>
> -- Forwarded message --
> From: Tim Giles
> To: lilypond-user@gnu.org
> Date: Tue, 14 May 2024 22:34:00 +0200
> Subject: Re: Scoop (jazz notation)
> Thanks for the link, Werner. I have added a comment regarding the jazz
> application. Cheers, -Tim
>
> > On 14 May 2024, at
>
> From: TJ Kolev
> To: lilypond-user@gnu.org
> Cc:
> Bcc:
> Date: Fri, 8 Mar 2024 17:46:35 -0600
> Subject: French Horn - transposing
> Greetings!
>
> So I've been notating a piece for my son's school band (junior high).
> Copying the music from paper into LilyPond using Frescobaldi. And now I
> -- Forwarded message --
> From: Jan
> To: lilypond-user Mailinglist
> Cc:
> Bcc:
> Date: Tue, 5 Dec 2023 22:51:44 +0100
> Subject: Hide chords
> What is the recommended method to “hide” chord names for a couple of
> measures? For example, in the snipped below I’d like to hide
> From: Rip _Mus
> To: Flaming Hakama by Elaine
> Cc: Lilypond-User Mailing List
> Bcc:
> Date: Mon, 14 Aug 2023 17:45:27 +0200
> Subject: Re: Question about condensed score
> Thanks for sharing your workflow, that's what I was afraid I'd have to do.
> While waiting fo
> From: Rip _Mus
> To: Lilypond-User Mailing List
> Cc:
> Bcc:
> Date: Mon, 14 Aug 2023 08:43:17 +0200
> Subject: Question about condensed score
> Good morning everyone!
> I would like to ask if you know a strategy to achieve the following result.
>
> I'm working on an orchestral score. I'd like
>
> -- Forwarded message --
> From: Mark Knoop
> To: lilypond-user@gnu.org
> Cc:
> Bcc:
> Date: Sun, 04 Jun 2023 16:33:41 +0100
> Subject: Re: Time signature cancellation
>
> At 14:59 on 04 Jun 2023, Damian leGassick wrote:
> > you just want a recent real-world example?
>
>
>
>
> -- Forwarded message --
> From: Flaming Hakama by Elaine
> To: Lilypond-User Mailing List
> Cc:
> Bcc:
> Date: Wed, 26 Apr 2023 14:19:36 -0700
> Subject: rests in chord symbols with volta endings
> Hi,
>
> I was trying to use
Hi,
I was trying to use https://lsr.di.unimi.it/LSR/Snippet?id=529
to add some rests to chord symbols
After using convert-ly it worked as is.
However, when using this in the context of repeat voltas,
chords in the endings appear above the ending lines,
rather than below as normal.
Does anyone
> -- Forwarded message --
> From: Silvain Dupertuis
> To: lilypond-user@gnu.org
> Cc:
> Bcc:
> Date: Wed, 18 Jan 2023 19:20:35 +0100
> Subject: Re: irrational meters
>
> To make things clear, a *fraction* is a mathematical expression which is
> a *specific representation* of a
> From: David Zelinsky
> To: lilypond-user@gnu.org
> Cc:
> Bcc:
> Date: Fri, 13 Jan 2023 17:37:15 -0500
> Subject: Re: defineBarLine confusion
> David Zelinsky writes:
>
> > I'm trying to understand how to use defineBarLine, based on the
> > documentation in Notation Reference 1.2.5, and
Hi,
I was hoping someone could help me figure out how to fix this font issue.
For quite some number of years,
I've been using this function that prints custom text for volta ending
labels.
But now it is producing strange results.
The image from the below MWE is attached, it shows that some of
-- Forwarded message --
> From: Carl Sorensen
> To: Flaming Hakama by Elaine
> Cc: Lilypond-User Mailing List
> Bcc:
> Date: Thu, 15 Dec 2022 15:48:50 -0700
> Subject: Re: length of stems on beamed notes
>
>
> On Thu, Dec 15, 2022 at 3:35 PM Flami
In this MWE, I would like to get the stem lengths equal.
Currently, the stems of beats with the 16th notes are longer than the stems
of the beat with only 8th notes.
Does anyone know how to equalize the beam lengths?
\version "2.22.2"
% The problem does not exist with stems down, inside the
me-code should help to pinpoint it), and replace that with
> "ly:tie::print".
