On Sat, Mar 2, 2013 at 11:51 AM, Urs Liska li...@ursliska.de wrote:
Am 02.03.2013 15:57, schrieb Eby Mani:
http://img214.imageshack.us/img214/2672/waltz29rw.jpg
Not sure if this can be done on lilypond as the output on the example is
crazy and have no respect for the paper ;-) . But it is a
On Sat, Dec 1, 2012 at 7:01 PM, Ralph Palmer palmer.r.vio...@gmail.com wrote:
I'm currently running LilyPond 2.14.2 under linux Ubuntu 12,04. I'd like to
run 2.16, but I can't figure out how to install it. Any Ubuntu users out
there who could give me a clue?
Just download it from the Lilypond
Forwarding to list
-- Forwarded message --
From: Shane Brandes sh...@grayskies.net
Date: Sat, Dec 1, 2012 at 11:05 PM
Subject: Re: LilyPond 2.16 installation
To: Brett McCoy idragos...@gmail.com
I installed it ins own directory after downloading it and then just
renamed
On Fri, Sep 7, 2012 at 4:42 PM, David Kastrup d...@gnu.org wrote:
Well, I found LilyPond rated on a download site
URL:http://download.cnet.com/LilyPond/3000-2141_4-73566.html#rateit.
The download info appears more or less accurate, the reviews appear to
be from 2.12. But I doubt that they
On Thu, Jun 28, 2012 at 7:36 AM, Nils l...@nilsgey.de wrote:
I thought maybe the simplest way would be to make, for example, a midi file
for the wind parts, and a midi file for the string parts, and then play them
simultaneously to two separate midi ports, but I can't seem to figure out
how
On Thu, Jun 28, 2012 at 8:01 AM, David Kastrup d...@gnu.org wrote:
It makes more sense to put
\transposition g'
into the horn part itself (but leave the \transpose c g for the horn
part in place). Then you don't need to retranspose the Midi afterwards:
it will be in sounding pitch anyway.
On Tue, Apr 24, 2012 at 6:07 PM, Wilbert Berendsen wbs...@xs4all.nl wrote:
Frescobaldi 2.0.5 has been released.
Nice work man!
--
Brett W. McCoy -- http://www.brettwmccoy.com
In the rhythm of music a secret is hidden; If
On Fri, Apr 6, 2012 at 11:58 AM, PMA peterarmstr...@aya.yale.edu wrote:
I'm planning similar YouTube entries, i.e., music
performances sync'd with their score-page turns.
But this will be a first for me, and I see a hefty
bunch of (Linux) softwares for video editing.
If any of you has a
On Sat, Mar 3, 2012 at 10:23 AM, PMA peterarmstr...@aya.yale.edu wrote:
Hi List. Please forgive a naive question.
Is there such a thing as a WAV-to-MIDI
or MP3-to-MIDI file format converter?
My common sense is yelling, No way,
Buster!, but it needs confirmation.
Intellisense:
On Sat, Mar 3, 2012 at 10:42 AM, Phil Holmes m...@philholmes.net wrote:
Intellisense:
http://www.intelliscore.net/
Not sure if I've tried this one, but I have tried a few and they were of no
use whatever. Your ear is far more likely to provide useful results.
Never tried it myself either.
On Mon, Feb 27, 2012 at 5:09 PM, Jonghyun Kim agitato...@gmail.com wrote:
Thanks Ole for good info. I will test it.
Really there is no way to write pitches with midi numbers in Lilypond?
I need this way for composing music that calculate half-step intervales...
You are using the wrong
On Tue, Feb 28, 2012 at 1:05 PM, Jonghyun Kim agitato...@gmail.com wrote:
You are using the wrong software if you want to input notes as MIDI
pitch numbers, IMHO. There are software packages that are designed for
that (commercial and open source). Lilypond is a music typesetting
system, not a
2012/2/28 Jonghyun Kim agitato...@gmail.com:
In both midi sequencers(muse2 and rosegarden), can I calculate the pitch and
the other one?
Ie: 48 + 50 = 98
It means: c + d = ?(i dont konw exactly..)
I wanna calculate by half step also quartertones.
Ie: 48.5 + 50 = 98.25
It means: c
On Sat, Feb 11, 2012 at 3:39 AM, GRAEME F ST CLAIR
graeme_st_cl...@atlanticbb.net wrote:
I'm going to suggest that most of us have some sort of firewall/AV problem
here. I even tried downforeveryone.com and it came up with fail too.
