On 08/02/18 06:39, klose wrote:
Hi Andrew,
Thank you for your reply but it looks like the ink is dead?
I get a Google "sign in" page, which IMV is worse than a dead link.
(I'm happy with the Emmentaler font.)
___
lilypond-user mailing list
On 04/02/18 05:19, Abraham Lee wrote:
Hi, Hilary!
On Sat, Feb 3, 2018 at 9:42 PM Hilary Snaden <hilary.sna...@zoho.com> wrote:
I have been trying to get LilyPond to generate MIDI versions of some
piano music. The music script renders nicely, and there are no errors or
warnings, but th
I have been trying to get LilyPond to generate MIDI versions of some
piano music. The music script renders nicely, and there are no errors or
warnings, but the MIDI file plays with no dynamics at all. What am I
doing wrong? (LilyPond 2.18.2.)
\score {
\unfoldRepeats
\new Staff
<<
{
On 17/11/17 22:59, Brett M. Gilio wrote:
How many Linux users are out there in the Lilypond community? Do any of
you use other type-setting software such as LaTeX or Csound rather than
graphical tools?
I currently use a Raspberry Pi 3 with Ubuntu 16.04 to run LilyPond, as
my primary boxes run
On 15/11/17 01:13, Andrew Bernard wrote:
Hi Simon,
As a native English speaker, allow me to say that the examples you have
given are not grammatical gender but literary. English does not have such a
thing. Since there are no gendered definite or indefinite articles ('the',
'a') there is just no
On 09/11/16 17:09, David Kastrup wrote:
Thanks for making me stay in the pond as long as I did!
And thanks, David, for your part in changing the course of my life, for
a while at least. It was discovering LilyPond some years ago which
reminded me of the compositions I still had around,
Are Bezier curves practical for making inter-voice and cross-staff
phrase marks in LilyPond? It looks as though this could be quite
labour-intensive, so any pointers or examples before I start could be
useful.
It's for a piano piece where a long melody moves between soprano, alto
and tenor
Version 2.18.2
\hide TupletNumber and \omit TupletNumber are mentioned in the notation
manual, and they seem to do what I want them to. But is there a
similarly straightforward way of restoring tuplet numbers after they
have been hidden or omitted?
--
Hilary
I'm making a score including a number of pieces in \bookparts. If I add
a \layout block to a bookpart, that bookpart ignores my font definitions
and uses the defaults instead.
Is it possible to change sizes etc for each bookpart while still
recognising the new fonts?
--
Hilary
Ah, after a further search I found that it's a known issue:
https://code.google.com/p/lilypond/issues/detail?id=1129
with a workaround by Neil Puttock:
http://www.mail-archive.com/bug-lilypond@gnu.org/msg16599.html
Though this function appears to preserve the fonts requested but not the
staff
On 2014-02-01 04:53, Rachael Thomas Carlson wrote:
Hello Hilary:
Hello Rachael and other contributors
Please excuse a short notation question!
This is a fun question!
[...]
In all cases, one will find that there is an indication of the use of a
capo in the area of the top of the score that
Please excuse a short notation question!
What's the preferred way of notating music for a guitar with capo?
Sounding pitch, or as a transposing instrument (so that a guitar capoed
on the third fret is effectively a guitar in E flat)?
--
Hilary
___
On 2014-01-07 11:44, rosea grammostola wrote:
Is it possible to change tempo for a certain part of the score and make
that also audible in the midi file?
In the template there is:
\midi {
\context {
\Score
tempoWholesPerMinute = #(ly:make-moment 100 4)
}
}
I find it easier
On 2013-11-02 11:54, David Kastrup wrote:
Hm, I like this idea of turning a mailing list into an entirely optional
social networking medium by adding more of a feedback/scoring criterion
than Report Spam.
So the mailing-list continues to function as-is, with a separate system
for maintaining
On 2013-11-02 05:52, David Kastrup wrote:
Gilberto Agostinho gilbertohasn...@gmail.com writes:
I am also totally up for this idea as well.
