work...
>
> No mouse needed.
>
>
>
> Am Dienstag, dem 13.02.2024 um 13:24 -0600 schrieb Guy Stalnaker:
> > I do not see such a toggle or any system call in the Key Shortcuts
> > preferences that seems relevant. And perhaps that is not surprising -
> > Frescobaldi is afte
I do not see such a toggle or any system call in the Key Shortcuts
preferences that seems relevant. And perhaps that is not surprising -
Frescobaldi is after all a code editor; that it assumes (!) one would
always want the code visible makes sense to me.
Regards
On 2/12/24 15:36, Hajo Baess
This should get you what you want:
%%%
\version "2.24.0"
startParenthesis = {
\once \override Parentheses.stencils = #(lambda (grob)
(let ((par-list
(parentheses-interface::calc-parenthesis-stencils grob)))
(list (car par-list) point-stencil )))
}
endParenthesis = {
ot; (state-approved library) as a sub-heading. What state? If
you hover that link you get information about the subscription
service, but not about some accreditation or alike.
my 2 cents ;-)
Stephan
Am 06.03.2023 um 17:56 schrieb Jean Abou Samra:
Le lundi 06 mars 2023 à 10:43 -0600, Guy
*
legit, but in this day and age where "seems" can obscure a cloud of
issues, I though I'd ask this community first, knowing that many of you
have far more experience than I have with publishing music at all levels.
Regards!
Guy Stalnaker
Madison Wisconsin USA
--
--
“Happiness is t
Thank you Jonas and all those developers and contributors to an application
I can't live without.
Guy
--
“Happiness is the meaning and the purpose of life, the whole aim and end of
human existence.”
― Aristotle
On Thu, Dec 15, 2022 at 3:43 PM Jonas Hahnfeld via LilyPond user discussion
Does the system produce sound (so you know sound drivers are working).
If yes, does fluidsynth produce sound output if you use it to play a midi
file from a to terminal (you have to provide cli options for output device,
eg ALSA, and soundfont, full path).
If yes, can you start fluidsynth in
Mike - one immediate thing to note - the current privileges expose the root
of the file system. Maybe there are no files outside of /home/* that can be
opened, but perhaps better that anything outside of /home/* not even be
visible.
Will explore more later (Zoom with family now).
Regards,
Guy S
Never needed to use Musecore once I found Frescobaldi. It is IMO one of the
best computer applications I've ever used. Perfectly suited for it's
purpose.
On Tue, Jun 21, 2022, 1:47 PM Vincent Gay wrote:
> Le 21/06/2022 à 18:17, Guy Stalnaker a écrit :
>
> Linux -- a bit more co
Kira,
Depends on the Operating System you use how you get sound output.
Windows -- requires some software like Virtual Midi Synth (
https://coolsoft.altervista.org/en/virtualmidisynth) which you install and
run (it will show up in the Windows Task bar). When you start Frescobaldi,
in its Midi
d of
human existence.”
― Aristotle
On Sat, Apr 2, 2022 at 12:58 PM Gilles Sadowski
wrote:
> Le sam. 2 avr. 2022 à 18:29, Guy Stalnaker a écrit :
> >
> > Curious question if I may. Respondents in this thread suggest something
> is possible I thought was not possible. Is it true th
Curious question if I may. Respondents in this thread suggest something is
possible I thought was not possible. Is it true that putting on a whole
note crescendo or decrescendo dynamics
c1\> ... \p
creates midi output with increasing or decreasing loudness for the duration
of that note?
It was
Michael,
I'm not at a computer where I can help you with this immediately. But since
you're using Frescobaldi, check out it's Score Wizard. You can use it to
create an SA-TB score like this one. It creates the LP structure, to which
you then add notes and adjustments. That structure should give
Doncha hate that LOL Been there!
--
“Happiness is the meaning and the purpose of life, the whole aim and end of
human existence.”
― Aristotle
On Sun, Mar 13, 2022 at 11:02 PM Kenneth Wolcott
wrote:
> Really obvious now :-)
>
> On Sun, Mar 13, 2022 at 8:37 PM Guy Stalnak
Ken,
The left-hand part is in triplet time and is a continuation of the
right-hand triplets from the previous measures.
Guy
--
“Happiness is the meaning and the purpose of life, the whole aim and end of
human existence.”