I am running Linux so no built in firewall or anti-virus
On Mon, Dec 26, 2011 at 5:07 AM, Wilbert Berendsen wbs...@xs4all.nl wrote:
After 14 months of very heavy development I am happy to announce
Frescobaldi 2.0, which is a full rewrite of Frescobaldi 1.x and not
dependend on KDE anymore, which makes it usable on all platforms
supported by Python
Aye aye Cap'n, all's good here
On Fri, Nov 11, 2011 at 7:49 AM, Phil Holmes em...@philholmes.net wrote:
Thanks to Ralph, Marek and Eluze for volunteering to help with the Bug
Squad. Based on their input, I believe this is a workable schedule.
Monday: Ralph
Tuesday: Eluze
Wednesday:
On Wed, Oct 19, 2011 at 6:27 PM, Francisco Vila paconet@gmail.com wrote:
2011/10/19 musicar...@pop.com.br:
The situation is that I have to completely fill all the lilypond´s code on
the site and then generate the score. It gets difficult to count the bars
and the note durations and get
Hey Dmytro --
I have one question, what email address do I use for the Bug Meister
to get my email address on the list? (for item #2 in the setup
instructions)
On Wed, Sep 28, 2011 at 11:35 AM, Dmytro O. Redchuk
brownian@gmail.com wrote:
Hi guys,
In order to respond to bug reports in a
On Tue, Sep 27, 2011 at 6:11 AM, Wilbert Berendsen wbs...@xs4all.nl wrote:
after almost one year of frantic development I'm happy to announce a
usable alpha-release of Frescobaldi 2.0 (version 1.9.0).
https://github.com/wbsoft/frescobaldi (click Download)
Frescobaldi is a dedicated LilyPond
On Tue, Sep 27, 2011 at 6:33 AM, Brett McCoy idragos...@gmail.com wrote:
On Tue, Sep 27, 2011 at 6:11 AM, Wilbert Berendsen wbs...@xs4all.nl wrote:
after almost one year of frantic development I'm happy to announce a
usable alpha-release of Frescobaldi 2.0 (version 1.9.0).
https://github.com
On Tue, Sep 27, 2011 at 6:57 AM, David Kastrup d...@gnu.org wrote:
Wonderful, I've been looking forward to Frescobaldi 2
Oh, I love this already -- being able to click on a note in the score
and highlighting the note in the Lilypond source is golden.
Uh, you do know that Lilypond offers this
On Tue, Sep 27, 2011 at 8:20 AM, Wilbert Berendsen wbs...@xs4all.nl wrote:
Frescobaldi 2 couples the point-and-click links as soon as a PDF is
loaded to positions in the text document. If you alter the document, the
links in the PDF document stay connected with the positions in the
text
Never mind I found it!
On Tue, Sep 27, 2011 at 8:38 AM, Brett McCoy idragos...@gmail.com wrote:
On Tue, Sep 27, 2011 at 8:20 AM, Wilbert Berendsen wbs...@xs4all.nl wrote:
Frescobaldi 2 couples the point-and-click links as soon as a PDF is
loaded to positions in the text document. If you alter
On Tue, Sep 27, 2011 at 9:06 AM, Wilbert Berendsen wbs...@xs4all.nl wrote:
The PDF view is black on light beige and the
highlight is a slightly darker beige. Something more obvious like
purple or green would make it more prominent. Or is this configurable?
I didn't see any way to change the
On Tue, Sep 27, 2011 at 9:18 AM, Francisco Vila paconet@gmail.com wrote:
2011/9/27 Wilbert Berendsen wbs...@xs4all.nl:
Op Tue, 27 Sep 2011 08:38:23 -0400
Brett McCoy idragos...@gmail.com schreef:
Everything is configurable indeed: Edit-Preferences-Fonts
Colors-Preview Background
Hi Lilypond people --
I just finished up a 2 year Master Certification program through
Berklee Music, the program being Orchestration for Film TV. I used
Lilypond for all 8 of the courses I took, having made the switch a
couple of years ago away from Finale and Geniesoft Overture (I used
Linux,
On Mon, Sep 26, 2011 at 10:25 AM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
1. Congratulations!
2. Thanks for reporting back to us on your Lilyvangelism!
3. I'm very interested in talking with you [offline] about your experience at
Berklee.
