Re: Suggestion to make sharps and flats persistent

On Wed 13 May 2020 at 14:59:10 (+0100), Paul McKay wrote: > If I'm writing music in F, then I suggest that I be able to use *bF* as a > pitch instead of *bf*. The *F* would indicate that all subsequent *b*s > would be flattened until one is encountered with a different accidental or > until the

Re: Your Bespoke Lilypond Environment

On Tue 07 Apr 2020 at 18:00:20 (+), Carl Sorensen wrote: > On 4/7/20, 10:49 AM, "cgilmore" wrote: > > I was curious what everyone's setup is like for writing Lilypond, > > specifically, for any non-Frescobaldi users. We all know Frescobaldi is > > great and probably the most ideal

Re: Lilypond svg output to stdout?

On Sun 03 May 2020 at 12:22:31 (+0200), Valentin Villenave wrote: > On 4/30/20, David Wright wrote: > > On Thu 30 Apr 2020 at 21:58:28 (+0200), Marcel Aartsen wrote: > > I don't think you can use stdout itself, as LP already uses it. > > Well, there *used* to be some work t

Re: Stanzas with different rhythms

On Mon 04 May 2020 at 11:14:43 (-0400), Fr. Samuel Springuel wrote: > > On 3 May, 2020, at 3:57 PM, Caio Barros wrote: > > > > Personally I tend to use explicit durations (no \lyricsto) in complex cases > > like this, but a workaround would be simply: > > I’m avoiding explicit durations in

Re: 2.21.1 change of behavior of \compressMMRests?

On Sat 02 May 2020 at 14:10:44 (-0700), Paul Scott wrote: > Now I have tried it with no improvement. But you don't show us what you ran. > Also,  the whole point of \timing is to not to have stuff in or before > the parts which can all be in one function (timing or common).  As I > said I have

Re: Lilypond svg output to stdout?

On Thu 30 Apr 2020 at 21:58:28 (+0200), Marcel Aartsen wrote: > As the subject says, I would like to have Lilypond output svg to stdout. > Can it be done? How do I do that? I don't think you can use stdout itself, as LP already uses it. However, you can use a pipe: $ mkfifo foo.svg $ lilypond

Re: resetting accidentals at word breaks

On Tue 28 Apr 2020 at 15:47:22 (-0400), Fr. Samuel Springuel wrote: > > On 25 Apr, 2020, at 2:02 PM, David Wright wrote: > > > > So you need a NullLyric which contains your "controlling" lyrics, but > > which is not printed (and occupies no space). >

Re: Search inside LilyPond

On Sat 25 Apr 2020 at 21:11:50 (-0400), Freeman Gilmore wrote: > On Sat, Apr 25, 2020 at 8:20 PM David Wright > wrote: > > On Sat 25 Apr 2020 at 19:40:47 (-0400), Freeman Gilmore wrote: > > > Is there an app that can search inside LilyPond? > > > > > > For

Re: Search inside LilyPond

On Sat 25 Apr 2020 at 19:40:47 (-0400), Freeman Gilmore wrote: > Is there an app that can search inside LilyPond? > > For example in makam.ly there is: \override KeySignature.glyph-name-alist = > \makamGlyphs . > > I would like to find where, \makamGlyphs, is defined. $ grep -r makamGlyphs

Re: resetting accidentals at word breaks

On Sat 25 Apr 2020 at 11:59:00 (-0400), Fr. Samuel Springuel wrote: > > On 25 Apr, 2020, at 11:44 AM, Fr. Samuel Springuel > > wrote: > >> On 23 Apr, 2020, at 4:23 PM, Aaron Hill wrote: > >> > >> Ooh, I didn't think of that. Since \bar just sets the whichBar property, > >> it is a case of

Re: Warning on missing fonts

On Fri 17 Apr 2020 at 22:32:47 (+1000), Andrew Bernard wrote: > My memory may be faulty but I thought lilypond when compiling reports > on missing fonts. Version 2.20.0 does not. Is there a way to enable > this instaed of only silently substituting (which sometimes I don't > notice when in a

Re: Strange error from \new Voice

On Fri 10 Apr 2020 at 09:58:57 (+0200), Michael Gerdau wrote: > > When working with addlyrics it was outside the \new staff construct like > > here: > > > > tenorVoicePart = \new Staff \with { > >   instrumentName = "Tenor" > >   midiInstrument = "choir aahs" > > } { \clef "treble_8" \tenorVoice

