You wrote:
>
> Does LSR 902 [1] help?
>
Indeed it does!
Thank you!
.. m.
On 2021-06-30 9:07 pm, Aaron Hill wrote:
On 2021-06-30 9:00 pm, Mark Probert wrote:
Hi.
I've looked through docs and snippets and can't seem to find a way to
place parens around a horizontal group of notes (an "optional"
indicator for leadsheets). I've tried
\parenthesize { a8 bes }
but
Sorry for short description in my last email.
I mean when 2nd voice has notes going upper and lower than 1st voice,
\partCombine won't combine 2 notes.
There is a gap between 2 stems, as in attached image.
Many thanks,
Tu'
On Thu, 1 Jul 2021 at 09:35, Dinh Hoang Tu wrote:
> Hello Jean and all,
On 2021-06-30 9:00 pm, Mark Probert wrote:
Hi.
I've looked through docs and snippets and can't seem to find a way to
place parens around a horizontal group of notes (an "optional"
indicator for leadsheets). I've tried
\parenthesize { a8 bes }
but nope. Is there a simple way? I want to do
Hi.
I've looked through docs and snippets and can't seem to find a way to
place parens around a horizontal group of notes (an "optional"
indicator for leadsheets). I've tried
\parenthesize { a8 bes }
but nope. Is there a simple way? I want to do something like:
\mark "(" a8 bes \mark
On Wed 30 Jun 2021 at 23:00:47 (+0200), Jean Abou Samra wrote:
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> Le 30/06/2021 16:47, Dinh Hoang Tu dhoan...@gmail.com a écrit :
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> Hello Jean, Xavier,
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> I
Hello Jean and all,
I would love to contribute if I can :)
Using this in one music sheet, if 2nd voice has notes going upper and lower
than 1st voice, \partCombine will not work.
\version "2.22.1"
localFontSize =
#(define-music-function (font-size music) (number? ly:music?)
(for-some-music
From: lilypond-user
on behalf of Robert Gaebler
Date: Wednesday, June 30, 2021 at 4:35 PM
To: "lilypond-user@gnu.org"
Subject: occasional ragged-right lines in the interior of mostly
non-ragged-right score
I am working on a couple of pieces where I am using a non-ragged right edge
for
I am working on a couple of pieces where I am using a non-ragged right edge
for the systems. However I would like to end each of the three or four themes
in a piece with a ragged right edge on the last system of a theme.
I understand to set ragged-right = ##f to get an even (all aligned) right
Le 30/06/2021 16:47, Dinh Hoang Tu a écrit :
Hello Jean, Xavier,
I think these music functions are useful enough to be integrated into Lilypond itself.
I put them in my local
> On 30 Jun 2021, at 20:47, Lukas-Fabian Moser wrote:
>
> So, "three sharps" (but not in modern arrangement) for the two violins, "four
> sharps" (which are actually three) for soprano and bass. That's interesting
> insofar as today we're basically used to only counting the total number of
On Wed, Jun 30, 2021 at 12:02 PM Lukas-Fabian Moser wrote:
> Hi,
>
> Why is the key sharp even so high on the staff in the first place? Is there a
> point to it beside the maybe visually? If not, we will just change it all
> around the world I guess! ;)
>
> I’m not a music historian, so can’t
Hi,
Why is the key sharp even so high on the staff in the first place? Is there a
point to it beside the maybe visually? If not, we will just change it all
around the world I guess! ;)
I’m not a music historian, so can’t tell you that. Once a player has some
familiarity with key signatures,
> On 30 Jun 2021, at 14:49, darki...@jesusgod-pope666.info wrote:
>
> , No I don't think so... The Problem I had, and as far as I know my other
> friend that started on the Tin Whistle - was to figure out what they in the
> first place was. As the # is so far up on the line - you never get
Hello Jean, Xavier,
I think these music functions are useful enough to be integrated into
Lilypond itself.
I put them in my local music-functions-init.ly for personal use.
But it will be helpful for Lilypond users, including myself, to have these
handy features by default.
Thank you and have a
Whatever the case, I can do whatever I want, and if people wanna change
it - they can freely do it - everything I make is release for anyone who
wanna do whatever with it :P
But... Anyway, thanks for your thoughts and spitting in on the topic.
- Darkijah
, No I don't think so... The Problem I had, and as far as I know my
other friend that started on the Tin Whistle - was to figure out what
they in the first place was. As the # is so far up on the line - you
never get the connection as you don't get to that note before a lot
later. I think
> On 27 Jun 2021, at 02:45, darki...@jesusgod-pope666.info wrote:
>
> If I had just payed more attention to your mail, I went for the link and
> tried to figure something out. I should could not sort it out and went for
> your post again going to complain :P And there the solution was in the
Le 27/06/2021 20:53, Robin Bannister a écrit :
Jean Abou Samra wrote:
That might push us to move to another
web interface for the list, who knows. Nabble has already been
> Le 30/06/2021 08:07, Xavier Scheuer a écrit :
>
>
> On Tue, 29 Jun 2021 at 18:26, Jean Abou Samra wrote:
> >
> >
> > \magnifyMusic works on Voice level. When \partCombine puts the notes
> > together in chords, they are in the same Voice. Same problem with \override
> > and similar. You
> Le 30/06/2021 04:17, Dinh Hoang Tu a écrit :
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>
> Hi Jean,
>
> It works wonderfully!
> Many thanks for your help!
>
> We can close the support here. Thanks Jean, Knute!
>
> Just my notice maybe out of scope: when I select 1 note on Frescobaldi, whole
> tweaked part is selected
> I can
On Tue, 29 Jun 2021 at 18:26, Jean Abou Samra wrote:
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>
> \magnifyMusic works on Voice level. When \partCombine puts the notes
together in chords, they are in the same Voice. Same problem with \override
and similar. You could \tweak every note automatically with something like
>
> \version
test
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