― Aristotle
On Sun, Mar 13, 2022 at 10:10 PM Kenneth Wolcott
wrote:
entheses:
>
>
> https://gitlab.com/lilypond/lilypond/-/blob/master/python/convertrules.py#L4410
>
>
>
> On 8 Feb 2022, at 20:17, Guy Stalnaker wrote:
>
>
> I can report a change in what I see. This code does not produce an error
> in 2.20 but does in 2.23.
I can report a change in what I see. This code does not produce an error in
2.20 but does in 2.23.6:
startParenthesis = {
\once \override ParenthesesItem.stencils = #(lambda (grob)
(let ((par-list
(parentheses-item::calc-parenthesis-stencils
Alasdair,
Though it may not match your use, Frescobaldi, the LilyPond Editor, can do
this using one of its built-in features. In essence you specify the
interval to transpose when selecting the feature, e.g., "c d" would
transpose up a major 2nd.
Many on this list use other editors, but
All,
I am s close LOL - I'm trying to replicate this:
which comes from Faure's famous Impromptu, Op. 86, for harp. I had to
use \change Staff to get the notated arpeggio beamed as in the Faure,
but that kills some of the ties. The code below shows what I can do with
my present
John,
You cannot embed midi messages directly in a Lilypond score such that they
become encoded in the midi output file and Lilypond comments will have no
affect on the output midi file. The links provided in the first reply to
your list email detail how Lilypond can be used to create midi
Doh!!
Of course. Obvious once you see it (or are told about it). I was keyed on
using a NUL instrument & I didn't think to use a simple volume=0 approach.
Thanks.
On Thu, Nov 25, 2021, 10:54 AM David Kastrup wrote:
> Guy Stalnaker writes:
>
> > If I'm using /set Staf
If I'm using /set Staff.midiInstrument = "#", can I also use some
descriptor that equals NO sound, for example, "NUL" or something similar
like /set Staff.midiInstrument = "#NUL"
Regards,
Guy S.
Erika, there are threads on this list about configuring timidity to use an
alternate sound font like the FluidR3 (which is a fairly decent GM
soundfont). Can also goggle configuring timidity to use alternative
soundfont.
Regards.
On Sat, Oct 30, 2021, 1:52 PM Erika Pirnes wrote:
> I have used
One perhaps quick alternative is to use CoolSoft Virtual Midi midi2mp3
convertor. Then you're simply playing an mp3 file, not a midi file.
Another is to use VLC. It can 'play' midi after you configure it for a
sound font (this is what I do).
Regards.
On Sat, Oct 30, 2021, 2:39 AM Pablo Cordal
ht PITA).
On 10/29/21 3:20 PM, Lukas-Fabian Moser wrote:
Am 29.10.21 um 22:14 schrieb Guy Stalnaker:
Whoa! What is this magic you're doing Master Moser??
- I made sure that the bf4. on "days" stays in the voice called
melody. There are various ways to do this; I chose a
Whoa! What is this magic you're doing Master Moser??
- I made sure that the bf4. on "days" stays in the voice called
melody. There are various ways to do this; I chose a "modern" way
using \voices and \\ inside << >> which allows to automatically add
a "second" voice
This is a
Kevin,
You're encountering an known situation with polyphonic contexts like
this one. A change in 2.20.x modified how lyrics are calculated in these
polyphonic contexts. You need to manually add to the *lyrics* \skip1 to
position the lyrics where you want them. Like so:
words =
.
Guy
On Wed, Oct 27, 2021, 3:43 PM Kevin Cole wrote:
> On Wed, Oct 27, 2021 at 3:52 PM Guy Stalnaker wrote:
>
> > Kevin, I get 404 Not Found errors fir the .ly source links. But the
> engravings and audio pages all work well. Very nicely done!!
>
> Oops. The source rep
Kevin, I get 404 Not Found errors fir the .ly source links. But the
engravings and audio pages all work well. Very nicely done!!
Regards.
On Wed, Oct 27, 2021, 2:31 PM Kevin Cole wrote:
> I've mentioned before that I (a) don't read music, and (b) am pretty
> much a beginner with LilyPond.