Re: Strange error from \new Voice

On Thu 09 Apr 2020 at 18:41:40 (+0200), Noeck wrote: > Am 09.04.20 um 18:18 schrieb Bernhard Kleine: > > This would be worth mentioning in the manual! > > glad it works. What exactly would you mention in the manual? > > 1) How to use the \lyricsto construct? It is explained here: > >

Re: Positioning a segno relative to an alternative line

On Mon 06 Apr 2020 at 19:41:14 (+0200), Jacques Menu wrote: > > Le 6 avr. 2020 à 19:37, Thomas Morley a écrit : > > Am Mo., 6. Apr. 2020 um 18:33 Uhr schrieb Jacques Menu > > mailto:imj-muz...@bluewin.ch>>: > > > Thanks for you help. > > > This produces the following, though: > > [...] > > > >

Re: Minimal horizontal space for melismata

On Fri 27 Mar 2020 at 16:04:40 (+0100), Peter Crighton wrote: > On Thu, 26 Mar 2020 at 10:14, Kevin Barry wrote: > > On Tue, 24 Mar 2020 at 15:06, Peter Crighton wrote: > > > I want the lyrics to be absolutely free of melismatic hyphens. How can I > > make sure of that? I have ensured that the

Re: Isolated durations on rests

On Fri 27 Mar 2020 at 20:51:16 (+0100), Noeck wrote: > is this behaviour intentional? > > \version "2.20.0" > { r4 8 a b } > > The "8" is equivalent to c'8. I think I understand what happens: the > isolated duration is given a default pitch c'. > What I would expect is that it is another

Re: musicxml2ly 2.20 bug

On Sun 22 Mar 2020 at 10:54:29 (+0300), Павел Буданов wrote: > I tried to use musicxml2ly from official repository of manjaro linux and > get this output: > Traceback (most recent call last): > File "/usr/bin/musicxml2ly", line 44, in > import lilylib as ly > ImportError: No module named

Re: Nesting paper blocks

On Fri 20 Mar 2020 at 12:50:23 (+0100), Peter Crighton wrote: > So I need to be flexible with what paper variables I choose for each book. > I can include just those that I need, but I still need to access a > combination of them. That’s why chaining them all together does not work. >

Re: Using Frescobaldi compile functionality - first test failed

On Thu 19 Mar 2020 at 23:19:07 (+0100), Pablo Cordal wrote: > Yes, I noticed that too. In the text "file not found" some strange > symbols appear... if that's the problem... men, I have no idea how to fix > it! That looks as if you're running a system in ISO Latin-1 but LilyPond is outputting

Re: 64-bit Mac build of 2.20 is now available!

On Wed 18 Mar 2020 at 16:18:02 (+), Zone Dremik wrote: > It was quite a few years ago that copied this code sample from the LilyPond > Notation Reference v2.18.2 webpage: > http://lilypond.org/doc/v2.18/Documentation/notation/flexible-vertical-spacing-paper-variables > I've compiled hundreds

Re: lyp

On Tue 17 Mar 2020 at 13:56:20 (-0700), Sami Amiris wrote: > Well, that was a true surprise there. Yes, the ps file is fine. Its > conversion to pdf seems to be the problem. Plus, it is all with the bravura > font as I had written. That's good news for LilyPond itself. > Thank you for the tip.

Re: lyp

On Tue 17 Mar 2020 at 07:10:42 (-0700), Sami Amiris wrote: > On Tue 17 Mar 2020 at 13:02:07 (+0100), Francisco Vila wrote: > > El 16/3/20 a las 18:39, Sami Amiris escribió: > > > I installed all packages as well. To my dismay, it did not > > > print at all. > > > > Here you should tell exactly

Re: Helpless with system spacing

On Sun 01 Mar 2020 at 23:17:11 (+0100), Stephan Schöll wrote: > I would like to pull the systems vertically apart so that dynamics, > marks, lyrics a.s.o are optically (logically) grouped (law of > proximity). As you can see in the MVE the output is an optical mess. Can I just check that you

Re: How can I shorten the space for a final single note

On Sat 22 Feb 2020 at 13:25:36 (+0100), Robert Blackstone wrote: > > On 21 Feb 2020, at 12:18, Pierre Perol-Schneider > > wrote: > > > > A workaround could be: > > > > { > > a'\breve*1/4 > > \bar "|." > > } > > Thanks. This does work for me but it comes at a cost: Lilypond apparently >

\absolute, was Re: Stop Tablature from moving up an octave

Opinions here aren't aimed at P-L G. The example just illustrates what I see as a problem. On Sat 15 Feb 2020 at 10:39:57 (-0500), Pierre-Luc Gauthier wrote: > Guitar (like the bass) is a transposing instrument. > > The Tab part though is not transposing (obviously). > > \version "2.21.0" > >

