/:/Applications/LilyPond.app/Contents/Resources/share/lilypond/current/fonts/otf/
pdfcrop myscore.pdf
If anyone has a cleaner solution I would be glad to hear about it!
Erik
> 27 sep. 2021 kl. 20:47 skrev Erik Ronström :
>
>> That option was removed again, but as far as I understand
> That option was removed again, but as far as I understand [1] you can
> get similar tunings with "--pspdfopt=".
Thank you, I think that is what I was looking for!
However I didn’t get it to work: now the fonts are not embedded at all and GS
does not load them:
Querying operating system for
Hi,
A couple of years ago, Knut Petersen submitted a patch for a --bigpdf option:
https://sourceforge.net/p/testlilyissues/issues/4251/
Was this option ever included in the main lilypond code base? The reason I’m
asking is that I just downloaded lilypond 2.22.1 (on macOS, via homebrew) and
it
If you’re not specifically requiring the Feta font, you could try Bravura Text
(https://www.smufl.org/fonts/)
See
https://w3c.github.io/smufl/gitbook/tables/barlines.html
https://w3c.github.io/smufl/gitbook/tables/repeats.html
Regards
Erik
> 30 maj 2018 kl. 20:35 skrev Sam Bivens :
>
> Hi
>> Even if my opinion may differ from the general opinion here, I think that in
>> popular music, one would use standard D major key signature.
>> Reason: Two sharps clearly show D major tonic and the characteristic mixo
>> tone C (flat seventh) stands out in the sheet music by the accidental
Swedish (if anyone’s interested) has two grammatical genders, but they are not
connected to male/female. Third person singular ”den”/”det” would both just
translate to ”it” in English, whereas ”han” and ”hon” (”he” and ”she”) are
separate pronouns only used for people (plus animals and things
> If I apply the attached patch to a cloned git archive I get the following
> results with ghostscript 9.06:
>
> bok2: Original size 9.996.691 bytes, optimized size 2.043.380 bytes
> bok3: Original size 13.706.324 bytes, optimized size 2.447.232 bytes
>
> Unfortunately I found that a current
>
> Nice work, but your pdf includes many different subsets of the lilypond fonts
> and is several MB to big because of this.
>
> Use the --bigpdfs option of lilypond in step 3. The resulting pdfs are
> _much_ bigger because all glyphs from the fonts are included.
>
> …
Wow, thanks, I
>> I just wanted to say that in July, we published a reprint of Gotlandstoner,
>> a collection of about 500 traditional fiddle tunes from Gotland, Sweden. The
>> reprint was typeset with Lilypond.
>
> Impressive! Could you describe the production process for this? In the
> PDF properties I can
Hi folks,
I just wanted to say that in July, we published a reprint of Gotlandstoner, a
collection of about 500 traditional fiddle tunes from Gotland, Sweden. The
reprint was typeset with Lilypond.
The entire material is available on www.gotlandstoner.se, both the final PDF
file used for
> There are paper variables to achieve ragged-right and ragged-last
> layout. Is there a way to achieve center-aligned music in a score?
I’ve been fairly successful in the past with rendering lilypond to svg, and
then writing perl scripts to automatically edit the svg file (which is a lot
Many thanks! I should have found those discussions after more than two hours of
googling, but somehow I didn’t…
Erik
> 16 jan. 2017 kl. 01:57 skrev David Nalesnik <david.nales...@gmail.com>:
>
> Hi Erik,
>
> On Sun, Jan 15, 2017 at 6:14 PM, Erik Ronström <e..
Hi,
I’m trying to output some identifiers to my svg, so that I can access different
objects later.
I found this thread:
http://lilypond.1069038.n5.nabble.com/id-s-for-svg-elements-td152945.html
explaining how to output pitch, which is useful. But I also want to output the
”timing” (current
> In fact, I tend to be confused about the different layout and sectioning of
> the manual pages for stable and unstable. Now suddenly I wonder whether in
> the long run it would be a good idea to have an identical structure for
> downloads, manuals, regtests etc. for stable and unstable, but
Hi,
While the new site may give a ”nicer” or more ”friendly” impression (depending
on taste), I actually found it much harder to use, especially on a laptop
screen where vertical space is limited: scrolling is needed for almost every
action. While the old site may not be the most beautiful
> if it’s about easier maintenance or nicer code, you might do something like
> this:
>
> %%
> \version "2.19.47"
> computer-modern = ##f
> flqq = #(if computer-modern #{ \markup { \char #"#xF101" } #} "»")
> \markup \flqq
> %%
Nice one, thanks!
Actually, in my specific case,
character #xF101. The drawback is that this codepoint is specific to the font,
so when editing the source files, these characters is not displayed
”correctly”. And if I would like to change lyrics font for the score, the
quotes won’t show up.
Erik
> 29 aug. 2016 kl. 22:02 skrev Erik Ronst
>> I would like to add a dot, but \override Dots.dot-count = #1 has no effect.
>
> You can also use (e.g.)
>
> c4.*2/3
>
> This puts the dot on, but only uses up a quarter note worth of time.
Nice trick, thanks!
Erik
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Hi,
For a dotted note, it’s possible to override the number of dots actually drawn.
But when there are no dots to begin with? I would like to add a dot, but
\override Dots.dot-count = #1 has no effect.
Erik
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AFAIK, OSC is only a communication protocol – what is sent over the protocol is
up to the application. So it is not a replacement for MIDI, rather a complement.
