,
and then two more voices for the notes in measure 2.
I've had the same problem before when having to tie and slur between divisi
and non-divisi sections of a score. Hopefully there is a sane method of
getting this to work that I'm not aware of.
- Hayden Muhl
2012/3/21 Janek Warchoł janek.lilyp...@gmail.com
On Wed, Mar 21, 2012 at 7:57 AM, Hayden Muhl haydenm...@gmail.com wrote:
I'm type setting an aria where there are optional low notes for a single
measure. My normal approach when setting instrumental music does not work
here, because
2012/3/21 Janek Warchoł janek.lilyp...@gmail.com
On Wed, Mar 21, 2012 at 7:46 PM, Hayden Muhl haydenm...@gmail.com wrote:
2012/3/21 Janek Warchoł janek.lilyp...@gmail.com
On Wed, Mar 21, 2012 at 7:57 AM, Hayden Muhl haydenm...@gmail.com
wrote:
and non-divisi sections of a score
On Wed, Mar 21, 2012 at 4:31 PM, Trevor Daniels t.dani...@treda.co.ukwrote:
Janek Warchoł wrote Wednesday, March 21, 2012 9:53 PM
Glad it worked for you.
In return for my help, may i ask you for your opinion on how the
documentation should be improved to make the answer easy to find for
What did you use to write this? GWT?
On Fri, Feb 3, 2012 at 2:21 PM, Jonathan Kulp jonlancek...@gmail.comwrote:
Completely Awesome! I'm going to show this to my students. They'll
find this much easier than trying to deal with a separate editor,
opening pdf reader, etc. Thanks for sharing!
On Tue, Jan 24, 2012 at 1:29 AM, Jan-Peter Voigt jp.vo...@gmx.de wrote:
well, I wouldn't call it illegal - but not appropriate to typeset music
following classical rules like Bach or Händel (or Reger or Mahler or ...).
But for the Sinatra example: How would you notate it for an actor,
On Tue, Jan 24, 2012 at 1:56 PM, David Kastrup d...@gnu.org wrote:
Hayden Muhl haydenm...@gmail.com writes:
Regardless of musical style, you should never* see text set like this.
For unto us a child is bo___rn
How you handle final consonants is going
I am a singer, and would like to weigh in.
In my opinion, it is preferable to put the punctuation with the syllable.
The punctuation may have an impact on how the singer wants to interpret a
phrase. If you put the punctuation after the extension line, the singer
will not see the punctuation until
Let's say I have a .ly file of a piano trio. The file has three book
sections, one for each of the instruments, so when I compile my .ly file I
get three pdf files, a piano part, a violin part and a cello part.
Something like the following.
\book {
% piano
}
\book {
% violin
}
\book {
%
PMA-2 wrote:
David Raleigh Arnold wrote:
But it seems that, to post on ISMLP/
WIMA, one *must* commit to public-domain-like status.
I would like, of course, to find a (major, well run) public archive
without such constraints.
Have you actually spoken to anyone over at IMSLP about
I'm trying to tackle the same problem stated in this post.
http://old.nabble.com/Re%3A-Adding-Rehearsal-Marks%2C-v2.12.2-p27204478.html
I understand the concept, but I can't figure out the specific syntax to
make this happen. I have a global variable with skips and rehearsal marks,
but every
On Wed, Jan 18, 2012 at 2:40 AM, -Eluze elu...@gmail.com wrote:
Hayden Muhl-2 wrote:
I understand the concept, but I can't figure out the specific syntax to
make this happen. I have a global variable with skips and rehearsal
marks,
but every time I try to combine it with the music
On Wed, Jan 18, 2012 at 10:45 AM, David Kastrup d...@gnu.org wrote:
Hayden Muhl haydenm...@gmail.com writes:
In the continuo and violin parts, you can see where I have commented
out a
rehearsal mark. Instead of adding that rehearsal mark to both parts, I
want
to use the marks variable
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