Re: Howto: Two alternatives in the same lin

On Thu 06 Feb 2020 at 20:16:23 (+0100), Bernhard Kleine wrote: > > in a choral from Albert Becker in the alto part there are rhythmical and > text distribution alternatives between the first and the second stanza. > How to write this into a single alto line. A minimal  extract has the > two

Re: Lots of temporary files when generating png files

On Tue 04 Feb 2020 at 20:38:47 (+), Kevin Barry wrote: > > An example where I do have your problem is with pdflatex, which not > > only writes .aux and .log files, but leaves them world-writeable. > That's odd! Is it because of your umask? No. (BTW it's the .aux and .pdf files, not the .log,

Re: Lots of temporary files when generating png files

On Tue 04 Feb 2020 at 16:59:36 (+0100), Anthony Rushforth wrote: > @Aaron : Because if I use your command line I get this png : a full page > > I want a cropped png, and I found the command line I use in the > documentation ( >

Re: Lots of temporary files when generating png files

On Tue 04 Feb 2020 at 10:44:56 (+), Mark Knoop wrote: > At 10:25 on 04 Feb 2020, Anthony Rushforth wrote: > > > > I use this command line to generate png files : > > lilypond -dbackend=eps -dno-gs-load-fonts -dinclude-eps-fonts > > -dpixmap-format=pngalpha -dresolution=100 --png c1c1e1g1.ly >

Re: layout doesn't work as I expected

On Tue 04 Feb 2020 at 01:10:27 (-0700), fcorvi wrote: > I am moving the first steps into lilypond and I am currently trying to > create a musical sheet for percussions. > I would like to be able to specify different measure lenghts for each staff > independently and I am doing this in the layout

Re: building v2.19.83 - can't find libguile.so.17

On Sun 26 Jan 2020 at 10:02:49 (-0500), Bric wrote: > > > > > > > > > Could you please set your mailer to send a text representation of your emails as well as this HTML? I know it's possible to do that in Open-Xchange Mailer as there is at least one contributor here who

Re: Odd Behaviour: \break after \repeat

On Thu 23 Jan 2020 at 21:03:40 (+0100), sir.teddy.the.fi...@gmail.com wrote: > […] > Test Test, Test, Te -- st } > […] > When I compile this, Lilypond outputs this weird double-hyphen as if it > actually inserts an empty syllable where there should be none. > > Strangely, if I remove the

Re: Word alignment

On Sat 18 Jan 2020 at 23:57:56 (+), Peter Flynn wrote: > On 18/01/2020 21:37, Aaron Hill wrote: > > On 2020-01-18 1:27 pm, Peter Flynn wrote: > > > Is it possible in lilypond to have the words of the lyrics aligned so > > > the start of the word is under the note or group, rather than > > >

Re: Words under notes with dashed slur

On Sat 18 Jan 2020 at 11:06:57 (-0500), kieren_macmillan kieren_macmillan wrote: > Hi Peter, > > > I am trying to do a single-stave (voice) score with words in two > > languages. In one measure, I have a dotted crochet tied to a quaver with > > a dashed slur because it is sung to two syllables

Re: Instructions to install lilypond onto Raspberry Pi

On Fri 17 Jan 2020 at 08:19:00 (-0700), John Burt wrote: > I downloaded the deb-file for lilypond from > http://partitura.org/index.php/lilypond/. It installed smoothly. But I had > trouble getting it to run because of the required dependency on guile 1.8 (I > have guile 2 something). I followed

Re: nudging a note

On Tue 31 Dec 2019 at 10:39:46 (-0800), Mark Stephen Mrotek wrote: > Robert, > Thank you for your solution that works perfectly! Yes, it provides a solution to "Please provide some suggestions/alternatives for the positioning of the first note of the middle voice", but not a lot more. Using

Re: Swing/Shuffle rhythmMark

On Tue 17 Dec 2019 at 22:27:35 (+0100), mu...@gmx.ch wrote: > I'm starting to typeset a songbook (or song sheets) for a > singer-songwriter friend of mine who is about to launch another > swiss-german children songs cd. > > First hurdle: > > I'd like to typeset a shuffled/swinged melody with 8th

Indentation, was Re: A snippet for editing Beams using the mouse

On Mon 16 Dec 2019 at 23:55:52 (+0100), Paolo Prete wrote: > P.S) I don't know why the browser's viewer messes up the indentation of > these attachments. > If so, I ask if are there volunteers to fix that and re-post the snippet (I > see correct indentation if I paste the code to any online js

Re: problems with cues

On Wed 11 Dec 2019 at 15:16:04 (+0100), David Kastrup wrote: > "Peter Gentry" writes: > > It seems that the issue reared its head as a result of my "erroneous" > > assumption that > > \book { > > Page layout stuff for front page > > } > > \bookpart { > > Header & music > > } > >

Re: Merge_rests_engraver bug with whole measure rest?