>
> Also, has \laissezVibrer changed since 2.22?
> Does that even sound like something that would be related to the version
> upgrade?
>
>
> Yes. The syntax of \laissezVibrer has not ch
On Sun, Dec 11, 2022 at 10:28 PM Jean Abou Samra wrote:
> Le 12/12/2022 à 03:51, Mark Probert a écrit :
> > The brew collection has lily pond at 2.22.2 (with Guile 2.2).
> >
> > If you already have brew installed then it is simply a matter of, from
> > the command line, running
> >
> > $ brew
On Sun, Dec 11, 2022 at 3:53 PM Jean Abou Samra wrote:
> Le 12/12/2022 à 00:45, Flaming Hakama by Elaine a écrit :
> > tl;dr:
> >
> > Does anyone have a download link of lilypond 2.22 that will work for
> > mac OS 12.6.1?
> >
> > I recently had to
tl;dr:
Does anyone have a download link of lilypond 2.22 that will work for mac OS
12.6.1?
I recently had to reinstall my mac OS. It is now 12.6.1.
Previously I had an earlier version of 12, most likley 12.1,
based on the fact that the last time I had to do this was in January 2022.
I had been
On Mon, Dec 5, 2022 at 9:00 AM wrote:
> Send lilypond-user mailing list submissions to
> lilypond-user@gnu.org
>
> To subscribe or unsubscribe via the World Wide Web, visit
> https://lists.gnu.org/mailman/listinfo/lilypond-user
> or, via email, send a message with subject or body
> -- Forwarded message --
> From: kbvw
> To: Lilypond-User Mailing List
> Cc:
> Bcc:
> Date: Thu, 01 Dec 2022 18:10:03 +
> Subject: Re: Adding text to chord names or note names (replies to
> discussion)
> Hello Jean, Elaine,
>
>
>
> Regarding the different use cases of
>
> -- Forwarded message --
> From: Arno Waschk
> To: David Kastrup
> Cc: Jean Abou Samra , a...@arnowaschk.de,
> lilypond-user@gnu.org
> Bcc:
> Date: Fri, 2 Dec 2022 21:11:35 +0100
> Subject: Re: Vertically shift tempo prescription
> Hi David,
>
> sure, here you are.
> (Taking
>
>
> -- Forwarded message --
> From: David Kastrup
> To: Arno Waschk
> Cc: lilypond-user@gnu.org, a...@arnowaschk.de
> Bcc:
> Date: Wed, 30 Nov 2022 14:58:54 +0100
> Subject: Re: Vertically shift tempo prescription
> Arno Waschk writes:
>
> > Dear list,
> >
> >
> > in a complex
> Hello,
> Le 29/11/2022 à 23:22, Flaming Hakama by Elaine a écrit :
> > Lilypond provides ways both to choose among a few of the common
> > approaches, and a way to define your own.
> >
> > It does not provide a way to use different symbols for the same
> -- Forwarded message --
> From: Jean Abou Samra
> To: Kieren MacMillan , kbvw
> Cc: "r...@dabble.ch" , Koen van Walstijn <
> koen.vanwalst...@me.com>, Lilypond-User Mailing List <
> lilypond-user@gnu.org>
> Bcc:
> Date: Mon, 28 Nov 2022 20:27:15 +0100
> Subject: Re: Adding text
>
> -- Forwarded message --
> From: Kenneth Wolcott
> To: Lily Pond
> Cc:
> Bcc:
> Date: Thu, 20 Oct 2022 15:01:05 -0700
> Subject: bar check bug in Lilypond 2.22.2 ??
> Hi;
>
> bar check bug in Lilypond 2.22.2 ??
>
> I must be doing something dumb!
