\aligner
\new Lyrics \lyricsto aligner \words
HTH,
Pierre
2014-11-19 6:19 GMT+01:00 Andrew Hawryluk ahawry...@gmail.com:
Hi everyone, I just upgraded to 2.18.2 to use the cool new NullVoice. It
seems like a slick solution to polyphonic lyric alignment. Unfortunately, I
seem to be doing
Hi everyone, I just upgraded to 2.18.2 to use the cool new NullVoice. It
seems like a slick solution to polyphonic lyric alignment. Unfortunately, I
seem to be doing something wrong, because I am getting two syllables
printed right on top of each other (see attached PNG). In this example, I
want
The tweak command lets you change individual noteheads:
http://www.lilypond.org/doc/v2.16/Documentation/notation/the-tweak-command#index-tweaking
Hope this helps!
Andrew
On Sat, Dec 8, 2012 at 4:07 AM, Arle Lommel fene...@gmail.com wrote:
Hopefully this won't puke on the list. What is the
(Resending to cc the user list)
Try
http://www.lilypond.org/doc/v2.14/Documentation/notation/inside-the-staff#index-parentheses
Cheers,
Andrew
On Sat, Aug 4, 2012 at 4:25 PM, MING TSANG tsan...@rogers.com wrote:
Dear lily users,
I try d d'?4 or d d'!4 which did not produce what is shown on
On Fri, May 25, 2012 at 11:28 AM, Klaus Föhl klaus.fo...@uni-giessen.dewrote:
Hello,
I like the lilypond notation using \relative being concise and readable.
Entering on a computer keyboard is fairly quick, but still it feels
that playing a melody line would be so much quicker. In particular
That workaround is a nice trick, thank you Xavier!
On Wed, Dec 21, 2011 at 1:46 AM, Xavier Scheuer x.sche...@gmail.com wrote:
On 21 December 2011 05:42, Andrew Hawryluk ahawry...@gmail.com wrote:
Based on the properties in the Internals Reference, it appears that
dynamics can be set to ignore
Based on the properties in the Internals Reference, it appears that
dynamics can be set to ignore slurs. I've seen it done successfully
with articulation marks, but my attempt with dynamics is failing. In
my test case, I want both p's to be close to the staff, but the second
one is displaced by
09:00 PM, Andrew Hawryluk wrote:
On Sun, Mar 13, 2011 at 10:13 PM, Paul Scottwaterho...@ultrasw.com
wrote:
Hi,
2.13.54
Does it ever make sense for RemoveEmptyStaffContext to remove all staves?
Should not at least one be kept alive showing the rests?
Is there a way to force
On Sun, Mar 13, 2011 at 10:13 PM, Paul Scott waterho...@ultrasw.com wrote:
Hi,
2.13.54
Does it ever make sense for RemoveEmptyStaffContext to remove all staves?
Should not at least one be kept alive showing the rests?
Is there a way to force this behavior? I haven't gotten the following
On Tue, Dec 28, 2010 at 2:02 AM, Wilbert Berendsen lily...@xs4all.nl wrote:
...
There will also be a custom PDF preview with two-way point and click
integration: moving the text cursor highlights objects in the PDF and objects
in the PDF can directly be manipulated because the built-in parser
This looks like a bug to me. My minimal example:
\version 2.13.16
{
\set Staff.pedalSustainStyle = #'text
c''1\sustainOn
}
If the pedalSustainStyle is set to #'mixed or #'bracket then the
bracket indicates the sustain up at the end of the piece. With #'text
style there is no sustain up mark.
On Mon, Jan 18, 2010 at 1:51 PM, Graham Percival
gra...@percival-music.ca wrote:
On Mon, Jan 18, 2010 at 12:41:54PM -0800, Patrick Horgan wrote:
I saw one document issue I thought I
might bring up with the editors, so checked the 2.13 LM to see if it was
already dealt with before I bothered
The command was renamed for version 2.12:
\fatText - \textLengthOn
\emptyText - \textLengthOff
The on/off naming is more consistent with other commands. You may
also want to checkout
http://lilypond.org/doc/v2.12/Documentation/topdocs/NEWS.html for
other commands that were changed at the same
On Wed, Oct 14, 2009 at 2:33 PM, Graham Percival
gra...@percival-music.ca wrote:
On Tue, Oct 13, 2009 at 02:59:36AM +0200, Gilles Sadowski wrote:
Anybody volunteers? For, say, making an orchestra example?
