On Tue 01 May 2018 at 10:45:08 (-0400), Freeman Gilmore wrote:
> I have windows 10
> Reference;
> *Learning Manual v2.18.2 HTML*
>1.4.2 Clickable examples
>
> Would some one please explain how to do this in detail?
>
> I hace tried open, save, and open in the download file.
> I have seen
On Tue 01 May 2018 at 09:45:47 (+0200), Gianmaria Lari wrote:
> On 1 May 2018 at 09:39, David Kastrup wrote:
>
> > Gianmaria Lari writes:
> >
> > > --- Exceptions ---
> > > Making "s8 8 8" acting differently than "c8 8 8" introduce an
> > > exception.
> >
On Tue 01 May 2018 at 09:15:31 (+0200), David Kastrup wrote:
> David Wright <da...@lionunicorn.co.uk> writes:
>
> > On Tue 01 May 2018 at 00:15:24 (+0200), David Kastrup wrote:
> >> David Wright <da...@lionunicorn.co.uk> writes:
> >>
> >> &
On Tue 01 May 2018 at 00:15:24 (+0200), David Kastrup wrote:
> David Wright <da...@lionunicorn.co.uk> writes:
>
> > AFAICT the important exception that was introduced with naked
> > durations was that c 4 notates a single note whereas c4 4 notates two.
>
> There was
On Fri 27 Apr 2018 at 22:56:31 (+0200), Gianmaria Lari wrote:
> On 27 April 2018 at 15:44, David Wright <lily...@lionunicorn.co.uk> wrote:
>
> > [...]
> > Well, I don't know how the decision was arrived at, but my own view is
> > that it's the correct one. The d
On Fri 27 Apr 2018 at 14:58:13 (+0200), David Kastrup wrote:
> David Wright <lily...@lionunicorn.co.uk> writes:
>
> > On Fri 27 Apr 2018 at 13:49:24 (+0200), Gianmaria Lari wrote:
> >> On 27 April 2018 at 11:56, Andrew Bernard <andrew.bern...@gmail.com>
On Fri 27 Apr 2018 at 13:49:24 (+0200), Gianmaria Lari wrote:
> On 27 April 2018 at 11:56, Andrew Bernard wrote:
>
> > Hi Gianmaria,
> >
> > The shorthand of using a duration number only applies to notes, not rests.
> >
> > As per the NR:
> >
> > Isolated durations –
On Fri 27 Apr 2018 at 01:43:49 (+0200), 70147pers...@telia.com wrote:
> Hi David,
>
> This was an interesting solution, which indeed produces the image I
> am looking for. Well the MIDI-file does not sound as expected, but
> that is not a too big problem. One often has to produce two
> different
On Thu 26 Apr 2018 at 20:54:57 (+0200), 70147pers...@telia.com wrote:
> Yes, this is exactly what I do, even if I did not want to make my
> snippet too complicated by introducing also the piano staff. You
> could of course use four staves, but in real life often two staves
> are used with two
On Thu 26 Apr 2018 at 12:20:34 (-0400), R wrote:
> On 4/26/2018 12:13 PM, Simon Albrecht wrote:
> >On 26.04.2018 18:02, R wrote:
> >>When the duration of the called variable is explicitly given,
> >>everything is correct. However, if you remove the duration and
> >>have it default to the normal
On Thu 26 Apr 2018 at 08:21:24 (-0700), Mark Stephen Mrotek wrote:
> You have
> s1*4 \tempo "Largo" s1*3 \tempo "Allegro"
> inside the \global. It shall start all parts. Remove it
> You can change tempo with the \tempo command attached to a specific note.
Not good advice. Better to understand
On Fri 27 Apr 2018 at 00:36:24 (+1000), Andrew Bernard wrote:
> Hi Kaj,
>
> This would be clear to me:
>
>
>
> \version "2.19.81"
> \new Staff {
> \relative c'
> <<
> \new Voice {
> \voiceOne
> \shiftOnn
> 2. f4
> 2. f4
> 2. f4
> }
> \new Voice
On Tue 24 Apr 2018 at 08:53:01 (+0200), Gianmaria Lari wrote:
> On 23 April 2018 at 15:48, David Wright <lily...@lionunicorn.co.uk> wrote:
>
> > On Mon 23 Apr 2018 at 09:43:01 (+0200), Gianmaria Lari wrote:
> > > The following frescobaldi snippet
On Tue 24 Apr 2018 at 00:42:32 (-0700), foxfanfare wrote:
> Knute Snortum wrote
> > My tests on Windows 10 indicate that lilypond.exe can't handle UNC
> > notation. This is true even of a local file.