>
> I am not able to find the
From: Stan Sanderson
> To: LilyPond Users
> Cc:
> Bcc:
> Date: Sun, 4 Sep 2022 17:02:36 -0500
> Subject: custom chord
> (Using LP 2.23.12)
> This has me flummoxed- I’m trying to reproduce a score for my own use. I
> have run out of ideas about reproducing the (unusual) chord name- the “4
> over
> -- Forwarded message --
> From: "Tim's Bitstream"
> To: Werner LEMBERG
> Cc: lilyp...@hillvisions.com, dan@lyric.works, thomasmorle...@gmail.com,
> lilypond-de...@gnu.org, lilypond-user@gnu.org
> Bcc:
> Date: Sun, 20 Mar 2022 12:01:25 -0500
> Subject: Re: Should \partial accept
>
>
> -- Forwarded message --
> From: Jonas Hahnfeld
> To: Michael T Abrams , lilypond-user@gnu.org
> Cc:
> Bcc:
> Date: Thu, 17 Mar 2022 21:04:50 +0100
> Subject: Re: Mac Monterey 12.3 and Lilypond 2.2.2
> Am Donnerstag, dem 17.03.2022 um 19:48 + schrieb Michael T Abrams:
> >
>
>
> -- Forwarded message --
> From: Andrew Zah
> To: lilypond-user@gnu.org
> Cc:
> Bcc:
> Date: Thu, 17 Mar 2022 10:43:49 -0400
> Subject: Repeat bar :|] doesn't appear if next line has [|: bar
> Hi, is there a way to make lilypond render the closing \bar ":|]"?
>
> On measure 8
On Fri, Feb 11, 2022 at 9:01 AM wrote:
-- Forwarded message --
> From: Valentin Petzel
> To: Knute Snortum
> Cc: kie...@kierenmacmillan.info, lilypond-user@gnu.org
> Bcc:
> Date: Fri, 11 Feb 2022 15:45:42 + (UTC)
> Subject: Re: Is the slur too close to the top note?
> Hello
On Mon, Jan 24, 2022 at 3:40 PM Kieren MacMillan <
kie...@kierenmacmillan.info> wrote:
> Hi Elaine,
>
> > You're probably not going to appreciate this suggestion,
> > because it does not aspire to the auto-magic you desire.
> > However, it is clear to me that the best practice for all software
>
>
> -- Forwarded message --
> From: Kieren MacMillan
> To: David Kastrup
> Cc: Lilypond-User Mailing List
> Bcc:
> Date: Sat, 22 Jan 2022 17:34:31 -0500
> Subject: Re: Extracting a "score diff" from two [or more] Lilypond sources
> Hi David,
>
> > What version control system
Now that I am setting up a new environment on a new machine,
I am running into a problem again,
and I don't recall how I solved it last time.
When I compile a pdf locally, it looks fine.
But when I upload it to a site, then download it on an iPad, it shows
different fonts.
Is there a way to
17, 2022 at 1:52 PM Flaming Hakama by Elaine <
ela...@flaminghakama.com> wrote:
>
>
> On Sat, Jan 15, 2022 at 9:55 PM Abraham Lee
> wrote:
>
>>
>>
>> On Fri, Jan 14, 2022 at 5:21 PM Flaming Hakama by Elaine <
>> ela...@flaminghakama.com> wrot
On Sat, Jan 15, 2022 at 9:55 PM Abraham Lee
wrote:
>
>
> On Fri, Jan 14, 2022 at 5:21 PM Flaming Hakama by Elaine <
> ela...@flaminghakama.com> wrote:
>
>> Hi,
>>
>> I'm setting up an new lilypond environment
>> on a surface pro running windows 1
Hi,
I'm setting up an new lilypond environment
on a surface pro running windows 10
using VSCode as an editor,
and cygwin as a terminal.
I am not able to get lilypond to use my fonts yet.
I was able to install them in windows itself,
since I can see them in the windows Fonts Settings.
To do
>
>
> -- Forwarded message --
> From: Andrew Zah
> To: lilypond-user@gnu.org
> Cc:
> Bcc:
> Date: Mon, 10 Jan 2022 18:34:03 -0500
> Subject: How to input a diminished7 (maj7) chord?
> Hi,
>
> I'm trying to input a Bbdim7(maj7) chord. See the attached for an example.
>
> Currently
>
> Am Sonntag, 2. Jänner 2022, 01:06:35 CET schrieb David Kastrup:
> > Jean Abou Samra writes:
> > > Hi all,
> > >
> > > There is an ongoing proposal to add syntax highlighting
> > > in LilyPond's documentation. Since it is a notable change
> > > to the documentation reading experience, user
On Fri, Dec 31, 2021 at 8:07 AM Thomas Morley
wrote:
> Am Do., 30. Dez. 2021 um 20:29 Uhr schrieb Flaming Hakama by Elaine
> :
> >
> > Hi,
> >
> > I'm looking for a way to print a chord symbol which is a slash chord,
> > but where the top part (above the slas
Hi,
I'm looking for a way to print a chord symbol which is a slash chord,
but where the top part (above the slash) is blank.