I can provide a version of Adeste fideles[1] arranged for
SATB, oboe, trumpet, basson
On Wed, Oct 14, 2009 at 5:50 PM, Graham Percival
gra...@percival-music.ca wrote:
On Wed, Oct 14, 2009 at 05:43:53PM -0600, Andrew Hawryluk wrote:
On Wed, Oct 14, 2009 at 2:33 PM, Graham Percival
gra...@percival-music.ca wrote:
Hmm. I think the Examples page has enough early music / simple
On Tue, Aug 25, 2009 at 8:27 PM, Christian Henningchhenn...@gmail.com wrote:
Hi there, I cannot figure out how to encode a 16th note rhythm. When
counting by mouth I would say: 1and 2and 3and 4and when all notes
are taking part. In lilypond I would write: g16 g g g g16 g g g g16 g
g g g16 g g
On Tue, Aug 11, 2009 at 9:27 PM, Graham
Percivalgra...@percival-music.ca wrote:
http://lilypond.org/~graham/Features.html
(I've made the links clearer)
- are we missing any worthwhile info? (like those bulleted lists
of features?)
Could we add a link in the first paragraph to the
Hi Bertalan,
I'm having trouble getting the Virtual Piano to work for me:
- I can hear notes that are played with mouse clicks or keyboard
strokes, but they are not inserted in my .ly file
- the Virtual Piano does not seem to recognize MIDI keyboard strokes
Any idea what I might be doing wrong?
On Tue, Jun 16, 2009 at 3:52 AM, Joe Neemanjoenee...@gmail.com wrote:
On Mon, Jun 15, 2009 at 9:05 PM, Reinhold Kainhofer reinh...@kainhofer.com
wrote:
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Montag, 15. Juni 2009 17:25:54 schrieb Joe Neeman:
I've started working on a new system
On Wed, May 27, 2009 at 2:01 PM, Neil Puttock n.putt...@gmail.com wrote:
Adding the context property to switch between the two alignments was a
quick hack with a serious limitation: if set to align with note
columns, tempo marks disappear completely when attached to
multi-measure rests.
A
On Tue, Apr 28, 2009 at 5:39 AM, Valentin Villenave
v.villen...@gmail.com wrote:
2009/4/28 Andrew Hawryluk ahawry...@gmail.com:
Valentin, is this worth logging an enhancement in the issues list?
Perhaps as part of the whole question of high-quality typesetting?
I am willing to open as many
On Mon, Apr 27, 2009 at 1:51 PM, Marc Hohl m...@hohlart.de wrote:
Pekka Siponen schrieb:
For chords I don't think there is a standard approach. Chords haven't been
around long enough. I was hoping to collect opinions here. :) Maybe the best
source would be in some typography book? I checked
On Tue, Apr 7, 2009 at 8:26 PM, Wei-Wei Guo wwgu...@gmail.com wrote:
M Watts 写道:
Wei-Wei Guo wrote:
Christ van Willegen 写道:
- Any other advice/techniques/additions/modifications we can think of.
Does Lilypond has any application on music textbook? Is is possible? I
find
it difficult to
Here's the Saraband from essay in Finale 2008, which is only one
version of Finale behind the current one. I put it together while
contemplating Graham's grand web project.
Andrew
On Sat, Apr 4, 2009 at 6:20 PM, Han-Wen Nienhuys hanw...@gmail.com wrote:
On Fri, Apr 3, 2009 at 12:27 PM, Graham
Thanks for catching this! Both have been fixed.
Andrew
On Fri, Apr 3, 2009 at 4:08 AM, Francisco Vila paconet@gmail.com wrote:
2009/4/3 Johan Vromans jvrom...@squirrel.nl:
Andrew Hawryluk ahawry...@gmail.com writes:
http://www.musicbyandrew.ca/finale-lilypond-4.html
How did you make
On Thu, Apr 2, 2009 at 1:44 PM, Chris Snyder csny...@adoromusicpub.com wrote:
Valentin Villenave wrote:
To me, note entry is much, much, much faster with LilyPond than with
Fin/Sib. (even using a MIDI keyboard -- which, by the way, is one of
the less enjoyable experiences I know of).