Thanks and certainly, feel free to
On Tue, Aug 30, 2011 at 6:45 PM, cte...@wesleyan.edu wrote:
Hello Everyone,
This seems like it should be obvious, but I haven't been able to figure it
out. How does one change the font of the title, composer, copyright notice
etc? Can anyone point me in the right direction?
You also need Fluidsynth on your machine, but it should be automatic
one you have kmid installed
On Sun, Jul 24, 2011 at 10:23 AM, Yming tsan...@rogers.com wrote:
I will try Monday. Is three installation instruction? After installation,
will frescobaldi recognize it?
Sent from my iPod
On
On Fri, Jul 15, 2011 at 8:56 AM, Peter O'Doherty k.p.odohe...@gmail.com wrote:
Although it is listed here
http://kainhofer.com/~lilypond/Documentation/notation/midi-instruments.html
I'm not hearing the viola part when I use the code below to produce a midi
file. Am I missing something?
If
On Fri, Jul 8, 2011 at 7:38 AM, Reinhold Kainhofer
reinh...@kainhofer.com wrote:
Am Freitag, 8. Juli 2011, 03:52:54 schrieb Brett McCoy:
And neither work, my rhythmicstaff is still printing with empty staves
where I expect it to be suppressed. What is the correct syntax when
using both?
Both
I have an orchestral score and I am trying to suppress empty staves
from printing in systems, using \RemoveEmptyStaffContext and
\RemoveEmptyRhythmicStaffContext. Going by a previous thread I found,
I have tried this:
\layout {
\context {
\RemoveEmptyStaffContext
}
}
\layout {
}
\context {
\RemoveEmptyRhythmicStaffContext
}
}
And neither work, my rhythmicstaff is still printing with empty staves
where I expect it to be suppressed. What is the correct syntax when
using both?
On Thu, Jul 7, 2011 at 9:50 PM, Brett McCoy idragos...@gmail.com wrote:
I have an orchestral
Interesting... I changed my percussion staff to a drum staff and then
used \RemoveEmptyDrumStaffContext and it worked correctly. *shrug*
On Thu, Jul 7, 2011 at 9:52 PM, Brett McCoy idragos...@gmail.com wrote:
Sorry email got sent before I finished!
I meant to say:
I tried this:
\layout
I am creating an orchestral template. Since I have more instruments
than MIDI channels, I am creating a separate score context for MIDI
output and want to group the brass instruments so they all use the
'brass ensemble' instrument on a single channel and group all of the
string instruments to they
I think I figured this out, by putting four voices per staff for brass
and strings, I reduced the number of channels to 13
On Tue, Jun 28, 2011 at 3:25 PM, Brett McCoy idragos...@gmail.com wrote:
I am creating an orchestral template. Since I have more instruments
than MIDI channels, I am
On Mon, Jun 20, 2011 at 5:28 AM, James Harkins jamshar...@gmail.com wrote:
I'm in search of the best of both worlds ly editor.
I've gotten started with Frescobaldi. Autocompletion is invaluable, and the
integrated PDF view and help browser is a real lifesaver.
But, I use Emacs for just
On Mon, Jun 20, 2011 at 9:28 AM, James Harkins jamshar...@gmail.com wrote:
At Mon, 20 Jun 2011 09:20:43 -0400,
Brett McCoy wrote:
I've used both the emacs lilypond mode and Frescobaldi. I like the
emacs mode because, well, it's emacs, but in the end, though, I think
I prefer using Frescobaldi
Thank you for making this! I have a bunch of Overture files and a
non-working Overture application and have been lamenting the fact some of my
older pieces were lost.
On Mon, Apr 11, 2011 at 1:31 PM, Alberto Vignani
alberto.vign...@fastwebnet.it wrote:
Hello all,
I have made available the
On Sat, Feb 19, 2011 at 12:11 PM, Graham Percival
gra...@percival-music.ca wrote:
On Sat, Feb 19, 2011 at 04:47:01PM -, Phil Holmes wrote:
My wife has just asked and I don't know the answer. Why is LilyPond
called LilyPond?
It's on the old webpages, and one of the things I've had in the
On Sat, Feb 19, 2011 at 2:23 PM, Thomas thomas-wil...@hotmail.com wrote:
Werner LEMBERG wl at gnu.org writes:
Does anyone know how to create a full score and individual parts for
a concert band? This would be very helpful to me. There should be a
template for that in the documentation!
