Midi2Lily

--- Begin Message --- I mentioned previously that I wrote a program to convert MIDI files to LilyPond files. That program is called MidiToLily and it’s now freely available on GitHub. It’s a console app, doesn’t have an installer, and doesn’t store things in the registry or anywhere else. It

Re: Puzzled about r1 issue in 3/4 time

> From: Michael Wagner > Subject: Puzzled about r1 issue in 3/4 time > Date: October 23, 2019 at 2:59:06 PM CDT > To: lilypond-user@gnu.org > > > I am seeing some behavior I don’t understand. I have ended the music for > “Silver Bells” into lilypond, and I am seeing a puzzling error. > >

Bar numbers not always printed at beginning of line

The first sentence of the Bar numbers subsection of section "1.2.5 Bars” states:Bar numbers are typeset by default at the start of every line except the first line.However, the 2nd line of the output of the following snippet does not get a bar number: BarNumberProblem.ly Description: Binary data

Re:v2.19.82 documentation unusable? (Aaron Hill)

> On Nov 24, 2018, at 9:51 AM,Aaron Hill wrote: > > > Message: 1 > Date: Fri, 23 Nov 2018 10:34:39 -0800 > From: Aaron Hill > To: lilypond-user@gnu.org > Subject: Re: v2.19.82 documentation unusable? > Message-ID: <3cf7a16e59434b69a91678193e225...@hillvisions.com> > Content-Type: text/plain;

Re:\bookparts and scaling (Karlin High)

> > Message: 2 > Date: Fri, 29 Jun 2018 13:18:18 -0500 > From: Karlin High > To: lilypond-user@gnu.org, David Wright , > crimsonsunr...@protonmail.com > Cc: torsten.haemme...@web.de, David Kastrup > Subject: Re: \bookparts and scaling > Message-ID: > Content-Type: text/plain;

Re: Unwanted spacing in text

> On Nov 12, 2017, at 12:12 PM, Cynthia Karl <pck...@mac.com> wrote: > > >> On Nov 12, 2017, at 10:35 AM, lilypond-user-requ...@gnu.org wrote: >> >> \version "2.18.2" >> >> \header { >> ? title = \markup { \char ##x00c6 "

Re: Unwanted spacing in text

> On Nov 12, 2017, at 10:35 AM, lilypond-user-requ...@gnu.org wrote: > > \version "2.18.2" > > \header { > ? title = \markup { \char ##x00c6 "nigma" } > } > > \score { > ? \new Staff = \relative c' { c1 } > } > If you’re using Frescobaldi, the easiest way is to go to "Tools/Special

Re: An 'interpreter' for lilypond

> > Message: 5 > Date: Sat, 1 Apr 2017 12:39:23 -0700 (MST) > From: tisimst > To: lilypond-user@gnu.org > Subject: Re: An 'interpreter' for lilypond > Message-ID: > > Content-Type: text/plain;

Re: lrouble Combining Repeats and Closing Bars in tunes

> -- > > Message: 2 > Date: Mon, 17 Oct 2016 23:24:51 -0400 > From: Ben Beeson > To: lilypond-user > Subject: Trouble Combining Repeats and Closing Bars in tunes > > Hi, > > I am looking at a 4 - part tune where the first

Re:v2.19.47 on Mac x86 (Jacques Menu Muzhic)

> Message: 5 > Date: Sun, 4 Sep 2016 17:41:42 +0200 > From: Jacques Menu Muzhic > To: Andrew Bernard > Cc: Jacques Menu Muzhic , lilypond-user > > Subject: Re: v2.19.47 on Mac x86 > I run

Re: Dynamic marks and vertical space

> On Aug 27, 2016, at 02:24:41 +0300,Timofey Misarenkov wrote: > > Message: 2 > Date: Sat, 27 Aug 2016 02:24:41 +0300 > From: Timofey Misarenkov > Subject: Dynamic marks and vertical space > > The sample code below has one flaw: it wastes too much vertical space > due to \ff.