>
> Let me wonder if everybody here use linux!
> Maybe is it time for me to go for it...
All
On Mon 23 Apr 2018 at 11:40:46 (-0400), Arle Lommel wrote:
> I’ve noticed on the Mac for some time that the first time I invoke Lilypond
> from an external application after a reboot, it can take quite a while for it
> to respond. Normally this is something like a 40–60 second delay, after which
On Mon 23 Apr 2018 at 22:30:54 (+1000), Andrew Bernard wrote:
> Hi All,
>
> I don't think it's case closed yet.
>
> Although this is referring to pdflatex, it directly references problems
> with Skim and file notifications in the Mac OS kernel.
>
>
On Mon 23 Apr 2018 at 09:43:01 (+0200), Gianmaria Lari wrote:
> The following frescobaldi snippet call the "more.com" program with the
> parameter "\\readme"
>
> -*- python;
> from subprocess import call
> call(["more.com", "\\readme"])
>
> This other one-line snippet pastes, in the frescobaldi
On Sun 15 Apr 2018 at 03:42:16 (-0700), foxfanfare wrote:
> David Wright wrote
> > It might be worth posting screenshots of Fresco failing with correctly
> > specified filenames, particularly if you want to report a bug.
> >
> > What happens if you run your test file
On Sun 22 Apr 2018 at 17:55:30 (+1000), Andrew Bernard wrote:
> OK. Mac up and running:
>
> Mac OS 10.13.4
> Frescobaldi 2.20.0
> Lilypond 2.19.80
> Skim 1.4.34
>
> All works fine. I am unable to duplicate your problem. I do note that I have
> explicitly turned on 'check for file changes'
On Sat 21 Apr 2018 at 23:33:44 (-0400), Kieren MacMillan wrote:
> I'm running Frescobaldi 2.20.0 on Mac OS X 10.12.6.
>
> 1. I open the Lilypond file(s) in Frescobaldi, and once the first PDF is
> generated, I open that in an external PDF viewer (usually Skim; sometimes
> Preview), because I
On Fri 13 Apr 2018 at 19:01:27 (+0200), Federico Bruni wrote:
> Hi all
>
> Can anybody tell me what's wrong with this minimal example?
> I would expect the included file to be relative to the location of
> the file which includes it, not to the current working directory.
> What do you think?
>
On Thu 12 Apr 2018 at 14:17:08 (-0700), foxfanfare wrote:
> David Wright wrote
> > Then I think that's the filename you need to use. I assume
> > "Starting lilypond-windows…" means you're running on a windows box.
>
> Oh I see what you mean. But n
On Thu 12 Apr 2018 at 12:13:21 (-0700), foxfanfare wrote:
> David Wright wrote
> > I see no filenames. I only see //192.168.1.13/Public/test.ly which
> > looks like an incomplete URL, but lacking its protocol (like HTTP:).
> > I can only assume when you mapped the files to a
On Thu 12 Apr 2018 at 09:32:40 (-0700), foxfanfare wrote:
> Giampaolo Orrigo wrote
> > I had success in doing it, but instead of using IP addresses I mapped the
> > remote drive to a logical drive. Maybe you want to try that.
> >
> > Giampaolo Orrigo, MBA
>
> It worked! Thank you very much
On Wed 11 Apr 2018 at 17:48:06 (+0200), Helge Kruse wrote:
> Hi Mason,
>
> this is intentionally not to the Lilypond list to avoid unnecessary
> traffic in that list.
>
> I followed the link you posted. It doesn't address a sensible web
> site. All you can read is:
>
> Web access is
On Thu 05 Apr 2018 at 06:30:52 (+0200), Helge Kruse wrote:
> Am 05.04.2018 4:35 vorm. schrieb "David Wright" <lily...@lionunicorn.co.uk>:
> > > It seems that beyond a certain level of complexity I get Exit. In the
> > > current example it's return code -
On Sun 01 Apr 2018 at 07:13:10 (+1000), Bruce Daniel wrote:
> Just a bit more information.
