it in one command. :D Didn't
even knew the \shiftDurations-command, guess I should study
But in fact, I think one does not need to shift the Timing_translator
to the staff context at all: It should suffice to use \scaleDurations
and a manual tweak of the displayed time signature for one staff.
That was easier than I had expected:
\version "2.23.0"
musicOneSizeFitsAll =
Hi Bart,
But this results in a situation where the 8ths are not lined up as
4ths, which is what I need.
Anyone here who knows how it might be done?
Maybe something like this?
\version "2.23.0"
music = \relative c' {c'4 c c c }
musicTwo = \relative c' {c'8 c c c }
\score {
<<
\new
Hello all,
Working on writing down a renaissance piece, tablature combined with
regular notation, I'm stumbling on the rhythm issue.
For example, I have this piece where I've written everything in 2/8, to get
the correct rhythmic representation in my renaissance tablature, but I want
the modern
I get the same. I suspect this is now a "feature" of windows' arcane
permissions settings. The simplest thing is to run lilypond from the command line, with
an explicit path to the program - something like:
C:\"Program Files (x86)"\LilyPond2.22.0\usr\bin\liliypond
You can either run this
Le 23/03/2021 à 03:12, Dimitris Marinakis a écrit :
I've managed to fix it thankfully!
I think placing a padding override at the Score block level breaks all
other tweaks in the StaffGroup or Staff level.
There is no VerticalAxisGroup on Score context as you can
learn from
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