On Tue 10 Dec 2019 at 11:25:02 (+0100), Jens Gyldenkærne Jensen wrote: > Den tir. 10. dec. 2019 kl. 10.57 skrev Thomas Morley > : > > Am Di., 10. Dez. 2019 um 10:42 Uhr schrieb Jens Gyldenkærne Jensen > > : > > > > > > The example from the manual regarding merging of rests ( > >

Re: transpositions within a global key setting.

On Tue 10 Dec 2019 at 07:41:07 (+0100), Urs Liska wrote: > Am 09.12.19 um 15:24 schrieb N. Andrew Walsh: > > let us say I have a piece where I want to specify the key > > signature once for all instruments. I have something like the > > following: > > > > \version = 2.19.82 > > global= { > >  

Re: Simultaneous slurs inside a tuplet

On Thu 28 Nov 2019 at 21:53:30 (+), David Pleydell wrote: > Hi > I'm trying to write out some traditional flamenco guitar pieces in Lilypond.  > I have a situation where I must write legato (slurs) for two fingers > simultaneously, inside a tuplet. I am using two staffs, a traditional one

Re: Easily enter music expressions in markup for Swing / shuffle music

On Sun 24 Nov 2019 at 17:08:14 (+), wmil...@aol.com wrote: > http://lsr.di.unimi.it/LSR/Item?id=1029 > This reminds me that every thing is easy when we know how and often > impossible when we do not know how. > I tried to find a swing tempo marking in snippets and didn't find one. > I tried

Re: Very weird output on any compilation

On Mon 11 Nov 2019 at 17:17:00 (+0100), David Menéndez Hurtado wrote: > I am having trouble compiling even the simplest of scores. For example, > this is the template from Frescobaldi, compiled with lilypond from the > command line: > > [image: Untitled.png] > > The output is the same for PNG

Re: harmonyli.ly beta 0.91 released

On Mon 11 Nov 2019 at 00:11:53 (-0800), ma...@masonhock.com wrote: > On 11/10, Karsten Reincke wrote: > > I've just tried to test your version. But it does not work, because my > > LilyPond version 2.18.2, offered by Ubuntu 19.10, does not contain a > > function \overlay. I have the hope, that the

Re: flats and sharps as symbols in a lyric text

On Wed 06 Nov 2019 at 09:22:28 (+0100), Karsten Reincke wrote: > Thanks for your comments and discussion. Very helpful! > @saul: Sorry, for this silly additional question: How do I insert a unicode > character (for example U+266D) in a lyric text, if I do not have a > corresponding > font etc? Do

Re: Scoped variables

On Mon 04 Nov 2019 at 18:46:05 (+), Timothy Lanfear wrote: > On 04/11/2019 09:28, Peter Toye wrote: > > Re: Scoped variables On further consideration I think that Timothy > > Lanfear has, probably inadvertently, made my point for me. > > > > If a publisher wanted to collect Mr. Lanfear's

Re: octavating slurs

On Fri 01 Nov 2019 at 13:51:49 (+0100), Simon Albrecht wrote: > On 01.11.19 00:10, David Olson wrote: > > This is for sight-singing fun; I'll hand out a song sheet, we'll > > spend 2 or 3 minutes on this, once through, then sing something > > else. > > > > So, for the basses who take the profound

Re: fonts.cache

On Tue 22 Oct 2019 at 10:26:22 (+0200), Noeck wrote: > > is the path of the lilypond-fonts.cache-2 folder hardcoded somewhere or > can I have it in a different place? Technically, I think that's .lilypond-fonts.cache-2 which means, of course, that it's a "hidden" dotfile. > I currently use a

Re: MIDI, rests and end-of-track

On Tue 22 Oct 2019 at 18:08:02 (+0200), Malte Meyn wrote: > Am 22.10.19 um 17:06 schrieb Cam: > > \version "2.18.2" > > > > […] > > > > My concern is that the track chunk which contains the actual notes > > is shown as ending immediately after the e8 note. You can tell it > > ends there because