>
>
Kira,
Your computer will care. Some operating systems "register" installed
applications to open certain kinds of files (or files with specific
extensions; e.g., Adobe Acrobat is registered to open files with .pdf
extensions so that one can double-click on the file in the File Explorer
and
You did nothing wrong. A change in how these polyphonic contexts work now
results in this kind of lyric placement. I have to add \skip1 *in the
lyrics* for each note I need the text shifted. In this case I think two are
necessary.
Regards.
Guy S.
On Fri, Oct 22, 2021, 10:23 AM Jogchum Reitsma
Just want to follow up on what Lukas-Fabian says here:
If you do in-staff polyphony via
<<
{ \upperMusic } \\ { \lowerMusic }
>>
then the \\ makes LilyPond silently add a \voiceOne to \upperMusic and a
\voiceTwo to \lowerMusic, making sure that \upperMusic has upward stems,
Michael,
You can find what you need here:
https://lilypond.org/contact.html
Regards
On 9/27/21 2:32 PM, Michael T Abrams wrote:
Hi, I would like to subscribe to this community mailing list.
My email is
string...@rogers.com
Are you able to assist me?
Michael
--
--
“Happiness is
See:
https://lilypond.org/doc/v2.22/Documentation/notation/common-notation-for-keyboards
An example exists on that page for what you describe.
On Tue, Sep 21, 2021, 4:04 PM Kenneth Wolcott
wrote:
> Hi;
>
> how to do a slur (or phrasing slur) that crosses the staff (piano score)?
>
> see
Ken,
Using Trumpet in b-flat ...
When the trumpet player looks at their part written in C-major and they
play the note middle-c, c', what sounds is the note b-flat, one step
lower. Thus all the orchestra/wind ensemble parts that play Concert C
(your tuba or trombone) must play a b-flat to
Sorry, that's not terribly clear ...
Add "--output-24bit" to the TIMIDITY commandline (there may be a way to
put it in the timidity config, but I just used the CLI anyway)
%> timidity --output-24bit -Ow
Sorry about that.
Guy
On 9/14/21 6:54 PM, Guy Stalnaker wrote:
Yes!! I
to me.
But since we are on the subject of midi/timidity, I wonder if you or
someone else could address this: I have noticed that there is much
more crackling (not sure how else to describe it) going on in the
sound when playing the midi files. Any idea what might be causing
that?
Thanks!
Hwaen Ch'uqi
On 9/
was correcting you. I *agree*
with you completely.
Regards.
On 9/14/21 6:29 PM, Hwaen Ch'uqi wrote:
Greetings Guy,
Perhaps I am missing something, but the folder contents that you
display don't seem to contradict what I wrote.
Hwaen Ch'uqi
On 9/14/21, Guy Stalnaker wrote:
Thanks Hwaen
Hwaen Ch'uqi
On 9/14/21, Guy Stalnaker wrote:
Ken,
You are S close :-)
The issue is neither Lilipond nor its midi output. MIDI is simply a
specification for musical "events" describing pitch, duration, etc. It's
up to a program that understands MIDI to make actual sound. Tha
Ken,
You are S close :-)
The issue is neither Lilipond nor its midi output. MIDI is simply a
specification for musical "events" describing pitch, duration, etc. It's
up to a program that understands MIDI to make actual sound. That is
typically done via a synthesizer (dedicated synth
Understood and thanks for the clarification.
Guy
On 9/4/21 5:09 PM, David Kastrup wrote:
Guy Stalnaker writes:
David and Jerry,
I've been using the "method" shown on that Lilypond doc page for
years. I confirm that it does work for me. I can put
\set midiInstrument = #&q
David and Jerry,
I've been using the "method" shown on that Lilypond doc page for years.
I confirm that it does work for me. I can put
\set midiInstrument = #""
anywhere in a voice and LP will change the midi instrument. Which is why
I suggested it to Jerry.
But there is no denying that
Just following the docs (per the link provided). Should the docs be updated?