Erik
> 13 aug. 2016 kl. 15:52 skrev bb :
>
> https://de.wikipedia.org/wiki/Open_Sound_Control
> is
> However, for some reason it doesn’t work: #(define fonts …) seems to have no
> effect at all in my document. Any tips for why?
Never mind: I found this thread:
http://lilypond.1069038.n5.nabble.com/Make-pango-font-tree-doesn-t-work-with-set-global-staff-size-td15920.html
which explained
> Do you really want to change only the Lyrics font? Or is it ok to change the
> fonts in the whole document? Here is how to do that in LilyPond version 2.19
> and 2.18:
Thanks, that would be the best solution!
However, for some reason it doesn’t work: #(define fonts …) seems to have no
Hi,
I’m trying to use Computer Modern for lyrics, and after installing the otf
version of the font, the following works well:
\layout {
\context {
\Lyrics
\override LyricText #'font-size = #-1
\override LyricText #'font-name = #"CMU Serif"
}
}
However, making
That works, thanks!
Erik
> 8 aug. 2016 kl. 11:22 skrev Pierre Perol-Schneider
> <pierre.schneider.pa...@gmail.com>:
>
> Hi Erik,
>
> Try: \override Score.VoltaBracketSpanner #'padding = #4
>
> Cheers,
> Pierre
>
> 2016-08-08 10:58 GMT+02:00 E
This works perfectly, thanks a lot!
Erik
> 25 juli 2016 kl. 14:56 skrev David Nalesnik :
>
> On Mon, Jul 25, 2016 at 6:54 AM, wrote:
>>
>> Thanks a lot, I'll check it out!
>>
>> Erik
>>
>>
>> - Ursprungligt meddelande -
>> Från:
>>
Hi List,
How do I move VoltaBrackets further from the staff?
\override Score.VoltaBracket #'padding = #4
or
\override Score.VoltaBracket #'outside-staff-padding = #4
seems to have no effect
Erik
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Thank you folks!
/ Erik
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Hi!
I am writing a single staff with two voices, using \voiceOne and \voiceTwo. Is
it possible to have rests common to both voices to be combined into single
voice rests?
Of course I could do like
\newVoice = one { \voiceOne a4 b c d }
\newVoice = two { \voiceTwo a4 b c d }
r2 r4
if you replace --psfonts lilypond-book option with
--pdf, you'll get a LaTeX document to be processed by pdflatex. I
recently changed lilypond-book doc to explain clearly both ways (via
latex/dvips/ps2pdf or via pdflatex) and encourage new users use
[...]
Oh! Very good! Many thanks!! Too
me know.
I don't have enough skills for such a task, but maybe someone on this
list has? And I want to ask the LilyPond team: can this be a candidate
for sponsoring, even though it is not really a part of lilypond itself?
Best regards
Erik Ronström
Hi!
Is it possible to specify a non-standard key signature, e. g. a
combination of sharps and flats? It is needed to notate certain kinds
of non-western modes (an example can bee seen at
http://dev.urbanninja.se/~erik/Vranjanka.pdf).
Regards
Erik
!
Regards
Erik Ronström
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!
Regards
Erik Ronström
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In the following example, I told \paper what I would like the bottom
margin
to be, but it always ignores it and prints almost to the bottom of
the page.
You have a typo there: your example says bottommaragin instead of
bottommargin. Hope it helps!
Regards
Erik
Hi!
I often use lilypond (2.4.2) to produce chord sheets (i. e. no actual
staff, only chords, barlines and repeats), as described in the manual
(see below). However, I have not managed to add time signatures to the
notation.
Just adding \consists Timing_engraver to the \with block doesn't work
Oh, now I see my mistake! Silly...
Thanks a lot!
Erik
--- Mats Bengtsson [EMAIL PROTECTED] wrote:
Why not try to add the Time_signature_engraver instead, that's
the one that typesets the time signature.
/Mats
Erik Ronström wrote:
Hi!
I often use lilypond (2.4.2) to produce
Hi!
I'm typesetting a song, and I can't get it right with the repeats,
lyrics and chords. The attached example shows one of the problems: the
melody splits into two staves. If I enable the line \set
Staff.instrument = Yrsa the problem disappears (though I can't
figure out why) but instead the
Hi,
I am typesetting an old book of Swedish fiddle tunes. Some of the tunes
have a non-standard fiddle tuning, shown as four noteheads without
stems just in front of the actual music (much like the ambitius
notation). The noteheads are also marked with the note names to the
right.
I tried the
Thanks for your reply!
| Why not fool LilyPond and let the \repeat volta 2{ start before the
| tuning indication?
That would fool any MIDI converter too! However that is not a big
problem. The big problem is that the lilypond file is generated
automatically by a script from an ABC source, so I
I upgraded to Lilypond 2.2.6 today (from 2.1), and discovered that the
pdf output renders incorrectly with gpdf (but still looks fine in
xpdf). Many noteheads, and other symbols as well, show up halved, as
if there were white objects in front of them.
The .ps file looks good in gv and ggv.
ggv
Hello,
| Use:
|
| dvips -u lilypond.map your-filename.dvi
Yeah, I tried that, but then the ps file used some other (non-music) fonts for notes
etc. Guess it didn't find the lilypond type1 font files.
However, I created a symbolic link in /usr/share/texmf/fonts/type1/public to the
lilypond
Hello,
I have the following music:
\score {
\notes {
\time 3/4
...
a'4 b' c''8 \bar :|: d''8
...
}
}
How can I avoid that the c and d are beamed together?
I could of course use
\property Voice.autoBeaming = ##f
but isn't there any other way?
Regards
Erik
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