Re: combine different note heads (drumset)

Morley wrote: > 2016-05-22 10:34 GMT+02:00 Daniel E. Moctezuma <democtez...@gmail.com>: > > Hello, > > > > I would like to define a note head type (or modify/tweak an existing one) > > that uses a combination of 2 existing note heads from the Feta font. > >

Re: halfopenvertical script glyph not working

46, Thomas Morley wrote: > 2016-05-22 8:28 GMT+02:00 Daniel E. Moctezuma <democtez...@gmail.com>: > > Hello, > > > > I'm trying to use the "halfopenvertical" glyph on a Hi-Hat note when > > writting for Drumset. > > "halfopen" works

combine different note heads (drumset)

Hello, I would like to define a note head type (or modify/tweak an existing one) that uses a combination of 2 existing note heads from the Feta font. I'm trying to use the notation proposed by Norman Weinberg in his book Guide to Standardized Drumset Notation. Hi-Hat and Cymbals for instance

halfopenvertical script glyph not working

Hello, I'm trying to use the "halfopenvertical" glyph on a Hi-Hat note when writting for Drumset. "halfopen" works fine, but the vertical version doesn't. I get an error saying "script direction not yet known" and I'm not sure how to solve this. Any ideas? The glyph in question is documented

Re: 4 slashes in percent repeat

02 19:47 GMT+02:00 Daniel E. Moctezuma >> <democtez...@gmail.com>: >>> Hello >>> >>> I was wondering if it's possible to have a percent repeat with 4 >>> slashes in LilyPond. Like an \override setting or similar. My use >>> case is when a set

4 slashes in percent repeat

Hello I was wondering if it's possible to have a percent repeat with 4 slashes in LilyPond. Like an \override setting or similar. My use case is when a set of 4 bars repeats n times, like: \repeat percent 4 { c1 | d | e | f | } the most I can get is a double percent symbol .//. is there a

Re: Saving Input File

I agree with Janek. Marc, I would suggest you to take a look to Frescobaldi. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Text spanners and line breaks

Perhaps is obvious (as eluze already pointed out) but you also need to apply this to the right-broken property to achieve what you want: \override TextSpanner #'bound-details #'right-broken #'text = ##f ___ lilypond-user mailing list

Re: Placing dynamic and hairpin

Another solution (imitating the output at the right side of the image you attached): %%% { \once \override DynamicText #'X-offset = #-2.7 g'''4 \p ( \ e'''4 \! \ d'''4 \!) } That moves the p dynamic a little to the left as it is shown on the image.

Re: partcombine and instrumentSwitch

, thanks Keith. -- Daniel E. Moctezuma ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Connected barlines between Staves ?

Another solution is to add the following on your \layout block: \layout { \context { \StaffGroup \remove System_start_delimiter_engraver } } -- Daniel E. Moctezuma ___ lilypond-user mailing list lilypond-user@gnu.org https

Re: Hairpin crescendo/decrescendo

{ e8 g b e b g' | e, g b e b g' | e, g b e b g' | } \\ { e,2. | e | e | } } dynamics = { \repeat unfold 3{ s4\ s8\! s4\ s8\! | } } \score { \new StaffGroup \new Staff \notes \new Dynamics \dynamics } -- Daniel E. Moctezuma

Re: m. d. or m. s. in piano notation

You can find very useful information about changing staffs at: http://lilypond.org/doc/v2.16/Documentation/notation/common-notation-for-keyboards.html -- Daniel E. Moctezuma ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org

Re: consecutive \repeat volta: bug?

Thanks for noticing this. I didn't realized that behavior on my scores, but now I find that happens to me as well. Setting it on the \layout block fixes it. Now I will need to double-check other .ly files. -- Daniel E. Moctezuma ___ lilypond-user

Re: lilypond-book or latex doesn't find the necessary files

the title page and the music separately and joined them with pdfunite (from poppler-utils), if any has an explanation of why this happens or a better way to achieve it would be very appreciated. -- Daniel E. Moctezuma ___ lilypond-user mailing list lilypond-user

Re: lilypond-book or latex doesn't find the necessary files

Please let us know if the solution works for you. -- Daniel E. Moctezuma ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: TextSpanner duplicates text after \break

as being able to change the text from the repetition on each staff that continues using it. -- Daniel E. Moctezuma ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: lilypond-book and title page