Re: Lilypond as graphic tool - I am looking for a specific thread in this mailing list

On Mon 21 Oct 2019 at 11:05:13 (-0700), Manuela wrote: > Kieren, thank you for your reply. This was not the thread I meant, there were > several different graphs. It actually may be not this mailinglist where this > was posted what I am searching for, Did John Stump use LilyPond? (Google john

Re: Transposing choral score

On Mon 21 Oct 2019 at 09:52:06 (+0100), Graham King wrote: > On 21 Oct 2019, at 05:11, David Wright wrote: > > On Sun 20 Oct 2019 at 11:39:46 (-0700), timecurve wrote: > >> I am trying to transpose the attached file (Palestrina's /Missa Gabriel > >> archangelus/) down a

Re: Transposing choral score

On Sun 20 Oct 2019 at 11:39:46 (-0700), timecurve wrote: > Palestrina_Missa_Gabriel_archangelus_-_1.ly > > > > Hello, > I am trying to transpose the attached file (Palestrina's /Missa Gabriel >

Re: Problems with the mailing list?

n-Reply-To: [… list stuff …] For comparison, my postings (you can check this one) are headed in the order: Date: Fri, 18 Oct 2019 22:53:39 -0500 From: David Wright To: Andrew Bernard Cc: lilypond-user Mailinglist Subject: Re: Double-underline markup Message-ID: <20191019035339.gb20.

Re: Frescobaldi, improve support for audio export

On Fri 18 Oct 2019 at 23:14:30 (+0100), Lilypond-User wrote: > On 18/10/2019 22:06, Urs Liska wrote: > > Am 18. Oktober 2019 22:45:28 MESZ schrieb Karlin High > > : > >> On 10/18/2019 3:17 PM, Guy Stalnaker wrote: > >>> So, it looks like VLC with the right syntax may be able to use > >>>

Re: Double-underline markup

On Sat 19 Oct 2019 at 14:22:35 (+1100), Andrew Bernard wrote: > I have not seen anything get added to lilypond proper for a long time. I > may be wrong, but it's immensely difficult to get changes to core it would > seem. Fair enough too. That's why openlilylib exists. > > But in fact, while I

Re: lost in trying to fine oll-core and or package.ily

On Thu 17 Oct 2019 at 02:41:19 (-0400), Freeman Gilmore wrote: > On Wed, Oct 16, 2019 at 8:50 PM David Wright > wrote: > > On Wed 16 Oct 2019 at 00:17:06 (-0400), Freeman Gilmore wrote: > > > On Tue, Oct 15, 2019 at 7:16 PM Urs Liska wrote: […] > > > > If

Re: lost in trying to fine oll-core and or package.ily

On Tue 15 Oct 2019 at 14:34:25 (+), Urs Liska wrote: > > For example call LilyPond with (something like (adjust to the Windows > environment) > lilypond-windows.exe -I C:\openLilyLib path\to\document.loy ↑ Does this mean the trailing slash bug¹

Re: lost in trying to fine oll-core and or package.ily

On Wed 16 Oct 2019 at 00:17:06 (-0400), Freeman Gilmore wrote: > On Tue, Oct 15, 2019 at 7:16 PM Urs Liska wrote: > > > Simon has already given a very clear answer, but I want to add some more > > examples that may help you understanding the context and a part of your > > question that may not

Re: lost in trying to fine oll-core and or package.ily

On Tue 15 Oct 2019 at 12:34:41 (-0400), Freeman Gilmore wrote: > On Tue, Oct 15, 2019 at 11:37 AM David Wright > wrote: > > On Tue 15 Oct 2019 at 10:28:36 (-0400), Freeman Gilmore wrote: > > […] > > > > I am not a programmer, but I am trying to understand the inc

Re: lost in trying to fine oll-core and or package.ily

On Tue 15 Oct 2019 at 10:28:36 (-0400), Freeman Gilmore wrote: […] > > I am not a programmer, but I am trying to understand the include path. Say > > I clone here C:\openLilyLib\. Then I want to use some files in > > snippets; and I include the path C:\openLilyLib\snippets\. Would that > >

Re: Creating MP3 files

On Tue 15 Oct 2019 at 00:57:13 (+0200), Martin Tarenskeen wrote: > On Mon, 14 Oct 2019, Lisa C Lewis wrote: > > > It appears that LilyPond only creates MIDI output. Given that I > > need to share the audio with other people who may not have MIDI > > players, is there a means of generating MP3

Re: Horizontal spacing bug?