I
On Thu, Mar 26, 2009 at 11:13 AM, Hajo Dezelski dl1...@googlemail.com wrote:
Hello,
now, that I have all relevant scores coded with lilypond I want to put
together all my notes in an analytical, didatical orientated book
with scores and a lot of referential incipts, themes, excerpts etc.
And
If you declare each of the musical voices independently, then you can
\change Staff = when you want to move that voice to a different
staff. It's documented under keyboards, where it happens all the time,
but it works for any voice and any type of staff. You can even move
the notes from the string
On Thu, Jan 15, 2009 at 8:09 AM, Reinhold Kainhofer
reinh...@kainhofer.com wrote:
Well, I don't know an easy way to do it after the conversion. However, I just
added a command-line switch --no-rest-positions (or short --nrp) to
musicxml2ly, which does not convert the exact position of pitched
On Fri, Jan 16, 2009 at 11:18 AM, Fibonacci Prower
fibonacci.pro...@gmail.com wrote:
I'm using Evince, not Acrobat reader.
Evince has a problem with the barlines (it's a bug). On Ubuntu, I work
in Evince while I'm writing, but I print the final PDF from Adobe
Acrobat.
Andrew
On Thu, Jan 8, 2009 at 4:57 AM, James E. Bailey
derhindem...@googlemail.com wrote:
Am 08.01.2009 um 12:20 schrieb Nick Payne:
How can I specify that a bar containing only a single tied note be a
certain
minimum width?
Section 1.8.1 on text may help. \override Score.PaperColumn
On Fri, Jan 2, 2009 at 2:45 AM, David Raleigh Arnold d...@openguitar.com
wrote:
If the spelling is related to the key according to the chromatic scale
in that key, there will be lots of time saved in nearly all instances.
The chromatic scale in C is c cs d eb e f fs g gs a bb b c. It can
.
I think I can do it. But I have another question:
I would find it helpful to have also the possibilitie for absolute
pitches. I think, this should bve even easier.
2008/12/31 Andrew Hawryluk ahawry...@gmail.com:
I suppose that one could write a function that searches for the pitch
preceding
I suppose that one could write a function that searches for the pitch
preceding the caret in the text area and modifies it enharmonically.
By assigning a keyboard shortcut you would then have the ability to
enter ees from the MIDI keyboard and change it to dis by pressing
CTRL-something. This is
Berendsen lily...@xs4all.nl wrote:
Op maandag 29 december 2008, schreef Andrew Hawryluk:
I believe that this is the first time that MIDI input is available
across all three major platforms (but correct me if I'm wrong).
I think you're right: Rumor does this, also quite nice, since 2003, but only
Good news, fellow LilyPond-ers!
I have written a small jEdit plugin (attached) that converts MIDI key
strokes to LilyPond pitches in relative mode. It is also available
from http://www.musicbyandrew.ca/MidiInput.jar. Source code can be
found at http://www.musicbyandrew.ca/MidiChords-source.zip.
Your email arrived without the PDF and the PNG. I think the -user list
requires that email + attachment size be less than 96KB.
Andrew
On Fri, Dec 19, 2008 at 9:51 AM, kristof
i...@kristoflauwers.domainepublic.net wrote:
hi,
this is the first time i'm trying to make a score in lilypond, so
On Thu, Dec 18, 2008 at 10:32 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
Hi Carl,
For me, it's the lyrics context that should not use skylining. We should
keep everything (dynamics, notes, etc) out of the lyrics line.
Excellent point — I wholeheartedly concur!
Kieren.
For
Would there be a way to move to the \RemoveEmptyEngraver to the
PianoStaff context in these cases?
I can imagine people wanting the ability to do the same thing with
various StaffGroups from time to time ... maybe that will have to wait
for a more formal solution in the future.