So, I only want to print the slash + root note.
The usage for this is when the previous chord repeats,
and only the bass note changes.
Here is an MWE for a progression
>
> From: Lukas-Fabian Moser
> To: Paolo Prete , lilypond-user <
> lilypond-user@gnu.org>
> Cc:
> Bcc:
> Date: Thu, 21 Oct 2021 20:07:49 +0200
> Subject: Re: question about \pageBreak
> Hi Paolo,
>
> Am 21.10.21 um 19:42 schrieb Paolo Prete:
> > is there a way to do page breaking *only* when
>
>
> -- Forwarded message --
> From: Mark Probert
> To: Lily Pond
> Cc:
> Bcc:
> Date: Fri, 8 Oct 2021 10:36:37 +1100
> Subject: \transpose question
>
> Hi.
>
> A question on transpose: I understand that "\transpose distinguishes
> between enharmonic pitches," however is there
ove whether or not the staff group bracket
> should be drawn for a line.
>
> Daniel
> On 8/3/21 10:57 PM, Flaming Hakama by Elaine wrote:
>
>
> Hmm, I'm still not sure I understand the difficulty.
>
> If you have one system that starts out with a single voice, then
> mid-
switches to the "group".
>
> Best,
> Daniel
> On 8/3/21 9:54 PM, Flaming Hakama by Elaine wrote:
>
>
>
>
> -- Forwarded message --
>> From: "D. B. Miller"
>> To: Jean Abou Samra , LilyPond User Group <
>> lilypond-
-- Forwarded message --
> From: "D. B. Miller"
> To: Jean Abou Samra , LilyPond User Group <
> lilypond-user@gnu.org>
> Cc:
> Bcc:
> Date: Tue, 3 Aug 2021 19:45:07 + (UTC)
> Subject: Re: How do I do a transition between a grouped and a non-grouped
> part (example attached)
>
>
> -- Forwarded message --
> From: Xavier Scheuer
> To: Brent Annable
> Cc: lilypond-user
> Bcc:
> Date: Fri, 16 Jul 2021 08:52:07 +0200
> Subject: Re: Extra padding between ChordNames and custom headers
> On Fri, 16 Jul 2021 at 06:19, Brent Annable
> wrote:
> >
> > Hi
>
>
> -- Forwarded message --
> From: Jean Abou Samra
> To: Werner LEMBERG , lilyp...@hillvisions.com
> Cc: m...@archsys.net, lilypond-user@gnu.org
> Bcc:
> Date: Mon, 12 Jul 2021 15:01:32 +0200 (CEST)
> Subject: Re: Move chord name down onto staff?
>
> > Le 11/07/2021 06:33,
On Sun, Jun 20, 2021 at 2:33 PM Aaron Hill wrote:
>
>
> P.S. No idea about the nabble stuff... does the archive [1] at
> lists.gnu.org have the data you want?
> [1]: https://lists.gnu.org/archive/html/lilypond-user/
>
>
> -- Aaron Hill
>
Aaron,
Thanks for the hint.
Yes, those archives do
Ok, so I was going to try figuring out how to use my \barline ":|]" in a
volta repeat
\defineBarLine ":|]" #'(":|]" "" " |.")
\relative {
\repeat volta 2 { c''4 d e f | }
\alternative {
{ c2 e | }
\bar ":|]"
{ f2 g | }
}
c1
}
but I get
programming error: Spanner
~ Composer ~ Instrumentalist ~ Educator
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
On Fri, Jun 4, 2021 at 6:22 PM Flaming Hakama by Elaine <
ela...@flaminghakama.com> wrote:
>
>
> On Fri, Jun 4, 2021 at 5:46 PM Aaron Hill
> wrote:
>
&g
On Fri, Jun 4, 2021 at 5:46 PM Aaron Hill wrote:
> On 2021-06-04 5:28 pm, Flaming Hakama by Elaine wrote:
> > However, there is one other Nashville rule that would need to be
> > accommodated, which is that for minor, the numbers still follow the
> > relative major.