What's wrong with this list? Everybody wants to take his LilyPond
business to the web interface of his choice that takes a lot of
additional work
On 2013-09-15 14:45, Janek Warchoł wrote:
Hi,
2013/9/10 David Kastrup d...@gnu.org:
Hilary Snaden h...@newearth.demon.co.uk writes:
This (trimmed) example doesn't work as the documentation suggests it
should, in this case to reduce the volume of the organ relative to the
voices. Changing
Is there a way of generating different midi outputs from a single
Lilypond script, similar to using \book with \bookOutputName?
--
Hilary
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
On 2013-09-12 14:32, Frederick Bartlett wrote:
All,
I just installed LilyPond on a new laptop (same OS -- Windows 7 -- as
before), but this time the registry entry
HKCR\Python\shell\open\command\(Default), which is set to C:\Program
Files\LilyPond\usr\bin\python.exe , interferes with my
On 2013-09-10 12:02, David Kastrup wrote:
Hilary Snaden h...@newearth.demon.co.uk writes:
This (trimmed) example doesn't work as the documentation suggests it
should, in this case to reduce the volume of the organ relative to the
voices. Changing the volume values makes no difference at all
This (trimmed) example doesn't work as the documentation suggests it
should, in this case to reduce the volume of the organ relative to the
voices. Changing the volume values makes no difference at all. \dyns
contains dynamics for the organ, each voice part has its own dynamics.
Am I missing
On 2013-09-02 13:50, Urs Liska wrote:
I'm compiling a selection of examples to show LilyPond's output quality.
I'm aiming at a collection of ca. 5 examples (1-page excerpts) of
LilyPond scores tweaked to publication quality and a similar number of
examples of out-of-the-box engraving.
The
Is there a straightforward way of making tempo markings repeat over
selected staffs? I'm thinking in particular of SATB + keyboard, where it
can be useful to have tempo changes marked over each of the choir staves
and the upper keyboard staff.
___
On 24/06/13 03:20, Nick Payne wrote:
On 24/06/13 09:58, Urs Liska wrote:
Am 24.06.2013 00:32, schrieb Nick Payne:
How about considering Gentium Plus once the bold and bold italic faces
are available (at the moment Gentium Plus contains only regular and
italic faces). It's released under the
On 27/04/13 05:02, David Kastrup wrote:
Sarah k Alawamimarri...@gmail.com writes:
Ok. I understand how triplets work. I've played them often enough lol!
but in lily pond according to the manual it says it's written in a
fraction. That's the part I don't get. I'm very horrible at math so is
On 27/04/13 14:41, David Kastrup wrote:
Hilary Snadenh...@newearth.demon.co.uk writes:
\tuplet has a nicer way to deal with tupletSpannerDuration, by the way.
So you can continue using it if you want to, but in a few years,
newcomers might no longer recognize what you are doing even though
On 2013-03-09 13:56, Urs Liska wrote:
Am 09.03.2013 12:50, schrieb David Kastrup:
james james.lilyp...@googlemail.com writes:
On Mar 8, 2013, at 6:33 PM, Tim Slattery wrote:
Mike Blackstock blackstock.m...@gmail.com wrote:
This paper might be of interest to anyone typesetting public
On 2013-03-02 23:30, David Kastrup wrote:
SoundsFromSound soundsfromso...@gmail.com writes:
Yup, check out either of those - both are solid. But I personally
prefer Frescobaldi. Brilliant program.
The amount of comparisons Sarah makes between LilyPond and Braille music
entry makes me
Is there a way of making LilyPond insert a blank first page if the page
breaker starts content on page 2? It's a major pain adding a page once
the PDF has been created.
--
Hilary
___
lilypond-user mailing list
lilypond-user@gnu.org
On 2013-02-21 19:58, Urs Liska wrote:
http://blog.steinberg.net/2013/02/welcome/
These from Daniel Spreadbury tell me most, I think, of what I need to
know about the new project.
Our application will use a proprietary file format... an open source
file format is only any use if you also
On 2013-02-21 23:10, David Kastrup wrote:
Hilary Snaden h...@newearth.demon.co.uk writes:
On 2013-02-21 19:58, Urs Liska wrote:
http://blog.steinberg.net/2013/02/welcome/
These from Daniel Spreadbury tell me most, I think, of what I need to
know about the new project.