> The problem only occurs when I have two volta sections back to back.
> Cheers, Bruce
>
> On 31 March 2018 at 20:41, Bruce Daniel wrote:
>
> > Hi Lilypond users,
> >
> > I've come
On Mon 26 Mar 2018 at 15:21:57 (+0200), Urs Liska wrote:
>
>
> Am 26.03.2018 um 14:52 schrieb Karlin High:
> >On 3/25/2018 6:43 AM, Kieren MacMillan wrote:
> >>Apparently you haven’t been to any new classical music concerts
> >>in the last half-century. It’s*quite* clear that many composers
>
On Thu 22 Mar 2018 at 10:53:49 (-0400), Kieren MacMillan wrote:
> Hi Malte,
>
> > Mine displays the code (including long lines) correctly.
>
> Same here. And the archive
> (http://lists.gnu.org/archive/html/lilypond-user/2018-03/msg00571.html) looks
> okay as well.
The message was sent with
On Tue 20 Mar 2018 at 12:32:30 (+0100), Urs Liska wrote:
> Hi,
>
> I've come across the need to temporarily split lyrics into two
> "stanzas" (in repeated sections).
>
> The code I am confronted with does this by using some kind of
> polyphony construct, but this ends up creating a new \Lyrics
On Mon 19 Mar 2018 at 21:04:47 (-0500), Karlin High wrote:
> On 3/19/2018 8:49 PM, Ivan Kuznetsov wrote:
> >So what if four notes are of length 77 and one note is length 76?
> >No one can hear the difference.
>
> I'd say so, too. But human-listening is only one use case for a MIDI
> file, and in
On Thu 15 Mar 2018 at 07:12:35 (+), Mark Austin wrote:
> How is this done?
Subscribe with the new address (making sure you send to the
foo-request address and not foo itself), submit and
confirmations, wait for postings to arrive ok, then
unsubscribe the old address *from the old address*
On Sun 11 Mar 2018 at 12:40:35 (-0700), Mark Stephen Mrotek wrote:
> David,
>
> Your continued effort to address my inquiry is uncommon. Many more esoteric
> and arcane matters appear on the list with multiple, and often contentious,
> responses. Yet you are the only one to respond to this simple
On Sun 11 Mar 2018 at 20:34:42 (+0100), Frank Steinmetzger wrote:
> Dear list,
>
> after a long hiatus, I am now typing another piece for choir. But after I
> had finished the first voice, the document would not compile. I narrowed it
> down to the following MWE. See the comment in the second
On Sat 10 Mar 2018 at 13:28:20 (-0800), Mark Stephen Mrotek wrote:
> David,
>
> Thank you for your pointed reply.
> Yes, I did take away something from your explanation.
> I have used it on the previously referenced score.
> My basic question, more operational than technical (I really don't get
On Sat 10 Mar 2018 at 16:58:37 (+0100), Federico Bruni wrote:
>
>
> Il giorno sab 10 mar 2018 alle 16:26, David Wright
> <lily...@lionunicorn.co.uk> ha scritto:
> >On Sat 10 Mar 2018 at 09:18:59 (+0100), Federico Bruni wrote:
> >> [...]
> >
> >>
On Fri 09 Mar 2018 at 23:02:53 (+0100), Simon Albrecht wrote:
> On 09.03.2018 17:13, David Wright wrote:
> >>You can even use Frescobaldi's option "Automatically choose LilyPond version
> >>from document".
> >Ouch. I hadn't come across that one. Sounds real
On Sat 10 Mar 2018 at 09:18:59 (+0100), Federico Bruni wrote:
> Hi folks
>
> I'm puzzled by this error. What I'm doing wrong?
>
> [tmp]$ mkdir pdf
> [tmp]$ cat test.ly
> \version "2.18.2"
>
> { c1 }
>
> [tmp]$ ls pdf
> [tmp]$
> [tmp]$ lilypond --output=pdf test.ly
> GNU LilyPond 2.19.81
>
pond-user/2017-04/msg00784.html
which you could use as a pattern for your own scores.