Andrew
On Thu,
On Fri, Dec 5, 2008 at 10:36 AM, chip [EMAIL PROTECTED] wrote:
Am I crazy or have I seen, somewhere in the docs, info about using audio
input to create a .ly file? If so I can't find the info.
I haven't heard of any way to do this, certainly not from audio
signals. Some people have gotten MIDI
I would define the voices individually and the use the \change Staff =
blah trick to move them from two staves to four and back. You might
need to do some funny stuff when you add the lyrics, but this is the
cleanest way to get the note placements you want. If you search LSR
you can find an
On Sun, Nov 16, 2008 at 6:03 PM, David Stocker
[EMAIL PROTECTED] wrote:
For what it's worth, remember that as documented on this forum, you
shouldn't have to uninstall 2.10 on Ubuntu Studio before you install a newer
version if you install in your home directory. The 'lilypond' command calls
I'm not sure what I should be doing in this case. I'm using
\RemoveEmptyStaffContext and \override VerticalAxisGroup
#'remove-first = ##t to hide all the empty staves from my score, but
this only removes staves from a system if they contain nothing but
spacer rests (s) and multimeasure rests (R).
This is awesome! It solves today's problem and it lets me do something
else I had in mind for later:
I can make a pair of commands like \treatAsEmpty and \treatNormal that
I can now use to hide staves that contain notes. That may sound like a
bad thing, but I would use it when all choral voices
After installing LilyPond you will have OpenType versions of the fonts
(probably in a directory like .../lilypond/current/fonts/otf), but
they won't work with Finale. This is because the two programs actually
use different sets of glyphs and the two fonts store them under
different character
This could be nice occasion to use the \chage Staff = ... command,
which is explained in the section of keyboard music (where it is
indidpensible), but it can be used on any named staves in your score.
You can also change the instrument name manually at this point.
Note that you will need to make
On Thu, Oct 16, 2008 at 5:06 AM, Cameron Horsburgh [EMAIL PROTECTED] wrote:
Hi folks,
Next weekend I'll be attending a composing workshop organised by my
church. One of the sessions will cover the relevant software. It seems
the facilitator is going to be showing off Finale and Sibelius, but
On Thu, Oct 9, 2008 at 6:58 PM, Patrick McCarty [EMAIL PROTECTED] wrote:
I've created another design with a color palette that passes the W3C
Web Content Accessibility guidelines for color contrast:
http://uoregon.edu/~pmccarty/texi2html/start-alt-alt.html
On Fri, Sep 12, 2008 at 4:43 PM, John Mandereau
[EMAIL PROTECTED] wrote:
- the colors are taken from the Monet Waterlilies on the LilyPond homepage
I find it a good idea, even if we might decide to change this image:
it's a small heavily compressed JPEG image, this is not appealing
enough,
On Sun, Sep 14, 2008 at 1:24 PM, Reinhold Kainhofer
[EMAIL PROTECTED] wrote:
-BEGIN PGP SIGNED MESSAGE-
Hash: SHA1
Am Sonntag, 14. September 2008 schrieb Reinhold Kainhofer:
a:hover {
/*
change the text color like you do
hide the underlining/border if you wish, I'd
Andrew, feel free to suggest a new color for the footer :-)
Cheers,
John
You could change the footer from #e8ffe8 to #e7efe3 and the border
from #c0ffc0 to #ccd3cc. It looks like the padding/spacing in the
footer could be improved but for now I'm more curious to see Patrick's
design (and
Here's my initial design submission for the docs - it's just a gentle
modification of the CSS file:
- use Century Schoolbook L if available to match the LilyPond output
(Georgia is also a good option)
- links are only underlined when hovered upon
- the colors are taken from the Monet Waterlilies
On Tue, Aug 19, 2008 at 4:03 AM, Valentin Villenave
[EMAIL PROTECTED] wrote:
2008/8/12 Martin Klejch [EMAIL PROTECTED]:
%% the Lyrics independent of notes example (chapter 7.3.7.5 of the manual)
%% gives errors: warning: Lyric syllable does not have note. Use \lyricsto
%% or associatedVoice
that your example gives. It should be visible at one meter distance,
right? If you want the same symbol as \harmonic but with smaller size,
you can rather use
c^\markup{\small \musicglyph #scripts.flageolet }
/Mats
Andrew Hawryluk wrote:
I'm trying to show how one could specify a harmonic
It looks good to me. The only nitpick that I found is that the ges in
the headword should be a fis. Thanks for your help on the docs!