On Fri 04 Oct 2019 at 11:15:09 (+0200), Pierre Perol-Schneider wrote: > Ok, here's a -- simple -- snippet (I should have start with it, sorry): > > %% > \version "2.19.83" > { s1 cis'4 } > { s1 ais4 } > { s1 fis4 } > { s1 ais''4 } > { s1 cis'''4 } > { s1 eis'''4 } > %% > > So it seems that the

Re: Why does skip cause extender line to grow?

On Wed 09 Oct 2019 at 09:16:27 (-0500), Patrick Karl wrote: > On 10/8/19 1:58 PM, Kieren MacMillan wrote: > > > I don't understand why the extender includes the d4 in the third measure. > > Because you didn’t tell it to stop extending. ;) > I thought the single "__" initiated an extender that

Re: Disabling beamExceptions and beatStructure

On Thu 03 Oct 2019 at 12:11:49 (+0200), Leo Correia de Verdier wrote: > No, I want beamed notes to be auto beamed but I want the beaming pattern to > follow quarter notes strictly, so it doesn’t beam half measures together in > 4/4 and 6/4 (I think the former is implemented as beamException and

Re: Horizontal spacing bug?

On Thu 03 Oct 2019 at 14:15:56 (+0200), Pierre Perol-Schneider wrote: > Please consider these two staves: > %%% [ … 26ll snipped … ] > fis es' c' d' fis } > \repeat percent 2 { > aes,! > -\tweak extra-offset #'(-2.05 . 3.5) > _\markup\with-color #red { >

Re: Input syntax question

On Sun 29 Sep 2019 at 21:00:58 (-0400), Freeman Gilmore wrote: > Aaron Hill wrote: > > With quotation marks, you can break a lot of the rules: > > > > > > \version "2.19.83" > > > > "Anything?! { c'4 } " = { c'4 } > > > > { \"Anything?! { c'4 } " } > > > > Then would { \"Anything?! { c'4

Re: Transpose

ves only looking at a few notes. (Your amin version still contains that typo.) As I say, it does require fluency in scripting. > From: David Wright > > On Tue 10 Sep 2019 at 16:34:56 (+0200), John McWilliam wrote: > > The reason for the adjusted first Group (a4~ a16 e, g a)

Re: Transpose

} \score { \relative c' { \raw \raw \raw \raw } } baked = \relative { c e f g } \score { \relative c''' { \baked \baked \baked \baked } } %% ✄ The \relative c''' is impotent in both its effects, because \baked is already absolute. > From: David Wright > > On Tue 10 Sep 2019 at 1

Re: Transpose

On Tue 10 Sep 2019 at 13:19:52 (+0200), John McWilliam wrote: > Hi again, > I attach my attempt to use \modalTranspose in order to save code when > rewriting broken chords in C major and A minor. The idea is to go ahead and > repeat the exercise in G major, Eminor etc., however, it looks

Re: Lyrics extend question

On Thu 29 Aug 2019 at 19:27:15 (+0200), Jacques Menu wrote: > Hello folks, > > In a MusicXML version of Amazing Grace I have, there is the syllable ‘Was’ on > a first eighth, and then another eighth without lyrics beamed with the first > one: > > > > E > -1

Re: Nesting levels in the source code - why do I have to use one level more than I thought?

On Thu 29 Aug 2019 at 17:09:09 (+0200), Petr Pařízek wrote: > Hello, > > I'm currently learning to use LilyPond. I've finally succeeded in > writing a short piece of music but there's one thing I don't > understand. In my source code, there was one line that said "\score > {". In order it worked

Re: Melisma breaking converting from 2.18 to 2.19

On Tue 27 Aug 2019 at 12:21:39 (-0400), Kieren MacMillan wrote: > Hi David, > > > Just to make it clear—my reply was aimed at Malte's MWE > > and not at the OP who hasn't yet shown us what their problem is. > > Ah, okay. =) > > I was just noting (for the OP) that a whole bunch of my scores

Re: Chapter 2.1 Vocal music of LPNR

On Mon 26 Aug 2019 at 20:36:53 (+0200), Simon Albrecht wrote: > Hi Jacques, > > this doesn’t exactly answer your question, but I’ve always found that > manual alignment of lyrics is a huge pain to get working and thus > never use it… The only piece I've used them in was as an exercise in writing

Re: Melisma breaking converting from 2.18 to 2.19

On Tue 27 Aug 2019 at 11:16:00 (-0400), Kieren MacMillan wrote: > Hi David, > > > I'm not sure that it does. > > Did you compile my example? > The melisma shows correctly in both staves, where it doesn’t in the original > MWE. > Isn’t that what needed fixing? > > Confused, Yes, but I'm not

