Thank you!
On Fri, Sep 16, 2022 at 10:12 PM Werner LEMBERG wrote:
>
>
> > How to engrave this (screenshot attached) 12/8 time (looks like an
> > arpeggio with ties)
>
> Exactly. Look up the Notation Reference Index under 'arpeggio and
> ties'...
>
>
> Werner
> How to engrave this (screenshot attached) 12/8 time (looks like an
> arpeggio with ties)
Exactly. Look up the Notation Reference Index under 'arpeggio and
ties'...
Werner
Hello,
I made a LilyPond score for piano and 2 flutes.
When I examined the MIDI file, I discovered that all the Note On
commands in the piano part had the Velocity parameter set to 90 while in
both flute parts it was set constant at 62.
May I know why different Velocity values are being used
PS
To be precise. Bring it back to D minor and then octave down.
Van: Eef Weenink
Verzonden: vrijdag 16 september 2022 22:05
Aan: Lukas-Fabian Moser
CC: Lilypond-User Mailing List
Onderwerp: Re: function to recognise voice crossings?
PS: The double bass is
PS: The double bass is in solo tuning (major second above normal) so the score
for the double bass is written a major second down) so you hear the correct
pitches.
Purcell (original) is in D minor (1 flat) and the double bass score has 3 flats
(C minor)
PS2, in fact to do the real check, I
Hi Eef,
Am 16.09.22 um 21:22 schrieb Eef Weenink:
Great, it does exactly what I need, see image. (red noteheads are the
lowest in score)!
So on this spot I have to lower the bassline in the left hand of piano.
I'm glad it helps!
But there's something strange, as the f-e cadenza in the
Great, it does exactly what I need, see image. (red noteheads are the lowest in
score)!
So on this spot I have to lower the bassline in the left hand of piano.
[cid:29D04ECB-8577-4403-99DE-D62C6AC64E40]
Op 16 sep. 2022, om 18:55 heeft Lukas-Fabian Moser
mailto:l...@gmx.de>> het volgende
I will check this. Thanks
Met vriendelijke groet, Eef
H.E. Weenink MBA
Op 16 sep. 2022 om 18:56 heeft Lukas-Fabian Moser het volgende
geschreven:
Hi Eef,
Am 16.09.22 um 13:53 schrieb Eef Weenink:
I write mostly arrangements where I bring a melody voice down to the double
bass (my
This is not the question. It is about voice crossing bassline (left hand piano)
and melodyline (double bass). That gives inversions, mostly not wanted.
So these need to be identified.
Met vriendelijke groet, Eef
H.E. Weenink MBA
> Op 16 sep. 2022 om 18:25 heeft Wols Lists het
> volgende
Hi Eef,
Am 16.09.22 um 13:53 schrieb Eef Weenink:
I write mostly arrangements where I bring a melody voice down to the double
bass (my instrument :-))
Double bass is written an octave higher then sounding, so a lot of times, the
score lookes OK, but in fact there are voice crossings between
On 16/09/2022 12:53, Eef Weenink wrote:
To check this, I transpose the double bass voice down an octave and manually
check the boths voices.
Wonder if there is a function in lilypond to do this fastly. Like the coloured
noteheads when checking a voice against the ambitus of an instrument.
On Fri 16 Sep 2022 at 08:02:35 (-0700), Knute Snortum wrote:
> On Thu, Sep 15, 2022 at 11:29 PM Eef Weenink wrote:
> >
> > I use the crop function to minimize the white around the music.
>
> If you want, you can do this inside LilyPond in a paper block:
>
> top-margin = 5\mm
> bottom-margin
Hi
I have several devices to show the music on. Rather than try to adjust the
size, I measure the visible area on the screen and tell LilyPond to use
that as its paper size. I have a 27" screen, so for that, I set the paper
size to half the width and get my PDF viewer to show two pages at once.
On Thu, Sep 15, 2022 at 11:29 PM Eef Weenink wrote:
>
> I use the crop function to minimize the white around the music.
If you want, you can do this inside LilyPond in a paper block:
top-margin = 5\mm
bottom-margin = 6\mm
left-margin = 10\mm
right-margin = 10\mm
--
Knute Snortum
Yes, that's how I understood the original FB message.Verzonden vanaf mijn Huawei mobiele telefoon Oorspronkelijk bericht Onderwerp: Re: LilyPond comparedVan: Andrew Bernard Aan: lilypond-user@gnu.orgCc: So maybe I misunderstand the point of this. Perhaps it is rather that it is
Hello Ken,
I have a workaround for this problem, namely to create an oblique line
and move it onto the beam. I did not use \acciaccatura but rather
smaller notes because I wanted to control the spacing of the notes.
See the attached slashedacciaccworkaround.pdf and .ly.
I hope this may be
Hello all,
I write mostly arrangements where I bring a melody voice down to the double
bass (my instrument :-))
Double bass is written an octave higher then sounding, so a lot of times, the
score lookes OK, but in fact there are voice crossings between lefthand of
piano and the double bass
So maybe I misunderstand the point of this. Perhaps it is rather that it
is specifically a comparison of unmodified out of the box engraving, and
not supposed to be a competition level grand final play off showing the
maximum capabilities of each program. Is that what the OP on FB is
trying to
>> Attached is an image from the Urtext edition of Schumann's
>> 'Humoreske', typeset around 2009.
>
> This image would seem to show that Henle's accidentals have diverged
> quite a lot from LP's. In this Schumann example the sharp's
> vertical lines are considerably longer and the glyph is
As for the supposed objectivity of 'out of the box with no tweaking',
only casual users would do no setting adjustments in any of these
programs - the whole point is they are all very flexible.
I disagree with that claim. I'm typesetting new pieces for practical
choir use almost on a weekly
The person who set this cannot even get the E flats all having flats.
Comparisons such as this are odious, for a start because Dorico uses
SmuFL fonts and apart from Bravura there are now about 20 SMuFL fonts
available, all quite different in terms of accidental shape and such
details, so what
At 07:50 on 16 Sep 2022, Werner LEMBERG wrote:
> Attached is an image from the Urtext edition of Schumann's
> 'Humoreske', typeset around 2009.
This image would seem to show that Henle's accidentals have diverged
quite a lot from LP's. In this Schumann example the sharp's vertical
lines are
At 09:05 on 16 Sep 2022, Martin Tarenskeen wrote:
> The comparison also shows something that looks a bit ugly (according
> to some people, and I tend to agree): the design of the natural sign.
> Are there more people here who think the hole in the middle of the
> natural sign is too large and
I recognize the issue. My working method:
1. In lilypond I go for the best options, like staffsize, number of systems per
page, number of pages, etcetera.
2. On the iPad I have Forscore for practicing music. To get the best view on
about 2-3 feet distance, I use the crop function to minimize
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