Re: Problem coloring Ambitus ledger-lines

Sat, 9 Jul 2016 16:51:25 +0200 Thomas Morley : > Subject: Re: Problem coloring Ambitus ledger-lines > > 2016-07-09 16:22 GMT+02:00 Patrick Karl : >> The following MWE: >> >> \version "2.19.38" >> >> music = { c'4 c''' r2 } >> >> \score { >> \new

Re: attachments and digest mode

> On May 5, 2016, at 7:05 PM, Carl Sorensen <c_soren...@byu.edu> wrote: > > > > On 5/4/16 8:00 PM, "Cynthia Karl" <pck...@mac.com> wrote: > >> >> In my experience, all are available through links, but never the ones >> given in th

Re:attachments and digest mode

> Message: 4 > Date: Fri, 29 Apr 2016 20:21:28 -0500 > From: David Wright > To: Flaming Hakama by Elaine > Subject: Re: attachments and digest mode > > On Fri 29 Apr 2016 at 17:05:05 (-0700), Flaming Hakama by Elaine wrote: > >> I will

Re: duration using variable (Gianmaria Lari)

> On Apr 27, 2016, at 3:57 AM, lilypond-user-requ...@gnu.org wrote: > > Message: 4 > Date: Wed, 27 Apr 2016 10:56:53 +0200 > From: Gianmaria Lari > Subject: duration using variable > > In the previous example the cC variable contains a quarter note (and a > quarter

Inline images, was Re: Variable slur thickness

On Thu, 10 Mar 2016 06:04:57 -0700 (MST) tisimst schrieb: > > HTH, > Abraham > > P.S. Some of the power users on this list filter inline images, so if you > wouldn't mind making the image an attachment next time, I know they'll > appreciate it. :-) Why on earth

Re: Impossible or ambiguous (de)crescendo in MIDI

> Date: Wed, 02 Mar 2016 14:37:44 + > From: Graham King > To: LilyPond Users > Subject: Impossible or ambiguous (de)crescendo in MIDI. > Message-ID: <1456929464.11804.791.ca...@oberon.tremagi.org.uk> > Content-Type: text/plain;

Re: When to Use Pound Signs

> Message: 6 > Date: Tue, 5 Jan 2016 21:55:42 -0700 > From: Colin Campbell > To: lilypond-user@gnu.org > Subject: Re: When to Use Pound Signs > Message-ID: <568c9e4e.6060...@shaw.ca> > > On 16-01-05 09:47 PM, Andrew Bernard wrote: > > I wonder if the spaces delimited by the lines

How to shift stem from one side of a note to the other side

(note newfound knowledge used to create a new topic without hijacking a thread.) I’m engraving a piece that has what appears to me to be an unusual-looking polyphonic chord (beat 3, music is \time 4/4): So far the closest I can come to that chord is: with the following code: StemShift.ly

Re: lilypond-user Digest, Vol 157, Issue 92

> On Dec 21, 2015, at 3:10 AM, Simon Albrecht wrote: > > Pardon, did you want to include any text with this e-mail? > Also please remember editing the subject line. > > Yours, Simon > No, it was an error, completely inadvertent. Please accept my abject apologies.

Re: lilypond-user Digest, Vol 157, Issue 92

Sent from my iPhone > On Dec 20, 2015, at 6:16 PM, lilypond-user-requ...@gnu.org wrote: > > Send lilypond-user mailing list submissions to >lilypond-user@gnu.org > > To subscribe or unsubscribe via the World Wide Web, visit >https://lists.gnu.org/mailman/listinfo/lilypond-user > or,

Re: Why does \skip extend an extender

> On Nov 29, 2014, at 9:51 AM, Phil Holmes <m...@philholmes.net> wrote: > > - Original Message - From: "Patrick or Cynthia Karl" <pck...@me.com> > To: <lilypond-user@gnu.org> > Sent: Saturday, November 29, 2014 3:41 PM &

Extending staff lines through key change

I’m engraving a piece that ends with a D.C. al Fine. Also the key at the beginning of the piece is different from the key at the end of the piece. So, in order to cue the performer, a final key change is issued for the initial key: \version "2.19.32" { \relative c'' { \key g\major

Re: Stacked letters in markup

> Message: 1 > Date: Thu, 1 Oct 2015 15:33:51 +0200 > From: Urs Liska > To: lilypond-user > Subject: Stacked letters in markup > Message-ID: <560d363f.9010...@openlilylib.org> > Content-Type: text/plain; charset=utf-8 > > Sorry, I have to ask this

non-text attachment, was Re: Ties and repeats

> Message: 6 > Date: Wed, 16 Sep 2015 12:45:27 +0200 > From: David Kastrup > To: Frank Wuest > Subject: Re: Ties and repeats > > Frank Wuest writes: > >> Hi everyone, >> >> Hi, David, Most of your responses on the lilypond-user