Our application
On 2013-01-10 17:23, Reinhold Kainhofer wrote:
On 2013-01-10 16:02, Hilary Snaden wrote:
The flute staff switches to explicit voices after two bars,
That sounds like one of the two flutes has a spanner that is not
ended... Partcombine will only merge the voices, if there are either
Using version 2.16.2 on windoze, I have a chunk of (pseudo-)code like this:
\score {
\new StaffGroup
\new Staff
\set Staff.soloText = #1.
\set Staff.soloIIText = #2.
\set Staff.aDueText = #a2
\partcombine \flutea \fluteb
\set
I need to move the last d in this snippet to the *right* to avoid it
colliding with the fis4 in the other voice. Inserting something like
\once \override NoteColumn #'force-hshift = #2 after the tie doesn't
move it at all. Is there a way of moving it?
{ \stemDown fis2 _~ fis4 e } \\ { d2 ~ d
found no
references to how to do this.
--
Hilary Snaden
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Reading Kirill Sidorov's comments on Lilypond uplist has reminded me of
something which has crept into my composing, arranging and editing over
the last couple of years. I often now find myself annotating paper
drafts with corrections in Lilypondish (Pondish?) especially where the
score is
On 2012-08-06 04:04, Han-Wen Nienhuys wrote:
It is worth reminding that by providing high-quality notation tools
for free, both Musescore and LilyPond have been a contributing factor
in both Sibelius' and Finale (see
http://www.makemusic.com/Pressroom/Default.aspx?pid=555) current
problems
It
Is there a way of making note spacing accommodate \tempo text?
\textLengthOn has no effect.
I'm engraving a piece with a great many tempo changes, and while their
texts aren't colliding, they're overlapping in a way which is less than
clear.
--
Hilary
{}
}
so that the music is transposed in the score, but kept at concert pitch
in the MIDI file.
--
Hilary Snaden
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
with the LilyPond mode do the
indenting. (Having said this, the emacs mode which ships with LilyPond
2.14.2 gets indenting wrong after lines containing manual beaming.)
--
Hilary Snaden
___
lilypond-user mailing list
lilypond-user@gnu.org
https
makes no difference.)
--
Hilary Snaden
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
On 2012-06-04 14:18, m...@apollinemike.com wrote:
On 4 juin 2012, at 01:47, Hilary Snaden wrote:
[Supposed bug report snipped.]
My guess (long shot) would be that if you're using a Dynamics context,
there may be extra space in the context that is pushing it to the end
of the line whereas
After severe problems (which seemed to include a version conflict) with
a Python hack, I uninstalled Python and LilyPond, then reinstalled first
Python and then LilyPond without its bundled Python (largely to see if
it still worked).
So far it /has/ still worked, with my Python script calling
On 2011-11-23 08:17, Keith OHara wrote:
Hilary Snadenhilsat newearth.demon.co.uk writes:
I've tried adding lines like this
(ahh choir . ,(- 53 1))
to midi.scm
That works for me.
I can only suspect that you might have multiple installations, and edited the
.scm file of a different
I've tried adding lines like this
(ahh choir . ,(- 53 1))
to midi.scm so that I can use instrument names which match those in a
soundfont set I use with the LMMS open-source sequencer, but it doesn't
work, giving
warning: no such MIDI instrument: `aah choir'
and defaulting to voice 0. Does
On 2011-09-25 11:13, Janek Warchoł wrote:
2011/9/24 Graham Percivalgra...@percival-music.ca:
On Sat, Sep 24, 2011 at 03:24:18PM +0200, Janek Warchoł wrote:
For what it's worth, i really *really* think that LilyPond and
MuseScore should be integrated.
What does that mean?
- better lilypond
voices with
polyphonic sections within them as necessary.
--
Hilary Snaden
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
, c c, }
}
}
--
Hilary Snaden
test5.pdf
Description: Adobe PDF document
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
These didn't work:
\override Score.NoteColumn #'force-hshift = #1
\override NoteColumn #'force-hshift = #-n [to the other voice]
This *did*:
\override Voice.NoteColumn #'force-hshift = #1
(I can now complete another score which needs this!)