&
> -- Forwarded message --
> From: Amelie Protscher
> To: lilypond-user
> Cc:
> Bcc:
> Date: Thu, 3 Jun 2021 08:58:27 +0200
> Subject: Nashville Number System, again
> Hi all,
>
> in 2015 we had a discussion on this list if and how Lilypond should
> support output of chord changes
> -- Forwarded message --
> From: Gabriel Borin
> To: lilypond-user@gnu.org
> Cc:
> Bcc:
> Date: Fri, 9 Apr 2021 14:06:43 -0500
> Subject: Chord Name Exceptions
> Hello,
>
> I have been trying to write a bass part for a big band. Although I am
> mostly happy with the general
Hi,
Does anyone know how to get chord symbols to be higher up?
I think they are too close to the notes on the staff.
I've tried messing with the VerticalAxisGroup stuff mentioned in
http://lilypond.org/doc/v2.19/Documentation/internals/chordnames
but none of it seems to work for me.
I've
On Fri, Mar 12, 2021, 6:22 PM Kieren MacMillan <
kieren_macmil...@sympatico.ca> wrote:
> oof
> this thread reminds me why I gave up using \relative over a decade ago and
> never looked back
>
> Kieren
That may be so, but you likely pay for it every day by typing out extra
commas and
It seems we can't be too pedantic here.
Based on the OP's situation,
one can imaging that the original piece might have looked like:
\relative {
c'4 d e f g a b c
cs, ds es fs gs as bs cs
}
Then the attempt to transpose down a 3rd:
\transpose c a, {
\relative {
c'4 d e f g
> Am Fr., 12. März 2021 um 11:35 Uhr schrieb Peter Toye >:
>
> I am trying to engrave a transposed song. It's written without key
> signature but is very tonal. It starts in C and ends in C#. I want to
> transpose it down a minor third. The part in C is fine, but the part in C#
> ends up as A##
- Forwarded message --
> From: David Bellows
> To:
> Cc: lilypond-user
> Bcc:
> Date: Mon, 22 Feb 2021 13:36:33 -0800
> Subject: Re: Repeated durations: pitches vs rests
> Hey Martin,
>
> > perhaps by giving a minimal example of the particular situation you
> have, where you feel
>
>
>
> -- Forwarded message --
> From: Carl Sorensen
> To: Kieren MacMillan , Christian Masser <
> christian.mas...@gmail.com>
> Cc: David Nalesnik , Carl Sorensen <
> carl.d.soren...@gmail.com>, Lilypond-User Mailing List <
> lilypond-user@gnu.org>, Peter Toye
> Bcc:
> Date:
>
>
> 1. Re: Help with Midi (Hwaen Ch'uqi)
>2. Re: kind of OT: bach inventions (Flaming Hakama by Elaine)
>
> > What I should like to know is
> > 1) how can I use drum and other untuned percussion sounds?
> > 2) I notice that fluidr3_gm has dozens - probab
ek
> wrote:
>
>> Elaine,
>>
>>
>>
>> I have my codes for 6, 12, and 13.
>>
>>
>>
>> Mark
>>
>>
>>
>> *From:* lilypond-user [mailto:lilypond-user-bounces+carsonmark=
>> ca.rr@gnu.org] *On Behalf Of *Fla
~ Educator
-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-=-
On Tue, Aug 11, 2020 at 7:29 AM Flaming Hakama by Elaine <
ela...@flaminghakama.com> wrote:
> -- Forwarded message --
>> From: Michael Gerdau
>> To: Lilypond Use
>
> -- Forwarded message --
> From: Michael Gerdau
> To: Lilypond User
> Date: Sat, 18 Jul 2020 07:57:23 +0200 (CEST)
> Subject: Q: Irregular alternate repeats and MIDI
> Hi List,
>
> I have a score with repeats and irregular alternate endings. I can neatly
> engrave that but I
>
>
>
> From: David Sumbler
> To: lilypond-user@gnu.org
> Date: Thu, 06 Aug 2020 18:11:43 +0100
> Subject: "Ghost" trills
> Having implemented some of the methods shown in Vaughan's marvellous
> tutorial at
> https://lists.gnu.org/archive/html/lilypond-user/2020-06/msg00114.html
> I have been
On Tue, Jul 14, 2020 at 12:15 AM Urs Liska wrote:
> Hi Elaine,
>
> Am Montag, den 13.07.2020, 15:31 -0700 schrieb Flaming Hakama by
> Elaine:
> >
> >
>
> The inheritance model is in fact borrowed from CSS.