Re: Chapter 2.1 Vocal music of LPNR

On Tue 27 Aug 2019 at 10:12:01 (+0200), Jacques Menu wrote: > Here is an MWE showing my problem. > > What I don’t understand is why and extra ‘_2’ is needed in lyricsManual to > obtain the same alignment as in the two automatic cases. > The snippet comes from Rameau’s Les Indes Galantes. > >

Re: Melisma breaking converting from 2.18 to 2.19

On Tue 27 Aug 2019 at 08:32:30 (-0400), Kieren MacMillan wrote: > Hey all, > > This bit me way back when. Here’s the fix (note the \new Voice): > > \version "2.19.83" > > global = { > s1 > \bar "|." > } > > sop = \relative { > c'4( d) e f > } > > soptext = \lyricmode { > Me -- lis -- ma >

Re: pageBreak causes multiple ChoirStaff or StaffGroup System Start Delimiters

On Sat 10 Aug 2019 at 14:39:19 (-0400), Kieren MacMillan wrote: > Hi David (and Patrick), > > > That's just two scores with a page break in between. > > Is that what you really want? > > If so, there are more appropriate ways to code it, e.g., > > \bookpart { > \score { > \new StaffGroup

Re: pageBreak causes multiple ChoirStaff or StaffGroup System Start Delimiters

On Sat 10 Aug 2019 at 13:01:45 (-0500), Patrick Karl wrote: > On 8/10/19 12:10 PM, Mark Stephen Mrotek wrote: > > > > \version "2.19.81" > > > > \score { > > > >     { > > > >   \new StaffGroup << > > > >   \new Staff c''1 > > > >   \new Staff c''1  >>} > > > > } > > >

Re: pageBreak causes multiple ChoirStaff or StaffGroup System Start Delimiters

On Sat 10 Aug 2019 at 09:58:21 (-0500), Patrick Karl wrote: > On 8/9/19 11:40 AM, Mark Stephen Mrotek wrote: > > > > Patrick, > > > > Not sure about the page break. > > > > Is this what you want? > > > Well, not really.  If you'll reread the subject I wrote, I'm looking > to get a second

Re: Overriding a global declaration

On Tue 06 Aug 2019 at 07:25:21 (-0700), John McWilliam wrote: > Windows 10, Lilypond 2.18.2, Friscobaldi 3.0.1 > > Unfortunately, nobody seems able to help me with this one. > > I have a collection of tunes in a \book structure with a global-staff-size > of 18. One of the tunes, however, spills

Re: Alternating text and music

On Mon 05 Aug 2019 at 23:41:51 (+0200), David Kastrup wrote: > Simon Albrecht writes: > > On 03.08.19 21:03, David Wright wrote: > >> I'm not sure what "tiny bit on networks" means, > > > > It was a tiny bit sarcastic, IIUC ;-) > > I usually don't

Re: Alternating text and music

On Sat 27 Jul 2019 at 12:48:40 (-0700), Aaron Hill wrote: > On 2019-07-27 12:03 pm, David Wright wrote: > > On Sat 27 Jul 2019 at 18:57:35 (+0200), David Kastrup wrote: > > > David Wright writes: > > > > I would advise against that because PNGs are rastered. T

Re: Alternating text and music

On Sat 27 Jul 2019 at 21:44:59 (+0200), David Kastrup wrote: > David Wright writes: > > On Sat 27 Jul 2019 at 18:57:35 (+0200), David Kastrup wrote: > >> David Wright writes: > >> > On Sat 27 Jul 2019 at 11:32:58 (+0100), Wols Lists wrote: > >>

Re: Alternating text and music

On Sat 27 Jul 2019 at 18:57:35 (+0200), David Kastrup wrote: > David Wright writes: > > On Sat 27 Jul 2019 at 11:32:58 (+0100), Wols Lists wrote: > >> On 26/07/19 12:23, Peter Toye wrote: > >> > > >> > Thanks very much for all the suggestions. I had

Re: Alternating text and music

On Sat 27 Jul 2019 at 11:32:58 (+0100), Wols Lists wrote: > On 26/07/19 12:23, Peter Toye wrote: > > > > Thanks very much for all the suggestions. I had asked for an _easy_ way! > > Also, I'm not 100% fussed about the exact layout as it's only for an > > example. > > Just a thought ... can't