> Now I am focusing on Haydn Sonatas - very inventive!
>
> Mark
>
> -Original Message-----
> From: David Wright [mailto:lily...@lionunicorn.co.uk]
> Sent: Thursday, March 08, 2018 9:2
On Fri 09 Mar 2018 at 08:25:58 (-0700), Torsten Hämmerle wrote:
> peter.gentry-2 wrote
> > I have been using a saved download of 2.19.65-1.mingw.exe 25,348 KB.
>
>
> Hi Peter,
>
> Out of curiosity, I have just downloaded 2.19.65 via
> http://lilypond.org/downloads/binaries/mingw/
>
>
On Fri 09 Mar 2018 at 06:43:58 (-0700), Torsten Hämmerle wrote:
> As each LilyPond version has its own set of executables, includes, even
> fonts, I always insert Lily's version number into the path during the
> LilyPond installation process. That way, different LilyPond versions can
> peacefully
On Thu 08 Mar 2018 at 16:17:16 (-0800), Mark Stephen Mrotek wrote:
> I am setting a Haydn piano sonata
> \version "2.19.80"
> \header {
> title = "Sonata"
> composer = "F. J. Haydn"
> opus = "XVI:6"
> }
> \include "XVI-6-1.ly"
> \pageBreak
> \include "XVI-6-2a.ly"
> \pageBreak
> \include
On Tue 27 Feb 2018 at 10:13:18 (+0100), Robert Blackstone wrote:
> Hi Torsten,
>
> Thank you very much. This does help, or better, it neatly solves my problem.
> (I had never used, or even read about, "baseline-skip" so this is also a very
> useful contribution to my LilyPond education.)
>
>
On Sun 25 Feb 2018 at 23:27:31 (+), J Martin Rushton wrote:
> The only slight niggle is whether I can persuade Lily to
> use the full instrument names at the start of the main section rather
> than the short names.
You can use \set to change shortInstrumentName on the fly at any time.
On Sat 24 Feb 2018 at 20:27:58 (-0700), madMuze wrote:
> >> What I haven't figured out is why there are two long dashes
>
> As davidK pointed out, three dash forms are probably desired: the hyphen,
> the N-dash, and the M-dash.
I didn't see him mention the hyphen, but it's all present and
On Sat 24 Feb 2018 at 16:59:37 (+0100), David Kastrup wrote:
> David Wright <lily...@lionunicorn.co.uk> writes:
>
> > On Sat 24 Feb 2018 at 11:06:20 (+0100), David Kastrup wrote:
> >> Thomas Morley <thomasmorle...@gmail.com> writes:
> >>
> &g
On Sat 24 Feb 2018 at 11:06:20 (+0100), David Kastrup wrote:
> Thomas Morley writes:
>
> > 2018-02-24 3:45 GMT+01:00 Kieren MacMillan :
> >> Hi all,
> >>
> >> When a lyric syllable begins with a typographer’s single quote
> >> (e.g.,
On Mon 19 Feb 2018 at 17:49:51 (-0700), nokel81 wrote:
> \score {
> \new Staff <<
> \new Voice = "melody" \relative g' {
> \set Score.timing = ##f
> g4( d) f \divisioMinima
> g( a) a( g2) \divisioMinima
> g4( c) a( a
On Tue 20 Feb 2018 at 16:21:19 (-0500), Ralph Palmer wrote:
> I went to the download site <
> http://lilypond.org/downloads/binaries/linux-64/ >, and tried to download <
> lilypond-2.19.81-1.linux-64.sh >. When I right-clicked on the .sh link,
> there was no "download" option, so I opened it in
On Sun 11 Feb 2018 at 10:54:11 (+0100), Michael Gerdau wrote:
> Hi Gregrs,
>
> > In case it's useful to anyone, I've just created a template for>
> > typesetting psalms with Anglican chant using LilyPond, LaTeX and GNU
> Make.> > https://github.com/gregrs-uk/anglican-chant-template
> Looks nice.