> But while probably 90% of usage will be abou
On Tue, Jul 14, 2020 at 12:15 AM Urs Liska wrote:
> Hi Elaine,
>
> Am Montag, den 13.07.2020, 15:31 -0700 schrieb Flaming Hakama by
> Elaine:
> >
> > Yes, I did understand it to be more complex than my MWE.
> >
> > But the two things I wanted to va
On Mon, Jul 13, 2020 at 12:00 AM Urs Liska wrote:
> Am Sonntag, den 12.07.2020, 23:18 -0700 schrieb Flaming Hakama by Elaine:
>
>
> -- Forwarded message --
> From: Urs Liska
> To: "lilypond-user@gnu.org"
> Date: Sun, 12 Jul 2020 15:38:03 +0200
&g
>
>
> -- Forwarded message --
> From: Urs Liska
> To: "lilypond-user@gnu.org"
> Date: Sun, 12 Jul 2020 15:38:03 +0200
> Subject: Naming RFC: Properties, property sets, presets
> Hi all,
>
> I'm writing some documentation for the new openLilyLib feature set of
> properties, and I
>
>
> -- Forwarded message --
> From: Carl Sorensen
> To: Urs Liska
> Cc: "lilypond-user@gnu.org"
> Bcc:
> Date: Wed, 8 Jul 2020 09:35:50 -0600
> Subject: Re: Naming question: \function
>
>
> On Tue, Jul 7, 2020 at 11:48 PM Urs Liska wrote:
>
>> Hi all,
>>
>> I've started
>
> -- Forwarded message --
> From: Urs Liska
> To: Andrew Bernard , lilypond-user@gnu.org
> Cc:
> Bcc:
> Date: Wed, 08 Jul 2020 17:04:57 +0200
> Subject: Re: Naming question: \function
> Hi Andrew,
>
> Am Donnerstag, den 09.07.2020, 00:04 +1000 schrieb Andrew Bernard:
> > Hi Urs,
>
>
> -- Forwarded message --
> From: Paolo Prete
> To: Jean Abou Samra
> Cc: Thomas Morley , Lilypond-User Mailing List <
> lilypond-user@gnu.org>, lilypond-devel , Pierre
> Perol-Schneider
> Bcc:
> Date: Thu, 25 Jun 2020 21:07:27 +0200
> Subject: Re: Pedal cautionary after a
> -- Forwarded message --
> From: antlists
> To: lilypond-user@gnu.org
> Cc:
> Bcc:
> Date: Mon, 18 May 2020 20:21:32 +0100
> Subject: Re: Suggestion to make sharps and flats persistent
> On 18/05/2020 17:33, Kieren MacMillan wrote:
> > We (well… modulo me LOL) don’t get this
Sorry, yes I did copy yours because the original one had some kind of
formatting problem and I thought that yours was just a reformatting of the
original.
Thanks,
On Sat, May 16, 2020, 3:30 AM David Kastrup wrote:
> Flaming Hakama by Elaine writes:
>
> >> From: Klaus Blum
>
>
> -- Forwarded message --
> From: Klaus Blum
> To: "lilypond-user@gnu.org"
> Cc:
> Bcc:
> Date: Fri, 15 May 2020 12:01:06 +0200
> Subject: Current octave in relative mode
> Hi,
>
> I have a function that uses a music expression twice.
> My problem is:
> In relative mode, this
-- Forwarded message --
> From: Niols
> To: lilypond-user@gnu.org
> Date: Wed, 15 Apr 2020 01:13:11 +0200
> Subject: Bar numbers “repeat aware” for music for dancing
> Hello everyone,
>
> This is my first message on this mailing list and I hope I do it
> correctly.
Welcome!
>
> *From: *Flaming Hakama by Elaine
> *Date: *Thursday, December 5, 2019 at 4:20 PM
> *To: *Lilypond-User Mailing List
> *Subject: *TieColumn syntax
>
>
>
> Hi,
>
>
>
> I wanted to set a laissez vibrer tie upwards, and found that there is no
> equiva
> -- Forwarded message --
> From: Rick Kimpel
> To: lilypond-user
> Cc:
> Bcc:
> Date: Fri, 28 Feb 2020 17:58:24 +
> Subject: default stem directions
> I am trying to learn how to change the default stem directions.