Guy
On Sat, Sep 4, 2021, 3:51 PM David Kastrup wrote:
> Guy Stalnaker writes:
>
> > See
> >
> http://lilypond.org/doc/v2.19/Documentation/notation/midi-channel-mapping
> >
> > Whe
See
http://lilypond.org/doc/v2.19/Documentation/notation/midi-channel-mapping
Where the method is shown. Basically, you put the instrument into the
Voice context:
%%% Code
\midi {
\context {
\Staff
\remove "Staff_performer"
}
\context {
\Voice
\consists
This is how I have worked with scores. All parts written in main key then
use transpose in \bookpart output section. This allows midi output for all
parts in same key for audio review and PDF output for instrumentalists in
proper key for their instrument. If you use variables for your parts (e.g.,
Calvin - following up on my earlier email - I'm happy to make the LP code
available (it's not on CPDL, just the PDF/MID files) if you think it might
be of us. Some of it is older code, when I was learning LP, and though I've
developed my personal SOP for using LP, I've not gone back to older code
Here is another way (especially if one uses Frescobaldi and its Score
Wizard to create the score structure:
%% CODE %%
\version "2.19"
\language "english"
soprano = {
a'2.
<<
{
f'4( ~ |
f'4. g'8 a'4 f' ~ |
}
\new Staff = "Solo" \with { alignAboveContext = #"sopranos"
--
“Happiness is the meaning and the purpose of life, the whole aim and end of
human existence.”
― Aristotle
On Fri, Dec 18, 2020 at 11:32 AM Guy Stalnaker wrote:
> You may know this, but on the chance you do not ...
>
> Depending on your terminal shell (e.g. I use zsh), you can use the find
You may know this, but on the chance you do not ...
Depending on your terminal shell (e.g. I use zsh), you can use the find
command and its -exec option to find all .ly files in a folder hierarchy
and run the command on them.
#> find ./* -type f -iname \*.ly\* -exec [python.ly command here] {}
I'll confess that sometimes the LP community can be fractious - but I am
truly thankful at how generous and simply astonishing the community can be.
It's not been two hours and Mr. Blankenship not only has a "yes, you can do
this with LP" but links to materials and documentation and, now, a
John,
Add to the beginning of the work three measures: two with quarter note (or
appropriate values) beats, then one empty (for ease of later editing).
Frankly, in my opinion, it's better for the singers to SEE that there are
two measures with the metronomic pulse before they begin singing (much
Claire - just confirming, Lilypond itself does not, and can not, play MIDI
files. You must use some type of midi-capable program to play the MIDI
files (e.g. timidity on *nix systems can play midi files, as can pmidi; for
WindowsOS, I use Frescobaldi [a Lilypondwith VirtualMIDISynth to play the
Kieren,
You sir are a gentleman and a scholar!
I didn't want to say anything, but each of the three previous
suggestions worked for the MWE, but when applied to my score either
either did not work at all, or only worked for some of the areas that
needed the extended hairpin decrescendo.
Howdy Frescobaldi users -- after a recent update to v3 and v3.1, the
music view now defaults to 100%. It did not use to do this. Everytime I
open a score, I now have to set the view to Page or Width, etc. I cannot
find a Configuration option to tell Music View my preferred view (Page).
Am I
Thanks everyone!
It took me several hours to work out how to get from the examples David
directed me to in the Docs to a MWE that had the lyrics where I wanted them
to be to using that structure into my existing score, but I did do it.
Guy Stalnaker
jimmyg...@gmail.com
On Sat, Jan 11, 2020
yricsto "alto" [below staff "upper"]
\new Staff = "lower" << >>
\new Lyrics \lyricsto "tenor" [above staff "lower]
\new Lyrics \lyricsto "bass" [below staff "lower"]
Has anyone done something like this? Or am I complete off base?
Thanks!
Guy Stalnaker
jimmyg...@gmail.com
^\> c'4( bf)^\p
}
\addlyrics {
Al -- le -- lu -- ia
Al -- le -- lu -- ia
}
>>
}
%%%
---
Knute Snortum
(via Gmail)
On Tue, Jan 7, 2020 at 12:53 PM Guy Stalnaker wrote:
Hello everyone,
I've written a choral work. There are some places in the score
^\> c'4( bf)^\p
}
\addlyrics {
Al -- le -- lu -- ia
Al -- le -- lu -- ia
}
>>
}
%%%
---
Knute Snortum
(via Gmail)
On Tue, Jan 7, 2020 at 12:53 PM Guy Stalnaker wrote:
Hello everyone,
I've written a choral work. There are some places in the score
Hello everyone,
I've written a choral work. There are some places in the score where I
have a four-voice choir singing Alleluia on successive half notes. I've
notated a crescendo hairpin to \mf followed by a decrescendo hairpin to
\p on the final half note. Some times LP engraves the score
Concur on Score Wizard for 3.1 and latest Win10 (updated 12/16). Toolbar
button, menu, and keystrokes all ineffective.