Re: Removing lyric hyphens

On Wed 24 Jul 2019 at 15:54:54 (-0400), Benjamin Bloomfield wrote: > I've been trying to totally get rid of the space where a lyric hyphen might > go, in cases where that space is already very small, but I have not been > able to figure it out. > > I have noticed that if I add the lines > > >

Re: Alternating text and music

> Le 25 juil. 2019 à 16:45, Peter Toye a écrit : > Alternating text and music I want to engrave a piano piece, and have lines of > text between the staff groups. I know I can do this with several \score > blocks, but unfortunately there are a lot of tied notes at the ends of some > of the

Re: seeing attachments

On Mon 22 Jul 2019 at 23:55:35 (+), Lilypond-User wrote: > thank you Karlin for the detailed reply > My Operating system is … irrelevant. > I am just clicking on the links in the digests that this question and > answers came in > lilypond-user Digest, Vol 200, Issue 60 Then, as you can

Re: seeing attachments

oblem, more information will be needed. > > What operating system are you using? > What web browser? > What archive website? Looks like lists.gnu.org, but there are others. > What thread or message contains the non-working attachment link? I reported this problem in March 2016, but

Problem with merging whole measure rests

There seems to be a problem in the merging whole measure rests code. With 2.18.2, I'd been using the 336-based snippet from https://raw.githubusercontent.com/wbsoft/lilymusic/master/include/merge-rests.ily for some years, though I changed 0) on the 110th line to 1) in order to get the

Re: fixed vs relative

On Thu 09 May 2019 at 21:40:30 (+0200), Gianmaria Lari wrote: > On Thu, 9 May 2019 at 21:32, David Wright wrote: > > > On Thu 09 May 2019 at 20:20:36 (+0200), David Kastrup wrote: > > > Gianmaria Lari writes: > > > > > > > I saw the discussion about f

Re: fixed vs relative

On Thu 09 May 2019 at 20:20:36 (+0200), David Kastrup wrote: > Gianmaria Lari writes: > > > I saw the discussion about fixed vs relative few times in the lilypond ml. > > > > I think it's a lot about personal taste and habit and personally I decided > > to stick to fixed mainly because I find

Re: landscape orientation differences between versions

On Sat 04 May 2019 at 15:48:04 (+0200), mu...@gmx.ch wrote: > When I render this code with Lilypond v2.18.2, the PDF appears in > landscape view as expected - be it in Adobe Reader or in the Frescobaldi > score view. > > When I render this code with Lilypnd v2.19.83, the PDF is rendered in >

Re: On Frescobaldi

On Mon 22 Apr 2019 at 12:31:54 (+1000), Andrew Bernard wrote: > Dear Urs, > > On a different tack altogether, with the oll work, you have a usage file > and a module.ily, so two files. In my Frescobaldi 3 on a brand new Ubuntu > 19 installation (the latest release as of last week) it still shows

Re: SMuFL Bravura

On Mon 01 Apr 2019 at 09:16:24 (+0200), David Kastrup wrote: > David Wright writes: > > On Mon 01 Apr 2019 at 11:37:42 (+1100), Andrew Bernard wrote: > >> Hi Valentin, > >> > >> Thanks so much. Now to learn Metafont then. Shouldn't be too hard - I have > &

Re: SMuFL Bravura

On Mon 01 Apr 2019 at 11:37:42 (+1100), Andrew Bernard wrote: > Hi Valentin, > > Thanks so much. Now to learn Metafont then. Shouldn't be too hard - I have > been a programmer for more than forty years. [Despite that, I still cannot > come to grips with the lilypond source, and all my lilypond

Re: Tangled up in Lilypond syntax

On Thu 28 Mar 2019 at 21:45:31 (+0100), Lukas-Fabian Moser wrote: > > > I'm not trained in tonic solfa and don't find any advantage in singing > > by using it. That said, I'm as likely to write "fah" over an entrance > > that's difficult to pitch as writing "IV', but my "fah" relates to > > the

Re: Tangled up in Lilypond syntax

On Thu 28 Mar 2019 at 09:52:26 (+0100), Valentin Villenave wrote: > On 3/28/19, Aaron Hill wrote: > > That said, I fully agree with advising folks who intend on moving music > > around more fluidly to avoid \relative since it adds a maintenance chore > > that would otherwise impede the creative

Re: Tangled up in Lilypond syntax

On Wed 27 Mar 2019 at 21:19:47 (-0400), Kieren MacMillan wrote: > Hi David, > > OH! > > >> (Ironically, most of the things I used to use \relative for I now handle > >> with the edition-engraver!) > > That was a typo/brainfart: I meant most of the things I used to use \tag for… > > Sorry! No

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