> I assume it has something to do with
>
> -- Forwarded message --
> From: Michael Hendry
> To: Jacques Menu
> Cc: LilyPond Users
> Date: Sat, 22 Feb 2020 11:36:03 +
> Subject: Re: Chord options in leadsheets
> > On 22 Feb 2020, at 11:01, Jacques Menu wrote:
> >
> > Hello Hendry,
> >
> > You can have several
>
> -- Forwarded message --
> From: Aaron Hill
> To: lilypond-user@gnu.org
> Cc:
> Bcc:
> Date: Sat, 08 Feb 2020 20:25:24 -0800
> Subject: lilybin.com domain expired
> Who owns this?
>
>
> -- Aaron Hill
>
In case they are not already reading this list, I just CC'd this question
-- Forwarded message --
> From: Guy Stalnaker
> To: lilypond-user Mailinglist
> Cc:
> Bcc:
> Date: Tue, 7 Jan 2020 14:53:00 -0600
> Subject: How to increase shift dynamic and end of hairpin
> Hello everyone,
>
> I've written a choral work. There are some places in the score where
> From: Stefano Troncaro
> To: Paolo Prete
> Cc: Aaron Hill , lilypond-user <
> lilypond-user@gnu.org>
> Date: Sat, 14 Dec 2019 19:13:43 -0300
> Subject: Re: A Javascript test code for modifying ties and slurs with mouse
> Hi Paolo,
>
> Since Aaron's svg-script function creates an empty \markup,
> From: Paolo Pr
> To: Urs Liska
> Cc: lilypond-user
> Date: Sat, 14 Dec 2019 02:59:58 +0100
> Subject: Re: A Javascript test code for modifying ties and slurs with mouse
> Thanks Urs and Elaine for your appreciation.
>
> Note that the same algo I wrote with (relatively) short code can be
>
> -- Forwarded message --
> From: Paolo Pr
> To: lilypond-user
> Cc:
> Bcc:
> Date: Thu, 12 Dec 2019 17:52:58 +0100
> Subject: A Javascript test code for modifying ties and slurs with mouse
> I just created a javascript script to change the slurs of the .svg file
> produced by
From: Ignacio Lois
> To: lilypond-user@gnu.org
> Date: Thu, 12 Dec 2019 12:02:42 -0300
> Subject: Weinberg Drumkit Map
> Hello everyone,
>
> Lately I was pointed in Norm Weinberg's direction for a standard drumkit
> notation. I noticed there were quite a few differences in Weinberg's drum
> key
Hi,
I wanted to set a laissez vibrer tie upwards, and found that there is no
equivalent to \slurUp, \tieUp, etc.
I was able to do it, thanks to http://lsr.di.unimi.it/LSR/Snippet?id=211
In my use case, the following did the trick:
\version "2.19.81"
laissezVibrerUp = \once \override
-- Forwarded message --
> From: David Bellows
> To:
> Cc: lilypond-user Mailinglist
> Bcc:
> Date: Sat, 30 Nov 2019 14:18:48 -0800
> Subject: Re: Unconventional score and unwanted stray staff lines
>
> As I was playing around with my software (summary: a program that
>
-- Forwarded message --
> From: Werner LEMBERG
> To: pierre.schneider.pa...@gmail.com
> Cc: lilypond-user@gnu.org
> Bcc:
> Date: Sun, 24 Nov 2019 23:30:34 +0100 (CET)
> Subject: Re: horizontal position of rehearsal marks at start of system
>
> >> how can I control the default
- Forwarded message --
> From: David Pleydell
> To: "lilypond-user@gnu.org"
> Date: Thu, 28 Nov 2019 21:53:30 + (UTC)
> Subject: Simultaneous slurs inside a tuplet
> Hi
>
> I'm trying to write out some traditional flamenco guitar pieces in
> Lilypond. I have a situation
>
>
> From: Aaron Hill
> To: lilypond-user@gnu.org
>
> Date: Sun, 17 Nov 2019 21:04:07 -0800
> Subject: Re: Mac OS 10.15 Catalina (fonts)
> On 2019-11-17 8:50 pm, Tim McNamara wrote:
> > The default Catalina shell is zsh. You can use bash but you may have
> > to set it to that.