On Sat 17 Feb 2018 at 21:25:46 (-0500), Ben wrote:
> On 2/17/2018 8:43 PM, Andrew Bernard wrote:
> >Hi Ben,
> >
> >But then he is just writing a named file to the SSD, with the same
> >(non) issues, so this is not any different,
> >
> >Using Frescobaldi is not a danger to SSD's or other life forms
On Sat 17 Feb 2018 at 10:18:23 (+), Peter Toye wrote:
> -
> Friday, February 16, 2018, 4:11:32 PM, you wrote:
↑↑↑
[Who? This attribution doesn't scale well as threads lengthen.]
> > On Fri 16 Feb 2018 at 15:58:41 (+0100), Simon
On Fri 16 Feb 2018 at 12:01:10 (-0600), msk...@ansuz.sooke.bc.ca wrote:
> On Fri, 16 Feb 2018, Shane Brandes wrote:
> > Got it to work. Figured out you can change to what ever font you want
> > in the sty file. Lessening the the grayscale variability and some of
> > the other variables with the
On Fri 16 Feb 2018 at 15:58:41 (+0100), Simon Albrecht wrote:
> On 16.02.2018 12:51, Peter Toye wrote:
> >2) In at least the Learning and Notation manuals, add an alphabet
> >with links at the head of each index. The indexes are (of
> >necessity) very long, and scrolling down them is a bit of a
On Thu, 15 Feb 2018 13:23:13 (+0100), Urs Liska wrote:
>
> Sorry for the OT post, but I just have to share this new LaTeX package:
> http://www.ctan.org/pkg/typewriter
>
> I really hope I'll find an opportunity to use it soon:-)
Neat, but do you also get this error when you run it on
its own
On Tue 13 Feb 2018 at 21:41:01 (+0100), Urs Liska wrote:
> I know that the music can't be properly printed with the given
> combination of paper size, margins and staffsize. But I want
> LilyPond to prefer the solution with two systems per page (in this
> example) because the compressed variant
On Tue 06 Feb 2018 at 09:33:41 (+0100), Blöchl Bernhard wrote:
> Am 06.02.2018 03:15, schrieb Andrew Bernard:
> >Hi bb,
> >
> >Do you simply want 17/16? I use times like this very often. Just use
> >time 17/16 and you will get barlines.
> >
>
> Thank you! This is a possibilty if one really wants
On Tue 30 Jan 2018 at 15:04:25 (+0100), Mats Bengtsson wrote:
>
>
> On 2018-01-30 11:45, Thomas Morley wrote:
> >2018-01-30 11:40 GMT+01:00 Robert Blackstone :
> >>Hi Harm.
> >>Your example did not work on my system. No idea why not.
> >>The error message mentions an
On Mon 29 Jan 2018 at 15:31:42 (-), Phil Holmes wrote:
> - Original Message - From: "Sandro Santilli"
> To: "Lilypond users"
> Sent: Monday, January 29, 2018 10:09 AM
> Subject: aligning lyrics to hidden notes
>
>
> >I've been trying for some
On Mon 29 Jan 2018 at 09:03:46 (+0100), Urs Liska wrote:
> Hi all,
>
> I'm trying to figure out the best setting for page margins for mixed
> text/music documents. The task is to automatically set the margins
> in LilyPond depending on a LaTeX document where full-page scores are
> included.
>
>
On Mon 29 Jan 2018 at 15:16:53 (+0100), bb wrote:
> There was such a lot of information in all the responses, thanks.
>
> http://lilypond.org/doc/v2.19/Documentation/learning/bar-lines-and-bar-checks.en.html
> Bar lines
> Bar checks
> I have read this and I think to understand.
>
> \cadenzaOn
On Thu 25 Jan 2018 at 09:30:22 (-0600), Karlin High wrote:
> On 1/25/2018 7:15 AM, David Kastrup wrote:
> >It changes the meaning of & . Not a good idea as a default.
>
> Any chance of using something like \& for special characters?
Why do you want to turn LP into a toothpick language?
LP uses
On Thu 25 Jan 2018 at 10:19:33 (+0100), Werner Arnhold wrote:
> On Linux there is in many environments as e.g. bash command line or vi a
> way to enter Unicode characters by hex number. You press
> --u, then see a litte underlined "u", then enter hex
> number, followed by a blank. Then the
On Wed 24 Jan 2018 at 16:18:26 (+0100), David Kastrup wrote:
> Karlin High writes:
>
> > On 1/24/2018 4:34 AM, David Kastrup wrote:
> >> { 햆 햇 했 행 햊 햋 햌 햍 햎 햐 햑 햒 햓 햔 햕 }
> >
> > How did you do that, David?