Is there a log somewhere we can use?
Guy
--
“Happiness is the meaning and the purpose of life, the whole aim and end of
human existence.”
― Aristotle
On Wed, Jan 1, 2020,
Thank Wilbert & Urs & the developer team whom I do not know!
Frescobaldi remains after years of use one if the best computer programs
I've ever used. I am always grateful for it and for you.
Regards,
Guy
--
“Happiness is the meaning and the purpose of life, the whole aim and end of
human
Thanks David, I'll review the code.
Guy
--
“Happiness is the meaning and the purpose of life, the whole aim and end of
human existence.”
― Aristotle
On Tue, Nov 12, 2019, 5:32 PM David Kastrup wrote:
> Guy Stalnaker writes:
>
> > All,
> >
> > I'm writing a
All,
I'm writing a choral composition where there are varying numbers of
voices in play at any one time. Starts out 4-voice SATB, then 6-voices
(SAATBB), then 4 voices (TTBB), then 3 voices (SSA), then 6, then 8.
I know I can simply code 8 voices, assigning rests where voices don't
sing.
High wrote:
On 10/18/2019 3:17 PM, Guy Stalnaker wrote:
So, it looks like VLC with the right syntax may be able to use
FluidSynth/soundfont to "play" midi and FFMpeg to encode to AAC or
other codecs - or - output WAV file as input to lame
It's a complicated commandline but I've seen (a
Urs,
On 10/17/2019 5:17 PM, Urs Liska wrote:
17. Oktober 2019 18:59, "Guy Stalnaker" schrieb:
Urs,
I'm thinking you mean here "Frescobaldi on Linux" right (since you also say
fluidsynth)?
I don't "mean" that but it seems that's what I'm talking about.
Howev
I had the same problem with QSynth. But I cannot recall how/if I fixed
it (I've since given up using my old MacBook once Apple also gave up on
it in favor of a new Surface Laptop). But there may be a work-around.
If you run fluidsynth from the command line into shell mode (type
fluidsynth
Urs,
I'm thinking you mean here "Frescobaldi on Linux" right (since you also
say fluidsynth)? I use Frescobaldi primarily on Windows. And though one
can use Cygwin, etc. to install an app like timidity, Frescobaldi does
not "see" it. But I can, and to, have lame installed because I can use
If you're on Windows and use VirtualMidiSynth, it has a convert to mp3
option built in. Run the tool, open midi file, etc. You'll need, if I
recall correctly, to download lame and put the lame dll in the VMS install
folder. VMS docs explain this.
Regards
--
“Happiness is the meaning and the
ks btw for your explanation. Now I'm figuring out how to map it to the
structure I usually use from Frescobaldi's Score Wizard.
Guy
Guy Stalnaker
jimmyg...@gmail.com
On Fri, Aug 23, 2019 at 1:49 PM Simon Albrecht
wrote:
> Hello Ziad,
>
> On 23.08.19 17:28, Ziad Gholam wrote:
> >
Jacques,
Do a search for "merge-rests.ily" -- this is a LP .ily file you can include
in your LP files to merge the rests of differing voices to get a single
rest for places like m. 4 in your score. The file includes usage examples.
I use it a great deal as I mostly write choral m
Much appreciated! Thanks for your work on this.
Best regards.
--
“Happiness is the meaning and the purpose of life, the whole aim and end of
human existence.”
― Aristotle
On Mon, Aug 5, 2019, 11:24 AM Robert Kubosz wrote:
> I know that not all Lilyponders use Frescobaldi, but certainly all
playing an Anglican chant like
this one with whole and half notes. You can add \tempo 4 = ## to your
\global section, or in the \midi { } add thus
\midi {
\tempo 4 = 72
}
Regards.
Guy Stalnaker
jimmyg...@gmail.com
On Mon, Jul 1, 2019 at 8:47 PM Ben Potter wrote:
> I am very new to Lilyp
Thank you.
--
“Happiness is the meaning and the purpose of life, the whole aim and end of
human existence.”