>
> Scripts
>
> -- Forwarded message --
>
From: eBooks
> To: Allan Kinnaird
> Cc: lilypond-user@gnu.org
> Bcc:
> Date: Fri, 15 Nov 2019 15:06:21 -0700
> Subject: Re: Mac OS 10.15 Catalina
>
>
> > On Nov 15, 2019, at 2:35 PM, Allan Kinnaird
> wrote:
> >
> > So here I am (as I see it) :
> >
From: Matt Wallis
> To: LilyPond User
> Cc:
> Bcc:
> Date: Fri, 8 Nov 2019 09:10:59 +
> Subject: midiPanPosition in midi context block
>
...
>
> I want to do the setting in the midi context block because I require
> different pan positions for a staff depending on which score it appears in.
> From: Karsten Reincke
> To: lilypond-user
> Cc: k.rein...@fodina.de
> Bcc:
> Date: Wed, 30 Oct 2019 00:06:32 +0100
> Subject: LilyPond, LilyPond snippets and the GPL
> By my last post, I, unfortunately, evoked a discussion concerning
> LilyPond, LilyPond snippets, and the GPL which actually
On Sat, Jun 1, 2019 at 2:28 PM Peter Jaques wrote:
> Try mapping it to just "MIDI File" (no quotes).
>
> ~ Peter Jaques :: www.huzzam.com ~
>
Yes, this worked!
> Jun 1, 2019, 9:47 PM by ela...@flaminghakama.com:
>
>
> On Fri, May 31, 2019 at 6:14 PM Kieren MacMillan <
>
Some comments on the ask for fixed-width measures / absolute proportional
notation.
Hopefully, this will help clarify what the actual ask is.
One solution would seem to involve increasing the modularity of
> LilyPond, to enable folks to author their own versions of the underlying
> systems. In
On Mon, Sep 30, 2019 at 6:06 PM Carl Sorensen wrote:
>
>
>
>
> *From: *Flaming Hakama by Elaine
> *Date: *Sunday, September 29, 2019 at 9:41 PM
> *To: *Lilypond-User Mailing List
> *Subject: *Lyrics in polyphony with ties in second voice
>
>
>
>
> Hi.
&g
On Mon, Sep 30, 2019 at 7:57 AM Knute Snortum wrote:
> Here's one way to do it:
>
> %%% Start
> \version "2.19.83"
>
> words = \lyricmode {
> One, two and three four
> }
>
> melody = \relative c'' {
> \time 3/4
> g2. |
> g8 a f2 ~ |
> 2. |
> e2.
> \bar "|."
> }
>
> harmony =
Hi.
I'm hoping someone can help me figure out how to notate this.
I am creating a lead sheet that has vocal line with lyrics. Some sections
have just the melody, and other sections have harmonies under the melody.
In general, I have been having success using this pattern for going into
and out
>
> -- Forwarded message --
>
From: Mark Knoop
> To: lilypond-user@gnu.org
> Cc:
> Bcc:
> Date: Tue, 10 Sep 2019 08:06:40 +0100
> Subject: Re: Dynamic Line Spanner question
> At 01:35 on 10 Sep 2019, Craig Dabelstein wrote:
> > Hi all,
> >
> > In the following MWE, how do I get
> -- Forwarded message --
> From: Lukas-Fabian Moser
> To: Simon Albrecht , lilypond-user <
> lilypond-user@gnu.org>
> Cc:
> Bcc:
> Date: Thu, 1 Aug 2019 00:40:31 +0200
> Subject: Re: Transposing instrument best practice
> Hi,
>
> > Given the highly confusing nature of the
>
> - Forwarded message --
> From: Marco Baumgartner
> To: lilypond-user@gnu.org
> Date: Wed, 3 Jul 2019 14:27:27 +0200
> Subject: Jazz Chord Symbols (as new font - NOT notation font)
> Hi,
>
> I wonder how I had to build a "normal" font (otf, ttf, whatever) to work
> as
> -- Forwarded message --
> From: Aaron Hill
> To: lilypond-user@gnu.org
> Date: Mon, 13 May 2019 16:46:28 -0700
> Subject: Re: ChordName Font Size
> On 2019-05-13 3:35 pm, Flaming Hakama by Elaine wrote:
> > I was going to reply to this, then realized I
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