>
> Probably a copy from a Unicode table of math fraktur code
On Tue 23 Jan 2018 at 11:58:39 (-0600), Tim McNamara wrote:
>
>
> > On Jan 23, 2018, at 9:23 AM, JH Austin wrote:
> >
> > I tried to modify the Lead Sheet example by using a variable:
> > ---
> > \version "2.19.40"
> >
> > \music = \relative c'' {
> >a4 e
On Thu 18 Jan 2018 at 16:45:05 (+0100), Urs Liska wrote:
> Hi,
>
> I am having problems getting text font names right.
>
> From LuaLaTeX I get the information about the currently used font,
> and I inject this into a LilyPond file. This works well with "Linux
> Libertine O", but it may fail with
On Wed 17 Jan 2018 at 22:46:36 (-0600), Travis Weller wrote:
> Hi Andrew and Karlin -
>
> I'm using the default editor which is included in the MacOS build of
> lilypond. I'm not using Frescobaldi.
>
> And yes, I've checked that I'm using preview mode. The links are there. I
> can see them when
On Tue 16 Jan 2018 at 13:26:34 (+0100), Urs Liska wrote:
> Am 16.01.2018 um 12:49 schrieb Werner LEMBERG:
> >>I have looked for ways to crop the EPS to only two borders of the
> >>bounding box but didn't find anything useful so far.
> >While I can't help with the lilypond issue, I suggest to have
On Sat 30 Dec 2017 at 23:11:04 (+), Michael Ellis wrote:
> David Kastrup wrote:
>
>- I get correct PDF output on 2.21.0 but a nonsensical wash of bar
>checks that appear to cater to 2/4 throughout.
>
> Thanks for testing it, David. What options did you use for midi2ly and
>
On Thu 04 Jan 2018 at 22:57:03 (-0600), Ivan Kuznetsov wrote:
> Andrew Bernard wrote:
> >
> > Only very quickly sketched, and rather deficient, but a more 'normal' voice
> > arrangement system, and the tie to the f sharp is clear.
>
> When I compiled your snippet, the
On Fri 15 Dec 2017 at 15:52:28 (+), Wols Lists wrote:
> On 15/12/17 13:45, David Wright wrote:
> > On Fri 15 Dec 2017 at 10:02:19 (+), Wols Lists wrote:
> >> On 15/12/17 06:20, Saul Tobin wrote:
> >>> Relative mode makes perfect sense if you're entering music
On Fri 15 Dec 2017 at 10:02:19 (+), Wols Lists wrote:
> On 15/12/17 06:20, Saul Tobin wrote:
> > Relative mode makes perfect sense if you're entering music that cares
> > mainly about the relationship between notes within a phrase (i.e. most
> > music). IMO absolute mode might be easier from
On Wed 13 Dec 2017 at 15:15:14 (-0500), Kieren MacMillan wrote:
> Hi David,
>
> >> … and if you don't take extra care when simply cutting and pasting, etc.
> >> etc. etc.
> >
> > Yes, so I'm not sure why you cut the helpful lines above the ones
> > you quoted from my post (that were not my
On Tue 12 Dec 2017 at 13:34:18 (-0500), Br. Samuel Springuel wrote:
> On 2017-12-12 12:08 PM, David Wright wrote:
> >You can set the default paper-size with a -d option in the LP command
> >line. See p10 of the "Usage" manual (2.19.80 page ref.).
>
> That work
On Wed 13 Dec 2017 at 12:06:24 (-0500), Kieren MacMillan wrote:
> Hi all,
>
> > Kieran is correct relative pitch entry can cause headaches
> > if you start doing manipulations on stuff.
>
> … and if you don't take extra care when simply cutting and pasting, etc. etc.
> etc.
Yes, so I'm not
On Tue 12 Dec 2017 at 22:00:47 (-0500), Shane Brandes wrote:
> Frescobaldi has a neat little tool to convert from relative to absolute pitch.
… and AIUI the same tool is available as a standalone in ly,
aka python-ly/python3-ly/….