― Aristotle
On Thu, Jun 6, 2019, 2:21 AM Xavier Scheuer wrote:
> On Wed, 5 Jun 2019 at 19:33, Guy Stalnaker wrote:
> >
> > Thanks Phil -- "ha
Thanks Phil -- "hackish" is word? LOVE it :-)
If the output looks good, I'm good.
Guy
Guy Stalnaker
jimmyg...@gmail.com
On Wed, Jun 5, 2019 at 11:33 AM Phil Holmes wrote:
> Don't know how hack-ish you mind as a solution to do this, but using this
> for the music:
>
th {
} \lyricsto "soprano" \verse
\new Staff
<<
\clef bass
\new Voice = "tenor" { \voiceOne \tenor }
\new Voice = "bass" { \voiceTwo \bass }
>>
>>
\layout {}
}
%% SNIPPET %%
Guy Stalnaker
jimmyg...@gmail.com
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Stephan - thanks for the reply. I sometimes despair at my communication
skills. I apologize.
I will look at your suggestion.
Guy
Guy Stalnaker
jimmyg...@gmail.com
On Wed, May 15, 2019 at 3:01 PM mu...@gmx.ch wrote:
> Hi Guy
>
> Nobody has answered up to now. Without being a lil
in the three 8th rests
vertically aligned as expected. But in the "real" score, they are not. Only
difference is that there are multiple parts (flute, string quartet, SATB
choir) as this same point. Flute is tacet, strings all play a half note,
choir has a quarter rest then begins o
sweet!
That is excellent. I'll try and configure my FB like that.
Much thanks.
Guy Stalnaker
jimmyg...@gmail.com
On Wed, May 8, 2019 at 2:13 PM Ben wrote:
> On 5/8/2019 2:42 PM, Guy Stalnaker wrote:
>
> AH!
>
> I have never, in 10 years, clicked on that
AH!
I have never, in 10 years, clicked on that control and saw it was a
dropdown menu!
Much thanks!
Guy Stalnaker
jimmyg...@gmail.com
On Wed, May 8, 2019 at 1:38 PM Urs Liska wrote:
>
> Am 08.05.19 um 20:31 schrieb Guy Stalnaker:
>
> GRRR - why does the Enter key sometimes
ChoirAndOrgan in its PDF Music View module.
So, it appears that FB is choosing the "first" document of the set.
And I answered my own question :-)
Guy Stalnaker
jimmyg...@gmail.com
On Wed, May 8, 2019 at 1:07 PM Urs Liska wrote:
>
> Am 08.05.19 um 19:56 schrieb Guy Stalnaker:
Urs,
I can indeed access the files through the Lilypond menu. But they open in
Acrobat and not in the Frescobaldi PDF display.
I continued investigating and I see ... interesting behavior. I noticed
that my output file names had an alphabetical order:
Guy Stalnaker
jimmyg...@gmail.com
the ReducedScore \book{} and re-engrave.
I have closed FB and deleted the .pdf/.mid files. FB still shows the
ReducedScore when I engrave if all three /book{} are uncommented.
Thanks for your help.
Guy
Guy Stalnaker
jimmyg...@gmail.com
___
lilypond-user mailing
Brett,
Much thanks, that does indeed fix the issue.
Regards.
Guy Stalnaker
jimmyg...@gmail.com
On Mon, Apr 1, 2019 at 8:15 PM Brett Duncan wrote:
> I think you want
>
> \override MultiMeasureRest #'expand-limit = #7 (or whatever value you
> decide - the default is 10).
>
>
english"
\score {
\new Staff {
\clef bass
\compressFullBarRests
\key bf \major
\time 4/4
a2 a4.. a16 |
a2.\> r4\! \bar "||" \mark \default \time 3/4
R2.*8 \bar "||" \mark \default \time 4/4
R1*15 \bar "||" \mark \default \time 3/4 \key f \major
epeat unfold 10 test }
What I engrave this with LP 2.19.82 the a pitches after the temporary
polyphonic context concludes following the \oneVoice are not engraved in
the same octave as the a pitches before the temporary polyphonic context.
Is that supposed to happen?
Guy
Guy Stalnaker
jimmyg.
and
conclude them outside one. If you need to use them, extend the measures in
your TPC. This will produce stems/beams you may dislike but judicious use
of "s" can fix that. Well, that's the only way I know how to use them. More
experienced folks on this list may use other methods.