Thanks Jakub, that tutorial helped to fix some issues I had. -- Daniel E. Moctezuma ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

lilypond-book and title page

extensions for purposes like this? Also, is there any title/cover page template available (tutorial/guidance)? Thanks. -- Daniel E. Moctezuma ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Parenthesized Hairpin

Hello, Using a snippet from LSR (http://lsr.dsi.unimi.it/LSR/Item?id=771) I've found that I get an *Unbound variable* error on *$leftText*. The way I've solved is to remove the *$* sign from it as well as from * $rightText*. So far so good, but I've noticed that if you do a *\break* before

Re: Attaca markup

Thanks a lot for the information. Doing some research, I've seen both uses (bar number reset and number continuation) as well as not using bar numbers at all (just using rehearsal marks) and that's why I was confused. -- Daniel E. Moctezuma

Re: Parenthesized Hairpin

Hello David, By hairpin parenthesis I mean parenthesized hairpin like the one shown on the snippet I provided. -- Daniel E. Moctezuma ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Attaca markup

as \new Dynamic indication to specify text like attaca? Also, after an attaca indication should the bar numbers reset or continue counting? -- Daniel E. Moctezuma ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo

Re: Attaca markup

Thanks a lot David and Jay! That was exactly what I was looking for. Also, it seems quite convenient to use RehearsalMark to use attacca indications. Thanks. -- Daniel E. Moctezuma ___ lilypond-user mailing list lilypond-user@gnu.org https

Re: Slur between different \score sections?

| *% change ) for \repeatTie * seems I have to tweak laissezvibrer on score 1 to be larger and simulate a slur. Perhaps is another way around? -- Daniel E. Moctezuma ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman

Re: Fermata with parenthesis

. -- Daniel E. Moctezuma ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Slur between different \score sections?

Hello, I was wondering if it's possible to put *slurs between different \score sections* (inside a \book). I have 2 movements of a work that are played one after another (attaca) with a slur between them. Thanks. -- Daniel E. Moctezuma ___ lilypond

Fermata with parenthesis

: *parenUFermata* = #(make-music 'TextScriptEvent 'direction UP 'text (markup #:line (#:concat (#:halign 6.4 #:normal-text ( #:musicglyph scripts.ufermata #:normal-text ) -- Daniel E. Moctezuma

Re: Fermata with parenthesis

have to use Script instead of TextScript to do the same, in other words, my function creates an object of a different type. 4. How can I achieve that? Using 'ScriptEvent nor 'Script, seems to help (is there any list of make-music properties somewhere?). -- Daniel E. Moctezuma

Re: TextSpanner duplicates text after \break

, whether or not you need the duplication of 8va text the user would really appreciate being able to decide how he/she wants the output to suit his/her needs. Hope that helps! -- Daniel E. Moctezuma ___ lilypond-user mailing list lilypond-user@gnu.org https

Re: TextSpanner duplicates text after \break

Found the solution :-) \override TextSpanner #'(bound-details left-broken text) = ##f Hope this helps anyone else having this question/problem in the future. -- Daniel E. Moctezuma ___ lilypond-user mailing list lilypond-user@gnu.org https

Re: TextSpanner duplicates text after \break

Hello Ian, I'm afraid that does *not* work with ottava text spanner. -- Daniel E. Moctezuma ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Re: Part combine problems

partcombine and add an additional voice (hidden) to be able to add lyrics to the result of partcombining (among some overrides for ties, slurs and collision warnings). If anyone has a better solution/workaround, would be appreciated. -- Daniel E. Moctezuma

Publishers using LilyPond?

the companies/ engraving services? It seems a lot of them had been focusing on Finale/Sibelius for a long time. -- Daniel E. Moctezuma ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user

Part combine problems

the 3 voices (note that Voice 1 and 2 share the same lyrics, Voice 3 has different lyrics) Attached to this email is a .ly file for this case (using LilyPond 2.15.39). Thanks in advance. -- Daniel E. Moctezuma test.ly Description: Binary data

Re: font survey: which clef do you prefer?

I like the third one. ___ lilypond-user mailing list lilypond-user@gnu.org https://lists.gnu.org/mailman/listinfo/lilypond-user