How to get slur-event in cueDuring notes

The following snippet seems to show a problem getting a slur-event to appear in music generated by \cueDuring: \version 2.19.23 A = \relative c'' { \set Staff.instrumentName = A c( d e f) g f e d } \addQuote a \A B = \relative c'' { \set Staff.instrumentName = B

Positioning Dynamics Contexts

Is there a useful way to get closer association of a staff and a dynamics context in the following snippet? \version 2.19.23 musicA = \relative c'' {\repeat unfold 24 c4 \break \repeat unfold 24 d4} dynamicsA = {s1 s\p s s\f s s s1\p s\mp s\mf s\f s\ff s\fff} musicB =

Re: Positioning Dynamics Contexts

On Aug 4, 2015, at 10:04 AM, Kevin Barry barr...@gmail.com wrote: On Tue, Aug 4, 2015 at 3:53 PM, Cynthia Karl pck...@mac.com wrote: Is there a useful way to get closer association of a staff and a dynamics context in the following snippet? Two things suggest themselves, although you may

currentBarNumber has no effect on quoted music

Suppose I have a piece of music to perform that has both simple and difficult passages. It would be helpful if I could derive a practice piece that had only the difficult passages. My first attempt at doing this is: \version 2.19.20 music = \relative c'' { c1 d \tuplet 3/2 16 {

Re: repeated _\markup{} at same distance from staff...?

On May 7, 2015, at 6:00 AM, lilypond-user-requ...@gnu.org wrote: Message: 4 Date: Thu, 7 May 2015 21:00:40 +1000 From: B~M viola1...@gmail.com To: lilypond-user@gnu.org Subject: repeated _\markup{} at same distance from staff...? Message-ID:

Re: Tie engraver

Message: 4 Date: Tue, 28 Apr 2015 19:46:29 +1000 From: Andrew Bernard andrew.bern...@gmail.com To: Urs Liska u...@openlilylib.org, lilypond-user@gnu.org, David Nalesnik david.nales...@gmail.com Subject: Re: Tie engraver Hi Urs and David, Thanks so much. Yes, my chords are in

Re: How to determine if a font is a fallback font?

Message: 6 Date: Tue, 28 Apr 2015 09:48:51 +0200 From: Urs Liska u...@openlilylib.org To: Werner LEMBERG w...@gnu.org Subject: Re: How to determine if a font is a fallback font? Am 28.04.2015 um 09:38 schrieb Werner LEMBERG: Is there a function to retrieve the font name from a given file

Re: Putting text IN the staff

Message: 3 Date: Sun, 26 Apr 2015 23:14:32 +0100 From: Anthonys Lists antli...@youngman.org.uk To: lilypond user list lilypond-user@gnu.org Subject: Putting text IN the staff Message-ID: 553d634...@youngman.org.uk Content-Type: text/plain; charset=utf-8; format=flowed Simple problem, I

Re: odd behavior with acciaccatura in 1st position

Message: 2 Date: Sun, 26 Apr 2015 10:09:13 +1000 From: Andrew Bernard andrew.bern...@gmail.com To: lilypond-user@gnu.org Subject: Re: odd behavior with acciaccatura in 1st position Message-ID: etPan.553c2ca9.6b8b4567.185c@darkenergy.local Content-Type: text/plain; charset=utf-8 Aha -

Re: Do we really offer the future?

Message: 1 Date: Wed, 22 Apr 2015 17:11:34 -0400 From: Kieren MacMillan kieren_macmil...@sympatico.ca To: Noeck noeck.marb...@gmx.de Subject: Re: Do we really offer the future? Hi Joram (et al.), just use point-and-click in Frescobaldi which brings me quickly to the place where I

Re: Font access testers needed

Message: 5 Date: Tue, 21 Apr 2015 19:43:02 +0200 From: Urs Liska u...@openlilylib.org To: lilypond-user lilypond-user@gnu.org Subject: Font access testers needed Hi, I'd like to have a few people who are interested in testing and discussing a new way to select music and text fonts in

Re: Windows performance

Message: 4 Date: Thu, 16 Apr 2015 15:28:35 +0100 From: Trevor Daniels t.dani...@treda.co.uk To: Phil Holmes philehol...@googlemail.com, LilyPond User Group lilypond-user@gnu.org Subject: Re: Windows performance Message-ID:

Re: Double clef when using cueDuringWithClef with a simultaneous clef change

Message: 5 Date: Thu, 09 Apr 2015 13:45:39 +0200 From: Reinhold Kainhofer reinh...@kainhofer.com To: LilyPond User Mailinglist lilypond-user@gnu.org Subject: Double clef when using cueDuringWithClef with a simultaneous clefchange Message-ID: 5523.7040...@kainhofer.com

Re: Staff ends before \clef, \time and \key

On Apr 6, 2015, at 2:04 PM, lilypond-user-requ...@gnu.org wrote: Message: 3 Date: Mon, 06 Apr 2015 21:04:22 +0200 From: Reinhold Kainhofer reinh...@kainhofer.com Subject: Staff ends before \clef, \time and \key Hi all, It's been quite a while since I last used LilyPond, and I finally

Re: 2 \tempo command at the same time

Message: 3 Date: Fri, 20 Mar 2015 10:03:10 +0100 From: Anton Curl curl.an...@gmail.com To: Craig Dabelstein craig.dabelst...@gmail.com, lilypond-user@gnu.org Subject: Re: 2 \tempo command at the same time That's not exactly what I want. \tempo Swing 4=125 seems to mean the tempo

musicxml2ly

Message: 4 Date: Thu, 19 Mar 2015 20:06:23 + From: Craig Dabelstein craig.dabelst...@gmail.com Subject: musicxml2ly Is there a command for converting a whole folder of xml files to lilypond, rather than doing them one by one? In any OS with a bash-like shell: for f in *.xml do

Re:Quoted music and midi (Cynthia Karl)

Date: Fri, 06 Mar 2015 16:00:10 -0600 From: Cynthia Karl pck...@mac.com Subject: Re: Quoted music and midi I wouldn?t consider that a problem... if I quote the violin part in a trumpet part, I wouldn?t expect to hear the brass honking away in the MIDI rendition. Quoting, IMO, is best

Re: Slurred staccato in a tremolo (Menu Jacques)

On Mar 8, 2015, at 4:07 PM, Menu Jacques imj-...@bluewin.ch wrote: Hello Pat, I tried: { \time 3/4 \clef bass \repeat tremolo 6 e8 -\markup {\draw-dotted-line #'(5.1 . 2.3)} | } but the slur doesn’t show up. Try: { \time 3/4 \clef bass \repeat tremolo 6 e8^\markup {

Re: Slurred staccato in a tremolo (Menu Jacques)

Cheers, Klaus Le 8 mars 2015 à 19:31, Cynthia Karl pck...@mac.com a écrit : Message: 2 Date: Sun, 8 Mar 2015 18:37:15 +0100 From: Menu Jacques imj-...@bluewin.ch Subject: Slurred staccato in a tremolo Is there a way to get the slur above the tremolo in the sample below, as found

Re: Slurred staccato in a tremolo (Menu Jacques)

Message: 2 Date: Sun, 8 Mar 2015 18:37:15 +0100 From: Menu Jacques imj-...@bluewin.ch Subject: Slurred staccato in a tremolo Is there a way to get the slur above the tremolo in the sample below, as found in the attached manuscript image? Thanks for you help! JM \version 2.19.15

Quoted music and midi

Consider the following snippet: \version 2.19.16 music = \relative c'' { c,4 d e f | g a b c | } \addQuote music \music moreMusic = \relative c'' { r2 \quoteDuring music s2 r2 \quoteDuring music s2 } \score { \new Staff \music \new Staff \moreMusic

Re: Quoted music and midi

Message: 3 Date: Fri, 06 Mar 2015 14:17:08 -0600 From: Christopher R. Maden cr...@maden.org Subject: Re: Quoted music and midi On 03/06/2015 11:36 AM, Cynthia Karl wrote: The printed output is fine: but although it makes a midi file with two channels, there don't seem to be any notes

staffSize music function unreliable at LP v2.19.16

The following snippet: \version 2.19.15 staffSize = #(define-music-function (parser location new-size) (number?) #{ \set fontSize = #new-size \override StaffSymbol #'staff-space = #(magstep new-size) \override StaffSymbol #'thickness = #(magstep new-size) #}) Ab = \relative c' { f4

Re: I question about this file?..