Thanks to those folk who made suggestions.
= #0.5 f e }
\new Voice { \voiceTwo a^~ c_~ f,_~1 a c f, g c c, }
}
}
--
Hilary Snaden
test5.pdf
Description: Adobe PDF document
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
I need to shift a few notes in a lower voice to the right.
These don't work:
\override NoteColumn #'force-hshift = #1
\voiceOne \stemDown \voiceOn[n[n]]
Is there a way which works?
--
Hilary Snaden
___
lilypond-user mailing list
lilypond-user
}
}
}
But this adds the instrument to the header of the first page (which I
don't want as it's already there) and I don't know how to decrement the
page number before printing it.
--
Hilary Snaden
___
lilypond-user mailing list
lilypond-user@gnu.org
https
Version 2.14 appears to have less default spacing between header
contents and score contents than 2.12. How do I change this spacing?
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
correctly.
I haven't so far been able to replicate this in another score. Has
noticed this odd behaviour before?
--
Hilary Snaden
inline: oddfermata.png___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo
Is it possible to place a fermata over barlines in more than just the
top staff in a system? (In this case over all of the staffs in a
choirstaff.)
--
Hilary Snaden
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman
Colin Campbell wrote:
On 11-06-24 05:50 AM, James Lowe wrote:
As far as I can tell for 'normal' use where someone installs,
uninstalls and installs the next version it all works.
But not if we keep installing new versions again and again.
I'm not sure it's that straightforward. I've always
beaming code. Is this still on the to-do list,
or am I missing something? (A workaround?)
--
Hilary Snaden
___
lilypond-user mailing list
lilypond-user@gnu.org
https://lists.gnu.org/mailman/listinfo/lilypond-user
Is there a way of defining a markup and automagically adding it to pages
left blank by the page-breaker? It's not really a problem, but it would
be a nice function to have.
--
Hilary Snaden
___
lilypond-user mailing list
lilypond-user@gnu.org
https
Is it possible to install two different LilyPond versions on a Windoze
box without them interfering with one another?
--
Hilary Snaden
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
Tim Reeves wrote:
The HP 4700DN laser printer I have used jams every time I try to print
double-sided. So effectively it cannot print double-sided. Otherwise, it's
alright.
I do agree though that laser is better than inkjet.
I tested a page from my dirt-cheap desktop laser printer under
the stem lengths. Is this
a known problem, or am I missing something?
--
Hilary Snaden
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman/listinfo/lilypond-user
( bes' ees ges)
} }
}
I've just read Nick Payne's suggestion and found that this gives the
result I was looking for:
\once \override Beam #'positions = #'(-5.5 . -6.5)
I'm posting my earlier findings in case they are of interest.
--
Hilary Snaden
(acons 'padding 0.50 (ly:music-property m 'tweaks)))
m)
but is there a way of defining a new articulation which displays a trill
symbol in parentheses, or tr in plain type, to show editorial trills?
This would be *very* useful!
--
Hilary Snaden
Many thanks to the people who explained how to set the size of
parentheses independently of the notes within them. Alas, this brings
new problems, illustrated by this code snippet.
\score {
\relative c'' {
\clef treble
\parenthesize ces \parenthesize c! \parenthesize cis s
I need to typeset a small note in parentheses, but parentheses usually
render so small as to be very unclear. I've tried various combinations
of \huge \large, \tiny, \parenthesize and \tweak to get a *small* note
within *large* parentheses, but nothing has worked! Any ideas? TIA!
--
Hilary
explicitly change the note lengths in the input file? (If the
latter, I'll probably write a Perl or Python script to process the
initial input files.)
--
Hilary Snaden
___
lilypond-user mailing list
lilypond-user@gnu.org
http://lists.gnu.org/mailman
Is it possible to define custom articulations? I'm looking for an
articulation (called, say, \etrill) which behaves exactly as \trill
except that instead of tr being rendered as a glyph, it's rendered in
a standard upright font. (This is to distinguish editorial trills.)
--
Hilary Snaden
66 matches
Mail list logo