On Fri, Feb 18, 2011 at 4:07 PM, Thomas thomas-wil...@hotmail.com wrote:
Does anyone know how to create a full score and individual parts for a concert
band? This would be very helpful to me. There should be a template for that in
the documentation!
The orchestra template is probably the
On Tue, Feb 1, 2011 at 9:13 AM, Jürgen Ibelgaufts juri...@gmx.de wrote:
I want to write down guitar chords and frets with extra voicings, say a G
chord with an extra Fifth on the B string, 3rd fret, or Em chord with an
extra G on the treble e string. As these extra notes belong to the chords,
Is there a way to suppress MIDI output for \ChordName context? When I
create a staff with other parts and have chord names at the top, the
output always has a piano playing those chords and it's interfering
with the rest of the piece, plus I don't need the extra track when I
import the MIDI into a
On Sat, Dec 18, 2010 at 5:19 PM, Ludo Beckers lazy...@gmail.com wrote:
Just wondering, has there ever been a poll about how many Lilypond users
work with a certain specific tool.
Is the majority in this group using denemo, frescobaldi, lilypondtool or
other tools?
I use Frescobaldi or emacs
On Wed, Dec 8, 2010 at 11:03 AM, Vicente Solsona vice...@lavabit.com wrote:
the following comments in the original video page
(http://vimeo.com/17419652) are remarkable:
Q. Brilliant. Love the guitar solo! Sibelius or Finale?
A. LilyPond
Awesome!
--
Brett W. McCoy --
Alex,
Your bassoon entry above the french horn is missing a closing for
the bar statement
\bar |.
On Mon, Oct 4, 2010 at 11:46 AM, alex stone compos...@gmail.com wrote:
Hmmm, can't spot anything missing at the moment.
Here's the entire test file.
http://pastebin.com/pSu6Asge
On Tue, Sep 28, 2010 at 9:54 PM, Mark Polesky markpole...@yahoo.com wrote:
Have you looked at Reinhold's OrchestralLily package?
http://kainhofer.com/orchestrallily/
I just tried one of the examples on that site and, sadly, the
orchestrallily.ly file fails to parse under Lilypond 2.12.3, tons
On Sep 28, 2010, at 11:34 PM, Mark Polesky markpole...@yahoo.com wrote:
Brett McCoy wrote:
Have you looked at Reinhold's OrchestralLily package?
http://kainhofer.com/orchestrallily/
I just tried one of the examples on that site and, sadly,
the orchestrallily.ly file fails to parse under
On Wed, Sep 8, 2010 at 7:58 AM, Graham Okely graham.ok...@iinet.net.au wrote:
I would like to make the whole score use a certain font.
Guitar chord names, lyrics and any other markup.
How do you do that?
Feel free to provide the link to the manual if it is there.
I am using 2.12.3 version.
On Tue, Sep 7, 2010 at 5:36 PM, Erik eriksb...@yahoo.com wrote:
When I use lilypond to create a MIDI file, it seems to create a 2-channel
file.
Am I understanding this correctly? Can I get a 1-channel file?
Any help would be greatly appreciate,
You can have as many channels as you have
On Sun, Sep 5, 2010 at 1:55 PM, Marc Schonbrun m...@marcschonbrun.com wrote:
On Sep 5, 2010, at 10:52 AM, PMA wrote:
Hi List.
Would it be feasible to prepend [Lilypond] to the forum's email Subject
line?
Much of my other mail arrives this way -- like that from [Csnd] and
[LAU].
Does
On Sun, Sep 5, 2010 at 3:03 PM, Kaz Kylheku k...@kylheku.com wrote:
On Sun, 5 Sep 2010 14:22:35 -0400, Brett McCoy idragos...@gmail.com
wrote:
I like to scan emails in my inbox by subject, too, and it's nice to
see what is there (LAU, Ardour-user, etc). I use gmail so everything
isn't
On Wed, Aug 18, 2010 at 3:10 PM, lilyp...@bernardhulsman.nl wrote:
I have a similar question.
I have a bass and a mute bass, which is just slightly different sound. I
would like to use the same bass notation, with a additional accent which
can be played as a different sound in the Midi file.