On Feb 28, 2015, at 2:57 PM,Peter Teeson peter.tee...@icloud.com: My lead sheet is coming along fine thanks to your help. But I have this question: 1. How can I make the lyrics to the bridge start after the 2nd repeat? Right now they appear as a 3rd stanza. Bridge = \lyricmode {

Re: 2 questions re this file

On Feb 28, 2015, at 11:50 AM,Peter Teeson peter.tee...@icloud.com wrote: Hi: 1. How can I break the composer text so it appears like this on the score: Music: Thomas 'Fats' Waller Harry Brooks

\articulate command doesn't handle {c4 4}

The Notation Manual seems to allow a naked duration to represent the last pitch with that duration. The following extract from the NM shows what I'm talking about: (you'd think that since we're only on p6, it would be easy to find the explicit permission to do this, but I can't find it.

\articulate command and rit. was: Re: lilypond-user Digest, Vol 147, Issue 102

Message: 5 Date: Sat, 14 Feb 2015 20:20:37 +0100 From: Thomas Morley thomasmorle...@gmail.com To: Patrick Karl patrickk...@me.com Cc: lilypond-user lilypond-user@gnu.org Subject: Re: lilypond-user Digest, Vol 137, Issue 62 Message-ID:

Re: Problem with r2. in two voices

On Feb 7, 2015, at 9:07 PM, Kieren MacMillan kieren_macmil...@sympatico.ca wrote: Hi Cynthia, In fact the output generated is just nonsensical. Two stacked augmentation dots? That just doesn’t seem right. No, it’s perfectly sensible, if you want (need) to make it visually explicit

RE: Problem with r2. in two voices

Message: 2 Date: Sat, 7 Feb 2015 18:24:30 -0800 From: Mark Stephen Mrotek carsonm...@ca.rr.com To: 'Cynthia Karl' pck...@mac.com,lilypond-user@gnu.org Subject: RE: Problem with r2. in two voices Message-ID: 00c201d04346$5ef30160$1cd90420$@ca.rr.com Content-Type: text/plain

Problem with r2. in two voices

I don’t understand two things about the following snippet: \version 2.19.15 Aa = \relative c'' {\oneVoice r2. } Ab = \relative c'' {\oneVoice r2. } \score { \new Staff \time 3/4 \new Voice \Aa \new Voice \Ab \layout {}

Re: architecture problem with midi2ly on a mac

On Feb 4, 2015, at 11:38 AM, Cynthia Karl pck...@mac.com wrote: On Feb 4, 2015, at 11:05 AM, Hans Aberg haber...@telia.com mailto:haber...@telia.com wrote: On 4 Feb 2015, at 16:26, Cynthia Karl pck...@mac.com mailto:pck...@mac.com wrote: This is on a MacBook Pro running OS X

Re: architecture problem with midi2ly on a mac

On Feb 4, 2015, at 11:05 AM, Hans Aberg haber...@telia.com wrote: On 4 Feb 2015, at 16:26, Cynthia Karl pck...@mac.com wrote: This is on a MacBook Pro running OS X 10.10.2. Is there any way I can get midi2ly running on this computer? It works with a script, named say “midi2ly

architecture problem with midi2ly on a mac

When I do: midi2ly —help I get: Patricks-MacBook-Pro:mi2ly.0.12 pat$ midi2ly --help Traceback (most recent call last): File /Applications/LilyPond.app/Contents/Resources/bin/midi2ly, line 54, in module import midi ImportError:

Rehearsal mark an end of one system and another at the begin of next system

Is there any way to modify the following snippet and get “Fine” at the end of the 1st system and “A” at the begin of the next system. The “A” is discarded because it is deemed to be simultaneous with the “Fine”. The chief reason for using a rehearsal mark for the “Fine”, of course, is to

Re: 2.19.15 slur accidental collision (Paul Scott)

Message: 2 Date: Sat, 31 Jan 2015 13:31:14 -0700 From: Paul Scott waterho...@ultrasw.com To: lilypond-user@gnu.org Subject: 2.19.15 slur accidental collision Message-ID: 20150131203114.GA12158@joy3 Content-Type: text/plain; charset=us-ascii Hi, I am trying to make a slur not collide

Re: Repeats - Strange behavior??