> I prefer relative as a pitch entry for ease and speed.
> Kieran
On Tue 12 Dec 2017 at 20:32:34 (+0100), Simon Albrecht wrote:
> On 12.12.2017 20:30, Shevek wrote:
> >The alternative is to use \relative {} but to use \resetRelativeOctave
> >religiously before every phrase, even the first one in a block. I find that
> >more natural for composing, personally.
>
On Tue 12 Dec 2017 at 10:52:40 (-0500), Br. Samuel Springuel wrote:
> I have a project in which I'm including a bunch of scores into a pdf
> document using lyluatex. In the final product, lyluatex handles
> figuring out what the appropriate line width is for the scores and
> passes that
On Tue 12 Dec 2017 at 02:22:23 (+0300), Rus wrote:
> >> It works well only without lyrics. With lyrics it works not well (see
> >> attachment).
> >>
> >> \version "2.18.2"
> >> \score {
> >> \new StaffGroup
> >> <<
> >> <<
> >> \new Staff {
> >> \relative c' {
> >> \override
On Mon 11 Dec 2017 at 19:23:59 (+0300), Rus wrote:
> >> Hello!
> >> How can I control (I need to increase) the space between the bar line and
> >> the following lyrics syllable?
> >> I use version 2.18.2
> >
> > Hi,
> >
> > I'm not sure what you mean, but if you want to increase 'padding' so
On Sun 10 Dec 2017 at 20:37:03 (+), Neo Anderson wrote:
> Hi,
> I'm new to Lilypond, coming over from a commercial program. Please, bear with
> me as I'm still learning.
> The issue:
> I seem to get measures auto-transposed one by one.
> I have one bar of music, then the second one gets
On Mon 11 Dec 2017 at 00:58:01 (+0100), David Kastrup wrote:
> David Wright <lily...@lionunicorn.co.uk> writes:
>
> > On Sun 10 Dec 2017 at 22:00:01 (+0100), David Kastrup wrote:
> >> David Wright <lily...@lionunicorn.co.uk> writes:
> >>
> >> &g
On Sun 10 Dec 2017 at 22:00:01 (+0100), David Kastrup wrote:
> David Wright <lily...@lionunicorn.co.uk> writes:
>
> > On Sat 09 Dec 2017 at 21:58:58 (-0500), Chris Jones wrote:
> >> On Sat, Dec 09, 2017 at 08:29:54PM EST, Andrew Bernard wrote:
> >> > Hi Chri
On Sat 09 Dec 2017 at 21:58:58 (-0500), Chris Jones wrote:
> On Sat, Dec 09, 2017 at 08:29:54PM EST, Andrew Bernard wrote:
> > Hi Chris,
>
> > Just look up the syntax for 'cross staff stems' in the NR. It's pretty
> > simple.
>
> > I don't know much about 2.18.2, but I imagine that feature is
On Fri 08 Dec 2017 at 16:21:41 (-0500), Chris Jones wrote:
> On Fri, Dec 08, 2017 at 02:22:32PM EST, Ben wrote:
> > (
> > On 12/8/2017 2:09 PM, Chris Jones wrote:
>
> [..]
> >
> > (from documentation)
> > "...
> >
> > To determine whether to print an *accidental*, LilyPond examines the pitches
>
On Sat 09 Dec 2017 at 09:11:58 (-0500), Ben wrote:
> On 12/9/2017 9:03 AM, Simon Albrecht wrote:
> >
> >>However, weren't you one of those who "enjoyed" the fun of a
> >>major version update? ;-)
> >
> >Yes, I was. But I think I know how to avoid that ‘fun’ in future:
> >having a separate home
On Fri 08 Dec 2017 at 14:09:31 (-0500), Chris Jones wrote:
> I would need some help removing the autmatically generated natural signs
> that I see in lilypond's output.
>
> I coded this:
>
> | global = {
> | \time 4/4
> | \key g \major
> | \tempo \markup { \concat {Mouv. \super t}
On Thu 07 Dec 2017 at 02:53:51 (+0300), Rus wrote:
> Hello!
> I have some questions about horizontal spacing:
> — How to reduce the proportional notation?
No idea.