On Mon, Aug 16, 2010 at 8:30 PM, Stephen Nesbitt
snesb...@aussieswithtails.com wrote:
All:
I would like to use Lilypond to generate sheet music that can best be
described as having 2 distinct and independent sections. The first - and
upper
section - is simply a list of chords used in the
On Tue, Aug 3, 2010 at 3:11 PM, pwf100220 pw_f100_...@hotmail.com wrote:
I wrote three parts of a song separately because they were becoming a little
overwhelming. I want to \include the three files into one but I'm doing
something wrong. It only includes the last file and uncommenting it
2010/7/31 胡海鹏 - Hu Haipeng hhpmu...@163.com:
Does anyone have experience with various soundfonts? I think
Lilypond'smidi is only suitable for GM soundfonts. I just purchased
Orchestral Collection Bundle from Digital SOund Factory, and found it is
divided into separated sections. Is anyone
On Mon, Jul 19, 2010 at 3:47 PM, lilyp...@bernardhulsman.nl wrote:
I want to write a notation for Djembe. Normal notation in Lilypond is fine.
But how can I write a mute tone. This is one hand on the Djembe, which
mutes the sound and the other hand plays the normal tone, f.e. the bass.
Mute
2010/6/22 胡海鹏 - Hu Haipeng hhpmu...@163.com:
Sorry, I misunderstood NR. But I still need more than 16 sounds. I don't
know the difference between channel and track. Finale and Sibelius can have
more than 32 instruments at once, so I don't know whether Lilypond can reach
this feature.
That's
On Sat, Jun 12, 2010 at 3:44 PM, Disc Magnet discmag...@gmail.com wrote:
At the bottom of every PDF generated by lilypond, this notice is
present, Music engraving by LilyPond 2.12.2—www.lilypond.org. Can
this notice be removed or replaced with some other notice? If so, how?
put
tagline =
On Sun, Jun 6, 2010 at 6:39 PM, Disc Magnet discmag...@gmail.com wrote:
There some seems to be some MIDI instruments supported by lilypond
that doesn't seem to be supported by timidity. In such a case, I don't
get silence output from timidity while plaing the .midi file. For
example, I was
On Sun, Jun 6, 2010 at 7:03 PM, Disc Magnet discmag...@gmail.com wrote:
Is there a way to express that a certain MIDI instrument should be
played less loudly than its normal volume throughout the piece?
I use normal dynamic markings for that (\ppp, \p, \f). You can always
tweak the volume in a
On Sun, Jun 6, 2010 at 7:20 PM, Disc Magnet discmag...@gmail.com wrote:
On Mon, Jun 7, 2010 at 4:24 AM, Brett McCoy idragos...@gmail.com wrote:
On Sun, Jun 6, 2010 at 6:39 PM, Disc Magnet discmag...@gmail.com wrote:
There some seems to be some MIDI instruments supported by lilypond
On Wed, Apr 14, 2010 at 1:32 AM, dflo404 dflo...@yahoo.com wrote:
I've tried searching for my question but I can't seem to find anything, maybe
because I don't exactly know what to search for.
Here is the problem:
Whenever I use the \break command, the system that is broken extends to the
On Mon, Mar 15, 2010 at 1:48 PM, Seng Hin Yew hinyew.s...@gmail.com wrote:
I'm using the rehearsal format
\set Score.markFormatter = #format-mark-box-letters
So the marks appeared as A, B, C, D... in square boxes. When the alphabet
reached H (\mark #8), it jumped to J instead of I.
On Tue, Mar 9, 2010 at 4:58 PM, rosea grammostola
rosea.grammost...@gmail.com wrote:
Valentin Villenave wrote:
On Tue, Mar 9, 2010 at 10:04 PM, rosea grammostola
rosea.grammost...@gmail.com wrote:
I made a piece for double bass. How do I get a swing rhythm in the midi
output?
On Wed, Mar 3, 2010 at 1:33 PM, James Worlton jworl...@gmail.com wrote:
On Sat, Feb 20, 2010 at 12:11 AM, Brett McCoy idragos...@gmail.com wrote:
I am using oddHeaderMarkup and evenHeaderMarkup to put running headers
(title, composer) on each page of a score, but want to suppress
I am typesetting a lead sheet and it has a very strange chord --
G7b9#9. I confirmed that this chord is correct (freakin jazz people
;-P ), but can't figure out how to get the chord name to display.