Message: 6 Date: Wed, 28 Jan 2015 00:02:13 +0100 From: Thomas Morley thomasmorle...@gmail.com To: Chris Trahan trahan.ch...@gmail.com Cc: LilyPond User Group lilypond-user@gnu.org Subject: Re: Repeats - Strange behavior?? Message-ID:

Re: Rehearsal marks and grace notes at the beginning of bars

will not always fix the problem satisfactorily. Thanks, From: Cynthia Karl pck...@mac.com mailto:pck...@mac.com Subject: Re: Rehearsal marks and grace notes at the beginning of bars From: Flaming Hakama by Elaine ela...@flaminghakama.com mailto:ela...@flaminghakama.com

Re: Rehearsal marks and grace notes at the beginning of bars

Message: 4 Date: Sun, 25 Jan 2015 22:22:02 -0800 From: Flaming Hakama by Elaine ela...@flaminghakama.com To: lilypond-user@gnu.org Subject: Rehearsal marks and grace notes at the beginning of bars Message-ID: CACX-=8xa0ezkphbzw79326ttqm2_ccl_gt42wemzw2a85ze...@mail.gmail.com

Tag problem

I'm confused about the Using tags subsection of section 3.3.2 Different editions from one source: Known issues and warnings Calling \relative on a music expression obtained by filtering music through \keepWithTag or \removeWithTag might cause the octave relations to change, as only the

Re: Custom DrumStaff

for the various releases exist? That would show, e.g. all differences between v.2.19.15 and v.1.18.2 or between v.2.19.15 and v.2.19.14? Or between the current stable versionj and the current developmental version? On Thu, 2015-01-22 at 22:19 -0600, Cynthia Karl wrote: On Jan 22, 2015, at 6:06 PM

Re: Custom DrumStaff

On Jan 22, 2015, at 6:06 PM, Rutger Hofman rut...@cs.vu.nl wrote: On 01/23/2015 12:28 AM, Cynthia Karl wrote: I'm trying to duplicate the behavior shown in the next two images: The major things wrong with this output are: * the rests should be centered on their line, not above

Custom DrumStaff

I'm trying to duplicate the behavior shown in the next two images: (the dash above the eighth rest in the upper line in beat 1 of measure 4 is an artifact; ignore it) My best effort so far is: \version 2.19.15 \paper { ragged-right = ##t } #(define percussion '((lobongo default #t 3)

Re: Staccato

On Jan 20, 2015, at 7:14 AM, Noeck noeck.marb...@gmx.de wrote: 4. To find the override for staccatos, I tried to find the property of Script that specifies the direction. I used the Frescobaldi autocomplete and typed \override Script. and Ctrl+Space which showed me that there is a

Re: Staccato

Date: Mon, 19 Jan 2015 23:18:31 +0100 From: Noeck noeck.marb...@gmx.de Subject: Re: Staccato Am 19.01.2015 um 20:29 schrieb Cynthia Karl: On Jan 19, 2015, at 1:20 PM, Ed Gordijn ed.klari...@gmail.com mailto:ed.klari...@gmail.com wrote: Hi Cynthia, Is there a way to get the second

Re: Staccato

On Jan 19, 2015, at 1:20 PM, Ed Gordijn ed.klari...@gmail.com wrote: Hi Cynthia, Is there a way to get the second snippet to produce regular staccato dots? You van use \dotsDown or \dotsUp Greetings, Ed It’s difficult to tell exactly what those commands do, but I don’t think

Staccato

Section 1.285 staccato of the 2.19.15 LilyPond Music Glossary says: Staccato is indicated by a dot above or below the note head. Gardner Read (Music Notation: A Manual of Modern Practice) agrees with this and has a little picture showing a stem-up note with a dot just beneath the note-head

Question about \afterGrace

The following snippet is based on the afterGrace snippet on p.136 of the 2.19.15 Notation manual: \version 2.19.15 \score { \new Staff \relative c'' { d1~\afterGrace d1\startTrillSpan { c32[

Problem with position of a dynamics context

Consider the following snippet and the attached graphic (--png) file it generates: \version 2.19.15 \paper {ragged-last-bottom = ##f} music = { \mark \default \repeat unfold 8 s1 \break \mark \default \repeat unfold 8 s1 \break \mark \default \repeat

snippet throws programming errors

The following snippet: \version 2.19.15 music = \relative c'' { e2 g, } \score { \new Staff \key c \major \music \layout { \context { \Voice \consists Ambitus_engraver } } } throws the following two programming errors: * programming error: Note-column without