> — How can I control (I need to increase) the space between the bar line and
> the following note (or lyrics syllable)?
On Fri 24 Nov 2017 at 10:08:29 (+0100), David Kastrup wrote:
> Gianmaria Lari writes:
>
> > On 24 November 2017 at 09:49, David Kastrup wrote:
> >
> >> Gianmaria Lari writes:
> >>
> >> > I'm sorry for the trivial question but why
On Wed 22 Nov 2017 at 11:43:37 (+0100), Simon Albrecht wrote:
> On 20.11.2017 18:12, Hilary Snaden wrote:
> >If there are any "graphical tools" as good as LaTeX, I'll be
> >interested to hear of them.
>
> Adobe InDesign is certainly in many ways a “better” tool than LaTeX,
> in some “just as
On Thu 23 Nov 2017 at 10:27:36 (+), J Martin Rushton wrote:
> On 23/11/17 09:23, David Kastrup wrote:
> > Knut Petersen writes:
> >
> >> 12 years ago a security problem was introduced into lilypond-invoke-editor.
> >> On 2017/11/15 the problem was reported to the
On Fri 17 Nov 2017 at 17:43:09 (+), Wol's lists wrote:
> On 17/11/17 16:10, David Wright wrote:
> >On Fri 17 Nov 2017 at 07:45:58 (-0500), Kieren MacMillan wrote:
> >>Hi all,
> >>
> >
> >>[Am 17.11.2017 um 08:55 schrieb Henning Hraban Ramm:]
On Fri 17 Nov 2017 at 07:45:58 (-0500), Kieren MacMillan wrote:
> Hi all,
>
> [Am 17.11.2017 um 08:55 schrieb Henning Hraban Ramm:]
> > An apostrophe in German is a sign for something left out like "so’n Ding"
> > (short for "so ein Ding"), similar to English use in "don’t" (do not).
>
> It's
On Wed 15 Nov 2017 at 21:32:52 (+0100), David Kastrup wrote:
> David Wright <lily...@lionunicorn.co.uk> writes:
>
> > On Wed 15 Nov 2017 at 11:56:07 (-0500), Kieren MacMillan wrote:
> >> Hi Simon,
> >>
> >> > On Nov 14, 2017, at 5:47 PM, Simon
On Wed 15 Nov 2017 at 13:11:56 (-0600), Karlin High wrote:
> On 11/15/2017 12:30 PM, David Wright wrote:
> >I don't understand this. sleepenh is*not* a replacement for usleep.
> >Gnu systems use*their* sleep command which takes non-integer values.
> >As expected, sleep uses
On Wed 15 Nov 2017 at 11:56:07 (-0500), Kieren MacMillan wrote:
> Hi Simon,
>
> > On Nov 14, 2017, at 5:47 PM, Simon Albrecht wrote:
> >
> >> Again, here English is very unusual because words do not have a gender
> >> (the objects they refer to may, but that's different
On Wed 15 Nov 2017 at 07:54:03 (+), Hilary Snaden wrote:
> On 15/11/17 01:13, Andrew Bernard wrote:
> >Hi Simon,
> >
> >As a native English speaker, allow me to say that the examples you have
> >given are not grammatical gender but literary. English does not have such a
> >thing. Since there
On Wed 15 Nov 2017 at 07:43:53 (-0600), Karlin High wrote:
> On 11/15/2017 2:36 AM, Christian Alpen wrote:
> >The only thing: In both cases it takes a rather long time to
> >generate the files.
>
> In my case, I found that the script calls for usleep, but debian and
> ubuntu have sleepenh
On Tue 07 Nov 2017 at 18:02:09 (+0100), Malte Meyn wrote:
>
>
> Am 07.11.2017 um 16:45 schrieb David Wright:
> >Thanks for the replies. I did try specifying a chord, but the
> >"pitch" parameter won't take it.
>
> That’s because I didn’t know that you want
On Mon 13 Nov 2017 at 17:32:09 (+0100), David Kastrup wrote:
> David Wright <lily...@lionunicorn.co.uk> writes:
>
> > BTW does the German used here sound as archaic as Coverdale's
> > translation (Lift up your heads, O ye gates, and be ye lift up,
> > ye everlastin
501 - 600 of 1132 matches
Mail list logo