Using g:7.9-.9+ only results in g7#9 since Lilypond doesn't like two
of the same steps in the
On Sat, Feb 20, 2010 at 6:08 PM, Tim McNamara tim...@bitstream.net wrote:
My advice would be to just write a Gb7 or to pick just one extension,
perhaps whichever coincides best with the melody note in that measure (e.g.,
Gb7b9 if the melody note is a G or Gb7#9 if it's an A; if it's neither, I
I am using oddHeaderMarkup and evenHeaderMarkup to put running headers
(title, composer) on each page of a score, but want to suppress it on
the first page of the score (where the main header is). I can't seem
to find anything in the snippets or notation reference on how to
suppress this on the
On Thu, Feb 18, 2010 at 2:35 PM, Bertalan Fodor (LilyPondTool)
lilypondt...@organum.hu wrote:
I definitely talk about playing a keyboard instrument. It is quite easy to
feel the difference between volume and velocity if you think about that:
When you see p in the score, you play with less
On Thu, Feb 18, 2010 at 7:27 PM, Peter Chubb
lily.u...@chubb.wattle.id.au wrote:
I had a quick look at what it would take to generate notes with
different velocities instead of just CC 7 events. It's harder than it
should be: dynamic events always come after the notes they affect, so
I
I've read in a few places -- including the Lilypond documentation --
that, traditionally, when using rehearsal marks in a score, the letter
I is skipped. Does anyone know why this is done?
Lilypond handles this automatically, do Finale and Sibelius?
-- Brett
On Thu, Feb 4, 2010 at 9:08 PM, Graham Percival
gra...@percival-music.ca wrote:
On Thu, Feb 04, 2010 at 08:34:14PM -0500, Brett McCoy wrote:
I've read in a few places -- including the Lilypond documentation --
that, traditionally, when using rehearsal marks in a score, the letter
I is skipped
I have a score where I need to indicate Drop D tuning for the guitar
(6th string is tuned down to D). The typical way this is indicated in
guitar music is a (6) = D (circle with a 6 in it = D), placed at the
top left of page 1 under the title, but above a tempo mark. I am
relatively new to
On Wed, Feb 3, 2010 at 2:39 PM, Kieren MacMillan
kieren_macmil...@sympatico.ca wrote:
\version 2.13.11
dropD = \markup \line { \circle 6 = D }
\header {
title = Drip, Drip, Drop-D
piece = \dropD
}
\score {
\relative d { \clef treble_8 d1 }
}
Hope this helps!
It sure did, exactly
Yes, David, I put your markup in piece and it worked fine, just like
Kieren's version.
On Wed, Feb 3, 2010 at 3:22 PM, David Stocker
dstoc...@thenotesetter.com wrote:
Kieren suggested piece.
James Bailey wrote:
On 03.02.2010, at 20:45, David Stocker wrote:
Brett,
This is a modification
of the first stave, and for
this I set the instrument name, as it automatically gets placed correctly:
\relative c' {
\clef treble_8
\set Staff.instrumentName = \markup \bold { \circle {6} = D }
c1
}
Nick
On 04/02/10 06:28, Brett McCoy wrote:
I have a score where I need
Staff.instrumentName = \scordatura
\new Voice \scordaturanotes
\layout {
ragged-right = ##t
indent = 5\cm
\context {
\Staff
\remove Time_signature_engraver
}
}
}
%==
Nick
On 04/02/10 07:32, Brett McCoy
On Mon, Feb 1, 2010 at 4:57 PM, Bobber bob...@kc0dxf.net wrote:
I have been having a discussion with a small publisher who uses the music
manuscript program called Score. He says that neither Lilypond or Finale
can produce engraving that is comparable to Score. And that most of the
major
I am doing some drum notation, starting out with a 2-bar groove, and
then for the following measures I want to just have 4 diagonal slashes
to indicate drummer basic time (rather than the % sign to indicate a
repeated measure). Basically, I want to do something similar to the
isolated % repeat
On Mon, Jan 25, 2010 at 10:19 PM, Brett McCoy idragos...@gmail.com wrote:
I am doing some drum notation, starting out with a 2-bar groove, and
then for the following measures I want to just have 4 diagonal slashes
to indicate drummer basic time (rather than the % sign to indicate a
repeated
On Fri, Jan 1, 2010 at 10:40 AM, James Lowe james.l...@datacore.com wrote:
Use virtual box.
It's very simple, free and doesn't require any special CPUs.
I use it all the time on windows 7 with the Lilybunto.iso which you can get
from here:
http://prodet.hu/bert/lilydev/lilybuntu.iso
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