Re:snippet throws programming errors (Jim Long) 53

Message: 7 Date: Mon, 12 Jan 2015 20:10:20 -0800 From: Jim Long lilyp...@umpquanet.com Subject: Re: snippet throws programming errors On Mon, Jan 12, 2015 at 05:25:55PM -0600, Cynthia Karl wrote: The following snippet: \version 2.19.15 music = \relative c'' { e2 g, } \score

\articulate problem

The following snippet shows several problems: \version 2.19.15 \include articulate.ly S = \relative b' { \set Staff.instrumentName = S \clef treble c4 c16\prall e r8 r r r r c4 c c c } A = \relative c'' { \set Staff.instrumentName = A \clef treble c4 c c c c4 c c c } \score {

Re: Autochange for two voices

Message: 2 Date: Sat, 20 Dec 2014 21:57:00 + (UTC) From: Justin justin.domin...@hotmail.com Subject: Autochange for two voices Hello, I am trying to typeset scales for two hands on the piano like so : http://postimg.org/image/bq0hqyv1z/ I was able to get to this point:

Whole measure rests in Compound duple meter

On Dec 10, 2014, at 5:02 PM, vegasart...@hotmail.com wrote: Message: 4 Date: Wed, 10 Dec 2014 13:54:28 -0800 From: Do something Artistic vegasart...@hotmail.com To: lilypond-user@gnu.org lilypond-user@gnu.org Subject: FW: Whole measure rests in Compound duple meter Can't figure out why

Why does \skip extend an extender

In the following snippet: music = \relative b' { c4 d e f f g a b c,1 } Lyrics = \lyricmode { c d e __ _ _ \skip 1 \skip 1 \skip 1 C } \score { \new Staff \music \addlyrics \Lyrics \layout { } } I

Problem with ChordNames

I am using LilyPond 2.19.15 on a mac running OSX 10.10 (Yosemite). The following snippet (from section 2.7.2 Displaying Chords of the Notation Manual): \version 2.19.15 \new ChordNames { \chordmode { c2 f4. g8 } } fails with the following in the log file: Drawing systems... Layout

Re: Anacrusis in multiple tunes on page

Recently you posted: It seems clear to me that I am mis-formatting something. What I am trying to do is is to put multiple tunes on a single page as for a set of tunes for a dance. The problem that I'm having is that many of these tunes start both the A part and the B part with an

Question about a midi file

When I compile the following: \version 2.19.15 Drum = \drummode { \set Staff.midiInstrument =#woodblock hiwoodblock4 wbh8 wbh wbh wbh wbh4 r4 r8 wbh8 r4 r8 wbh8 wbh4 \repeat unfold 12 { wbh16 } } \score { \new DrumStaff \with { drumStyleTable = #percussion-style

Re: Question about a midi file

On Oct 14, 2014, at 3:30 PM, Peter Crighton wrote: 2014-10-14 21:54 GMT+02:00 Patrick or Cynthia Karl pck...@mac.com: When I compile the following: \version 2.19.15 Drum = \drummode { \set Staff.midiInstrument =#woodblock hiwoodblock4 wbh8 wbh wbh wbh wbh4 r4 r8 wbh8 r4 r8

parallel music with selective repeats

I have a piece of music that needs to have all staves but one repeat, and that non-repeating staff is twice as long as the repeating. I tried the following but got no joy: \version 2.19.15 musicA = \relative b' { c d e f } musicB = \relative f' { f e d c } \score { \new Staff

Re: lilypond-user Digest, Vol 143, Issue 83

Message: 5 Date: Mon, 13 Oct 2014 21:08:41 +0200 From: David Kastrup d...@gnu.org Subject: Re: parallel music with selective repeats Patrick or Cynthia Karl pck...@mac.com writes: I have a piece of music that needs to have all staves but one repeat, and that non-repeating staff

Re: lilypond input filename access (Paul Morris)

On Aug 31, 2014, at 5:14 AM, Phil Holmes m...@philholmes.net wrote: - Original Message - From: Patrick or Cynthia Karl pck...@me.com To: lilypond-user@gnu.org; Paul Morris p...@paulwmorris.com Sent: Saturday, August 30, 2014 8:27 PM Subject: Re:lilypond input filename access (Paul

lilypond input filename access

Is there a way to access the input filename that lilypond was invoked with in order to include it in text output to the pdf file generated? ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re:lilypond input filename access (Paul Morris)