Andrew
On Mon, Jul 28, 2008 at 7:53 AM, Carl D. Sorensen [EMAIL PROTECTED] wrote:
Dear LilyPond Users,
Notation Reference Section 2.7 Chord notation of the GDP
My only suggestion is in one of the snippets, but I can't edit it (I
guess only contributor or an LSR admin can modify).
Valentin, in the snippet Stem and beam behavior in tablature (#494)
can you replace
\override Beam #'damping = #10
with
\override Beam #'damping = #+inf.0
(Rune gets
This looks great!
In the trills section, could you clarify that \startTrillSpan will
always convert the subsequent music expression into grace notes and
also include an example with no visible grace notes:
c1~\startTrillSpan s c~ c4\stopTrillSpan
Andrew
On Mon, Aug 4, 2008 at 8:55 AM,
That is marvellous. I will definitely include it.
Andrew
On Mon, Aug 4, 2008 at 11:06 AM, Neil Puttock [EMAIL PROTECTED] wrote:
Hi Andrew,
2008/8/4 Andrew Hawryluk [EMAIL PROTECTED]:
Thanks! The marks I have seen in print are about 70% of the current
\flageolet diameter, but I don't want
I'm trying to show how one could specify a harmonic for a woodwind
instrument (NR 2.6.1.1).
This looks correct when printed, but it's a bit ugly. Any suggestions?
Note that usually the lower (fingered) pitch is not written, but the
small circle is always needed.
{
c'\harmonic c''2^\markup
On Wed, Jul 2, 2008 at 11:04 PM, George_ [EMAIL PROTECTED] wrote:
Basically, my problem is this - I want to typeset this chord:
f g a b c d e4.
And this is what I get:
http://www.nabble.com/file/p18251902/1.jpg
Because the notes of the chord are so close together and there are so many
of
Scores and Parts are produced by defining the notes only once:
http://lilypond.org/doc/v2.11/Documentation/user/lilypond-learning/Large-projects#Large-projects
http://lilypond.org/doc/v2.11/Documentation/user/lilypond-learning/Scores-and-parts#Scores-and-parts
Andrew
On 7/21/08, Daryna
On Sat, Jun 28, 2008 at 9:50 AM, James E. Bailey [EMAIL PROTECTED] wrote:
Am 27.06.2008 um 22:55 schrieb Kieren MacMillan:
Hi James,
The output has the cross staff beams horribly, horribly wrong.
I'm not sure exactly what you're looking for, but maybe the following
modified code will get
On Fri, Jun 27, 2008 at 3:19 PM, Kieren MacMillan
[EMAIL PROTECTED] wrote:
Hey all,
After thinking about it a bit, it seems to me that the current (*wicked
awesome*, BTW) skyline coding could come to the rescue here... =)
IMO, the ultimate algorithm for a piano-with-centered-dynamics
Hi Carl, I'm working on the Keyboards section. I was considering
submitting part of the Schumann Romance in F Sharp (Op. 28, No 2.)
because it looks gorgeous (three staves and extensive cross-staff
beaming), but I'd like to see anything you have. Thanks for your help!
Andrew
On Tue, Jun 24, 2008
Sorry, I meant that to go to Jon! -AH
2008/6/24 Carl D. Sorensen [EMAIL PROTECTED]:
I think that you intended this to go to Trevor.
If you have a gorgeous piece, then go ahead and use it, in my opinion.
Carl
From: Andrew Hawryluk [EMAIL PROTECTED
So, maybe I'm too naive about the LP internals to discuss this one,
but it seems like the current LP structure is close to providing what
Reinhold describes, at least within systems of music. Currently, the
keep-fixed-while-stretching property can be used to exclude a staff or
group of staves from
I can confirm the behavior (tested on 2.11.44), but I can't figure it
out. Image attached.