Guy
Opps. True. No \\ if using my earlier code. Thanks for catching that!
Guy Stalnaker
jimmyg...@gmail.com
On Mon, Mar 25, 2019 at 1:02 PM Lukas-Fabian Moser wrote:
>
> Slight amendation of Mark's suggestion. Since you're doing a vocal
> composition, to keep lyrics applied into this
P.S. Using the syntax from my first email, you don't need any longer the
\sopranoVoiceTwo. You simply put the notes in the { \voiceTwo } location of
the temporary polyphonic context.
Guy Stalnaker
jimmyg...@gmail.com
On Mon, Mar 25, 2019 at 12:38 PM Guy Stalnaker wrote:
> Tim,
>
&g
y polyphonic context {
\voiceOne } and then should continue after the \oneVoice. But note that use
of slurs will break the lyrics placement so you may need to include \skip1
in your lyrics to shift the lyric syllables to the proper note location.
Regards,
Guy Stalnaker
jimmyg...@gmail.com
On Mon,
Wow! None of the dozen or so I did looked anything like that!
--
“Happiness is the meaning and the purpose of life, the whole aim and end of
human existence.”
― Aristotle
On Thu, Mar 21, 2019, 8:55 PM Aaron Hill wrote:
> On 2019-03-21 6:23 pm, madMuze wrote:
> >
I WAS LOGGING in to send an email about this :-)
https://www.google.com/?gws_rd=ssl
Guy
Guy Stalnaker
jimmyg...@gmail.com
On Thu, Mar 21, 2019 at 12:07 PM hen...@chorus.net
wrote:
> Go to the Google homepage. . . their header celebrates Bach's birthday and
> allows you to harmonize a
Andrew,
It looks like it's the English homepage that's gone missing. If I click on
any of the left side links and then on the English language link at the
bottom of the opened page an English-language page does open. Including the
manual.
Guy
--
“Happiness is the meaning and the purpose of
Thank you. I'll take a look at that snippet.
--
"Happiness is the meaning and the purpose of life, the whole aim and end of
human existence."
? Aristotle
From: Barbara Mroczek
Sent: Friday, January 25, 2019 6:36:58 PM
To: Guy Stalnaker; lil
. Having LP show which contexts are which might
have revealed why my \lyricsto "name" was not working.
Guy
Guy Stalnaker
jimmyg...@gmail.com
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All,
Trying to finish this piece and it's giving me fits.
With Tyler's help I got the Solo lyrics where I wanted them. Thanks, Tyler.
But doing this and adding appropriate dynamics for \voiceTwo results in
this:
https://www.dropbox.com/s/z6176sqk913xa45/LPExample_LyricsSpacingIssue.png?dl=0
All,
Trying to finish this piece and it's giving me fits.
With Tyler's help I got the Solo lyrics where I wanted them. Thanks, Tyler.
But doing this and adding appropriate dynamics for \voiceTwo results in
this:
Note the lyric placement in measures 63-64 for the top staff. These
lyrics
All,
Trying to finish this piece and it's giving my fits.
With Tyler's help I got the Solo lyrics where I wanted them. Thanks, Tyler.
But doing this and adding appropriate dynamics for \voiceTwo results in
this:
Note the lyric placement in measures 63-64. These lyrics occur before
the
On 1/2/2019 1:02 PM, Tyler Mitchell
wrote:
On Wed, Jan 02, 2019 at 08:00:31AM -0600, Guy Stalnaker wrote:
And the answer is, "No, I can't incorporate into the larger score."
Follow-up question then: can this type of Dynamics directive be ap
at 08:00:31AM -0600, Guy Stalnaker wrote:
And the answer is, "No, I can't incorporate into the larger score."
Follow-up question then: can this type of Dynamics directive be applied in
a temporary polyphonic passage? Because that's what I'm trying to do. Final
four meas
#"sopranos } LP puts the
dynamics exactly as originally, immediately above the staff, but below the
lyrics, so nothing gained by the added code.
Guy
On Tue, Jan 1, 2019, 11:25 PM Guy Stalnaker Tyler,
>
> That is exactly what I want. Now to figure out how to incorporate it into
>
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