Message: 8 Date: Sat, 30 Aug 2014 08:34:40 -0700 (PDT) From: Paul Morris p...@paulwmorris.com To: lilypond-user@gnu.org Subject: Re: lilypond input filename access Patrick or Cynthia Karl wrote Is there a way to access the input filename that lilypond was invoked with in order

Re: lilypond-user Digest, Vol 139, Issue 68

I frequently need do something like: c \tweak font-size #-2 c' in order to show that one of the two notes is preferred, but the other one is acceptable. The problem is that the -2 in the \tweak command is an absolute value, i.e., it is not relative to the fontSize being used. If the

relative note size, was: Re: lilypond-user Digest, Vol 139, Issue 68

Sorry for the poor Subject. On Aug 2, 2014, at 10:01 AM, Patrick or Cynthia Karl wrote: I frequently need do something like: c \tweak font-size #-2 c' in order to show that one of the two notes is preferred, but the other one is acceptable. The problem is that the -2 in the \tweak

Re: justified paragraphs in bookTitleMarkup

Message: 3 Date: Fri, 18 Jul 2014 16:06:40 +0200 From: Thomas Morley thomasmorle...@gmail.com To: Urs Liska u...@openlilylib.org Cc: lilypond-user lilypond-user@gnu.org Subject: Re: justified paragraphs in bookTitleMarkup Message-ID:

Problem ordering staves

I'm trying to do a score where one group of instruments splits and plays different music for a while. I guess that this might be an instance of ostia, but I am required to place the new music on two staves in their own staff group. What I came up with is the following: \version 2.18.2 A

What is it with \bar ||?

I recently had a problem with a \bar || at the end of a line suppressing the initial repeat sign in the following repeat volta section. The answer was to use some magical \bar instead which cured the problem. It was not clear to me then why the \bar || seemed to cause the following section to

Re: lilypond-user Digest, Vol 139, Issue 116

Message: 2 Date: Sun, 29 Jun 2014 22:04:05 +0200 From: Thomas Morley thomasmorle...@gmail.com Subject: Re: What is it with \bar ||? Actually it is a little more complicated. First of all let me say that I appreciate everyone's patience with me. I have learned more that I thought I

Re: What is it with \bar ||?

Sorry for not having changed the subject appropriately. On Jun 29, 2014, at 9:40 PM, Patrick or Cynthia Karl wrote: Message: 2 Date: Sun, 29 Jun 2014 22:04:05 +0200 From: Thomas Morley thomasmorle...@gmail.com Subject: Re: What is it with \bar ||? Actually it is a little more

Re: Repeat volta not at beginning of piece doesn't get initial repeat bar line

Message: 6 Date: Thu, 26 Jun 2014 20:20:16 +0200 From: Marc Hohl m...@hohlart.de Subject: Re: Repeat volta not at beginning of piece doesn't get initial repeat bar line [...] Sorry, that doesn't work for me, result is the same. I assume you're saying to replace the \bar || with

Repeat volta not at beginning of piece doesn't get initial repeat bar line

Section 1.4 of the Notation Manual says about volta repeats: volta The repeated music is not written out but enclosed between repeat bar lines. If the repeat is at the beginning of a piece, a repeat bar line is only printed at the end of the

Re: Repeat volta not at beginning of piece doesn't get initial repeat bar line

In lilypond-user Digest, Vol 139, Issue 98 Message: 6, Jay Anderson wrote: Date: Thu, 26 Jun 2014 08:53:23 -0700 From: Jay Anderson horndud...@gmail.com To: Patrick or Cynthia Karl pck...@mac.com Subject: Re: Repeat volta not at beginning of piece doesn't get initial repeat bar line

Variable length bars

I'm trying to set a John Dowland piece (Come Ye Heavy States of Night) which has a single initial time signature of 4/2 2/2 followed by measures that are either 4 half-note beats or 2 half-note beats long, in quasi-random fashion. It's clear that if I can get that time signature printed, I can

Guile error starts occurring all of a sudden

I have been using the command(?) #(include-special-characters) all morning and yesterday. Then all of a sudden I start getting this error: Parsing... /Users/pat/Documents/LilyPond/tmp/test_guile.ly:3:2: error: GUILE signaled an error for the

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