On Sat, May 10, 2008 at 8:47 PM, Kim Bastin [EMAIL PROTECTED] wrote:
In the attached extract, I want a 'followVoice' line connecting beats 3 and
4, and no others. Depending on where I place \set
You can use a \markup \score construction. Here it is placed in the subsubtitle:
http://lsr.dsi.unimi.it/LSR/Snippet?id=250
You could also place it in a separate \markup section between the
headers and the real \score.
Andrew
On Fri, Apr 25, 2008 at 7:16 AM, James E. Bailey [EMAIL PROTECTED]
Specifically, see LM 4.5.2 in the new (2.11) documentation.
http://lilypond.org/doc/v2.11/Documentation/user/lilypond-learning/Fixing-overlapping-notation#Fixing-overlapping-notation
Andrew
On 4/21/08, Werner LEMBERG [EMAIL PROTECTED] wrote:
I was typesetting some music with Lilypond when I
In NR 1.3.3.2, could we change the second snippet to read
\arpeggioBracket
c e g c\arpeggio
\arpeggioNeutral
c e g c\arpeggio
to clarify the method of canceling the arpeggioBracket? (I had to dig
through property-init.ly to convince myself that this was the correct
way of doing it.)
Also,
Are you looking for the octave-transposed treble clef?
\clef treble_8
e.g. http://www.musicbyandrew.ca/data/emmanuel.pdf
Andrew
On Sun, Mar 2, 2008 at 6:09 PM, Timothy C Litwiller [EMAIL PROTECTED] wrote:
I am try to set a piece that a friend wrote recently
it is what we call a Mens Quartet
I was just wondering what is it then that you like so much in Finale? You
said both are good, but for different things. What is this thing? Is it that
it is easier to correct typesetting errors in Finale?
Yes, I left most of that discussion for later, but to be brief,
Finale's advantages
OK. maybe this isn't advertising, but as a recovering Finale user I
have been taking notes about what it was like to try LilyPond for the
first time. The first three installments of those writings are now
posted on my site and, of course, the LilyPond output looks
marvellous:
I think your problem would be resolved by enclosing the entire
expression in double angle brackets: ...
The new Learning Manual covers this very well, and is a noticeable
improvement over the existing documentation. For example, here's the
section on polyphony:
Under LM 5.1.3 Large projects could we include something like this?
It might also fit under 5.1.4 Saving typing with variables and
functions. Either way, I didn't discover this simple idea until I was
browsing through the mailing list, and it would have saved me some
trouble. (I was adding
4.5.2 Regarding moving beams, I have a
typographical question. I
understand that the end of a beam is normally
positioned such that its
top edge, centre, or bottom edge is aligned on a
staff line. When
manually setting the positions, what fractions of
a line space would
give
Does your error relate to this bug?
http://code.google.com/p/lilypond/issues/detail?id=558
The issue occurred when the end of a dynamic spanner (\!) happened on a
multimeasure rest on the following line of music, but it looks like it has
been resolved for the next development release.
Andrew
On
,
Andrew Hawryluk
On Jan 26, 2008 10:45 AM, Dany Alexander Caro Saavedra
[EMAIL PROTECTED] wrote:
Preprocessing graphical objects...
programming error: FT_Get_Glyph_Name returns error
continuing, cross fingers
programming error: Glyph has no name, but font supports glyph naming.
Skipping glyph U
What are the default units when setting page margins?
I'm guessing mm, but it would be helpful to state the default and
maybe mention how to use inches (for those of us who still need to use
those ancient units occasionally).
Thanks again for fine piece of work.
Andrew Hawryluk
In the relative octave section, paragraph beginning When octaves are
specified, I suggest we replace as above with in absolute mode,
put a pitch with put a single pitch, and prevents with
reduces. This should clarify the intent of the paragraph, and the
advantages of relative mode.
Under
If they are all from the Beethoven Piano Sonatas, then I can compare
them with the edition I have at home. Are there any any outside NR 1?
Andrew
On Jan 14, 2008 12:55 PM, Trevor Bača [EMAIL PROTECTED] wrote:
On Jan 14, 2008 1:43 PM, Andrew Hawryluk [EMAIL PROTECTED] wrote:
In the relative
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